text:
The house was as described and had everything in it that was needed. Very quiet and easy parking. Very close to the township and its many pubs.
A lovely semi-detached modern cottage with a traditional feel nestled in the popular village of Glengarriff in County Cork.
A delightful exterior boasts gleaming white walls off-set with a deep shade of blue on the door and framework for an added dash of elegance to this pretty cottage.
Ideal for families and friends, this property presents three nicely decorated bedrooms; one double with an en-suite shower room and views out of the mountainside, another double overlooking the garden and a pull-out stacker bed creating extra space in the single room.
The living area which is open-plan and sweeps around the ground floor of the cottage is beautifully designed with comfort and quality in mind.
Take a seat and unwind on the snug sofa or sink into one of the deluxe armchairs and absorb the lovely warm colour palette surrounding you as the electric stove keeps you nice and toasty.
Enjoy a pleasant home cooked meal at the dining table with the family and when the sun shines over this delightful property step out into the garden and feel the warm air on your skin as the kids play happily together on the lawn.
Within a few minutes’ walk from the cottage are pubs, restaurants and shops in Glengarriff.
This seaside village sits at the head of Glengarriff Bay boasting many of nature’s finest attractions including the Glengarriff Nature Reserve, spectacular Caha Mountains and beautiful Garnish Island with its flourishing tropical gardens and marvellous architectural structures.
Build up some unforgettable memories at this fabulous base in a scenic, Irish location.


text: We have Maserati Ghibli touch up paint to help you repair the paint scratches on your vehicle. Bianco - color code: 268/A, 231047, Nero - color code: 820/A, Grigio Metallic - color code: 817/B, 264621 are just some of the paint color codes that we offer in jars, pens, spray cans and more. Get your Maserati Ghibli looking its best by selecting one of the touch up paint color options above.

industry_corpus2: Automobiles


text: Yahsat, a leading global satellite operator based in the United Arab Emirates (UAE) and wholly owned by Mubadala Investment Company, and Hughes Network Systems (HUGHES), a subsidiary of EchoStar Corporation, today announced an agreement to enter into a joint venture to provide commercial Ka-band satellite broadband services across Africa, the Middle East and southwest Asia. This new venture combines Hughes deep expertise as the global leader in broadband satellite networks and services with Yahsat's unique position and knowledge as the leader in satellite broadband solutions across these regions. Hughes will purchase a minority interest in the venture.

industry_corpus2: Aerospace


text:
Give Me My Remote > #1 featured > Who is the Next BACHELORETTE?
Just hours after THE BACHELOR concluded its season with Brad popping the question to his chosen lady, the newest BACHELORETTE has been revealed. Much like seasons past, the woman in question is a former contestant that was rejected on the show — in this case, on Brad’s season — and is hoping she’ll have better luck in the driver’s seat.
So who is this lucky lady?
It was announced on JIMMY KIMMEL LIVE that rejected BACHELOR contestant, Ashley H., will be the next BACHELORETTE.
Given that Ashley and Brad had quite possibly one of the most awkward/tense dates I’ve seen on the show — especially that late in the run — I wonder what preconceived notions the contestants might have about her. And it will be interesting to see how Ashley, who had difficulty sharing Brad with the other girls, will act when she’s the one being shared.
The new season of THE BACHELORETTE premieres in May…will you be watching Ashley’s quest for love?

industry_corpus2: Film & Entertainment


text:
The University of California, San Diego’s powerful collaboration process that helped realize a bold new vision for growing its campus.
How inclusionary discovery strengthens a pediatric brand for BJC Healthcare.
anchor and maintain a strong healing process for chronic disease outside the facility.
The PACT Design Guide that supports new models of primary care for the VA.
How applied research findings on the latest benchmarking data can improve throughput in key patient care areas.

