text:
Nokia plans to unveil new, large-screen mobile handsets next month to revamp its Lumia smartphone lineup and challenge rival Samsung’s dominance in increasingly popular phablet devices, sources said.
A phablet would be the latest addition to Nokia’s range of Lumia smartphones which use Microsoft’s Windows Phone software.
In July, Nokia announced the Lumia 1020, which comes with a 41-megapixel camera. Gaining share in smartphones is considered particularly crucial in the long run as more consumers want to use social media and video services from their phones.
Some analysts, however, have raised doubts over whether Nokia’s recent efforts will help turn its business around.
The company has bet its future in smartphones on Windows Phone software, but Windows’ share in the market is still at 3 percent, while Google’s Android operating system and Apple’s iOS together control over 90 percent.
Ferragu questioned whether Nokia’s focus on high-end models, such as the Lumia 925, 928 and 1020, will pay off, forecasting a weak third quarter.


text:
Sunshine Cherry - TOP 10 Results for Price Compare - Sunshine Cherry Information for April 22, 2019.
Fabric bundle of 42 5-inch squares from the My Little Sunshine collection by designer Cherry Guidry (Cherry Blossoms Quilting) for Benartex.
Get ready for soft, clean hands! Specially formulated with rich, conditioning Olive Oil, our luxury hand soap nourishes skin and leaves your hands feeling soft, smooth and lightly scented. Plus, a beautiful bottle adds a touch of décor at your sink.
In homage to the action films of the early 1980s, the beautiful Cherry is an exotic dancer who is raped and attacked by a group of sleazy men in the club where she works. The men escape justice and she vows revenge and kills them off one by one. Things start to spiral out of control when a mysterious hit man named Bull is hired to put an end to Cherry's bloody tirade. She soon realizes that there is more at stake than she ever imagined.
Features:Using a series of high-tech digital production equipment carefully made digital pictures inkjet pictures. Different lighting will have different shooting effect, you can try to adjust the lights to make your photos better. According to rule of post office, all backdrops will send by folded, So there may be some creases. Here are ways to solve it.(A)Roll it up tightly with a cylinder for 3-4 days, it will be ok.(B)Iron the back surface with steam iron but not dry iron, then it will be smooth again. (C)Hang up the product. Hang some items under it. Keep it in a tight status for 3-4 days.How Customize ？We supply background with the same picture in other size, such as 5x3ft ,3x5ft, 4x5ft, 5x5ft, 5x7ft, 6x9ft, 8x10ft, 10x10ft, 8x12ft, 10x12ft 10x20ft etc.1. You can tell the size that you need by email or message, then we can print the right size for you. It is Free.2. If you want your favorite images and sizes, just give us your images and sizes, then we can make for you. It is Free.Package Include:1 x Photography Backdrop 7 x 5 FT/ 2.2 x 1.5 M (Folding)lips or Stand for Photography (not include)Please understand that every computer screen is different, therefore,colors may vary slightly.
Add Imitation Cherry Extract to: cola, chocolate sauce, frosting, cakes and cookies for an irresistible taste.
Size（1Inch=2.54cm） ❤❤❤Size:S----Bust:86cm/33.9"----Sleeve:18.5cm/7.3"----Length:63cm/24.8" ❤❤❤Size:M----Bust:92cm/36.2"----Sleeve:19cm/7.5"----Length:65cm/25.6" ❤❤❤Size:L----Bust:98cm/37.80"----Sleeve:19.5cm/7.7"----Length:68cm/28.0" ❤❤❤Size:XL----Bust:104cm/40.9"----Sleeve:20cm/7.9"----Length:71cm/28.4" ❤❤❤Size:XXL----Bust:110cm/43.3"----Sleeve:20.5cm/8.1"----Length:73cm/28.8" ❤❤❤Size:XXXL----Bust:116cm/45.7"----Sleeve:21cm/8.3"----Length:75cm/29.2" Note: ❤❤❤-Please allow 1-2cm measuring deviation due to manual measurement. ❤❤❤- Please check the Size Chart before order. If you are not sure the size, please send message to us.
This High-quality Bag Is Timeless And Classic,offers Fashion And Function For Day To Day Use .It Is Made From Oxford ClothPadded Back And Front For Protection And Comfort.Top Handle, Adjustable Shoulder Strap, Ergonomic Back Pad.Suitable For Any Occasions, Like A Trip Outside, Go To The Zoo, Playing In The Park Or Any Other Outdoor Activities.
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Sunshine Cherry - Video Review.

industry_corpus2: Manufacturing


text:
The first flea of the season will be Saturday, May 21 from 8 am to 2 pm. It will be a big one, so register early.
This entry was tagged eldorado, flea market, garage sale, la tienda. Bookmark the permalink.
We did that last year and the weather didn’t cooperate at all. Sorry. We’ll start in May.

industry_corpus2: Others


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The Brokis Mona Pendant lamp has a particularly sensitive and smooth shape and look to it, with soft curves and a smooth glass surface. The simple and delicate shape of the lamp is lit up by the LED light source within, illuminating it in its entirety.
What makes the lamp unique, is the craftsmanship and combination of products to contrast in the entire design itself. This particular product uses wood, textile, and blown glass, all in one, to complete an artistic vision of simplicity and modern expression. The body of the lamp itself is already constituted together with metal and a wooden body. While, the glass shade of the lamp is formed from multiple layers of molten glass, one on top of another. The look is completed with elegant wooden buttons, which fix the shade and lanyard suspension straps to the lamp's body.
Each lamp is available with or without dimming qualities. It is available in either a medium or large size, with height and diameter of 270 mm/260 mm and 390 mm/380 mm respectively. When ordering and personalising your Mona Pendant lamp, you can choose almost every feature to fit your style, from the glass color, to the finish of the wooden buttons, to the surface of the canopy.


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Application events are available since the very beginning of the Spring framework as a mean for loosely coupled components to exchange information.
The Spring Integration JavaConfig and DSL extension provides a set of convenient Builders and a fluent API to configure Spring Integration message flows from Spring @Configuration classes.
I have found Decorators and Adapters to be useful from time to time as I have worked with Java-based applications.
Application security is not a concern that we can ignore. Vulnerabilities come from various angles, but it is important to stay aware and vigilant so we can recognize and thwart threats.
The JBoss apiman project did just release 1.0.3.Final this week. It's mostly a bug fix release, with just a couple of relatively minor improvements.

industry_corpus2: Computing & Telecommunications


text: The reason I started the site is due to one day playing my retro Super Mario 3 with my 7 year old son and I noticed the pins were almost worn out. I had to keep adjusting the cartridge untill the game would play, hoping it would not crash on us. I was thinking there has to be a way to save my old games, yet play them too. I started looking into the matter and found a way to play all my old games on the original hardware without destroying my precious games. I am now offering a way to play these old games and let our originals live forever. I have also found ways to update a lot of the systems to make them more enjoyable for everyone to play. Retro Gamer and Backups in NO WAY, SHAPE OR FORM thinks piracy of software is good for anybody. We will no longer have anymore great games to play if you do not buy the games from the people supplying the real thing. I am only supporting the systems that are decades old and can no longer be bought or supported. I will not answer question about how to copy new gen consoles. I do not know how or support this, we need to support them by buying their games.

