text:
Worn by royalty, statesmen and movie stars, Albert Thurston have been making classic men's braces since 1820.
The only original New England shoe and bootmaker remaining since the late 1800’s. Alden has maintained it’s tradition of quality genuine-welted shoemaking and is still a family owned business.
The quintessential Savile Row tailor, since 1906 Anderson & Sheppard have been dressing the world’s most elegant and famous men.
A world-renowned tailoring house from Naples, Italy. Now led by the third-generation of the Attolini family, their founder Vincenzo, is known as the originator of the “Neapolitan-style” of tailoring.
Specialists in high quality Goodyear-welted footwear since 1879, Crockett & Jones are committed to maintaining the highest standards of traditional craftsmanship, quality and service.
Founded in 1770 in Dumfries in the Scottish Highlands, Drumohr are renowned for knitwear of the highest quality. Their select clientele include members of the British Royal Family, the King of Norway and Hollywood icons James Stewart and Audrey Hepburn.
For more than a century, E. Marinella has been the most important handmade tie-maker in the world. With a client list that reads like a who’s who of power and politics - from Bill Clinton and Francois Mitterrand to Helmut Kohl, Jacques Chirac and George Bush, Mikhail Gorbachev, King Juan Carlos of Spain, the Kennedys and the Agnellis.
Cut by hand from the world’s finest leathers, each pair of Edward Green shoes are made in their Northampton workshop according to the same principles that have guided them for over a century.
Crafted in Italy, Free Rain Jackets are some of the most durable and unique in the world. Made from quality waxed cotton and quilted Thinsulate with over ten pockets aimed to contain any kind of accessory.
Founded by Cristiano Barbarulo, a descendant of the prestigious Barbarulo family of jewellers, Gemellidapolso are synonymous with tradition and authenticity in handcrafted jewellery. Their cufflinks are famed for their exceptional quality, as well as their exquisite and unique designs.
For over 50 years G.J.Cleverley & Co is where you will find the best of bespoke English shoemaking and craftsmanship.
Established in Japan, 1992, Glen Clyde specialise in making premium socks. All the socks have hand-linked toes for superior quality and comfort but this laborious technique means that only 25 pairs can be produced per day.
Chihiro Yamaguchi founded Guild of Crafts as a bridge between British artisanal expertise and Japanese Classical Art. He is one of the select shoemakers still using the traditional hand-sewn welted technique. More difficult and more time-consuming, but the only way to achieve the highest-quality results.
Italian Trouser makers with three generations of history, Pantolini Torino bring a modern take on classic men’s styles.
Steeped in the atmosphere of a bygone era, Postalco is proof that good taste never goes out of style. This classy range of accessories started life in Brooklyn, New York in 2000, before relocating to its current home in Shibuya, Tokyo.
Private White V.C. pays homage to its namesake WWI hero; Private Jack White. Many items are based on classic wartime pieces, updated with added functionality and detail for the modern man. All clothing is expertly constructed by hand in Manchester, England, where garments are designed and developed using only the finest regionally sourced fabrics, trims and materials.
Founded in 1962, Rota make only trousers, so they specialists and experts in their craft. Many of the best dressed men swear by their cut and quality, like Luca Cordero di Montezemolo, the chairman of Ferrari, who is often seen wearing Rota trousers.
Best known as a Neapolitan shirtmaker, Salvatore Piccolo can be found in a select leading stores from New York to Tokyo. All shirts are made to the same specification with several aspects of handwork and unique details learnt from years of bespoke craftsmanship.
This brand of Japanese bags is produced from Japanese military canvas, woven on 50 year old selvedge looms. The seemingly tough look gradually softens, with the concept to grow with you and become part of your life.
Founded in 1865, Tramontano Napoli has become one of the most respected Italian leather manufacturers. Known for their use of the best leather available, and creating elegant, characteristic designs which lean on Neapolitan traditions.
Recipient of the prestigious Royal Warrant, Turnbull & Asser are one of the finest gentlemen’s clothiers in the world.
Makers of fine Italian belts for over 85 years, William 1930 has retained its handmade heritage. Materials are selected by master leather craftsmen according to the age-old crafts, diligently passed down through the generations.


text:
The North Metro Hockey Association is allowing kids to try hockey for free at the Brooklyn Park Community Activity Center on Sunday, September 30. Organizers say numbers are down and this is a way to attract new kids to the sport.
The North Metro Hockey Association may be having a tough time attracting new members, but the passion of organizers hasn’t dimmed.
“You can play hockey for the rest of your life,” says Chris Hay the North Metro Hockey Association President.
The North Metro Hockey Association in Brooklyn Park says playing for their organization is like being a part of a family.
While the game of hockey is fun, the North Metro Association is having a hard time attracting new talent.
Along with free registration, new members can also cut costs by renting their gear.
The sport gives kids the opportunity to work together in a team environment.
The kids also work with coaches who help them achieve more than just goals on the ice.
To help boost their enrollment number the North Metro Hockey Association is hosting a free event this Sunday. The event will be from 10:30 A.M. to 11:30 A.M. at the Brooklyn Park Community Activity Center. Gear will be available for the kids to wear.

industry_corpus2: Sports


text:
Dream On | I Want Ice Water!
This song… Just listen… and read.
A true classic by any tag.
Dreams are important. Almost any situation is ‘bearable’ if we have a dream to sustain us/carry us over a bad situation.
But once we lose our dreams, are we really living?
Isn’t there a close link between having a dream and having ‘hope’?
I think the two concepts are inexorably entwined. While “dreams” may involve specific aspirations, the “hope” that dreams can come true must be there before they are even be conceived.
We all need to ‘Dream On’, my friend !! It truly is the one thing that keeps us sane !
So true. So true. Thanks my friend.
Nice. . . Nuff said.

industry_corpus2: Film & Entertainment


text:
It didn't take Donna Doyle and me very long to connect on the phone.
We're both parents of student-athletes.
Both of our sons get good grades.
And we've both said the following five words to them multiple times: "Boy, pull your pants up."
"He will tell you this is one of those times he should've listened to his mother."
The "he" Doyle is referring to is DeShon Marman, a University of New Mexico football player who was arrested Wednesday for essentially not pulling up his pants. At least that's how the national headlines are framing the incident. Marman was in San Francisco to attend the funeral of his best friend. Before he boarded his flight on his way back to school, three US Airways employees reportedly asked Marman to pull up his pants.
What happened from there isn't clear.
Police Sgt. Michael Rodriguez said Marman, 20, told airline officials he didn't have to. Marman said he told officials he would as soon as he had a free hand. All we know is one thing led to another and the next thing Marman knows he's calling his mother to tell her he's on his way to jail, not campus.
But the story is a lot more complicated than Marman's sagging pants.
It's about abuse of power and the stupidity of youth.
It's about the subtleness of institutionalized racism and rebels who don't understand the cause.
It's about how an isolated incident that got way out of hand really isn't isolated at all. It's just another example of how young black men continue to struggle to find their place in a world that's indoctrinated to fear them.
Now before white folks get all bent out of shape, I am not trying to blame "the man" for Marman's arrest. If the dude had just pulled his pants up like his momma told him, he probably wouldn't be in this mess.
But the reason that black parents like Doyle are on their sons about something as mundane as pulling up their pants is not that they're too old to understand but rather that they're old enough to understand the world all too well.
This conversation isn't about the race card.
This is about the race façade.
Although I used the word "caricature" to describe this image, capitalism packages it as authentic. Although I use the word "caricature" as though it's an exaggeration, statistics about the number of black men arrested each year reflect a great deal of truth. Although I use the word "caricature" to suggest harmlessness, the reality is that aspects of black culture continuously inject an image of "gangstas" and "thugs" into the veins of mainstream media, making it difficult for anyone to be immune to its subconscious effects.
There is nothing harmless about that.
"Boy, pull your pants up" does not mean that parents just don't understand but rather that parents -- especially black parents -- understand all too well.
"I don't condone it," Doyle said about how her son wears his pants. "But it's a trend, and more than just black kids are doing it. White kids do it. Asian kids do it. But it's the black kids that get seen as criminals.
"We all have to remember as parents when we talk to our children that we are trying to guide them to do what is right and hope they listen and do what's right when we're not there. But children also tend to want to try things their way. It is what it is. Everybody makes mistakes, and this was a mistake for Deshon."
With all of that being said, US Airways owes Marman and his mother an apology if this situation played out as the family describes. No way should a conversation about baggy pants end in the young man's arrest. Trained professionals are supposed to defuse nominal situations like this, not escalate them for arbitrary reasons. An airline spokeswoman said that US Airways has no official dress code, and the phrases she used -- "appropriate manner" and "comfort of all our passengers" -- are about as subjective as "beauty."
Besides, in an incident earlier this year, Huffington Post founder Arianna Huffington got into a verbal spat with another passenger on a United flight. Huffington was removed from the plane after she ignored the flight attendant's request to turn off all electronic devices, yet she avoided handcuffs. If violation of a Federal Aviation Administration law concerning the safety of the aircraft isn't enough to get someone arrested, how did saggy pants get Marman in handcuffs?
He's big and black and was dressed in a way that many interpret as thuggish, and his reaction to being asked to pull up his pants did little to help matters.
But life isn't fair. It just is.
And Marman was lucky that being arrested was all that happened.
Doyle, who said she received a supportive phone call from Lobos coach Mike Locksley, said that when her son told her what happened, she immediately thought about Oscar Grant, the 22-year-old unarmed black man who was facedown when he was shot in the back by a transit police officer in Oakland two years ago.
That, too, started off as a minor altercation but ended with a young man's death.
"I have to be thankful they didn't pull out a Taser or pulled a gun out," the Bay Area resident said. "I have my son here today because it could've been a lot more worse than it is now."
That's why Doyle and I got along so well: We understand the pressure of trying to teach our young black men how to stand up for themselves in a world that's geared to gun them down figuratively and literally.
"Right now we're just trying to get him home and back to school, and then we'll go from there. I just want him back in school where he belongs."
Yes, school is where someone who has academic and athletic scholarships belongs. And I suspect, "up" is where his pants will be from now on.
LZ Granderson is a senior writer for ESPN The Magazine and a regular contributor to ESPN.com. He can be reached at lzgranderson@yahoo.com.