industry_corpus2: Subject Education


text:
Switzerland is an expensive country to travel. Lucky for us, they have this wonderful package for all would-be travellers to this country of theirs — the Swiss Pass. Unfortunately, the Swiss Pass offers numerous options, including the Swiss Pass, Swiss Flexi Pass, Swiss Card and the Swiss Half-Fare Card, making your selection a major dilemma.
While I was researching for my trip, I found out that there are people from around the world equally perplexed with the Swiss Travel System. I am, by no means an expert, having only been there once, which was just a few weeks ago. Neither did I visit all the various places offered by the Swiss. But I hope my insight (from the POV of a fellow traveller) would provide some assistance in your choice.
Having said that, the best way is to list down all your likely travel routes and calculate them one by one. Because one man’s meat might be another man’s poison. There are just too many variables during the calculation. I hope that after answering a few questions posted here, you could come to a decision without having to go through some mathematical equations.
For discussion purposes, I have only included the Swiss Pass and the Swiss Half-Fare Card. The rest of the options are pretty much self explanatory on the Swiss Travel System website.
First up, a few questions to ask yourself.
This is a major factor when it comes to deciding which pass to buy. The Half-Fare Card (HFC) lasts for a month at a price of CHF120 (in 2013), and as the name imply, you pay half-fare for all public transportation in Switzerland, including the privately owned funiculars, cable cars and trains.
As for the Swiss Pass (SP), it offers a few choices, including a 4-day, 8-day, 15-day, 22-day and a 1-month pass. So if you are planning on a shorter trip, you could choose accordingly.
Most people have a specific area in Switzerland that they are visiting. Some might prefer the Bernese Oberland regions, others the skiing resorts of Zermatt and maybe some are for the bigger cities like Geneva and Zurich. Why did I mention this? Although the SP supposedly covers all of the public transport in Switzerland, it only offers 25%-50% off on the privately-owned lines. These privately-owned lines are usually in the mountainous region. Whereas the HFC still offers 50% on all of these lines. And to make things confusing, there is also a Jungfrau VIP Pass (valid for a year) which offers 50% reduction on the mountain passes.
So for those who are heading up to the mountains, the HFC seems like a better choice. But then again, I have here an example of my trip up to Mount Rigi. I took the boat from Lucerne to Vitznau, then up to Rigi Kulm, before coming back down via Arth-Goldau. The journey would have cost me CHF121 but with the SP, it cost me nothing (despite being a trip up the mountains). The HFC would cost you CHF60.
Do a little research on the ticket prices if you’re planning on a mountain excursion during your stay in Switzerland. Here is a PDF (1MB) on the various lines that are free and those that aren’t.
For those who dislike having excursions and prefer to stay local, then you’re in for a treat! Since you will be paying a tourist tax for every day of your stay in Switzerland, the local government has decided to make things easy for you. You will be entitled to a free transport card for the city/town that you will be staying in, for the duration of your stay. I know that this applies to all hotels but I am not sure whether those who are doing couchsurfing/AirBnB would have the same thing or not. But as long as you get your hands on the free transport card, your travel in that particular city would be free. The Lucerne version is stapled onto their travel brochure, which you could obtain from any participating travel vendor. The rest were given when I checked into the hotels.
This is good if you’re on a business trip or that you are only planning to stay put in one place. Or two, if you have plans for another change of hotels. But remember, it is only good for that city alone, intercity travel still cost money! Most cities offer a day-pass for all public transport, usually ranging from 6-9am until 12 midnight and they cost less than CHF10 per pass. You could still rely on your own two feet if you’re stingy.
The added benefit of the Swiss Pass (SP) is that it offers free entry into 470 museums throughout Switzerland. So if you are the museum type, then the SP is for you. Unfortunately, the famous Verkehrshaus (Swiss Transport Museum) in Lucerne is only a half-price discount. This offer is not available for the HFC.
My experience? The Swiss Pass (SP) saved me CHF125 in total plus a CHF15 discount on the Verkehrshaus.
This is different from duration, albeit related some what. Having a SP, you don’t have to queue up at the ticket counters, you don’t have to carry small change to use on the vending machines, you could even be as lazy as we were! Each time we pass by a bus stop or a tram stop, we would look at the timetable, if there was a bus/tram arriving, we would hop on it and hop off at our destination, even if it was just a single stop! I know, to most travellers, this would cut down on the fun of exploring the place by walking. Imagine hopping on the tram at Zurich Bahnhofstrasse and four stops later, arrive at Zurich Bürkliplatz, then going back home and telling everyone that you have been to the world famous Zurich Bahnhofstrasse.
IMHO, we were on a 13-day whirlwind tour of Switzerland, covering Geneva to Zurich. So time was of the essence. A HFC would have slowed us down and probably stopped us short of just hopping onto any tram/bus when our legs were tired, take a ride into the suburbs to enjoy the views and then back to where we started without a worry.
This is only a small footnote, mostly related to the SP. If you’re travelling a couple, you get a small discount on the Swiss Pass (CHF476 alone), uniquely entitled Swiss Saver Pass (CHF405 per person). All families with children less than 16 years old go free on both the HFC and SP.
The HFC also covers First Class, as long as you pay accordingly whereas for the SP, you would have to decide on it early. Meaning, you can’t change classes with the SP. If you have bought a 2nd Class Swiss Pass, then for the duration of the journey, you’re stuck with it.
There are certain scenic railways that require reservations, such as the Bernina Express. Both HFC and SP would have to pay the required reservations with no added benefits. The only benefit is that for the SP, the train ticket is covered while it is only half paid if you’re on the HFC.
I travelled with my wife on a 2nd Class Swiss Saver Pass for 15 days. This is the general breakdown of the costs saved per person.
If we had gone for the Half-Fare Card, we would have to pay an extra CHF483 for our travels, but maybe we would have not visited the museums that much, so that would be around CHF343, bringing it to a total of CHF463 as compared to the CHF405 with added benefits.
The Half-Fare Card is often the most cost-effective, especially if you are definitely going up the Jungfraujoch, as it is the one that will give you a full 50% off the full ride (the Swiss and Flex passes give you 25% off above Kleine Scheidegg.) But it is certainly not the “easiest” as you have to stand in line and buy tickets each time you want to travel.