industry_corpus2: Gaming


text:
Why, more than a century after the composer’s death, do the operas of Giuseppe Verdi continue to engage the hearts and minds of audiences in virtually all of the world’s opera houses? It can be argued with some degree of legitimacy, especially in the contexts of seasons planned in celebration of the bicentennial of his birth and an era in which there is an acknowledged paucity of singers with the vocal and technical resources required to fully meet the demands of his music, that a few of Verdi’s operas suffer from over-exposure, but bold is the opera-house management that mounts a season without a Verdi score in repertory. Hoary clichés would have it that the operas of Verdi hold the stage because the characters who populate them are somehow ‘relevant’ to audiences, but how many listeners have genuine understandings of the tribulations of Hebraic slaves, Genovese doges, and Spanish kings? There are very personal histories depicted in Verdi’s operas, some retold more factually than others, but it is doubtful that anyone goes to the opera in search of an education about the matriarchal social mores of Spanish gypsies or the peculiar chivalry of Lancastrian England—the sort of plot elements from which clever fellows like Gilbert and Sullivan could mine satirical gold. The lives of 21st-Century taxi drivers, bank tellers, preschool teachers, and factory workers are shaped by the same basic conflicts and emotions that fuel the dramas of Verdi’s operas, however. Few who hear DECCA’s new recording of Simon Boccanegra are likely to have been reunited with a presumed-dead child or victimized by the violence of a blood feud, but the expressions of intermingling fear, longing, distrust, and love that make Verdi’s opera—here presented in the composer’s 1881 revision—so theatrically gripping surely resonate with any listener. From the perspective afforded by musical history, modern arguments about the ‘relevance’ of opera seem beside the point, artistically and practically. Like Händel and Mozart before him, Verdi was a consummate man of the theatre, composing with keen understanding of his audiences’ sensibilities rather than in spite of them. The objective, then as now, was to sell tickets, and Verdi knew that the key to doing this was not offering musical portraits of people who looked or lived like those paying to see them. No, the paths to audiences’ wallets travel through their ears and hearts, and Verdi gave his audiences past and present unmistakably familiar emotions set to exquisite melodies. These are the reasons why Verdi’s music perseveres two hundred years after the composer’s birth; and the reasons why this recording of Simon Boccanegra is an apt commemoration of the Verdi Bicentennial.
Were Mark Twain writing today, he might opine that rumors of the demise of the Classical Music recording industry have been greatly exaggerated. It is true that new studio recordings of operatic repertory are rare now, but ‘live’ recordings of the quality offered by DECCA in this Simon Boccanegra confirm that the art of recording opera is alive, well, and conquering new territory. Preserved by DECCA’s engineers in excellently-defined sound that captures much of the sonic ambiance of the Wiener Konzerthaus, this recording benefits from the superb acoustics possible when recording concert performances and the vibrancy of musicians interacting with audiences. Virtually no extraneous noises betray the presence of those audiences, however, and the recorded sound is in fact superior to that heard on many studio recordings. Balances are ideal, with singers, chorus, and orchestra all occupying appropriate spaces in the sonic landscape and reaching the listener just as they would in the theatre. The wonderfully dramatic singing of the Wiener Singakademie deserves the attention lavished on recording it: even the most impassioned passages are free from distortion, and whether acclaiming the newly-elected Doge in the Prologue or noisily indulging in agenda-laden partisan politics in the Council Chamber scene, the choral singing is thrilling and recorded accordingly. The playing of the Wiener Symphoniker matches the choral singing appealingly, rising to every challenge of Verdi’s score with distinction. The orchestral introduction to the Prologue is one of Verdi’s most intriguing curtain-raisers, the repetitive melodic figurations employed to great effect as tension builds with each modulation, and the Wiener Symphoniker players deliver the music suggestively. The brass fanfares that are so crucial in Simon Boccanegra are played with unerring intonation, and string tone is full-bodied but never over-prominent. In the brief Prelude that opens Act One, the sounds of awakening Nature with which Verdi infused his music have never been more realistically conveyed. Both the chorus and the orchestra are deployed with idiomatic command of resources by Massimo Zanetti, whose conducting is all the more impressive for being centered on Verdi’s rather than his own conceptions of the drama. Throughout the performance, Maestro Zanetti discloses a refreshing comprehension of Verdi’s scenic construction, shaping numerous passages with insightful use of portamento even when his singers do not respond in kind. Simon Boccanegra is a viable candidate for being Verdi’s most episodic opera, and Maestro Zanetti paces each scene with recognition of its unique energy but without losing sight of the formal structure of the opera as a whole. All things considered, few performances—and even fewer recordings—of Simon Boccanegra in the past half-century have taken flight with the authentic spirit of Verdi so palpably coursing through the choral singing, orchestral playing, and conducting.
The Prologue opens in fine Verdian fashion with conspiratorial exchanges between Pietro, a prominent plebian, and Paolo Albiani, the goldsmith whose support for Simone Boccanegra’s election as Doge is motivated by deeply personal hatred of patricians and latent ambitions of his own. Singing powerfully throughout the performance, bass-baritone Igor Bakan is a Pietro to be taken seriously. Luca Pisaroni’s Paolo is also a strong presence in the drama, his dark-hued but nimble voice snaking commandingly through his interview with Pietro in the Prologue and ringing out robustly in the Council Chamber scene, in which Paolo is compelled to implicitly curse his own treachery. Dramatically, Mr. Pisaroni possesses the vital ability of turning on a dime, as it were, using subtle colorations of tone to be convincing both as an iron-willed political manipulator and as a suitably ardent rival for Amelia’s love. The horror that Mr. Pisaroni conveys in Paolo’s reluctant repetition of Simone’s oath of ‘Sia maledetto’ (‘May he [the traitor] be condemned’) is gripping, and the Machiavellian insinuations with which he attempts to recruit first Fiesco and then Adorno to the task of assassinating Simone are wonderfully chilling. None of the bite of Paolo’s bitterness is lost as he is led to his execution, rejoicing in the knowledge that his evil has ensured Simone’s death, and the depraved intensity of Mr. Pisaroni’s performance likewise never flags. Also worthy of mention are the performances of Gaia Petrone as Amelia’s maidservant and Andrew Owens as the captain of the crossbowmen, both singers making much of their few lines.
Jacopo Fiesco is among Verdi’s most unconventional creations. Like Fricka in Wagner’s Die Walküre, the influence of Fiesco’s actions is felt in every scene of Simon Boccanegra, but even when physically and musically present in a scene he is often a mere shadow, a figure whose motivations are cloaked in mystery. Several of Verdi’s most memorable bass rôles—Ramfis in Aida and the Grand Inquisitor in Don Carlos, in particular—were shaped by Verdi’s distrust of religious institutions, their villainy founded upon dogma, but Fiesco’s heart was hardened by grief and suspicion rather than prejudicial faith. The death of Fiesco’s daughter Maria, mother of Simone’s daughter, shatters whatever happiness Fiesco ever enjoyed and poisons his relations with Simone. That Verdi, who had suffered the loss of his own young daughter, sympathized meaningfully with Fiesco is revealed by the quality of the music that the composer lavished on the character. Among Verdi’s bass rôles, only Philippe II in Don Carlos has music comparable in beauty and emotional impact to Fiesco’s ‘Il lacerato spirito.’ Carlo Colombara brings involvement and an audible sense of tragedy to this scene, singing the great aria capably but without extraordinary insights. Mr. Colombara’s voice remains steady throughout the range required by Fiesco’s music, and he encounters fewer difficulties with the rôle’s tessitura than many singers who take the part, but there is a curious lack of idiomatic phrasing in his singing in this performance. Perhaps affected by the editing of multiple performances, the portamento that should be as natural for Italian singers as breathing is largely absent from Mr. Colombara’s singing. The duet with Adorno in Act One, ‘Propizio ei giunge,’ draws from Mr. Colombara his finest singing of the performance, and his contributions to the Council Chamber scene are quietly menacing. The dignity of Fiesco’s rank is evident in his rejection of Paolo’s suggestion that he murder Simone in Act Two, and Mr. Colombara elevates his performance to heights of true passion in Act Three, as Fiesco learns from the dying Simone that Maria is his granddaughter. The sense of thwarted vengeance is abated by the overwhelming joy of reconnection, movingly conveyed by Mr. Colombara. Both musically and dramatically, Mr. Colombara’s performance is impressive, but there are missed opportunities.
Acclaimed as one of the most promising sopranos to inhabit the world’s opera houses in recent seasons, Kristine Opolais follows her much-discussed performance of the title rôle in Puccini’s Suor Angelica, recorded for Orfeo under the baton of her husband, Andris Nelsons, with this assumption of Maria in Simon Boccanegra. In many ways, Maria is a fusion of Verdi’s earlier and later styles of composition for his soprano heroines, her music encompassing both the flexibility of Gilda and Violetta and the heavier demands of Aida and Élisabeth de Valois. As a result, the rôle has been effectively sung by lyric sopranos like Victoria de los Ángeles, Mirella Freni, and Katia Ricciarelli and by larger voices such as those of Dame Margaret Price and Anna Tomowa-Sintow. Precisely where Ms. Opolais’s voice stands in comparison with these singers is virtually impossible to ascertain in the context of a recording, but it is apparent from her first notes in ‘Come in quest’ora bruna sorridon gli astri e il mare’ that the voice is quite beautiful. Conjecturing on the aural profile of a voice using a recording as evidence is dangerous, even when the recording was taken from concert performances, but it seems throughout this Boccanegra that Ms. Opolais relies more upon volume than projection in order to be heard, especially in ensembles. ‘Come in quest’ora bruna,’ her only aria, is sung very well, but here and throughout the performance Ms. Opolais’s phrasing sounds artificial, possibly deriving from a non-native acquaintance with the text. She is affected most by the contrasts between her literal phrasing and the orchestral portamento that Maestro Zanetti applies with such a sure hand. Ms. Opolais sings passionately in the duet with Adorno, ‘Cielo di stelle orbato,’ but here, too, she succeeds with energy rather than finesse. The duet with Simone, ‘Figlia! a tal nome io palpito,’ the most memorable outpouring of melody in the opera, also inspires Ms. Opolais to committed, rewardingly full-toned singing, and here she takes the upper hand. She makes laudable attempts at the trills in the Council Chamber scene, where her singing is otherwise slightly aloof. The conflicts and resolutions of Acts Two and Three find Ms. Opolais more audibly absorbed into the drama. Vocally, perhaps Ms. Opolais’s greatest strength in this performance is her consistency: she reliably has all of the part’s notes in her voice, and nothing makes unduly strenuous demands on her considerable resources. Time and experience in Verdi repertory will likely warm the timbre of her voice, and despite moments that are less graceful than the music deserves this is a commendable inaugural effort by a soprano with the potential to make a lasting mark in the singing of Verdi’s operas in the 21st Century.
Celebrated for his mastery of a wide repertory and for his urbane artistry, Thomas Hampson does not possess the size or weight of voice of an ideal Verdi baritone. Rather than attempting to replicate the larger-scaled Verdi singing of his countrymen Lawrence Tibbett, Leonard Warren, and Cornell MacNeil, Mr. Hampson has pursued a course of being the ‘thinking man’s’ baritone, placing sophistication rather than brute strength at the core of his performances. The title rôle in Simon Boccanegra has proved one of Mr. Hampson’s most frequently-sung Verdi parts, one that he has sung at the Metropolitan Opera, in Chicago, and throughout the world. Vocally, Mr. Hampson’s singing contrasts interestingly with that of Ms. Opolais: in the Prologue and all three Acts, there are passages in which Mr. Hampson must strive to achieve with intelligent management of resources what he cannot produce with sheer volume and tonal amplitude. There are evident poetry and the early stirrings of tragedy in Mr. Hampson’s singing in the Prologue, in which Simone proves willing to sacrifice himself to the political machine in order to render himself—as Doge—more acceptable as a match for Fiesco’s daughter, and the duet with his rediscovered daughter in Act One is thoughtfully sung, though the pianissimo top F on ‘figlia’ at the duet’s close sounds strangely disembodied, as though recorded in a different acoustic. In an emotionally-charged scene such as this one, in which nuances of language are so important, the weakness of Mr. Hampson’s diction, his Italian never incorrect but sounding as if learned syllabically, is disappointing, and though his phrasing is unfailingly competent it lacks the authority brought to Simone’s lines by a singer like Tito Gobbi. With a singer of Mr. Hampson’s accomplishments singing the title rôle, the duet with Maria in Act One cannot fail to make a powerful impression, and Verdi’s music soars. Mr. Hampson faces his greatest challenges in the Council Chamber scene, where even baritones with larger voices are stretched by the demands of the music. Mr. Hampson occasionally forces his tone to the point of discomfort, mitigating the basic attractiveness of the timbre by attempting to lower his natural high center of vocal gravity in order to summon greater power in the upper register. This pressure also introduces a measure of unsteadiness, but Mr. Hampson is too shrewd an artist to risk damaging his voice. Dramatically, Mr. Hampson is an uncommonly intuitive Simone, feeling the sting of Paolo’s betrayal with special pain. This Simone is a pensive pirate who wears his heart on his sleeve, and Mr. Hampson’s portrayal is at its most eloquent in the opera’s final scene. So pervasive is the dearth of genuine Verdi baritones that the principal baritone rôles in several of Verdi’s operas have recently been appropriated by a tenor. In having his Simone preserved on a note-complete commercial recording, Mr. Hampson—a baritone, at least—enjoys a boon that Tibbett, Warren, and MacNeil were denied. That he ultimately offers an interesting, touching portrait of Simone with a voice that is fundamentally ill-suited to the rôle reveals the erudition of his artistry and understanding of his own voice. It is a flawed but fascinating performance.
In many recent productions of Simon Boccanegra, performances of Gabriele Adorno’s music have been more to be endured than enjoyed. The first Adorno at the Metropolitan Opera in 1932 was Giovanni Martinelli, and in subsequent seasons the part was sung by important tenors like Richard Tucker and George Shirley: in the 21st Century, however, it is rare to encounter an Adorno with a voice worthy of the part. Where this recording triumphs over many Boccanegra recordings, even those of the storied past, is in the casting of Adorno. From his first appearance in Act One until his last note in the opera’s final scene, Maltese tenor Joseph Calleja sings gloriously, allowing the brightness of his timbre and his quick vibrato to make the requisite impact in music typically sung by larger voices. Mr. Calleja’s singing bristles with passion in his duet with Maria in Act One, and there is an almost religious fervor to his singing in the duet with Fiesco that follows. An especially laudable aspect of Mr. Calleja’s performance is the manner in which he manages to create an Adorno who is a credible firebrand without overextending his voice. Still, there is nothing ‘contained’ about Mr. Calleja’s performance: the voice boils with jealous anger in ‘Sento avvampar nell’anima,’ and the elegant line maintained in ‘Cielo pietoso, rendila’ adheres to the highest historical standards of Verdi singing. Adorno’s shifting allegiances are the sort of operatic plot device that can all too easily dissolve into ridiculous melodrama, but the conviction with which Mr. Calleja sings makes every word of his rôle—delivered with superb diction—completely convincing. Mr. Calleja’s takes as his starting point for his characterization of Adorno the notion that he is essentially a restless, somewhat volatile young man whose sympathies are pulled in different directions, sometimes mercilessly. His one unchanging loyalty is to Maria, to whom he remains devoted even when Fiesco reveals that she is not a member of the aristocratic Grimaldi family, and the ardor with which Mr. Calleja sings in scenes with Maria is very moving. Now almost a decade into an international career that has garnered accolades throughout the world, Mr. Calleja’s voice shows no signs of the deterioration that in the current generation has marred the singing of so many young tenors at similar junctures in their careers. His timbre is somewhat reminiscent of that of Carlo Bergonzi in his first seasons as a tenor, and in this performance Mr. Calleja rises to a level of Verdi singing virtually unheard since Bergonzi’s retirement from the stage.
Though it was already an extraordinary opera at the time of its première in Venice in 1857, Verdi’s 1881 revisions to Simon Boccanegra produced a true masterpiece. The reluctant Doge and his restored daughter are some of the composer’s most memorable creations, and there are in Verdi’s portraits of these denizens of Renaissance Genoa aspects of humanity that need no translation or misguided reinterpretation for the supposed benefit of modern audiences. Thankfully, the opera has experienced a Renaissance of its own in recent years, its prominence in the seasons of opera companies throughout the world indicating universal recognition of the score’s unique potency. A friend to opera for decades, DECCA here perpetuates the label’s friendship with Verdi with a recording of Simon Boccanegra that is more than the proverbial sum of its parts. Though celebration of the Verdi Bicentennial is waning, the best moments of this recording inspire fervent hopes that Joseph Calleja and Massimo Zanetti are reunited for addition Verdi projects in future. They also renew desire to ensure that the music of Verdi thrives for another two centuries.