text:
#1) Engaged employees are more productive. Jim Loehr and Tony Schwartz, in their book Power of Engagement, say “engaged employees produce more, make more money for the company, and create emotional engagement and loyal customers.” A Hay Group report found offices with engaged employees are up to 43% more productive. Gallup found, beyond productivity and profitability, engaged employees are safer, and their retention levels are higher. They are your employees with the creative and innovative contributions.
#2) Disengagement comes with a frightening cost. The same Gallup poll cited above claims the lower productivity of actively disengaged workers cost the US north of $328 billion! However, the contagious effect of disengaged employees in your workforce is more directly visible and discouraging.
Will Felps and Terence Mitchell, a professor of management and organization in the Business School and UW psychology professor, did an experiment to see what happens when a bad worker joins a team. They divided people into small groups and gave them a task. ‘One member of the group would be an actor, acting either like a jerk, a slacker or a depressive. Within 45 minutes, the rest of the group started behaving like the bad apple.
You have disengaged employees. Gallup results note almost three quarters of employees today don't consider themselves 'actively engaged' in their work. This large lot of folks are not likely the disengaged bad apple types, but they do impact productivity and progress.
Respect - Engaged workers feel respected. They are consulted on work assignments, their input is valued, and they feel listened to. Respect their lives outside of work as well.
Communication - You should have regular team and individual meetings. Relay what is going on in the business, successes and failures, and plans for the future. Brainstorm together and answer questions. They are often much closer to the core issues of your business and have good ideas for process and product improvements. Weave in the values of the company and share how their work is creating meaning to customers and their world around them.
Collaborative Decision Making - Good employees want to see how their work fits into the bigger picture. More importantly, they want to know their expertise and work has influence. They want to be consulted on areas that effect their jobs.
Challenging - Smart and invested employees don’t want to be doing routine tasks all the time. They are willing to do the work that needs to get done, but they look for challenges. Stretch your expectations of employees.
Focused Goals and Framework - These days I’m leaning away from ‘official’ performance reviews, but you should clearly lay out expectations. Give structure to tasks, assignments and discuss desired outcomes. Give feedback, good and bad, on progress.
Accountability - Have you ever worked hard on a project only to find it was never really a company priority? Have you ever seen a co-worker's success, or failure, go completely unrecognized? There is nothing more demotivating. Ultimately, we need to be held accountable, and we need those around us to be held accountable.
Sense of Team/Relationships - Your employees want to contribute and belong to something bigger than themselves. They also work alongside people, communicate constantly, and take and give orders. You need to recognize and foster this by acknowledging team efforts, exploring new tools for collaboration and creating opportunities for team building.
Chances for Reward/Opportunity - Employees strive on learning new things and developing. Some employees want the chance to interface with clients, some want to travel, some want to be part of product development and others want to move from accounting to sales. Talk to employees regularly and find out what motivates them. Look to provide training where it is needed and wanted.
Networking and Community - Don’t let your company and employees exist in a bubble. Attend industry events and organize a professional mixer or workshop. It’s a great way to meet others (potential new employees, resources, customer referrals) and give a chance for employees to brag about what they do. Volunteering allows you to give back to the community and is enriching for employees.
Workplace Environment/Culture - You don’t need a Foosball table or catered lunches. Those might be nice, but creating a desirable workplace environment can be cheap and easy. Get bagels delivered once a week, get a local artist or employee to paint a mural, have a wall of employee photos. Make your workplace unique - a place where your employees want to be and want to tell others about.
Is your team engaged? What works well for you and what will you do immediately to increase engagement?

industry_corpus2: Subject Education


text: Classmate and friend gathered at Weber Park on Thursday, August 25 to show support for Brooke Engelland. Brooke is taking chemotherapy for Ewing Sarcoma bone cancer. Volunteers from Sidney’s Hairdressing College, Bella Studio Salon and Mosaic Salon gave those wishing to support Brooke with haircuts consisting of the cancer awareness ribbon or full head shave.

industry_corpus2: Health & Medicine


text:
Stepan Volkov forfeited his future when he was paid to forget his past.
Forced to adapt, he ultimately became the world's most wanted killer... feared, vicious and brutal.
A tool of the Organizatsiya, a Russian crime syndicate that forged him into 'The Wolf', he's pursued by American spies and Australian agents, torn between his need to survive and his desire to be free.
When a shock encounter in Australia uncovers forgotten secrets and threatens uneasy allegiances, Volkov suddenly sees a choice... one he thought would never be his to make.
With a billion-dollar international oil deal threatening to shift the global balance of power, will Volkov return to Moscow to wage war for the Organizatsiya, or will he find the courage to escape with a vengeful thief whose life he destroyed?
War defines the first decade of Graham Potts’s adult life.
Potts has been known to have inspiration strike at inappropriate moments – such as when out on the wing of an aeroplane! That may sound as dangerous as one of his plots, but as an active member of the Royal Australian Air Force, it is merely an occupational hazard.
Despite challenging and ongoing RAAF assignments his inner strategist has finally acknowledged the truth: writing is his passion.
Graham has a thirst for literature and appetite for intrigue. His action-packed style throws you into international conflicts closer to home than you think. He tells stories that captivate, thrill and touch on the truth. And if you buy him a scotch, he might tell you a tall one or two.
Being from a Defence family that was always on the move, Graham has lived in nearly every state of Australia. His early love of reading and writing was sparked in primary school, where he discovered stories were something he could easily take with him.
Graham Potts is now taking his story to the world.
Thanks to everyone who entered, this giveaway is now closed.

industry_corpus2: Literature & Emotions


text:
Hello to all. I don't speak english (I'm from Brazil), but I'll try use it in the forum.
I'm making a new version of my site, and found some nice scripts in DD for it. One of those is Random Content Colors script. I liked and have tested it in the menu and some divs.
But there is a problem for me: once time I want to put this random color effect in the main menu of this site project, would be more "normal" if the colors' theme just was choose by lot once time per session. In other words, I need the script generates a cookie for save the current color, then the color will not change after every page entrance.
I finally found what I wanted. The name is "alternative style sheets"

industry_corpus2: Computing & Telecommunications


text:
As the hot weather continues, albeit with intermissions of shower and cloud predicted here and there, there’s one thing it’s easy to lose sight of. While our attention is diverted, making sure we’re using a decent SPF if we’re going to have prolonged exposure to the elements, we can forget to drink. We may be looking after ourselves in 101 ways, making sure we have regular gay massage and eating a sensible diet, while wearing airy garments made of linen. But if we’re dehydrated, that’s not going to count for much. As we experience week on week of scorching temperatures, it’s a wonderful time for staying put for a holiday, but keeping ourselves topped up with water is absolutely vital. Typically, when we get these rare heatwaves, GPs experience more and more patients presenting with unexplained headaches, exhaustion, sluggishness and lethargy. What they don’t realise is that they’re simply dehydrated. Keeping an eye on fluid intake is essential for a safe and successful summer.
Who is at risk from dehydration the most?
The most at-risk groups are, as usual, infants and the elderly. If you have a child under six months, then you should know that children of that age-group can dehydrate incredibly fast and you should stay aware for signs including drier nappies (less urine and the soft area at the top of the head known as the fontanelle looking more sunken than usual. You’ll also notice that when the baby cries, the tear production is considerably reduced.
The only good thing about dehydration is that in its early and mid stages, it can be halted quite simply by taking little sips of water. Little and often is better than huge, great gulps. You can also reduce the risks of getting dehydrated in the first place by favouring foods that have a high moisture content such as soups, lollies, watermelon and other juicy fruit.
Gay massage in London is a wonderful way of getting out of the sun and into a healing environment, so once you’re on the mend, don’t forget to book.