industry_corpus2: Travel & Geography


text:
STAY & PLAY IN MAY!!!
Our 3 bedroom apartment is now available to rent following an extensive refurbishment. We are running a special offer during May to visitors who wish to stay and play. The offer includes 2 nights accommodation plus 3 rounds of golf and is priced at only £139 per player!
We have introduced a sliding scale of visitor green fee prices for 2019 depending of the number of players and time of play. Rates start at just £12.50 for 18 holes!
We have vacancies in all membership categories. Annual membership is available from as little as £215! For a full list of rates click on the 'subscription rates' under the membership tab on our toolbar.

industry_corpus2: Sports


text: Although Taiwan Semiconductor Manufacturing Company (TSMC) saw its share of the global foundry market slide to under 50% in the second half of 2004, the company has regained over half of the market and expects maintain its leading position in the market. Rick Tsai, president and COO of and soon-to-be CEO of TSMC, recently spoke with the press during “Taiwan Tech. Symposium” and elaborated on TSMC’s 90nm technology roadmap.

industry_corpus2: Technology & Research


text:
Bring one of Spring's highlights, tulips, into the sprit of your note.
Note - each card is individually rendered, therefore, all colors shown might vary slightly due to variance in viewing monitors, product materials and production ink lots.
Copyright Sehring Solutions, LLC, d.b.a., M. Louis Photography. All rights reserved. Reproduction in any form is expressly prohibited.
M. Louis Photography is a d.b.a. of Sehring Solutions, LLC. All content expressly copyrighted by Sehring Solutions, LLC. Photocolor is a Trademark of M. Louis Photography. All rights reserved.

industry_corpus2: Others


text: As of 2018 the Internet of Things Market is gaining momentum both in Japan and Overseas, as many IoT projects are moving from the theoretical phase to the commercial phase. AI, blockchain and robotics are all being integrated into these services to make better solutions but issues like IoT security remain a challenge for many organizations. This presentation will give both a present and future look at the IoT market situation in Japan and overseas.