industry_corpus2: Film & Entertainment


text: The EURJPY pair traded lower for the second consecutive session yesterday and closed at 134.91, after notching a low at 134.33. At present, the daily MACD and RSI are pointing south, along with the stochastic indicator trading in its oversold territory, hints the presence of bearish momentum in the pair. Moreover, the 8H momentum oscillators are trading at a lower level below their mid-lines, further affirming the above outlook. Key support is situated at the 134.10 level, followed by the daily lower Bollinger band (currently trading at 133.78/75) and the 133.49/45 level. A move back below the latter might trigger further bearishness in the pair. On the bright side, immediate resistance is aligned at the 134.78/80 level, followed by the 8H 50SMA (currently placed at 135.14/15) and the 4H 50SMA (currently trading at 135.45). A break above the latter might lead to positive momentum in the pair.

industry_corpus2: Finance & Economics


text:
Hiring a limousine can be a great experience. They are great for weddings, anniversaries, or any other special occasion that you may have planned. Even though you are paying for your limo hire Birmingham experience, there are a few etiquette rules to remember to ensure that your experience is the best it can be.
1.Respect Safety Limits Safety rules are set for a good reason. There are certain laws that must be followed regarding the number of passengers that a limo can carry. Respecting this limit will make sure that the renting party and the limo company gets off on the right foot. Some even suggest renting a limo with a higher passenger capacity than the number of people in the renting party. It makes for a more comfortable ride if each passenger has a little more room for themselves.
2. Remember all basic government laws still apply inside the limo Drug use, underage drinking, and even standing through the sunroof can get the customer in trouble. Also, most limousines do not allow passengers to smoke. By avoiding breaking the law, you will not put the limo driver in an awkward position. Remember that many limousine companies have policies stating that a customer’s ride can be terminated at any time if the customer does not obey the rules. There isn’t usually a refund either.
3. Respect the Limousine and the Driver The companies income comes from its limousines, so it is obviously best if the customer does not trash it. These vehicles are expensive for the company to buy, and by sharing it with you they expect a little respect for their commodity in return. Also, respect the driver. Try not to place them in any uncomfortable circumstances. Also, remember that whether the privacy window is up or down is usually at the discretion of the driver, not the customer.
4. Do Not Leave Your Personal Items This etiquette rule is more to the customer’s benefit than the rental company. Limousine companies usually make it very clear that they are not responsible for any item left in the vehicle during or after your renting experience. If you don’t wish to lose it, bring it with you.
5. Tip Your Driver Your chauffeur is with you all night. It is good to show them your appreciation for their work. It is customary to give drivers a gratuity of 15 – 20%. A good idea is to put it in an envelope and give it to the driver at the end of the night.
Remember, being chauffeured in a limousine can be a great experience, but only if you follow the etiquette that creates respect between you and the rental company. Follow these five rules and your limousine hire experience will be wonderful.

industry_corpus2: Transportation


text:
This site (www.chaletnata.com) is not a journal as it is updated at random intervals, without any periodicity. It can not therefore be considered an editorial product under the law n. 62, 7.03.2001.
The material found on the net was considered in the public domain and is used for informational and cultural study purpose. Anyone deemed damaged his royalties from the contents of this website you can contact us to request the removal of quotes, phrases, images, videos, and other items that are owned by him.
Anyone can share herein, the following conditions: it must be credit you with links and quotes, and if you alter or transform this work, or if you use it to create another violated the right d ‘ author according to articles 20 and following and 87 and following of law 633 of 22/04/41, for as amended by Presidential Decree 19 of 01/08/79 and DL 253 of 28.06.95.