text:
Michael Neno is a cartoonist, letterer, and comic book creator. He sent me a copy of the most recent issue of his self-published comic book, The Signifiers. It was a blast to read, and I wish more people were turned on to this unique and exciting comic book.
The Signifiers #2 continues the story of “Splash” (whose last name might be Henderson). He is a young black man, with a Summer of Love vibe, who must either obey or fight a mysterious force called The Voyst. Early in issue #2, Splash is having breakfast with The Signifiers, when one of them, Maria, gives him a box of breakfast cereal. At her behest, Splash reaches in and removes a strange device, the Ypytlic. What is it? Can anyone tell him? A visit to Tiffany and to his Aunt Sharon might yield answers.
Meanwhile, in Hippyland, Landlark the Heat-Seeking Dwarf joins a group of free spirits to tap into the Voyst, with trippy results. Also, meet Fearful and Joyful, two members of the four freaks known as the Emotionists.
THE LOWDOWN: When I reviewed The Signifiers #1, I wrote that one of the first things that captured my imagination about comic books was that the pictures they held within their flimsy covers were strange and full of weird-looking things. Comic books were fun to read and decipher, and the unique graphics and iconography kept me reading comic books even when I didn’t completely understand what they were trying to tell me.
Obviously, I still love comics, even when I am having trouble figuring out the contents. I still don’t understand the world of The Signifiers, but I am less clueless after reading #2 than I was after reading #1.
Obviously, The Signifiers is graphically and spiritually similar to Jack Kirby’s Fourth World comic books for DC Comics. There is also a passing resemblance to some early Marvel Comics titles, including those drawn by Kirby and Steve Ditko. However, in spite of influences, The Signifiers is stubbornly different. It is as if Neno has put a solid, brick wall between his influences and inspirations and the work he produces. You might recognize the source, but you better recognize Neno’s distinctive creation.
The result is a really cool comic book and comic book package that offers more than most comic books. The Signifiers gives the reader more than the standard 20 to 22-page cover feature; there is also a short story or two. While I am enjoying The Signifiers, at the same time I am trying to unravel it, I can also enjoy Landlark, the rough-looking dwarf with a nose for cool adventure. The Signifiers #2 introduces The Emotionists, and I promise that the three-page introduction is not enough.
The Signifiers #2 also includes an interview that Michael Neno conducted with fellow comics self-publisher, Tom Scioli, whom readers might know from the Kirby-esque series, Godland (written by Joe Casey). What Scioli has to say will likely prove invaluable other for self-published comics creators.
Believe me when I say that The Signifiers #2 is a steal at $5.95. Three excellent comics serials, plus an interview with some crucial and valuable information: could I ask for more? Yes, I want The Signifiers #3.
POSSIBLE AUDIENCE: Readers looking for old-timey that is a fresh and good-timey will want The Signifiers.


text:
Star Wars The Empire Strikes Back Black and White Complete Set 1-150!
Star Wars: Episode V: The Empire Strikes Back STEELBOOK (Blu-ray,1980) NEW!
Star Wars:The Empire Strikes Back Imperial Cruiser.
Star Wars: The Empire Strikes Back YODA Embroidered Patch NEW 3.5" x 2.25"
Star Wars The Empire Strikes Back National Geographic Poster 1980�31" x 20.5"


text:
The developers of these medicines are the highest authority on how a medicine works, its interactions with other compounds, its efficacy other information that would be important to the health outcomes of a patient. It stands to reason that a medical practitioner would consider information from the maker of the medicine when making an informed decision about prescribing a medicine.
When these interactions take place, we provide clear information about payments or other support provided to healthcare professionals through our ACCC authorised Code of Conduct.
Medicines Australia members are proud of their Code of Conduct. It is robust and has been in operation for almost 60 years. The Code of Conduct is the Australian benchmark for accountability and transparency reporting in the therapeutic goods sector. This is the same standard that pharmaceutical companies are held to in Europe, and significantly more detailed than industry self-regulation in the USA.
A change in edition 18 of the code altered the way meals and beverages offered to healthcare practitioners was reported. This was done as a reflection of the minor nature of these contributions, and the extra administrative burden this placed on both pharmaceutical companies and healthcare professionals. This may account for the decline in reporting so judiciously highlighted in the latest Sydney University churn of our transparency data – although it’s worth noting, that the research referenced is over a year old, and does not outline their methodology.
It’s ludicrous to suggest that a modest lunch would sway the opinions of medical practitioners – whether it’s captured under our code or not. Suggestions like the one published in today in the BMJ do nothing but undermine a patient’s confidence in a robust and accountable system, seek to break the trust that is fundamental to all those involved in delivering medicines to patients, and insult the judgement of healthcare professionals.
Moreover, when a doctor is working a 12 hour day, and uses their six minute lunchbreak to inform themselves of the latest developments in medicines, it seems appropriate that they be given a sandwich.
Medicines Australia is currently undertaking an important review of our Code of Conduct. This new revised Code is more principles-based, reflects an evolution in the way our businesses and the people we interact with, and is being developed with the knowledge and support of our important stakeholders such as those within the medical fields.
No From the Chief Executive were found for 2019.

industry_corpus2: Biopharmaceuticals


text:
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text: Melinda is safe and sound minding the counter in her small town convenience store. Cody, a dashing stranger, waits and waits for a bus that’s long over due. Neither one seems so content with their lives.