industry_corpus2: Artificial Intelligence


text:
Mike Kessler is the Chief Learning Officer for BAE Systems Inc. In his role he has accountability for management and leadership development, organization development (team solutions) compliance training and aligning all learning throughout the US based organization. Prior to assuming that role, Mike was Director, Organization Development where he was responsible for assessing organization development needs for senior clients, developing and aligning solutions to address core business issues and evaluating the impact of organization development efforts on improving business performance.
Mike joined BAE Systems in November, 2011 from Fannie Mae where he was a Director of Human Resources with accountability for talent acquisition, HR policies and procedures and business process outsourcing. Previously, Mike was the Senior Director of Human Capital for the American Red Cross National Headquarters with accountability for HR legal compliance, vendor management, talent acquisition and EEO/Affirmative Action. Mike holds a Masters of Education from George Mason University and a Bachelors of Business Administration from James Madison University. He is a certified Senior Professional in Human Resources.


text:
Genestra Brands HMF Baby F is a probiotic supplement for formula fed children (1-4 years) that provides Lactobacillus salivarius, Lactobacillus paracasei, Bifidobacterium bifidum and Bifidobacterium animalis subsp. lactis, which help support intestinal/gastrointestinal health and could promote a favorable gut flora.16 HMF Baby F contains added galactooligosaccharides (GOS), a type of prebiotic dietary fibre naturally found within breast milk.13 Fructooligosaccharides (FOS) are also included for additional prebiotic fiber content.13 HMF Baby F powder dissolves easily into milk or water, and is free of gluten and soy. Ideal for vegetarian children.
Children (1-4 years): In a glass, add water or milk to one scoop of HMF Baby F and mix. Take once daily with a meal, at least two to three hours before or after taking antibiotics, or as recommended by your healthcare practitioner.
Guaranteed to contain no added wheat, starch, gluten, soy, artificial colouring or flavouring or antimicrobial preservatives. Ideal for vegetarians.

industry_corpus2: Biopharmaceuticals


text:
In addition, we have a BRIDGEPORT vertical mill, ACRA vertical mill, SHARP combo vertical/horizontal mill as well as a 50 ton drill press.
Build and repair pull tubes, barrels, valve rods and blind flange test ports.
NPT threading from 1/2" to 8"

industry_corpus2: Manufacturing


text:
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industry_corpus2: Computing & Telecommunications


text:
A function can return a pointer to memory that is outside of the buffer that the pointer is expected to reference.
This entry should have a chaining relationship with CWE-119 instead of a parent / child relationship, however the focus of this weakness does not map cleanly to any existing entries in CWE. A new parent is being considered which covers the more generic problem of incorrect return values. There is also an abstract relationship to weaknesses in which one component sends incorrect messages to another component; in this case, one routine is sending an incorrect value to another.

industry_corpus2: Programming


text:
On August 14th, 2014, the website of the German show Tagesschau published a trade agreement between the European Union and Canada [de] called CETA (Comprehensive Economic and Trade Agreement)1. This text, which had been discussed for several years, was finalized over the past few months without any of its content being known. While the agreement must soon be signed by the 28 Member States of the European Union, this leak enables us to know its content more precisely.
Thus, we find paragraphs there which are similar to some of those in ACTA [fr]—the anti-counterfeiting trade agreement which was rejected by the European Parliament in 20122. Indeed, the text includes (page 341) a sacralization of DRM, the digital handcuffs which restrict users in the use of works that they however have legally acquired.
"5.3(1) Each Party shall provide adequate legal protection and effective legal remedies against the circumvention of effective technological measures that are used by authors, performers or producers of phonograms in connection with the exercise of their rights in, and that restrict acts in respect of, their works, performances, and phonograms, which are not authorized by the authors, the performers or the producers of phonograms concerned or permitted by law."
"5.3(3) In implementing paragraphs 5.3(1) and (2), no Party shall be obligated to require that the design of, or the design and selection of parts and components for, a consumer electronics, telecommunications, or computing product provide for a response to any particular technological measure, so long as the product does not otherwise contravene its measures implementing these paragraphs. The intention of this provision is that this Agreement does not require a Party to mandate interoperability in its law, i.e., there is no obligation for the ICT (Information Communication Technology) industry to design devices, products, components, or services to correspond to certain technological protection measures"
Finally, no mention is made of the decompilation exception.
More broadly, the text sets up a new system of dispute settlement, the ISDS (Investor - States Dispute Settlement), which circumvents the national and European courts and eliminates all the safeguards ensuring the respect of fundamental rights. For the sake of increasing commercial exchanges between the European Union and Canada, signing the agreement would allow large companies to appeal to a private justice in order to enforce their interests, without going through an independent judicial court. The abuses of this type of system are, however, many, as April already pointed out, in its response to the European Commission's consultation on the establishment of the same mechanism for the TTIP trade agreement (also know as TAFTA).
April calls for the withdrawal of the European Union from these negotiations, and for complete transparency on the issue. These leaks confirm the dangers of the international agreements now being negotiated, and underscore that such international agreements should not be made without both parliamentary and public debates. April renews its call for the European Commission and all institutions involved to abandon these anti-democratic negotiations.
1. The document can also be downloaded from the April website.
2. For more information on the dangers of ACTA, see this April news item, published in 2010.