industry_corpus2: Law & Justice


text:
I received a lot of curious feedback about Mary Astor and the Tonner Doll Company’s Toy Fair unveilings. Many folks wanted to know if Robert Tonner was simply going to visit the decades of film noir and long-ago, long-simmering Hollywood scandals. (Why not? The TV program “Feud” is mining the rift between Bette Davis and Joan Crawford for all it’s worth.) The answer, however, is a definite no! Robert Tonner is always re-imagining his offerings, and this year it was certainly a bold new direction for his Toy Fair debuts. Though I have to admit, it was a physically smaller sampling than in years past, it was a clarion call that Tonner is refusing to create what is expected and will not play it safe. The number of dolls he brought along was much tinier, but what they said — they spoke volumes!
This elegant creation in peach bodes well for the future.
The dolls that will now bear Tonner’s painstaking eye for detailing will mean collectors will have to adjust to a new storyline, a new backstory, and a new future of different materials, heights, body prototypes, and silhouettes. If Robert Tonner is secure enough, and dedicated enough, to find personal revitalization in Phyn & Aero, his collectors will undoubtedly prepare themselves to buckle up and follow along on an unexpected and incomparable ride!
This flapper doll evokes the mood of Tonner’s bygone Déjà Vu collection.


text:
One in Him Foundation organizes annual mission trips under the name of One Missions. It responds to the voice of God: Matthew 28:19 “Go therefore and make disciples of all the nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit.” Mark 16:15-18 “Go into all the world and preach the gospel to all creation, heal the sick, raise the dead and cast out demons..
We proclaim the gospel not only with words but also with deeds. We do this first of all by loving them, nurturing them and letting them feel that they are loved by the Father. They are welcome in His arms of grace! We will visit the slums, rehab centers, orphanages, clinics and other organizations. We provide help in the terms of food, clothing and education. We also organize events with Biblical education, fellowship, worship and all kinds of fun activities to give people an unforgettable day.
Amongst others we work in Brazil with local organisations and One Projects. During the outreach we always work as a team, both the mission trip team as a few local brothers and sisters. In Brazil we have our own One Projects Mission House where we eat together, have fellowship and keep a daily reflection. We pray with each other, encourage each other and have daily household duties such as cooking, washing dishes, chores and so on. Of course, there is also time for yourself and for small trips in this beautiful country.
During the mission trip we will discover God together with you. We are looking for your talents and your strength. We are going to help you and encourage you, so you can come into the destiny that God has for you. This can be anything. Maybe you find this by organizing children’s activities or making music. Maybe you are good at organizing things or like to preach or teach. Whatever it is, we want to discover that with you and encourage you to do this.
The guides of these mission trips are all adult Christians. Most of us have done many years of Bible school and are experienced in guiding groups.
Do you see yourself as adventurous?
Do you dare to discover your true face in Christ and be completely transformed during a mission with our foundation? Are you young in mind, in good mobility and would you like to have a great time with a group of friends or strangers on the other side of the world, for the Kingdom of God were He is central? Do you have passion for Jesus and are you willing to go that extra mile for the other? Then you are very welcome to join us on our mission trip! Sign up!
I am enthusiastic and would like to be a disciple of Jesus to bless others and to be blessed myself! I would like to read the conditions first!
I would like to join and sign me up!

industry_corpus2: Subject Education


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List of the best Nicole Kidman movies, ranked best to worst with movie trailers when available. Several films in Nicole Kidman's impressive filmography feature collaborations with her ex-husband Tom Cruise, including Eyes Wide Shut and Days of Thunder. Nicole Kidman's highest grossing movies have received a lot of accolades over the years, earning millions upon millions around the world. The order of these top Nicole Kidman movies is decided by how many votes they receive, so only highly rated Nicole Kidman movies will be at the top of the list. Makes sense right? Great.
Nicole Kidman has been in a lot of films. Duh. She's a huge movie star. That's generally what they do. But it's up to you to decide what the best Nicole Kidman movie is or what the most entertaining Nicole Kidman movie is. Maybe, Moulin Rouge!?
If you think the best Nicole Kidman role isn't at the top, then upvote it so it has the chance to be at the top. The greatest Nicole Kidman performances didn't necessarily come from the best all-around movies, so just vote with your heart, not your film school degree bologna.
This list is made up of films like Moulin Rouge! and The Hours, and that Nicole Kidman scary movie, The Others.
"This list answers the questions, "What are the best Nicole Kidman movies?" and "What are the greatest Nicole Kidman roles of all time?" If you are a fan of Kidman's award-winning work, you might also enjoy our list of best Naomi Watts movies and best Meryl Streep movies.
Ron Howard and Stanley Kubrick are among those who have directed Nicole Kidman at one point or another during their careers in the film industry. If you're a fan of Nicole Kidman, then check out our lists of the best Michelle Pfeiffer and Kim Basinger movies as well.
The Interpreter is a 2005 political thriller film starring Nicole Kidman, Sean Penn, and Catherine Keener. It was the final film to be directed by Sydney Pollack.


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Yesterday, August 1st, the Bitcoin Blockchain experienced a hard fork, as we reported on in our last article. This fork brought with it a new form of cryptocurrency in the form of Bitcoin Cash (BCH).
Everyone who has bitcoin in their wallet from before the fork automatically has the same amount in Bitcoin Cash. The problem lies in that one is currently not able to use an ordinary bitcoin wallet with Bitcoin Cash as of now. Because of this, we will be giving you step-by-step instruction on how to claim your Bitcoin Cash.
Firstly, you must have had you Bitcoin in a wallet which has private keys that you control before the fork on August 1 at 12:20:00am. Wallets like the Coinbase or most other hosted wallets do not have keys that are controlled by the user.
Full-node wallets like Bitcoin Core or Bitcoin Knots work the best for this. You should consider moving your Bitcoin into another wallet, possibly generated from a completely new seed, so that you do not lose your Bitcoin. Then you should be able to find a dedicated folder on your computer where your private keys are stored. You should be able to make a backup of this folder in your wallet, and import the wallet’s information into a wallet that supports Bitcoin Cash, like Bitcoin ABC.
You may also use a hardware wallet, of which there are a few providers like: Trezor & Ledger.
Once you have claimed your Bitcoin Cash, you can use it just like any other alt coin, although you will have to find an exchange that accepts it if you want trade it. As of now the most notable exchanges that are trading BCH are Kraken, Bittrex, HitBTC, ViaBTC, Bitfinex, and YoBit.
Overall, if you want to use your BCH (a “replay attack”) you should consider first moving your Bitcoin into another wallet and then use your old wallet for your Bitcoin Cash.
In short, do what you want with your BCH.


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This beautiful Flopsy Rabbit Bib is fun and practical. With original Flopsy illustrations, taken from the Beatrix Potter stories. Its wipeable coating makes it practical and great looking.
One size – Suitable from birth to 3 years.


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Dr. Marjorie McRae, Vice President, has been active in the assessment and support of energy efficiency and demand response programs since 1980. She holds a Ph.D. in psychology from The Wright Institute, an M.A. in economics from University of California, Berkeley, and a B.A. in economics from Goucher College.
For over a decade, Marjorie has focused on the design and implementation of process and market research studies for energy efficiency, demand response, renewable energy, market transformation, information, and new technologies programs in all sectors. Her experience includes program planning and the estimation of free-ridership and program impacts.
She is the author of DSM Evaluation: Six Steps for Assessing Program Effects, a guide to process and impact evaluation and market research published by the Electric Power Research Institute (EPRI), and has provided expert testimony on process evaluation findings in regulatory proceedings.
She is a member of the Evaluation, Measurement, and Verification (EM&V) training team for the Association of Energy Services Professionals (AESP), and has conducted training as part of the International Energy Program Evaluation Conference (IEPEC).
Marjorie is passionate about furthering the careful use of natural resources through conducting thoughtful research. In her spare time, you can find her basking in the sun on her houseboat watching the otter, geese, and other critters enjoy the river.

industry_corpus2: Power & Energy


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Offering unique, independent, evidence-based comprehensive group birth classes and private, custom classes in the Kanawha, Putnam, and Cabell County areas of WV. Custom classes available via Zoom app as well.
why choose independent birth classes?
Are you expecting & want to know ALL your birth options? Do you want to learn evidence-based birth info and not just hear "the company line" for what the institution's "policies" are? Do you want to be an active participant in your birth and the decision-making process?
Invest in yourself, your baby, and your birth, and learn your options. This birth will only happen once, and this birth matters!
***I am currently on sabbatical from teaching birth classes as I devote more time to nurturing my essential oil team and teaching essential oil classes.*** I endorse the following independent birth classes. I am not affiliated with any of these, nor am I paid in any way to recommend them. I just know that they are quality.