industry_corpus2: Hospitality & Catering


text:
Corinna is a professional pixel pusher at Needmore. She shares her insight on the design process and lessons learned from moving to from a print to a web focus.
Recorded Tuesday, September 3rd, 2013, and this is episode number 27. Follow Ray, Kandace, Dan, or Needmore on Twitter. Please rate our show on iTunes!
I am excellent. And yourself?
I’m great. I’m excited to be sitting in the job seat where so many greats have come before.
More are yet to come, I’m quite sure.
So, yeah, it’s the launching pad of some kind. So why don’t you, I’m actually curious, because I know you’ve told me little bits and pieces, but . . . First of all, where were you born?
I was born in the mile-high city of Denver, Colorado.
So I actually grew up in Southeast Denver, which a lot of people, when they hear I grew up in Southeast Denver, say, “So you mean like Aurora?” No. Southeast Denver.
Right off of Colorado Boulevard and I-25.
And could not have been born to two more different parents. My dad is 6’2″, Swiss descent, blond hair, blue eyes, and my mom is about 4″8″, full-blooded El Salvador.
And brown eyes, brown hair. Totally spicy. Where my dad’s very stern, my mom is very emotional and very feisty.
Okay. Interesting. How long did you live in Colorado then?
I lived in Colorado till I was 19. So I went to school there, and had a pretty stable, ordinary childhood. I was definitely the kid that would go to the library and check out a stack of books taller than myself, and did a lot of reading, and spent the summers just lounging. Took it easy and went to high school in Thomas Jefferson High School.
Okay. So where did you go from Colorado?
Well, to sort of balance out the very stable and secure childhood I had in Colorado, I decided that when I was in my late teens to be a little bit more of a thrill seeker. So when I was 18 I did a lot of traveling. And I travelled, as soon as I graduated from high school, I travelled to Egypt with my boyfriend for a month.
And we travelled all over. We saw the pyramids. We stayed out in the desert with Bedouins and slept under the stars. We hung out with camels and drank wine under the stars. It was great.
Are camels as mean as they say?
But I had this sort of magnetic, magical touch with the camels.
That the Bedouins would always sort of tease me about because I loved to just play with them. And they’d sort of sit down and look at me, and they do spit an awful lot. So it was great to get a sense of outside of the United States. And then after that, I traveled to New York for two weeks. I had family in New York and Chicago. So I traveled to New York for two weeks and spent time with family, and I traveled to Chicago for two weeks. And at the end of that time period I sort of didn’t really know what I wanted to do. I knew that I wanted to do something that was artistic and business minded, but I didn’t have a set profession in mind, and I didn’t think it was really wise to jump right into college without knowing what I wanted. So I took a year off, and I worked that last year in Denver. I lived right in downtown. I had my own studio apartment. And when you’re 18 and you’re on your own in your own studio apartment, you feel very cool, you know. And I talked to a lot of people. And eventually I came across graphic design.And so, I really loved this idea of being a designer, because it was such a great marriage of business and art. And in high school I had been really passionate about art, and I was actually really into ceramics and did a lot of ceramic work. And so I was talking with my cousin, and he said, “You know, there’s a great school of Chicago, the University of Illinois at Chicago. They’ve got a great design program. So what do you think about coming to Chicago?” And I thought, “Let’s do it.” There’s nothing wedding me to Denver, so Chicago it was. So at 19 I moved to the big city of Chicago from Denver, and it was so different, but in such a great way. It was so vibrant, and always on the go. People in Chicago are always moving, moving, moving. And when you’re really young, that’s what you want.
Because, it’s like the night life is great. People are out till 4:00 a.m. There’s always some new festival or new book or new author or new something coming out to explore. There’s always a new restaurant. So I had a great time. My freshman year I just sort of ran around and talked with a lot of people. I’m always talking to people. That’s a theme that comes through in my life. And then when I was a sophomore, I became an RA in the dorms, and I was an RA for the next three years. So I was in charge of different students and got a great perspective that way. And graduated four years later from the university with a bachelor of fine arts in graphic design.
Nice. Okay. So that’s interesting. Now I know that you also have mentioned that you have sort of maybe a second career or something as a yoga instructor. Can we talk about that?
Okay. Tell me about that. Tell me how that fits into this.
Well, so I love design. I love the fact that we can communicate with people and inspire people and share great messages and tell great stories. But when you’re a designer, often you are on the computer a lot nowadays. And so, it was about maybe three years into my design career, and I was starting to get a bit stiff. I was always on the computer. And so I found this love for yoga. And what I really love about yoga is it really gets you back in your body, and it really brings you into the moment. And so I started doing a lot of yoga. And I came across a yoga studio in Chicago called the Temple of Kriya Yoga. And it was very old school zen yoga, when you sit and meditate. They teach you the basics of hatha yoga, and I really fell in love with it. So I was working full time as a designer, and at the same time going to school to become certified. So I am certified as a 200-hour yoga instructor, which eventually I would like to have sort of one-on-one clients. I don’t really foresee myself ever teaching in big classes. But I do love that one-on-one teaching experience.
Okay. So do you still find that that’s, sort of plays and inspires your graphic design.
I do. I do. You know the two interplay together to make me sort of a more holistic person. And I think that, you know, yoga really raises an awareness of who you are and in the moment you’re with yourself and you learn a lot about your ego. You’ll go to those yoga classes, and there’ll be someone that can do a handstand, and you’re struggling to be in down dog.
And so you learn to be a little bit more forgiving of yourself, and to be a little bit more patient with yourself, and I think that comes into play a lot in design, because you learn to see other people and their stories with a little bit more compassion and empathy. And then you also learn to have this sort of reverence for your clients’ stories, and the ability to be able to share that with the world is such a gift. So I think the two play very well into one another.
How do you approach thinking about? So obviously we here do web design. But you’ve done print and lots of different kinds of design. How do you really get your head around what a project needs? How do you think through that process? Besides meditation. Is there something you do? I’ve never seen you . . . Maybe you do meditate over there. That’s fine. But is that, you know, how do you actually get into that mindset, or think through that?
It’s always evolving. And the most important step is to figure out two key pieces. One is you want to figure out who you’re talking to. so who’s going to be using the website. And once you’ve figured out who you’re talking to, you really want to get in their head. What do they need? What do they want? What are they interested in? and then it’s about asking who your client is that is going to be creating the website with you, and what are their needs and their wants. And the real key there is to figure out what makes them special. Because everybody, whether it’s a business, or a sole proprietor, or whatever your goal is, you have a story to share with the world, and you have something that makes you special. And so if you can find what makes you special and share it with the people that need it, bingo, you’re in business.
You learn to see other people and their stories with a little bit more compassion and empathy, and then you also learn to have this sort of reverence for your clients’s stories, and the ability to be able to share that with the world is such a gift.
Yeah, that’s interesting to balance those two. Two audiences, really.
Yes, it is. You know, and sometimes one doesn’t talk as nicely to the other. But more often than not they do.
Yeah. That’s interesting, because I almost feel like sometimes part of our job is to connect those two audiences in a way that maybe they’ve never actually . . . It’s like sometimes I feel like you might have a client who isn’t quite aware of who their actual audience is.
Or potential audience, I guess, if they’re trying to grow their business. But I’m getting ahead of myself here. Let’s back up. So you’re still in Chicago.
Where we left off, yeah. So you’ve completed a four-year program. And then what happens?
So I completed a four-year program. It was my last year. So I guess I had not quite completed it.
It was my last year at school. And one of my professors came to me and said, “You know, there’s this design firm in Chicago that is looking for an intern. Would anybody be interested?” And so I had a couple of colleagues that were more of, “Well, we’re seniors. We’re not looking for an internship. We’re looking for a job.” And I looked up the firm, Essex 2, and I thought, you know, this is a great opportunity, period. So, yeah, I would love to interview, and I’d definitely be interested. So I had an interview with the partner of the firm, Nancy Essex, and it turned out her son and I shared the same birthday of July 14. And we’re having this great conversation. The interview’s going really well. And she goes, “You know, I think this may be a sign.” And so she called me a week later and offered me the internship. And I interned there for nine months. And after nine months, they hired me on full time. And I ended up working there for the next five years.
Which is a pretty long run, you know,.
In Chicago, especially, they seem to have a bit of a turn-over sometimes.
Yeah. Okay, so, yeah. Then at some point you ended up in Portland. How did that happen?
Yeah, well, you know, it’s interesting because in my life I have lived in Denver, Chicago, and Portland. And I sort of had childhood ties to both Chicago and Portland. So if you had told me when I was 15 that I was going to live in both one day, it would have made me laugh. But now I see how those early influences really played into the later years. When I was younger, we would always go and visit Chicago every two years to visit my aunt. And my half-sister from my father’s first marriage lived in Oregon. And so growing up we would always get the Marion berry mix of the pancakes and the syrups, and she’d send these beautiful pictures. So a couple years ago my sister suggested that we come and visit Portland, Oregon. And my husband and I both looked at her and thought, “You know, we’ve never been. We don’t know anything at all about Portland. But sure, we’d love to give it a try. It’s been so highly recommended, let’s go check it out.” And we immediately fell in love. I mean, it was just head over heels. And so I think it took us about two years to kind of come to grips with the fact that we really wanted to live here.
And were willing to do what it took, so . . .
so you both moved here and found gainful employment? Or how did that work out?
We did. You know, we definitely did a bit of a dive off the cliff. Because we were really both set up. We were in solid jobs in Chicago. We had great family and friends out there. There was nothing wrong with Chicago . Just we had fallen so in love with Portland and everything that Portland had to offer, and so . . .
So you hadn’t already been thinking of leaving Chicago? It was just the trip to Portland that kind of changed your mind?
Yeah, you know, we came to the coast and were really sold.
And then you spend the next two years sort of figuring it out. And yeah, we both took the dive, and everybody thought we were crazy, and they were a little bit sad to see us go, obviously. But I had my brother-in-law and my nephew out here, who were very supportive of us coming out. So we packed everything up in a little crate and drove across the country with two cats in the back seat. Always a good time. And we started afresh, totally fresh. And I think we were at that sort of gifted point where you aren’t really, you don’t have roots deep enough that you have to stay anywhere, and you’re a little bit naïve that you kind of feel like you can do anything still. You know?
So we were like, “We can do this. We can do anything.” And we have. My husband has found a great job that he loves out in Oregon City. And I found Needmore, which, very excited to be here. Going on a year shortly here, a couple more months.
Yeah, that’s true. Yeah, you must have . . .Yeah, you were three months behind my daughter. I consider, like I think of ages like my kids’ birthdays, and I’ve based everything around those birthdays. But yeah. So when you came out here, did you guys try to drive straight through, or did you stop anywhere on the way.
Did you see Mount Rushmore?
We didn’t see Mount Rushmore. We did get to see Minneapolis, which I was excited about, because I’d never been there and wanted to see the land of thousand lakes, ten thousand lakes. And we drove through Idaho, through Coeur d’Alene, which I hadn’t seen that before either. North Dakota, not a lot to mention there. There was a lot of dust.
Is that where Mount Rushmore is? Or is that in South Dakota?
I think it’s in South Dakota.
Yeah, so we were a little bit too far north. But, you know, let’s just say that once we arrived in Portland after six years, or six days of being on the road.
We were very grateful that this was the new home.
How did the cats do on this?
They were also very grateful it was the new home. But we arrived on July 4th, and so it was literally, we got the keys to our apartment, threw everything down in the apartment, made sure the cats were comfortable, and we headed down to the riverfront to watch the fireworks.
It was a great welcoming.
That’s pretty cool. So just talking about design for a minute. When you were in, at your last job, you were mostly doing print design. Is that correct?
I did print throughout. And then the last three years I did website design.
How have you found that web is different in terms of what kind of skills it needs. Or how do you approach web differently than you did print?
I think that when it comes to web design, first and foremost, the thing that all designers need to just sort of let go of is a little bit of control.
Because, when you’re working in print, you’re working in a fixed environment. You have control over the detail of every little letter, and every little speck of space. And when it comes to the web, you no longer have control over things you’ve always had control over, like color, the monitor. How something looks on one person’s monitor is going to be different from how it looks on another person’s monitor. Or type. You’re used to being able to say I want this type face at this size, and that type face might not even be available on somebody’s screen. Luckily now with things like Type Kit, we’ve evolved past that. But still, it may not be displaying properly. And so you just have to let go of that element of control. You also need to think a lot more about, it’s not so much of a linear path anymore. You know, when you’re designing books or brochures, for the most part, people are really going to flip through in a more linear fashion. But when it’s on the web, people can jump from one page to another, and you don’t have control of pacing as much as you do with print. And so you really have to think about making sure that the different avenues that somebody could walk through make sense from every angle, and that you’re really offering the most important information as quickly as possible. When it comes to the amount of information you’re presenting, that changes as well. In books it’s all content. You can have books of nothing but words and beautiful language. But when you’re coming to a website, often you really want to have as succinct and easy to skim language as possible, and then offer more in depth things, whether that’s a PDF or something else that people can get to.
Yeah. I was actually thinking about this. When I was thinking about this interview, I was thinking . . . I think the most interesting thing we talk about are sometimes like, I feel like you have a more, you have a formal education, for one thing, which I do not, and you understand print, which I do not. And I think it’s really interesting. Because I was thinking about how in print, the little experience that I have with it, it’s kind of like you . . . Like there’s a phase where you as a designer create basically a specification of what it should look like. You can proof it a little bit. But you don’t get to, you’re not part of the actual mechanical printing process typically. You send that to a service bureau or whatever, who has a pretty standard procedure. You may have looked at the pantone colors. You know what colors, what they’re going to look like on paper, etc. So it’s a very formal, refined process that, to some extent, some pieces of it have been around for 500 years.
Whereas, on the web it’s like, well first of all, you could almost think of it as our production department is Dan.
He’s a very good production department.
Yeah. He’s the actual printer. But then I was also thinking, in some sense, he’s half of it, and then the visitors device, who looks at the website, is the other half.
Because even after Dan works on it, it’s still like the thing doesn’t actually exist until it’s rendered on a . . . I’m kind of going off here, but until it’s rendered on, and it could be an iPhone. It could be a giant computer. Someone could even theoretically print it out. And it’s interesting because there’s just so many factors. I can’t even, I often think, it’s like that whole grass is greener thing, where we always think, “Gosh, maybe if we did more print.” Because it just seems so easy. But that’s of course because I’ve never really done print. I have no idea how hard it is. And certainly I’ve heard horror stories about people having to get things printed over and over, and this and that, but, yeah.
Yeah, I would absolutely say that the biggest factor between the two is what you do and do not have control over. And learning what’s the priority then. What do you prioritize when there are so many factors.
When there are so many different devices? And it’s an evolving process. But that’s part of what makes it fun. I think, certainly I haven’t done print for 30 or 40 years, so I can’t speak to that. But that’s part of what makes what we do so much fun, is that things are always changing. You do always have to keep learning. And so, if you’re somebody that enjoys learning, and enjoys that good challenges, the puzzles, the puzzles never stop. They’re always coming. And so you always get sort of that thrill of figuring out what’s the proper solution for this. And there is never just one solution either. So it’s about finding the best solution you can with all the variables that you can control.
Yeah, true. I feel like, when I started doing web design, it was probably actually a lot more like print. You sort of assumed a typical X number of pixels, size.
Especially because I started out doing more flash, and it was like you had to assume a certain size. It wasn’t really easy to change that around.
And that environment is more controlled, too.
Yeah. Oh, for sure. But since you’ve been here, you’ve had to learn what a random display does to a design, what a different form factor or different device loading speeds. What of all of those crazy technological hurdles that we’ve put in front of you. Because that is part of our specific process. Not all agencies do that. What of those has been the most challenging, or the most interesting or rewarding of those different things?
Oh, gosh, that’s a great question. What’s been the most challenging, or most rewarding? You know, I would think it would be designing for different break points. And I love the fact that I know what a break point is.
Because, when I first started here, a break point was a point in the day where you took a break. But break points are where the design changes to adapt to different devices. So you would design a break point for a desktop display, or design a break point for an iPad at the horizontal view or the vertical portrait view, or for an iPhone. And so thinking through those different break points, and also learning to ask different questions at each of those points of view. And even just this week in our [inaudible 00:23:54], I was watching a video on responsive design, and I loved one of the questions that the gentleman stated was, you should think about what actually scales up on an iPhone. And that had not necessarily occurred to me before, talking about different buttons that makes more sense if it’s one size in a desktop and an iPad, does it make more sense to scale it up if you’re on mobile? What disappears? What gets bigger? What changes position from the top of the page down to the bottom. And so that is an ongoing challenge that I enjoy. And I’m loving the fact that we really are starting to sketch out designs on the phone and for iPad and for desktop just using pen and paper. I think that’s so great, and something that a lot of young designers make the mistake of jumping right onto the computer. I’m certainly absolutely guilty of that. And there’s so much more freedom to think creatively when you use a pen and a paper in your sketching.
I just thought of an idea for a responsive sketch sheet.
So, you know how sometimes you have a different layout for an iPad, whether it’s portrait or landscape?
So make a template that has a drawing of an iPad on it, and then if you need to do the landscape version, you just rotate it. You can sell that idea. The responsive sketch sheet.
Two light bulb over your head.
Yeah. Okay. Sorry. So, since you’ve been in Portland, have there been any favorite places that you like to go to unwind, to check out, to get inspiration?
Yes, absolutely. Absolutely. One thing that I do every six to eight weeks, religiously, is go to the coast. I am such a big fan of being by the ocean. And of course, that’s from spending the first 19 years of my life land locked, and then being in Chicago where we have Lake Michigan, which is a lot of fun. And then you come to the coast, and Lake Michigan can’t hold a candle to it. It’s so beautiful, and depending on the day it can be so . . . You know, there are those rare days where it’s beautifully sunny and the sand is warm down in Manzanita, and you can lay out.
It can happen, I’ve heard.
It can happen. And then there’s also those days where it’s just so cold and cloudy, you’re almost in a dream. And I love to look at the color palettes as the coast changes. You know, you get these amazing sort of very sensuous grays, that if you really pay attention, you just don’t ever see that anywhere else. And so I love to look to that for inspiration. I love to go and get lost in the city. It’s how I learned how to get around in Chicago, and to some extent Portland as well, is I would just pick a bus or a train route and go get off at a stop and walk around, pay attention. In Europe, they call it being a flaneur, where you just sit and you watch people, and you sort of drink your coffee, and you just pay attention to what are people doing and how are they interacting with one another. I think it’s Daniel Pink talks a lot about doing that at airports. He finds that very inspirational. You learn a lot about what people do and the patterns we fall into. And all of that effectively translates over to design.
Yeah. As far as, have you discovered any hidden gems in Portland that you could share with our listeners?
Oh, yes. Well, you know, I’m . . .
I don’t want to spoil them, have like a rush of people, but . . .
No. No, I think, you know, I’m fascinated about these sort of only-in-Portland experiences, and I hear about them from different people at different times. And so one of them for sure would be this little Thai place, and I believe you and Candace have been there, called Ku Bon Pics Thai Food in Beaumont.
And this, if you haven’t been there, it’s like theater. It’s so fantastic. I mean, you can’t be hungry when you go, because you’ll get hungry over the time. But you go and it’s a whole four-hour experience. The food is delicious. It’s a husband and wife team. And the wife makes the most delicious spring rolls. I’ve been quoted as saying they taste like they come from God’s garden, because the cilantro is so fresh.
But it’s just the two of them. And so you’ll get in, and it’ll take a couple hours. Then I also love things like Prasad downtown. Fantastic, fantastic food. It’s, I believe, all vegan. And so I love to go there for soup. They have raw and hot soup, and really very delicious things.
I should check that out when we’re ready to go down.
Yeah, it’s in this little yoga studio, so it’s really easy to miss. It’s actually in Yoga in the Pearl.
I totally know where that is. Yeah, they used to be a different restaurant a couple of years ago, and it was a raw restaurant. So cool.
There’s lots of great places like Ken’s Artisanal Pizzas in Southeast.
I love sushi, so I’m always on the lookout for a new sushi place. Feel free to send them in, listeners.
So far I’ve loved Masu, and Bamboo are great.
There’s one, I can never, oh, have you been to Yoko’s?
Yes, and it is so good. It’s totally worth the wait.
Yeah, and it’s very affordable.
At least when you’re waiting you get to watch the fish.
Or go to the sea bar next door. But yeah.
Have you been to the Rose Garden?
It was just so cool. I love the Japanese garden. I have a friend that is a member there, and so she and I go quite frequently. Rocky Butte, which was suggested to me by Jen Armbrest.
Beautiful. You can get this gorgeous view of both Vancouver, Portland, and the gorge. And then I love the Vista House. I don’t know who told me about it originally. But if you’re going on the historic highway, you’ll just be driving, and you’ll see a sign that says Vista House. And it’s kind of mysterious to get there. It’s not as intuitive as like Multnomah Falls, or any of the other falls, where you just continue heading straight. You kind of have to turn around to get up there. But once you get up there, it’s this beautiful little sphere. And it’s got marble floors, which is just amazing. And it’s tiny. It can’t be more than like 1,000 square feet little rotunda. And you can see the gorge for miles and miles, maybe a 30 or 50 mile unobstructed view of the gorge. It’s absolutely breathtaking, and totally worth the drive. If you get carsick, be prepared though. It’s very windy to get up there, but it’s absolutely worth it. So these are just some of my hidden gems.
I don’t have a problem with getting carsick, but I might get allergies.
It’s true. They do have wild orchids that grow all along the base of the . . . And this is just yet another, you know, that’s one thing I love about Portland is, you just find such amazing little gems just walking along.
There’ll be things in our neighborhood. My husband and I will go for a walk, and we’ll see all these little hand carved or hand painted rocks with beautiful, inspirational messages that people just put in their gardens.
Oh yeah. Or staple to telephone poles. Or tie to those old horse rings on the street curbside. That’s, I don’t know, it might be one of those things I noticed when I moved here in ’99. Or it might have been something. I mean, maybe people in Minneapolis did this or something and I never noticed it. But I don’t remember there being places to tie up horses in Minneapolis.
You know what I’m talking about, right? Those little rings.
No. Not even in Denver.
My daughter was looking at one of those the other day, and she’s like, “What’s this?” I’m like, “Well, it’s for tying up your horse.” Although it’s probably not legal to bring a horse down this street. But if you do.
You can tie it up here.
You could probably also tie up a goat there, if you had your goat with you, too.
We have neighbors that have goats.
You could tie up your cat there if you really wanted to. So do you have a piece of wisdom about design that you would like to share? It’s kind of a wild card question.
It is a wild card.
A piece of wisdom. Well then I’m going to say what comes to mind absolutely first, and that is to always ask questions. When it comes to design, always ask questions. Because so many of the parts of the design process are informed by new ideas and new, always new, evolving things happening. And so it’s so easy as a designer to do one thing really well, and once you’ve achieved that to sort of just keep doing that. And that’s such a loss to the greater good. You can always be growing and evolving and learning. And it’s hard, it’s hard to ask questions. I think as you become more and more proficient in your craft, you don’t want to be the one asking the questions. You want to leave that to other people. But you can always learn something new. So to always ask questions, and never be a afraid to ask questions. Because if you’re thinking it, somebody else probably is, too.
Good advice. Well, thank you for letting me ask questions. That was a setup, right?
We couldn’t have planned that better if we’d tried.