text:
At Water Heater Pros, we are here to satisfy your goals when it comes to Atwood Water Heater in Renwick, IA. We've got a crew of professional experts and the most advanced technologies around to provide precisely what you're looking for. We make sure you receive the highest quality products and services, the ultimate value, and the finest products. Contact us today by dialing 888-600-0129 and we will be happy to investigate the options, reply to all your questions, and arrange an appointment to get started preparing the project.
Here at Water Heater Pros, we know that you want to keep in budget and spend less wherever it's possible to. In the process, you'll need the most impressive and highest standard of work when it comes to Atwood Water Heater in Renwick, IA. We are going to be sure our cash saving initiatives don't indicate a reduced level of excellence. Our plan is to be certain that you enjoy the best materials and a job that endures as time passes. We're able to make this happen by giving you the best deals in the field and steering clear of pricey mistakes. If you wish to save money, Water Heater Pros is the company to contact. Call 888-600-0129 to talk with our customer service reps, today.
To make the ideal decisions with Atwood Water Heaters in Renwick, IA, you've got to be well informed. We ensure that you know exactly what to expect. We take the unexpected situations out from the situation by supplying adequate and complete information. Begin by dialing 888-600-0129 to talk about your venture. We are going to reply to your important questions and schedule your first appointment. Our team can arrive at the appointed time with all the required resources, and will work closely with you all through the process.
Many reasons exist to consider Water Heater Pros for Atwood Water Heater in Renwick, IA. We are the first choice when you really need the best cash saving options, the highest quality materials, and the best rate of client satisfaction. We are aware of your needs and ambitions, and we're available to assist you using our skills. When you need Atwood Water Heater in Renwick, choose Water Heater Pros at 888-600-0129, and we will be more than pleased to help.

industry_corpus2: Power & Energy


text:
There were 46 culture positive cases of enteric fever admitted at the Davao Medical Center from July 1991 to June 1992. Salmonella typhi species was isolated in 40 cases while Salmonella paratyphi was seen in the remaining 6 cases.
The clinical features and laboratory findings in both S. typhi and S. paratyphi were almost similar. Fever was seen in all cases and majority presented with headache and anorexia. In general, however many of the findings vary from the classic picture of enteric fever. Diarrhea was more common than constipation. Hepatosplenomegaly was becoming uncommon. In 50% of cases pulse rate was normal. Rose spots were never observed in the series. More than one-half of cases had normal WBC and differential count. Anemia of less than 10 mg % hemoglobin was seen in 16 cases.
The prospective study was undertaken to describe the clinical profile of confirmed cases of enteric fever locally. The study presents the clinical profile of enteric fever from 46 cases seen among adult patients.