industry_corpus2: Health & Medicine


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It has been reported that Phyllis Evelina Pratt, Soror Meral of the Caliphate pseudo-o.t.o., was born on the 18th of June, 1917 E.V. in Edmonton, Alberta, Canada. Married thrice, she kept the name of her first husband, Paul H. Seckler, Jr., with whom she had two daughters and a son who in turn provided her with four grandchildren and nine great-grandchildren. Phyllis abandoned the name McMurtry, apparently often at odds with one of her husbands, Grady Louis McMurtry, with whom she shares the responsibility for raising the corpse of the dead Ordo Templi Orientis in Pasadena, California for less than altruistic reasons.
It was Jane Wolfe, an actress who had some contact with Aleister Crowley but who did not garner his favour, who introduced Phyllis to the last remaining lodge of the O.T.O. in Pasadena which she joined in 1939. And it was Jane who, without authorization or in the proper manner of the time, provided Phyllis with a bogus A.·.A.·. membership certification that eventually led to an equally bogus “lineage”. Phyllis later created the “College of Thelema”, but to judge by its “fruits” and both transcripts and audio recordings of her lectures, she provided a poor education in Thelema and the Qabalah, often making glaring errors and misstatements.
She was also an art teacher at Livermore High School, having earned a Master of Arts degree from UCLA in 1955 according to the Caliphate, and said to have been an accomplished painter. I have seen some examples of her art and admit there was talent there, perhaps a talent that would have been better nurtured within the embrace of Thelema rather than stifled by the grip of the Caliphate pseudo-o.t.o.
She, like Helen Parsons Smith, only more so, was often at odds with the Caliphate and its original leader, Grady McMurtry, Frater Hymeanaeus Alpha 777, and while she and the group were “in bed together”, it was a stormy relationship to say the least.
As it was with Helen, Phyllis and I exchanged a great many letters and some gifts, and she too often tried to coax me into joining the Caliphate, of course before The Newaeon Newsletter began criticizing the gang. However, after those articles appeared she continued to correspond with me, sharing her thoughts and feelings regarding Grady, Bill Heidrick and others, as well as the Caliphate in general. If you ever got the impression that the gang was one big happy family, you were misled. Members of the Caliphate would chuckle at this and quote “As brothers fight ye”, but this disorganized “organization” was and remains something worse than a dysfunctional family.
Whereas I believe Helen Parson Smith hoped that I would become a member of the “Ordo Templi Orientis” and help to straighten out the mess that is known as the Caliphate, I feel certain that Phyllis Seckler wished me to join so that I might be used as a puppet whom she could manipulate to eventually seize power and take control of the gang. Needless to say, seeing the Caliphate for what it is I not only did not wish to involve myself in its lies, hypocrisy and insanity, but also I certainly had no intention of being anyone’s puppet--even if, giving her the benefit of the doubt, Meral’s intentions were good.
At the age of 86, Phyllis Seckler died on the 31st of May in Oroville, California. As was the case in regards to Helen Parsons Smith’s death, the family, honouring Phyllis’s wishes, did not hold funeral services, and I suspect that this was, at least in part, because Soror Meral and her family did not wish to stain the proceedings of her final “feast” with the hypocrisy and idiocy of the Caliphate.


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How to decide the proper pronunciation, based on the roots of the word or how it is written as a whole new word?
For example these two words mix my mind about pronunciation.
Browse other questions tagged pronunciation prefixes or ask your own question.
Difference in pronunciation between 'warship' and 'worship'?
Pronunciation of prefixes or letters like “acc-” , “ent-”, “tri-” in various words like accent, enter, trivial?
Why is /sɪ/ pronounced differently in “six” /sɪks/ and “sit” /sɪt/?


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Encephalitis involving herpes is a medical emergency. It needs to be promptly diagnosed and treated. This disease is often fatal when it is not treated. Many people who survive it have long-term problems afterward.
Meningitis and encephalitis may be caused by bacteria, fungi, or other types of germs. But many are caused by viruses, and many kinds of viruses can be to blame.
Encephalitis is caused by the herpes simplex virus. Most are caused by herpes simplex virus type 1 (HSV1), the virus that also causes cold sores. The disease may also be caused by herpes virus type 2 (HSV2). This virus can be spread by sexual contact or from an infected mother to her baby during childbirth. HSV1 infection can also be sexually transmitted to the genital area. These viruses remain in the body throughout a person's life, even when they're not causing signs of infection.
Sometimes the meningoencephalitis occurs during the initial infection with the herpes simplex virus, but most often it is caused by reactivation of the virus from an earlier infection.
If you have viral meningitis, symptoms may include fever, light sensitivity, headache, and a stiff neck. If you have other symptoms, such as confusion, seizures, sleepiness, or a focal neurologic deficit—a nerve function problem that affects a specific area — these may suggest that your brain is also affected, and your healthcare provider may diagnose it as meningoencephalitis.
Neurological exam. Your provider will do a neurological exam to look for changes in motor and sensory function, vision, coordination and balance, mental status, and in mood or behavior.
Lumbar puncture. In this procedure, your provider will take a sample of spinal fluid. Cells and other substances in this fluid may give your provider important clues.
Imaging. Your provider may want to create images of your brain using a CT or MRI scan.
EEG. An EEG measures brain waves by placing electrodes onto your scalp.
What are the complications of herpes meningoencephalitis?
With treatment, most people with this disease start to improve within a day or two and tend to recover fully within about a month. But without treatment, very serious complications can set in, including death.
Even with treatment, some people with severe cases may have long-term brain damage. They may have trouble thinking, controlling their body, and hearing, seeing, or speaking. They may need to take medicines for a long time, and they may require long-term care.
Can herpes meningoencephalitis be prevented?
Use a latex condom, which can reduce — but not entirely prevent — the risk of infection.
Avoid kissing people with cold sore blisters. It's important to keep in mind that most people have already been infected with HSV1 virus by the time they're 20 years old. If you've already been infected, the virus goes dormant inside your body except during outbreaks.
Treating herpes meningoencephalitis as soon as possible is essential. If you’re feeling neck stiffness, having any neurological problems (including seizures, changes in consciousness, or feeling sleepy), are sensitive to light, or are running a fever along with a bad headache, call your healthcare provider and have the problem treated promptly.
If you have already been diagnosed with herpes meningoencephalitis and are being treated, it's very important to let your healthcare providers know if any of your symptoms get worse or if you develop any new symptoms, as these could be signs that the infection is getting worse despite treatment.
Treatment is with antiviral medicine, sometimes along with other medicines such as steroids and drugs to prevent seizures.


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So you've probably read it everywhere by now: Google's Safebrowsing API got a case of the hiccups and started marking the entire Internet as harmful. Ryan Naraine was all over this like a monkey on a football this morning, and his post on Zero Day was the first report I saw of it.
As for me, though? I was sitting smug, not worrying too much. Others may have feared that their computer or browser had been compromised. I was pretty sure (okay, after a few test searches and hitting some of my own sites) that it wasn't a problem on my end, or a problem with the web content on most sites, either.
I'm running FireFox 3 with NoScript (and now RequestPolicy) on top of OpenBSD. What could I possibly browse that would harm my computer?
And yes, I am aware that there are still things out there that could probably do something bad somehow, but the odds are pretty slim.
Reply All: Just don't do it.
A call to arms: War on removable media!
Cowtown Computer Congress - The Underground Lab!


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DURING THE CONSTRUCTION OF THE MOCKUP MANY QUESTIONS ABOUT COMPLETLY SOUND PROOFING THE DEVICE WERE RAISED. THE CORNERS AND THE TOP OF THE DEVICE. ALONG WITH FIGURING OUT SOLUTIONS TO THAT I WAS ABLE TO COME UP WITH A MORE EFFICIENT WAY TO TEST MY SOUND PROOFING MATERIAL.
MOCK UP A WAS CONSTRUCTED TO BE ABLE TO EXPLORE THE CHALLENEGES THAT OCCURED DURING THE DRAWING PHASE. IN CONCLUSION, CONSTRUCTION IMPROVEMENTS WILL BE MADE TO BE ABLE TO RECIEVE ACCURATE RESULTS DURING TESTING.
-WHICH MATERIALS CAN DAMPEN SOUND WITHOUT BUILDING AN EXPENSIVE SOUND PROOFING WALL.
-BY CREATING AN ARTIFICIAL ENVIRONMENT WHERE THE MATERIAL IS ISOLATED AND PUT TO A TEST OF THREE DIFFERENT SOUND FREQUENCIES.
HOW WILL THIS TEST BE ACCURATE AND COMPARABLE?
-EACH WALL WILL NEED TO BE COMPLETELY SOUND PROOF AND CONSTRUCTION MUST BE ACCURATE.


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I see it all the time. People struggling to lose weight, claiming they are doing everything right. Their nutrition is on point and they’re training every single day. Waking up at 4:30 in the morning to get their training in and planning their meals out to a tee and still no weight loss. They say, “But I am doing everything right!? Should I eat less and train more?!” No!!! The answer is no.
Recently, Freddie and Jen competed at the 6th Annual USPA Bar Fight in West Virginia. Both Freddie and Jen wanted to tell their story leading up to the battle and then following their experience.
Here is Freddie’s take on his fourth meet as a powerlifter.

industry_corpus2: Sports


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Working as a risk, compliance or governance professional requires specialist skills. Our dedicated recruitment team has expert industry knowledge and specialises in this area.
We work with a wide range of organisations across finance, banking and financial services to help them find the right people for Chief Risk Officer jobs, Head of Risk jobs, Risk Director jobs through to Risk Manager jobs and Risk Analyst jobs. In compliance we regularly place professionals into Head of Compliance jobs, Compliance Officer jobs and Compliance Analyst jobs. We also cover a wide range of Governance jobs from Audit jobs, Product Governance jobs and Financial Promotions jobs to Programme and Project Management jobs.
Our specialist insight and experience in risk, compliance and governance means we have the right connections to find you the permanent, contract or interim job opportunities that you are looking for.


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Classic golf style built for today's game.
Drive the ball with precision in these golf pants. A stretch build follows your natural range of motion and sheds sweat to keep you dry and comfortable on the course. A grippy silicone waistband keeps your shirt tucked in and presentable from first swing to last putt.