text:
On what is the oldest continually industrialised site in the UK and close to Leeds city centre, the Kirkstall Forge mixed-use development will comprise 1050 new homes, 300,000sq ft of high quality offices and 100,000 sq ft of leisure, shops and restaurants. The first phase includes Number One, Kirkstall Forge, an award-winning, seven storey Grade A office building.
Working with Design & Build fit-out specialist Ultimate (Commercial Interiors) Ltd, Planet provided a range of glazed partitions and doors which helped create a stunning interior and set a high standard of contemporary workplace design.
For the office entrance suites, Planet installed the LOFT54 industrial framed double-glazed partitioning system in banded, crittall style whilst offering an impressive 45 dB(Rw) acoustic rating. To provide a unified appearance, these were complemented by integral LOFT IsoPro 42 double-glazed doors with a 42 dB (Rw) rating for single doors and a 36 dB(Rw) for double doors. As part of the security requirements, these doors feature concealed electric locks.
Within office suites, the design of a number of meeting rooms saw Planet providing the p54 frameless double-glazed partitioning system which was installed in conjunction with the IsoPro 36 single-glazed doors. The scheme also featured Planet’s industrial style LOFT FireTec fire-rated door product in the corridor area. Incorporating electric hold-open floor springs, the doors are linked to the fire alarm system which keeps fire protection doors open in the event of a fire. Offering superlative fire performance of up to 60/60 (Ei60) fire rating, FireTec doors require minimal framing, whilst allowing for maximum transparency and stunning aesthetics.
To complete the package, reeded manifestation has been applied to a number of glazing sections whilst PPC black steel-faced plasterboards have been installed within the LOFT54 framework to provide specialist signage and to mount access control panels. To allow for movement, +/-25mm deflection heads were required above all screens and doors. Planet has played its part in the creation of a stunning and inspirational office workspace which ensured acoustic, aesthetic and fire performance requirements were met on this landmark office development.