industry_corpus2: Health & Medicine


text: Joseph Labrecque is a creative developer, designer, and educator with over 15 years of experience building expressive web, desktop, and mobile solutions. He is presently employed as Senior Interactive Software Engineer with Academic Technologies Consulting at the University of Denver. Over the past decade, Joseph has authored a number of books, articles, and video course publications on design and development technologies, tools, and concepts through publishers such as LinkedIn Learning, Peachpit Press, and Adobe. He is also the founder of Fractured Vision Media, LLC; a digital media production studio and distribution vehicle for a variety of creative works. Joseph is an Adobe Education Leader, Adobe Community Professional, and a member of Adobe Partners by Design.


text:
Lottstetten, Germany, Spring 2016 - Founded as a three-man business over fifty years ago, the Rehm Gravel and Concrete Production Company in Lottstetten, Germany, today counts over one hundred employees. Thirty-five own truck mixers and other vehicles are in operation every day to transport fresh concrete from the company’s three concrete plants to their customers. An existing aggregate reclaiming system could no longer cope with the volume of residual concrete washed out from the vehicles.
At last, in 2015 the plant had to be adapted to current requirements. The company was then on the lookout for a reliable system that would ensure constant operational availability and trouble-free separation of the residual concrete from the washed out vehicles. During their search, Rehm became aware of WAM’s CONSEP 5000 Aggregate Reclaimer, which seemed to be a viable solution due to its hard-wearing components manufactured from tack-free SINTTM engineering polymer – features that offered considerable advantages over conventional systems.
In July 2015, the old system was replaced by two CONSEP 5000 units whose recycling screws separate the aggregates such as sand and gravel for re-use in production of fresh concrete. Rehm purifies the wash water on an existing filter press, which enables them to use the filtered water for washing the vehicles, as well as the preparation of fresh concrete.
Since its commissioning, the system has been running smoothly, providing sufficient reserves for increased capacity, which is why Rehm is convinced to have made the right choice by installing the CONSEP 5000 Concrete Reclaimers.
Last edited by Author; 30th January 2017 at 18:27.


text:
Call Debbie Marathon at 207-646-1500 for more info.
Call Michael Jones at 646-5535 for more info.
Call Walter Kallenback at 207.646.5535 for more info.
Call Dan Pender at 207.251.0074 for more info.
Call David Sullivan at 207.363.4053 for more info.
Call Jan Kovarik at 207363 4412 for more info.
Two homes - One Price!
Call George Wilson at 207 251 2941 for more info.
Call Julie Twombly at 207.608.6090 for more info.
Call Patricia Tagliamonte at 508-853-3637 for more info.
Call Michael Maler at 207.251.3888 for more info.
Call Ogunquit Cottages at 978-664-5813 for more info.
Call Jane Morris at 207.742.0843 for more info.
Call Vicky Whitney at 207-384-2753 for more info.
Call LuAnn Neff at 363-2497x134 for more info.
FABULOUS CONDO AVAILABLE FOR FALL VACATIONS!

industry_corpus2: Real Estate & Construction


text:
So how exactly do you stay sane in this self-imposed isolation, and ensure that you emerge, blinking into the dawn of your first exam with all of your faculties still intact? Carve space for yourself Sitting down to spend some serious time on an essay can be hard to do when your desk can’t be seen for dirty laundry and the remains of last night’s take away.
Extended social isolation that makes a person go crazy. People who are stranded alone will usually be subject to this. A person on a ship or in space where it is months or years until they reach their destination are also at risk.
The Most Extreme and Isolated Places to Live in the World. We all go on vacation to relax, experience something new, get away from it all, or maybe to just evade the police.