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The classic Marvel villain Wilson Fisk was so memorably portrayed in the first season of Netflix’s Daredevil that his absence from most of Season 2 was keenly felt. Luckily the character is back for the upcoming Season 3. Netflix are using the Fisk’s return as the focal point of their marketing–we’ve already had one Fisk-centric teaser this week, and now another has been released.
This one uses a menacing voiceover from actor Vincent D’Onofrio, who tells us that “love blinded me” and that “the Devil took my throne.” Accompanying this are images of Fisk sitting in prison clothes, before it switches to the famous white Kingpin suit. Finally he announces that Daredevil “will never see me coming,” hinting at the showdown between these two enemies. Watch it above.
Daredevil Season 3 hits Netflix in its entirety on October 19. It stars Charlie Cox in the lead role, plus Deborah Ann Woll as Karen Page and Elden Henson as Foggy Nelson once more. A new poster has also been released in advance of next week’s New York Comic-Con–check it out at the end of this story.
In related news, it was reported earlier this month that a host of new Marvel shows are in the works. According to Variety, the studio is developing shows for its upcoming streaming platform that will center around Loki and Scarlet Witch, with Tom Hiddleston and Elizabeth Olsen potentially reprising their roles from Marvel’s movies. Disney’s streaming service is reportedly due to launch at the end of 2019.


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For movers in Paddington Bayswater, Upton Park or West Ham it is important to find a removal company that will assist you by providing a comprehensive packing service. can help facilitate you moving house by making it quicker and cheaper. We provide all of the materials needed, something that most removal companies in W1, E15 and W12 do not do. House removals are notoriously difficult to undertake, so allowing us to get you off to a good start with our efficient packing services is a great way to ensure that the rest of your move goes well.
Anybody planning on moving house in Saffron Hill should realise that relocation is all about planning. When house removals are badly planned they invariably go askew later on down the line. So if you live in Wapping, London Fields or Leyton you need a removal company that will provide you with great removal advice. will ensure that you are aware of everything you need to know when it comes to moving house. We are much more than a man with a van because we pride ourselves on helping house movers from the beginning, to the end of the move.

industry_corpus2: Real Estate & Construction


text: Fruity & floral. Notes of grapefruit, tangerine, freesia, lily of the valley, amber and woods. 6.7 oz.

industry_corpus2: Agriculture & Fisheries


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Are you Looking for Heidelberg members? Browse the latest members below and you may just find your perfect date. Send a message and setup a meetup this week. Our site has lots of singles waiting to date someone just like you!
Ready to Meet Someone in Heidelberg? Create A 100% Free Profile Today!
To message any member on Interacial Dating, you must first create a Totally Free Account to verify you are not a fraud. After you have verified you are real, you can begin talking to Heidelberg to find out if they like your profile. It's very simple to meet the right one. All you have to do is send a wink or quick message and wait for for them to get back to you. After they respond and there is a mutual interest, then you can schedule to meet up to find out if there is a actual connection. Stop Waiting around! Open up your totally free account below and get started today!


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Full-Service Apparel Printing, from Embroidery, to Dye Sublimation and Direct to Garment being our Specialty. We also provide commercial printing, mass copying, business cards, banners, flyers and more++ We do it all under one house. Call us any time (877) 371-0614.
Service or product: Screen Printing, Embroidery & Sublimation.


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BOSTON (AP)  The USS Constitution is about to set sail for the first time in three years to celebrate the Navy’s birthday and the anniversary of the Constitution’s first launch.
The world’s oldest commissioned warship will set sail from Charlestown Navy Yard in Boston on Oct. 20.
It will be the warship’s first sail since October 2014, and commemorates the Navy’s 242nd birthday and the 220th anniversary of the Constitution’s launch.
The ship earned its nickname “Old Ironsides” during the War of 1812.

industry_corpus2: Aerospace


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Remodeling your home can be an exciting yet tiring experience. Where do you put everything during the remodel when you have people coming in and out, dust building up, and, sometimes, walls coming down around your belongings?
Portable storage is a great solution during a remodeling project and SMARTBOX is here to help. We offer solutions that can help protect your belongings while you create the house of your dreams. If you want to learn more, call 301-683-6111 or fill out a contact form online today!
It is in your best interest to store any items that you want to protect. By storing them on site in a portable storage container, you can protect your belongings but still have them on-hand if you need them.
We deliver the storage box straight to your door and pick it up once you are done.
We offer professional moving and packing services.
We are up to 70% more affordable than the other storage options.
You get upfront pricing with no hidden fees.
Our storage boxes have a weather proof cover that will help keep your belongings safe from the weather.
Our storage boxes are secure and safe.
If you are about to undergo a remodeling project and you are in need of storage, get in touch with SMARTBOX today for your upfront, no hidden fees quote.
Durability – our on site storage containers are made of a sturdy and durable wood that allows the contents to breathe, and they are protected from rain, snow, wind, and more by an all-seasons weather-resistant cover.
When it comes to easy, affordable on site storage, thereâ€™s only one name you need to know in the greater DC area: SMARTBOX! Your belongings and equipment will be safe and secure because each portable storage unit comes equipped with a sliding hasp built to accommodate a padlock or combination lock, along with an all-seasons weather-resistant cover to protect your valuables from the elements. If you decide you need your things moved to another location (such as a new job site, home, or office) or you’d like them to be taken to our temperature-controlled storage facility, just give us a call.
If you are about to head into a remodeling project and you need accessible storage during your project, contact the SMARTBOX team today at 301-683-6111. Our friendly customer service team is here to assist you with all your storage needs.


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For 17 years I was married and living in a beautiful home in Wheaton, Ill., a suburb of Chicago. I was a stay-at-home mom, choosing to raise my three sons, rather than delegating that to a sitter or child care center.
I had been successful in constructing an almost perfect life.
That’s why it was so devastating when my executive level husband lost his job. His company, a trade association of the savings and loan industry, was a victim of deregulation. His offices, in downtown Chicago dwindled from a bustling 150 people down to 30. He was one of the last people out the door.
He’d been employed there for 10 years. Losing that job caused something inside him to just snap. From the last day he turned off his lights and said goodbye to his long-term office, he quit looking for work. For almost three years I supported the family with day care income earned by taking care of other people’s kids, but it soon became apparent to me that he wasn’t ever going to work again. He became depressed. Then, he became scarily psychotic.
Before too long I found myself in front of a judge filing for divorce and sole custody of my children. Devastating doesn’t even describe the depth of feelings I had as my hands shakily signed the papers for divorce from the only man I’d ever loved. Over the past year, he’d become a danger to his children, his wife, and possibly even himself.
I hadn’t worked in 10 years.
I’d never even seen a fax machine, much less all of the computer-driven technology that was mandatory in every office.
I had no college degree since my husband had always pooh-poohed it as a waste for me.
Once the divorce was finalized, with a judgment for 33 percent “child support” based on some future salary my husband might make, he disappeared off the face of the earth. For awhile, while I still had some funds, I hired a private investigator to find him. He’d covered his tracks so well, he couldn’t be located.
I had several frustrating meetings with a totally overwhelmed child support collection officer. His office was so piled with manila folders of women in exactly my same situation; he had a path from the door to his desk chair. Folders tipped crazily in stacks at least three or four feet high. Needless to say, he didn’t have any more luck finding the ex than I did with my fancy private eye.
So there I was, a suddenly single, totally unprepared mom of three sons, aged 4, 10 and 12, with a below poverty wage of $25,000.
Looking back at the eight years I struggled, daily, to feed, clothe and educate my growing boys, I sometimes wonder how I managed. I had to get rid of my beautiful house — property taxes were $6,000 a year, almost a quarter of my salary — the only one my children had ever known.
A full 10 years after my divorce in 1994, Illinois voted in a new governor. One of his campaign promises was to clear up all of the old deadbeat dad cases. My ex was at the top of the list, considering he owned approximately $50,000 in unpaid child support. I’d completely written him off and forgotten him after 10 years of no contact, not even birthday cards or Christmas cards for his kids.
But the child support division had not forgotten him. And, through whatever wizardry they possessed, they found his bank account with a balance of $50,000. Imagine my surprise when I opened my mailbox and found a check from the state of Illinois in the amount of $50,000. Too late, because now my boys were quasi-adults, ages 14, 20 and 22. With those funds I purchased an inexpensive home for one son, a car for another and a college fund for the third. I was sorry they had to suffer.
This past Father’s Day the Cook County, Illinois, Sherriff published a website with more than 1,100 parents who are being investigated for avoidance of child support. A recent sweep picked up 80 parents who were behind on child support payments and who are now behind bars.
These types of actions are needed, because according to the U.S. Census Bureau only 47.3 percent of all custodial mothers received ALL of the child support the courts required. Seventy-seven and a half percent received SOME. And the rest, like me, received none.
Since Bill Clinton’s presidency, new laws have been put on the books that will help single moms that find themselves in the same tight spot I was in. The National Deadbeat Dad List was created to track nonpaying parents from state to state. In 1992, the Child Support Recovery Act and in 1998, the Deadbeat Parents Punishment Act, was passed which criminalized non support of biological children.
Let’s hope that the next generation of children that grow up in single parent households have all of the financial support they need to grow into productive members of society. If they don’t, it’s society that foots the bill.
This article was first published by the Juvenile Justice Information Exchange.