industry_corpus2: Real Estate & Construction


text:
Redmi launched their first smartphone after becoming a sub-brand. Redmi Note 7 is a big success for the Redmi brand as all the device sold out in less than 10 minutes in last 3 sales. The company is looking forward to launching Redmi Note 7 Pro in China after the February 5.
Redmi is also working on a flagship device powered by Snapdragon 855 chipset. As a Redmi brand, they always launched the mid-range devices in the market and we have never seen flagship devices from Redmi. So the company may change the strategy and will launch flagship device in 2019.
Redmi CEO Lu Weibing shared an image on Chinese website Weibo. He shared an image with his crew at Xioami’s Shenzhen R&D Institute where they have discussed the future of Redmi brand. He said we have discussed the new phones and also discussed about two phones in details.
As of now, we don’t have much information about the flagship smartphone from Redmi apart from it will be powered by Snapdragon 855 chipset.
Talking of Redmi Note 7 Pro, It will launch in China after February 5 and can be launch in India on February 12. Redmi held an event in India on February 12 where they are going to launch Redmi Note 7 and Redmi Go smartphone for sure. We can’t say yet if Redmi Note 7 Pro will make its debut in India this soon.
Redmi Note 7 Pro will be powered by Snapdragon 675 chipset coupled with 4GB/6GB RAM and 64GB/128GB of storage. It will have true 48MP camera sensor (Sony IMX586).
While the Redmi Note 7 is powered by Snapdragon 660 chipset coupled with 3GB/4GB RAM and 32GB/64GB storage option. It will have a 48MP sensor which will basically capture a 12MP picture in bigger pixel size.


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I am often asked if a child can claim compensation for injuries sustained as a passenger in a car accident or other vehicle accident.
The answer to this question is invariably, “Yes”. As the child is a passenger and not in control of a vehicle the child will have a claim against the person responsible for the car accident whether that be the driver of the vehicle the child is travelling in or the other driver who caused the accident.
The only slight technical difficulty is that a child must make an accident claim via a litigation friend – an adult who is typically the child’s parent.
If the parent was driving the vehicle and caused the accident – that parent cannot be the litigation friend as that parent would be sued by child for compensation. Of course, the driver’s motor insurer will pay the compensation, but there is technically a conflict of interest.
If this is the case – the child’s claim can be made with the other parent as litigation friend or perhaps with a grand parent or other relative as a litigation friend.

industry_corpus2: Law & Justice


text:
Aspect-oriented programming (AOP) is a relatively new and promising programming paradigm grown out mainly of object-oriented programming. Instead of functions, modules or OOP’s objects it uses aspects as modularity units. An aspect is a result of some functionality scattered across multiple classes or methods (a crosscutting concern, as it is usually named in AOP) being isolated as a standalone module or class. Working with aspects allows to integrate crosscutting functionalities into an object-oriented application.
application code becomes much more readable and easier to maintain.
This article will explain how to validate user form submissions using aspect-oriented programming, which ensures validity of the objects passed to application’s service methods. Meanwhile, we will introduce more details of the AOP approach, and, in particular, its implementation in the Spring AOP framework.
ValidationPolicy — an array of actions, e.g. add user, edit user, etc.
Aspect: a module of cross-cutting implementation. Aspect represents a mechanism which enables you to call a certain method (advice) before, around or after execution of some other method. In Spring AOP framework aspects are implemented using regular classes. Aspects and the rest of the code are combined into executable unit using weaver.
Join point: a point during the execution of the application where the aspect code is actually run, e.g. execution of a method or handling an exception.
Advice: an action taken by an aspect at a particular join point. In our example we will use a “before”-type advice action.
Pointcut: a set of join points where advice should be executed.
Weaving: a process of linking aspects with application types or objects to create an advised object.
This is a regular java class with @Aspect annotation which tells AspectJ that it should verify user’s data using specified regular expressions before creating and saving a user. Method allPublicMethods() defines a pointcut expression which matches if a method execution point represents the execution of any public method within the specified package. Note the “before” advice part — it specifies that the validation should be called before entering the method.
The idea of identifying cross-cutting concepts and putting all the related code into separate classes can help to isolate validation logic from base logic of the application. It becomes easier to understand and support the application, and if we need to add more properties to user form we will only have to define additional validation rules in User class and won’t have to make any changes to validation logic.

industry_corpus2: Programming


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We believe that in Christ, more is possible than you can ever imagine. We are firmly convinced God has placed us here to fulfill a mission “to encourage complete and courageous living in Christ.” It’s not enough just to know a little bit about the Bible and attend the occasional worship service—we want people everywhere to live completely and courageously in the unfathomable power we know in Jesus Christ!
In order to accomplish our mission, we have a 4-point strategy for our church and our individual lives: Worship, Prepare, Serve, Engage.
We also hold to 5 Core Values that define what we believe: Absolute Truth, Intentional Unity, Redemptive Passion, Dependent Prayer, and Generational Potential.
Have I met with God personally today?
To show worship to something means to express reverence and adoration for it. From daily time spent in God’s Word to weekly, corporate gatherings to praise Him, worship is how we show reverence and adoration for God. At FBS, we have multiple worship services for a corporate time of worship, and resources for your daily alone time with God.
Life is not meant to be lived alone! It is our goal that everyone should have a few friends who would answer the phone, even at 2:00 AM. Life Groups are our way to develop strong relationships with people who will build us up as we study God’s Word together, and help us prepare for anything life will throw our way.
Have I found my sweet spot of service?
It’s hard to explain the fulfillment you experience when serving others. We believe every follower of Jesus should find a place to serve, which is why we have multiple opportunities open for everyone to volunteer and serve in different capacities. Whether you enjoy brightening someone’s day as a greeter, helping serve those in need in our homeless ministry, volunteering in the church choir, or even helping out in media production, God has a sweet spot for you to serve.
Am I close to someone who is far from God?
Sharing what God is doing in our lives with others who don’t know Him is an essential part of the life of a believer. The Great Commission (Acts 1:8) tells us to share Jesus locally, nationally, and internationally. We believe that starts with engaging and befriending those around us who lack the peculiar hope we hold inside. We also place great importance in organized events and trips to love on people right in town and across the world in order to share Jesus with those who don’t know Him.
“All my life people at First Baptist have invested in me. Even when I was small, I felt the love and devotion of my Sunday School teachers and others. They were united in the purpose of nurturing me. So when I went overseas as a young adult, those were the people who prayed for me. When I came back I felt right at home because of the unity of purpose.
“Being a part of a praying church gives me peace in knowing we are committing everything to God first. We can put all our trust in God no matter what. The only way to do that is to stay in a continual relationship with him. We depend on continuous conversation with God to bring us close to Him. The Bible tells us to pray without ceasing. I don’t have to pray at a certain time; I can pray in the morning and continue during the day. He’s always there listening.

industry_corpus2: Others


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State v. April Rice | Committed To Providing The Best Criminal Defense To Every Client In Every Case.
Ms. Rice was charged with Grand Theft after she received a check from Ada County as part of an estate that she was both the beneficiary and the executor. After a 3 day jury trial, the jury concluded that Ms. Rices was not guilty!
This is a case that I worked as part of the defense team. Chuck Peterson was the primary handling attorney and should get most of the credit for the successful outcome; He did a superb job handing this case.
This was a complex case involving estates and potential embezzlement. The check was deposited into an estate account she was handling. It is true that the money did not belong to her or the estate, but Ms. Rice did not commit a crime. The property had been given to her by the Ada County Treasurer's Office as part of the estate and it was reasonable to conclude that the check was part of the estate. A jury heard the State's case and concluded no crime had occurred.


text:
We provide quality welding and cutting products that feature the latest developments in design and innovation to the Australian market. Our commitment to service and product development, utilizing the latest technology, means that we now offer the Australian market a comprehensive range of Mig welders, Tig welders, MMA welders, Plasma cutting and Spot welding machines. These products combined with our extensive range of welding consumables and spare parts enables us to provide all welding requirements from home handyman to heavy industrial applications.
All the machines we sell are all manufactured to, and comply with, the latest Australian standards AS60974-1 and EN 50199, thus providing the operator assurance and certainty of safety, duty cycle performance and quality.
Uni-Mig is dedicated to after sales service with our warehouses/service centres located in Sydney, Melbourne, Brisbane and Perth. These warehouses/service centres are run by our team of sales staff and service technicians who maintain a large network of distributors and service agents throughout Australia to provide quick delivery and service backup that is second to none.

industry_corpus2: Manufacturing


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Public servants who are indifferent to the needs and concerns of citizens will be removed, president Cyril Ramaphosa said during his first ANC manifesto launch on Saturday.
"Many of our public servants are committed and dedicated professionals who perform their tasks faithfully," he told party supporters at the Moses Mabhida Stadium in Durban.
"However, there are some whose indifference to the needs and concerns of citizens has led to a deterioration in the quality of services and assistance rendered."
Ramaphosa said this would change.
"For decades, our movement has been defined by selfless service to the people," Ramaphosa said.
"We therefore will not tolerate those in the public services or in political office who are negligent or use public resources for their own selfish gains."
Last year public service and administration minister Ayanda Dlodlo said SA’s R587bn public-sector wage bill had shot through the ceiling and the government would have to cut back on critical services if it failed to rein in pay increases.
The ANC was launching its manifesto ahead of the hotly contested 2019 general elections.
The elections are set to be the toughest yet for the ANC whose dominance in the electoral space has been on the decline since 2009, with its national share of the vote dropping to an all time low of 56% during the 2016 local government election.
Ramaphosa said civil servants had to serve the people of South Africa with commitment, diligence, humility, respect and honesty.
During his speech the ANC president also said that land claims had to be processed faster, title deeds provided quicker and housing projects completed on time.
He added that government would also be more deligent to ensure public servants did not do business with the state and warned transgressors that there would be serious consequences if they did not comply.
Ramaphosa said SA would not succeed if efforts to rebuild the country were not supported by a capable public service.
"We cannot and will not allow situations where government fails South Africans.
"We call on all our people to join us in this endeavour to build a capable and ethical state and to ensure that those who are responsible for stealing both public funds and private investments face the full might of the law," Ramaphosa said.
On land Ramaphosa said nothing new, however assured people that the ANC's approach to land reform was guided by the Constitution and by the need to advance economic development, agricultural production and food security.
He said in the ANC manifesto, the party outlined elements of a plan to accelerate land reform, making use of a range of complementary measures, including, where appropriate, expropriation without compensation.
"We will continue to promote a range of land ownership forms – public, private, cooperative, family and communal," he said.
Ramaphosa said the ANC would implement measures to promote urban agriculture and community food gardens to promote national food security and reduce hunger.

industry_corpus2: Politics & Administration


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These are gritty, colloquial blue collar poems reeking of the sweat of hard physical labour and also of the fear & dangers of being on the job. The cover photograph is by the poet RD Armstrong & upon close examination reveals a parody of a circuit board. As the title of the chapbook suggests, the traditional manufacturing 'tools of the trade' which have built post war America have now largely been lost and have been replaced by a global technological market- which we know has suppressed wages & has seriously compromised job security.
The chapbook contains eleven poems, including ‘Post Hole Digger’ which was the winner of the 2014 Joe Hill Poetry Award. As is explained on the publishing details page, Joe Hill was a radical labor activist who was executed by firing squad in Utah in 1915 after copping a suspect murder conviction. The award is presented each year at the Great Labor Arts Exchange by The Heritage Foundation.
tools on your way out.
The focus of many of the other poems in this chap is on the occupational hazards- both physical & psychological faced by low paid, manual labourers. In ‘Slice of Life’ the speaker graphically explores the lethal trajectory of a spinning blade, “without a cool precision/ fate punishes distraction.” In ‘Tank Farm’ a spark ignites a vapour which blows Lou, a fellow worker, in half. In ‘The Bastards Are Waiting’ a paranoid worker rightly fears that everyone out there is trying to deprive him of his job. In ‘Building Blocks’ the speaker's obsessive preoccupation with his job intrudes into his daily life to the extent that it deadens his imaginative thought & desire.
These are just a few of the 100+ books, chapbooks, anthologies and zines Lummox has published in the last 21 years.


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We analyzed hundreds of consumer reviews from the online shopping stores. After all, we decided to buy Madrinas Coffee. According to our taste of this cold coffee drinks, here is the detailed honest Madrinas Coffee report. You’ll get deep info about Madrinas Coffee on this review.
To the extent canned espresso goes, it’s truly strong. I like chilly blend espresso since it’s frequently smoother than dribble espresso. Having it canned and in the cooler makes it extremely helpful early in the day as well. I believe it’s vital to remember the gathering of people with this item, however. I cook my own espresso beans. It’s extremely hard to make an item, canned, that can rival super crisp espresso. It won’t pass your socks over, yet it’s superior to anything most canned espresso you can purchase off the rack.
I don’t ordinarily like cool coffee drinks. Espresso should be hot, expected to be in a major mug with steam and sugar and cream.
I got one of these at a soccer occasion in St. Louis (where Madrinas’ office is), and everything changed.
They have numerous flavors (mocha, vanilla, and so forth.) however clearly sweeter=more calories. So I returned to this one, and never thought back. This is immaculate each morning. The perfect measure of flavors with the drain flavor to remove the hard espresso edge in case you’re not used to dark espresso. I abandoned the Red Bull and Monster compose drinks I used to drink, and now dependably have these in the ice chest when I don’t need a hot espresso or I am in a hurry.
I quite like this. I purchased two variations of cool blend at first – this item, and Bizzy’s chilly mix think. All things considered, Bizzy’s made me only Dizzy – it was entirely acrid and net. This item, in any case, is GREAT. It has an extremely smooth taste, and you can tell that the organization didn’t hold back on the most vital piece of espresso – the water! With each swallow of the item I can taste the unadulterated, clean fundamental water that was utilized. I just obtained my second 12 pack, and I’m energized for the conveyance.
Anyway, I’m content with this item, and I’ll positively be purchasing once more.


text: (Macaca fascicularis) that was kept in a breeding enclosure in the German Primate Center (Göttingen) and which was intraperitoneally passaged in laboratory mice for a few months prior to DNA isolation. This step appeared important because of the fact that long-term laboratory ‘strains’ of larval cestodes (i.e. material that has been passaged for years or decades within the peritoneum of mice) usually undergo morphological and physiological (and most probably also genomic) alterations that no longer reflect the in vivo situation (1). To minimize contamination with host DNA, it was further necessary to isolate DNA from protoscoleces that had previously been treated with pepsin at pH 2, leading to almost complete digestion of host material but leaving parasite material intact. After extensive generation of bacterial artificial chromosomes libraries and determination of the parasite’s genome size (36), a first round of conventional Sanger capillary sequencing to ∼4-fold coverage was carried out which was complemented by several runs of paired and unpaired 454- and Solexa-sequencing.


text:
• Get more from your life by saving your time.
Internationally acclaimed, stable and secure, Pi Pay operates on Wirecard, global leaders in online and mobile transactional solutions. This collaboration ensures that Pi Pay offers greater user experience, authentication, security & connectivity, processing, storage & data analytics.