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TROY, Mich., Oct. 9, 2017 – Inteva Products, a leading global Tier One automotive supplier of engineered components and systems, is pleased to announce that Marco vom Wege has joined the company as Executive Director of the Interior Systems Product Line effective Oct. 2, reporting directly to Inteva CEO and President Lon Offenbacher.
Vom Wege was previously with Adient, formerly Johnson Controls, where he held several leadership positions. His most recent role was as Vice President & General Manager with responsibility for Complete Seat BMW, Daimler, VW Group & South Africa, and Ford & General Motors. Prior to that role, vom Wege served as General Manager for the Interior & Headliner business for Daimler, BMW, VW and Opel for the area of Johnson Controls that has now become part of Yanfeng Automotive. During 2008 and 2009, he served as General Manager of the European Change Program. Prior to these roles, he held various positions in Sales, Program Management, and Finance.
Vom Wege earned a Master of Business Administration (MBA) degree from Verwaltungs-und Wirtschaftsakademie Wuppertal (Administrative - and Business academy Wuppertal) in Wuppertal, Germany. He also received his Industrial Manager degree from Gebr. Happich GmbH, Wuppertal, Germany.
Vom Wege replaces Pat Stewart who was reassigned as Vice President & General Manager in Europe earlier this year. He will be based in Inteva’s office and technical center in Vandalia, Ohio.
safety and performance. Inteva has global resources for engineering, manufacturing and customer service for Closure Systems, Interior Systems, Motors and Electronics, and Roof Systems. Formed in 2008, the tier-one supplier is focused on achieving sustained global growth, providing excellent customer service and driving innovation. Inteva was founded on innovative solutions and the use of applied technology to drive value-based solutions. Inteva employs more than 15,000 people globally and is headquartered in Troy, Michigan USA.

industry_corpus2: Automobiles


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112 Lake St, Pardeeville, WI 53954 (#1774719) :: Nicole Charles & Associates, Inc.
11,380 sq.ft. Historic building! Relocate your business or start a new one in friendly downtown Pardeeville. Center area (3,300 sq.ft) ready for gift store, antique/craft mall, offices or your dream business venture. Newly constructed reception desk & cupboards/sink in breakroom. West storage warehouse (4,150 sq.ft) & East restaurant (1,650 sq.ft) are both rented w/tenants hoping to stay. Upper Level (2,300 sq.ft) Step back in time-original hardwood floors. Hosted traveling shows, dances, roller skating. Potential studio for an artist/crafter? Many updates by current owner. Make an offer!


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How a lot does a Automotive Mechanic I make? The median annual Automotive Mechanic I wage is $37,268, as of June 28, 2017, with a range often between $32,729-$forty two,963, however this may range broadly depending on a variety of elements. Our group of Certified Compensation Professionals has analyzed survey data collected from hundreds of HR departments at companies of all sizes and industries to present this vary of annual salaries for folks with the job title Automotive Mechanic I within the United States. For much more sporty aptitude within the cockpit there at the moment are anthracite-coloured dials for the engine pace and highway pace show in the style of the MINI John Cooper Works Paceman, whose central instrument also bears the John Cooper Works logo. The usual trim of the brand new MINI Paceman likewise includes chrome functions for the ventilation controls, clearly reflecting the automotive’s refined premium characteristics.
I really feel that automotive corporations can increase their markets and sales outside the U.S. Globalization is presently affecting the United States automotive companies by them being able to develop their gross sales and their markets outdoors the agricultural and concrete cities and towns of America. This nation just isn’t the only shopper. China, Taiwan, and even nations like Japan can survive on subsistence such because the gross sales of cars.
You’ll subsequently examine subjects instantly associated to automotive engineering and be given the chance to specialise in your ultimate year. Mill is used to sharpen saws. It’s a single -reduce file, that means just one row of teeth seem on the blade. By way of Carscoops mentioned that prospects can this car has cubication equal to NP300 Navara, the diesel engined 2.3-liter dCi powered push-sized to 158 hp and a alternative of as much as 188 hp twin turbo manual transmission and automatic 7 pace up.
Matt is a superb and honest mechanic and individual. He spent over an hour taking a look at my automotive and informed me all the things that could possibly be inflicting my automotive points. He was very friendly and honest and didn’t cost me as a result of he could not not find something to repair on my automotive, even after he took over and hour out of his day to try to work out what was wrong. I will ship every particular person I do know to this store!
Hey, Tom…good information & tales…I’ve solely been in the biz for a few years, and have already got my justifiable share of battle tales, too. I peruse the news & blogs to search out attention-grabbing stuff to share on my FB page. Are you a retired lockie, and went on to something else, or retired for good? If a everlasting retiree, and it was a result of your 17 years in the biz, PLEASE clue me in in your advertising strategies that allowed you to do this! Lol! I’m a basic-service locksmith, that leans towards aotomotive work…and you’re right-it takes a certain skill set to have the ability to tear down steering columns & dashboards to get at ignition cylinders…attention-grabbing work, and I get to assist specialists I hire to do my jobs of that nature (they get the bulk of the revenue, but I get the arms-on expertise-win/win throughout!). Anyway, thanks for the tales, man!
admin November 10, 2018	personal, saabs Automotive Comments Off on Are Old Saabs Good Or Bad To Personal And Keep?


text: The booming voices of Ohio's investor-owned utilities and their big industrial customers have dominated the debate over how to bring competition to the state's electric business. But if ending the monopoly of the power industry in Ohio is to bring widespread benefit to Jane and Joe Ratepayer, state legislators will need to be attuned to the smaller voices of municipal government leaders who are clamoring for the right to pool -- or, in deregulation-speak, aggregate -- their residents' buying power. Deregulation legislation remained a work in flux late last week as members of the House Public Utilities Committee sorted through a raft of amendments proposed to the bill that was passed along by the state Senate. If they haven't done so already, House members need to redress the error made by their colleagues in the Senate when they ignored the pleading of Northeast Ohio mayors to include in the measure a provision allowing municipalities to serve as group purchasing agents for their residents. As we've stated previously, monopolies don't cease to exist with the introduction of competition, but rather when they no longer control the market for a product or service. The formation of buying pools by cities and towns would give residential and small commercial customers the leverage they need to force utilities to compete for their business. In so doing, they would break up the type of de facto monopolies that continue to exist in Ohio's 'deregulated' local telephone market, where competition for residential customers is almost nonexistent because most rivals to incumbents Ameritech and GTE find it's much cheaper to convince big business customers to switch service than to persuade a lot of little guys to do the same. Wireless telephone providers eventually may bring prices down far enough to challenge the monopoly still enjoyed in Ohio homes by the dominant local phone companies. State legislators can't count on similar leaps in technology to bail them out if they blow it on the issue of ele ctric deregulation. To bring cheaper power to the people -- big and small -- they must not hesitate to let municipalities aggregate.


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Learn to identify, detect, investigate, and prevent financial fraud with fraud examination. Study and understand the nature of fraud investigation today with memorable business examples and numerous actual fraud cases to ensure your understanding of today’s most important fraud concepts (see complete description below).
CFT strongly RECOMMENDS that students complete an Accounting or Financial Accounting course prior to taking the Fraud Examination course.


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Supply cuts by OPEC and allies, and the U.S. sanctions on China and Venezuela supported oil prices.
Data released by the Energy Information Administration this morning showed crude supplies in the U.S. increased by 7 million barrels last week, significantly larger than the expected rise.
On Tuesday evening, the American Petroleum Institute released a report showing a 4.1 million barrels jump in crude stockpiles last week.
However, the EIA data showed gasoline stockpiles fell 7.7 million barrels in the week, the steepest drop since September 2017. Distillates were down by 100,000 barrels last week.
Another factor that pushed up crude oil prices today was the monthly report from OPEC that showed Venezuela's oil output dropped to a long term low of below 1 million barrels per day last month, due largely to U.S. sanctions and power shortages.
Meanwhile, UAE's energy minister has reportedly said that though Russia had said earlier this week that it would increase output, it is unlikely to do so unless in coordination with the rest of the producer group.
After selling $38 billion worth of three-year notes on Tuesday, the Treasury Department sold $24 billion worth of ten-year notes on Wednesday, attracting slightly above average demand.
The ten-year note auction drew a high yield of 2.466 percent and a bid-to-cover ratio of 2.55.
Last month, the Treasury also sold $24 billion worth of ten-year notes, drawing a high yield of 2.615 percent and a bid-to-cover ratio of 2.59.
The ten previous ten-year note auctions had an average bid-to-cover ratio of 2.50.
This brought the GBPUSD pair again towards the price zone of (1.3160-1.3180) where the upper limit of the depicted bearish channel as well as the backside of the depicted uptrend line were located.
Short-term outlook remains bullish towards 1.1300 - 1.1320unless bearish breakdown below 1.1250 is achieved on H4 chart.
Conservative traders were suggested to have a valid BUY entry around 1.1235. This positions is already running in profits.
Draghi reiterated that interest rate would remain at the current level at least through the end of 2019, and in any circumstance for as long as necessary to ensure the continued sustained convergence of inflation to levels that are below, but close to 2 percent over the medium term. At its monetary policy meeting, the Governing Council left the interest rates on the main refinancing operations, the marginal lending facility and the deposit facility unchanged at 0.00 percent, 0.25 percent and -0.40 percent, respectively.
We continue to look for a break above minor resistance at 145.77 and more importantly a break above resistance at 146.00 that confirms more upside pressure towards 148.50 on the way towards 151.50.
To shift the bias towards the downside a break below 144.90 is needed. Such a break will call for a decline to 143.79 and ultimately closer to 141.00 before the correction from 148.50 completes.

industry_corpus2: Petrochemicals


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Great read, a very rich plot and captivating story. Megan Miranda is becoming one of my favourite authors.
The story kept you on your toes wondering what was going to happen next - just like Leah.
This is a very good book. From the first page to the last, I enjoyed it because it was well written and well thought out.
The Perfect Stranger is my first read by author, Megan Miranda. This is a story about secrets, lies, and past lives. I do love the author’s writing style. Megan Miranda is good at weaving a tale of suspenseful mystery. The cover art for this book was very cool. I felt the pace was good but throughout most of the book I was just confused. Maybe it was just me but I struggled to keep everything straight. I didn’t care for any of the characters which makes it hard for me to get into a story. Overall I thought the book was okay and I would read more written by the author. Three out of five stars for The Perfect Stranger!!! Thank you Megan Miranda, Simon & Schuster, and NetGalley for providing me with a digital copy of this book to read.

industry_corpus2: Literature & Emotions


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Roma are set to complete their second acquisition from the Dutch league this summer.
Gianluca Di Marzio reports that Monchi and Baldissoni in the next few hours, or at the latest early next week, will fly to Rotterdam to define the operation with Feyenoord. The 22 year old Dutchman, who the Giallorossi already have a contract agreement in place with, is set to become Monchi’s second purchase of the summer.