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Amazing - I've been blogging since October 2006 and I have yet to write about sticky notes! Well, it's time to remedy that. Office supply fans, this one's for you!
And if you want something a bit more interesting, there's plenty to choose from. Russell+Hazel is one place worth looking. [photo from See Jane Work, which sells one of Russell+Hazel's many sticky note pads] Update on March 31, 2010: See Jane Work still carries sticky notes, but not the ones from Russell+Hazel.
These simple lined adhesive notes (available in four colors) come from M.O. Update on Jan. 13, 2011: It seems these are no longer available.
Moving on to more elaborate sticky notes, Galison/Mudpuppy has a number of choices. Each set has eight pads; the pads are in three different sizes.
And moving along to Etsy, Cicada Studio has these sticky notes with foxes - as well as others with birds. Update on July 24, 2013: Cicada Studio is no longer selling sticky notes.
If you want cute, Asking for Trouble is glad to oblige.
Rachael Hale is known for her animal photography, and some of that has been translated to sticky notes - available here.
And then there's Jellycat, known for its stuffed animals - which now provides animal-themed sticky notes, too.
And finally, from Australia, kikki.K brings us these fanciful sticky notes. Update on March 31, 2010: Kikki.K still sells sticky notes, but not the one shown above.
Looking for a nice clock to help with your time management? I've got suggestions!
First, because I'm a sucker for cute (but not overly cutesy), take a look at the seven wall clocks from The Purple Cow. Unfortunately, they aren't distributed in the U.S. yet. Update on Aug. 11, 2012: The Purple Cow now longer makes clocks.
Jacques Dorier makes paper sculptures, and I see his work includes some fanciful clocks.
If you have the room for it, you might consider this general store scale clock. Update on Aug. 11, 2012: This clock was sold by Victorian Trading Co., but that site no longer sells it.
This vintage map wall clock appeals to the traveler in me.
And finally, for a very different and stunning look, there are the tile clocks made by Michael Riley. The web site is out of date - the last shows listed are from 2007 - so I hope he's still making these. I'll update this post if I learn anything new.
Update on Jan. 29, 2009: Sadly, Michael Riley wrote to me, saying, "I am not making clocks at the present time, and all of the ones on the web site have been sold. Thank you for your interest."
Real Simple Treasure Trove! Funny Alarm Clocks!
A good clock can be hugely helpful - and these clocks are huge. (Of course, so are the price tags.) But sometimes it's fun to just gawk; in my next post, I'll point to some more practical options.
And finally, there's the 24ct gold watch table for 25,000 pounds. (At today's exchange rate, that's $35,413.) [via Unplggd] Update on March 10, 2011: I'm no longer seeing this product for sale.
The steady growth of the organizational gear industry only reflects the hunger for gaining control of the huge volume of miscellany that people are collecting in their lives. All the plastic, wire, and wood boxes; all the trays, notebooks, folders, and desk accessories at least provide defining boundaries that help contain and separate stuff. But without a good underlying model for how and why to contain and separate what stuff, and for what purpose, shoppers still wander glassy-eyed down the aisles of the office supply and organizing stores, rather clueless as to what they really need.
Labels: books, GTD, What does it mean to get organized?
How about that kangaroo? John, the CEO/Inventor at Shanda Toys, wrote to me today to introduce his new bath toy organizer - and I'm very glad he did. It attaches with suction cups - or the velcro paws can curl around the shower rod.
This tub toy organizer that hooks over the side of the tub is not as eye-catching, but it might be just the right things for some households. There's a pink version, too.
And Alex Toys makes the Hold It All Whale (and the Hold It All Fish) - pop-up storage bags with suction cups to attach them to the wall.
Aunt Alberta didn't like it at all (that is why it was put away in a little back bedroom upstairs), but she couldn't get rid of it because it had been a wedding present from someone she did not want to offend.
That was written in 1952, and it's the same issue people confront today. No matter how we try to avoid getting gifts of things we don't like, some of them sneak into our lives, anyway.
First of all, it is perfectly OK to not save every gift you've been given. As Don Aslett writes, a gift is a "message of love and appreciation" and "its message will live with us, be part of us - forever, possibly" without holding onto the gift itself.
If there are no issues about hurting someone's feelings, it's easier to let a gift go. You can exchange it, donate it, re-gift it, or sell it with no qualms.
But what about gifts from people who will both notice and care if their gifts aren't displayed in your home, or if you don't wear the jewelry they bought you? And what if the gift is handmade? As Juli Culbertson and Marj Decker write in Scaling Down, "Fewer items create greater guilt than lovingly crafted gifts you can't stand."
There are no simple answers here. As much as I don't like my home to be filled with things I don't like, I'd be hard pressed to give away something if that would seriously hurt the feelings of a beloved friend or relative.
One common approach is to keep and display such items for a while, and then move them along. If you have ideas on how best to handle such gifts, please share them in the comments.
What organizing products are you looking for? The nice woman I spoke with today was looking for coat trees - and the first one on my previous coat rack post might suit her just fine. But I thought I'd poke around and see what else I could find. The one above is a very traditional look - a handcrafted mahogany coat tree. Update on May 26, 2011: Sadly, the website where I found this coat rack no longer seems to be working.
And here's another traditional-looking coat stand, in rust-patinated wrought iron. Update on May 26, 2011: The site that sold this coat stand no longer carries it.
OK, so much for traditional. Here's the stainless steel Nova coat stand, from Frost Design in Denmark, sold by Hightower in New York.
And these coat stands from Nava Design in Italy, sold by Panik in the U.K., have a somewhat similar look.
Here's another modern look; this one is called the Clusterstand. Update on May 26, 2011: I'm no longer finding this product.
And for something really unusual, here's the Bodhi coat stand, "made from the branches of fallen trees." You can see some more pictures over on Flickr, here and here. Update on May 26, 2011: I'm no longer finding this product on the designer's web site.
The best-known closet door organizers are those with shoe pockets - which can, of course, be used for Barbies or gloves or any number of other things. But you can also use something other than shoe organizers. While these products are (mostly) fairly prosaic, they can also be very useful.
For example, here's a short, 6-pocket over door organiser (it comes from the U.K.) made by H & L Russel. The pockets are labeled Bits, Bobs, Itsy Bitsy Stuff and such.
The same company makes this 11-pocket over-door organiser; there's also a blue one with a football (as in soccer, for those in the U.S.) pattern.
We also have a blue over-door organiser for boys and a pink-and-lilac over-door organiser for girls. Feel free to ignore the color stereotyping if your girl likes blue or your boy likes pink and purple. Update on June 17, 2012: I'm no longer finding these organisers.
Heading to Canada, you can find this 4-pocket over-door organizer from Babies R Us. OK, it's in baby girl pink, but there's no reason not to use it for more than baby stuff! (The U.S. site has a similar product in pink and blue.) Update on June 17, 2012: I'm not finding this product on the Canadian site, and I'm not finding the blue version on the U.S. site — but I am finding this organizer in sage and natural.
And heading over to the U.S., this ten-pocket over-door organizer, also aimed at the baby market, comes in pink, blue, white and yellow. Update on June 17, 2012: This product, from Tadpoles, seems to have been discontinued.
This over-door organizer by Three Cheers for Girls comes in - you guessed it - pink and purple. Update on June 17, 2012: This product also seems to have disappeared.
Here's an over-door organizer with 15 jumbo pockets. Update on June 17, 2012: This one is showing as "unavailable."
Another one with large pockets is this over-door 24-pocket pantry organizer. Update on June 17, 2012: This one, from Jokari, has also disappeared.
This over-door organizer has a small removable laundry bag. Update on June 17, 2012: This is yet another product which seems to have disappeared.
Here's The Mutt Pack - an over-door organizer designed for dog stuff - although there's nothing really dog-specific about it, except the name.
And for significantly more money than any of these other options, you can get this over-door organizer called the Packtoozi. It's made with 100% organic cotton and polyester mesh. It was designed as part of a larger organizational system to store kid-related things (bibs, snacks, toys, diapers, etc.) - "everything you need when you're on the go with your kid." The pockets are labeled accordingly - so if you want to use this organizer for other types of things, you'd want to somehow change the labels.
As a professional organizer, I've been eying this poster for a while now. OK, I know they mean community organizer - but still. I've been reluctant to post it here because I don't want this to be a political blog - but today just seemed like the right time to share it.
Want a colorful container for your change? LAMA - based in Oakland, California but selling objects from Latin America - can provide you with a cow bank. [via Real Simple] Update on July 9, 2012: I'm no longer finding a web site for LAMA, nor any place to buy these banks.
Or maybe you'd prefer a more serious-looking cast iron pig from P.O.S.H. Chicago. Update on March 2, 2011: Sadly, this pig is no longer available.
Moving away from the animals and across the ocean to the U.K., we come to these beach hut money boxes.
The Yamanote piggybank plays the melody from a randomly selected Yamanote line train station every time you make a deposit. (Each station has its own pleasing melody, allowing your subconscious mind to track where you are while you sleep, and waking you up just in time for your station!) The headlights come on at the same time.
Note: this product ships direct from Japan and is intended for the Japanese market. Instruction manuals are in Japanese. However, operation is simple and straightforward and we are available to answer any questions.


text: Stay tuned! Lauren is fulfilling not only her dream, but one of Judge's last wishes for her to record her new compositions, at Prairie Sun Studios in Cotati, Ca. Working with Grammy Nominated Producer, Mooka Rennick, this collection of songs will be Lauren's best work of career thus far. Many notable veteran players will grace the record, as well as some new hot shot mountain pickers Lauren's met in her travels over the last 13 months. Connect on Facebook to see updated photos of sessions when available. Cd Release date goal will be to commemorate Judge's life, one year from his passing on 9-15-2014. Stay tuned for her Kickstarter Campaign, where you too can be a part of the creative process.


text:
Commonwealth champion, Nick Matthew, will be returning to the Commonwealth Games stage for the last time as he headlines Team England’s squash team for the Gold Coast 2018 Commonwealth Games.
With less than seven weeks to go until the Commonwealth Games begin on 4 April, Team England have selected nine squash players who will compete for ‘Team and Country’ in Australia.
At the last Commonwealth Games in Glasgow 2014, Team England topped the medal table in squash with a total of nine medals with two gold, five silver and three bronze.
At the 2018 Games, they will again be headlined by squash star, Nick Matthew, who will be appearing at his fourth Commonwealth Games on the Gold Coast. He has won the two most prestigious tournaments in the professional game, the British Open and the World Open, three times each.
He will be returning to the Commonwealth stage after winning a gold and a silver at Glasgow 2014 and two gold medals at Delhi 2010.
He said:“I'm delighted to be selected to compete at the 2018 Commonwealth Games. This will be my fourth Commonwealth Games and the three Gold medals that I won in Delhi and Glasgow are amongst the highlights of my career.
Team England have won at least one gold medal in squash at every Commonwealth Games where the sport has been on the programme and six of the selected athletes have previous Commonwealth Games experience. The squad selected have 17 Commonwealth medals between them and a combined total of 737 England caps.
Glasgow 2014 double silver medallist and Delhi silver medallist, Laura Massaro, will be competing at her third Commonwealth Games.
Laura said:"It's such an honour to be selected to represent Team England at the 2018 Commonwealth Games and I’m really excited about heading to the Gold Coast.
“The Commonwealth Games for squash players is our biggest event and it's always great to meet fellow sportspeople and enjoy being a part of Team England. I'm hoping to turn my 2014 silver into 2018 gold."
James Willstrop will be competing in the men’s doubles with Declan James. He already has three Commonwealth silver medals and a bronze to his name but wants to add to the collection in Australia.
“I’m delighted to welcome the nine squash players to Team England and congratulate them all on their selection. I can’t wait to see them in action and work towards sending the best prepared team to Australia.
“We have announced a strong squad that we believe can medal in every event. We have a huge amount of collective experience at the Commonwealth Games with this group of players, many of which are multiple medallists across three different games - Nick in particular who already has three gold medals to his name.


text:
We are seeking an Associate Substation Engineer who will work as a member of a dynamic team within our Energy & Systems Solutions organization; specifically our Power Delivery division: an established group of electric utility engineering consultants that solve challenging substation engineering problems for our utility clients Nation-wide. The Associate Substation Engineer will work under the direct supervision of a licensed professional engineer and is expected to develop skills in the field of substation engineering and the ability to work with greater independence.
• Part of team that prepares project deliverables (primarily engineered drawings), as well as thorough and accurate technical reports, including correspondence, miscellaneous project documentation, calculations and sketches.
• Conducting engineering and related studies.
• Maintain accurate records and files.
• Supports the Leidos' goals and represents the company positively and professionally.
• Keen focus and attention to detail design and an appreciation for high quality project deliverables.
• As part of his/her technical development, and based on specific project requirements, the qualified individual will be required to complete extended field assignment during his/her early years in this position. Frequent travel to and from job sites may be required.

industry_corpus2: Power & Energy