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Linguistics is the study of all aspects of human language: how languages make it possible to transmit ideas and feelings; how and why languages are similar and different; how we develop different styles and dialects; what will be required for computers to understand and produce spoken language; and how languages are used in everyday communication as well as in formal settings. Linguists try to figure out what it is that speakers know and do by observing the structure of languages, the way children learn language, slips of the tongue, conversations, storytelling, the acoustics of sound waves and the way people's brains react when they hear speech or read. Linguists also reconstruct prehistoric languages, and try to deduce the principles behind their evolution into the thousands of languages of the world today.
The goal of the MA program in linguistics is to provide students with sufficient knowledge of linguistics to enable them to work in industry and organizations where knowledge of linguistics helps in problem solving. The program also helps students determine in a relatively short time whether they want to make research in linguistics a lifelong career and prepares students who decide to do so to apply to the PhD program at CU or at other institutions.
The main component of the MA program is 30 credits of courses (at least 24 of them in linguistics). Students may also choose to write an MA thesis. Students on both the thesis plan and non-thesis plan must take and pass the comprehensive exam in the fourth semester of study in order to receive the MA degree. By meeting additional requirements, MA students may also obtain the MA with a certificate in cognitive science, human language technology or culture, language and social practice.
The program is intended to provide students with a solid background in both theoretical linguistics and computer science. Graduates of the program will be specialists in the application of computers to the processing of natural languages, such as English, Chinese, Arabic and Urdu. The field of computational linguistics, also known as text analytics, natural language processing and informatics, is burgeoning and has become critical to the success of mainstream global businesses who compete for employees qualified to address these needs. The interdisciplinary nature of CLASIC is a significant market strength, because success in this developing field of natural language processing requires a strong background in both linguistics and computer science. The training will prepare students for careers in predictive text messaging, search engines, question-answering, interactive virtual agents and machine translation.
CLASIC students will complete a two-year degree (32 credits of approved graduate study in linguistics and computer science), including a 2-credit capstone project that will run in conjunction with an internship or CU based research project. As part of the capstone, students will be evaluated by their employer or industry project manager. Students will prepare a technical report on the completed project that the program directors and project leader will jointly evaluate. For more information, visit the department's Computational Linguistics (CLASIC) MS webpage.
The goal of the linguistics doctoral program is to prepare graduates to design and conduct original, empirically based research within a theoretical framework. Doctoral students prepare for careers in academic research and teaching or applied work in industry or other organizations. We encourage doctoral students to begin engaging in research projects early, as these will contribute to developing the research program that will lead to the thesis project. Early projects not only lead to preliminary exam topics and/or publishable papers, but also enable students to pilot methods that will be usable for the dissertation project. Early projects may be extensions of coursework and may involve a faculty advisor other than the thesis advisor.
Doctoral students complete a core of required courses that provide a firm foundation in linguistic theory and methods. These courses are supplemented by advanced courses and individual work related to an area of specialization in a field where this department offers research strengths (e.g., description of Native American and Chadic (Central African) languages, sociolinguistics, interaction and grammar, computational linguistics, psycholinguistics, first-language acquisition, phonetics, phonology, functionally-oriented syntax). Doctoral students may complete the CLASP or human language technology certificates. Additionally, students may apply to pursue a joint PhD in linguistics and cognitive science.
Course codes for this program are LING and ESLG.
Introduces practical and theoretical aspects of phonetics. Provides training in recognition and production of speech sounds, and instruction on fundamentals of articulatory, acoustic, and auditory phonetics.
Covers computer methods for doing linguistics with on-line corpora. Includes extensive introduction (with lab) to the Python programming language, UNIX corpus tools, concordance programs, syntactic treebanks, propbanks, and corpora for discourse and phonology research.
After a general introduction to issues and research methods in psycholinguistics (language production and comprehension, language and cognition, language acquisition), several major current research topics, such as models of speech production and theories of brain specialization for language, are explored.
Recommended: Prerequisite at least one graduate-level course in LING, PSYC or CSCI.
Studies sound systems of language. Introduces both principles of organization of sound systems and major kinds of phonological structures found worldwide. Provides extensive practice in applying phonological principles to data analysis.
Introduces principles of word formation and sentence structure. Covers major morphological and syntactic structures found in the world's languages, and methods for describing grammatical structures, and includes practice in analyzing data from a variety of languages.
Explores fundamental concepts of semantics and pragmatics, including theories of communication and meaning, representation, conversational implications, speech acts, and discourse structure.
Familiarizes students with terminology, methods, and theories dealing with phenomena of language change through time.
Description of morphological and syntactic categories and structures of English.
Provides teaching and learning principles and practices for developing nonnative speakers' oral English proficiency and intercultural communication skills. Examines the sound system of American English (including prosody), listening and pronunciation, lexical considerations, and discourse functions and grammar, and how these contribute to speaking fluency, accuracy and communicative effectiveness. Focuses on teaching applications and includes one-on-one sessions with English learners.
Recommended: Prerequisite LING 3100 or LING 5030 and LING 5410.
Provides an overview of methods and materials for teaching English as an additional language, along with opportunities for students to observe, discuss and analyze these in relation to language teaching principles, linguistic considerations, and global and local contexts. Aimed primarily at the teaching of English to nonnative speaking adults, the course also addresses second and foreign language teaching generally.
Recommended: Prerequisite LING 5610 or LING 5620.
Various topics not normally covered in the curriculum. Offered intermittently depending on student demand and availability of instructors. Contact the department office for information.
Provides observation and supervised teaching experiences in classroom and other contexts involving the teaching of English to speakers of other languages, especially adults and young adult learners in settings outside K-12. Meetings provide opportunities to debrief and to consult on teaching practice; help students connect theory, methods and practice; and support a professional teaching portfolio process.
Recommended: Prerequisite LING 4610 or LING 5610.
Serves as an advanced introduction to the empirical and theoretical foundations of contemporary sociolinguistic analysis, with special emphasis on linguistic variation, diversity and change.
Serves as an advanced introduction to the empirical and theoretical foundations of contemporary linguistic anthropology, with special emphasis on the ways in which culture and society emerge semiotically through language and discourse.
Addresses socio-cultural issues concerning indigenous languages, including human rights, intellectual property, language endangerment and maintenance, identity, linguistic relativity, sense of place.
Surveys the structure of one or more languages, emphasizing understanding how parts of the language interact. Designed to supplement courses in which parts of languages are used to illustrate theoretical claims.
Recommended: Prerequisites LING 5410 and LING 5420.
Students compare and contrast selected structures of languages treated from a typological, genetic, or a real perspective. No special prior knowledge of the subject language is required.
Recommended: Prerequisites LING 5410 and LING 5420 and LING 5570.
Theories and research methods in first-language acquisition of phonology, morphology, syntax, semantics, and pragmatics.
Recommended: Prerequisites LING 5410 and LING 5420 and LING 5430.
Provides students with the practical skills and the conceptual framework to do independent research in phonetics (or in other areas relying on phonetic data). Introduces current and traditional issues in phonetic research (both experimental and theoretical) and gives training in analytical methods.
Recommended: Prerequisites LING 5030 and LING 5410.
Introduces the process of discovering structure of a language from data obtained directly from its speakers. Emphasizes effectiveness in the field context, rapid recognition of structural features,and preliminary formulation using computational tools.
Examines organizations of language and gender in a variety of societies and cultures from the perspectives of sociolinguistics, linguistic anthropology, and socially-oriented discourse analysis.
Phonetic and morphophonological representations: distinctive features, segments, prosodic structures, morphological structures. Phonological processes and their interaction. Naturalness conditions.
Independent, interdisciplinary research project in cognitive science for advanced graduate students pursuing a joint PhD in an approved core discipline and cognitive science. Research projects integrate at least two areas within the cognitive sciences: psychology, computer science, linguistics, education, philosophy. Students need commitments from two mentors for their project. Department enforced prerequisites: CSCI 6402 or EDUC 6504 or LING 6200 or PHIL 6310 or PSYC 6200.
Covers various topics in syntactic theory.
Recommended: Prerequisite LING 7415 or PSYC 7415 or CSCI 7412 or EDUC 6506.
Current developments in the theory of linguistic semantics. Topics include truth-conditional theories, generative linguistic theories, semantic theories of communicative competence and integration of these theories in development of a combined theory of semantics and pragmatics.
Presents theories of language change. Discusses mechanisms of language change, its trajectories over linguistic categories and items and its relation to theories of grammar and of language variation.


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Located in the Bald Nob Trig Station area which is about 2kms ESE of Bald Nob.
4 entries listed. 2 valid minerals.

industry_corpus2: Mining


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