text:
Steven H. Schultz, age 57, of Pipersville, passed away on Thursday, February 23, 2017 at his home.
Funeral Services will be held on Tuesday, February 28, 2017 at 11:00 a.m. at Trinity Lutheran Church in Watertown with Rev. Brett Brauer and Rev. Dustin Yahnke officiating. Burial will take place at Ixonia Lutheran Cemetery. Family and friends may gather at the Hafemeister Funeral Home in Watertown on Monday from 4:00 – 8:00 p.m. and at the church on Tuesday from 10:00 a.m. until the time of the service. Memorials, if desired, may be directed to the family or the Town of Ixonia Fire Department. Hafemeister Funeral Home and Cremation Service of Watertown is serving the family. Online condolences may be made at www.hafemeisterfh.com.
Steven Harold Schultz was born on December 3, 1959 in Watertown, the son of Harold and Doris (nee Zastrow) Schultz. On March 21, 1987, he married Ann McManama at Trinity Lutheran Church. Steve had been employed at H&R Meats in Milwaukee and Quad Graphics in Hartford. He was a member of Trinity Lutheran Church in Watertown. Steve served on the Town of Ixonia Fire Department for over 30 years where he was a fire inspector and public educator. He loved deer hunting and snowmobiling.
Steve is survived by his wife, Ann Schultz of Pipersville; four children, Patrick (Meghann) Schultz of Ixonia; Cory (Adeline) Schultz of Ixonia; Tiffany Cole of Oconomowoc; Travis (Alicia) Buske of Johnson Creek; grandchildren, Kaydence Buske, Tristan Buske, Clayton Schultz and Otto Schultz; mother, Doris Baumann as well as other relatives and friends. He was preceded in death by his father, Harold Schultz and grandparents.


text:
If you wish to get in touch directly, we can be reached at wantirnasouth@backinmotion.com.au.
To request a booking in one of our group classes please contact Back In Motion Wantirna South directly via wantirnasouth@backinmotion.com.au or (03) 9801 1500 to ensure you have completed the required pre-class assessments.
We've recognised you as a new client. Not so? Give us a call on (03) 9801 1500.
We provide physiotherapy, massage, Clinical Exercise, and exercise and rehab to Wantirna South and surrounding suburbs. We have one-on-one and semi-private classes and because our services are delivered by physiotherapists you can claim them on private health insurance with extras cover.
Sheena has gained extensive experience working in hospitals and private practices. She has always been very passionate about physiotherapy and its delivery to the community. Her special interests involve diagnosis and management of complex spine conditions (neck and back) and shoulder injuries that have difficulties recovering. She also takes interest in rehabilitation of sports injuries and assisting their return to sport. Sheena utilises dry needling and kineseo taping as adjuncts to manual therapy in the management of musculoskeletal and sports injuries. Sheena has gained vast experience in treating pelvic girdle pain and has had great results with her patients. She has great results treating patients with headaches, vertigo and TMJ (jaw) pain, as well as treating clients Pre and Post Pregnancy.
Outside work, Sheena loves to spend time with her husband Asim and kids - Ishaan and Alysha.
We are so thrilled to welcome Rob back to the Wantirna South team after being at our Rowville practice for the past 2 years!!!
Rob is a Melbourne University graduate who immediately after his graduation began employment with a prominent private practice in Camberwell. In addition to this he also was employed at a major rehabilitation hospital.
Rob strives to attain the highest results when it comes to his clients, he achieves this by emphasising a holistic approach and promoting exercise based strengthening and rehabilitation. Rob relishes any challenge to improve a person’s health, fitness and injury concerns. He has further extended his expertise via courses in sports injuries, specialising in Clinical Exercise & advanced dry needling.
Rob’s proactive and enthusiastic approach to all facets of the Back in Motion business has seen him promoted to various positions including Clinical Supervisor (Senior Physio) whilst he was at Wantirna, where he was also involved in mentoring and coordinating staff.
In Rob’s spare time, he enjoys to be quite active as he participates in events such as bike rides and fun runs to raise money for charity each year. Rob loves watching AFL especially the team he barracks for, CARLTON – but don’t hold that against him!
Ben is our ever enthusiastic Senior Physiotherapist. Having worked at Wantirna South Back In Motion since the beginning of 2010, Ben loves nothing more than making our practice a fun and inviting place for our clients and staff alike.
Ben is a University of Melbourne physiotherapist and completed his course with honours. He has experience treating in a variety of areas including Sports Physiotherapy, Dry Needling, Clinical Exercise and Hydrotherapy.
Physiotherapy has also taken Ben far away from the practice to places like Palm Island in Queensland where he's made several trips with the SOS Foundation to work with the Indigenous Community and even to a Private Practice in Jakarta, Indonesia!
Ben loves the great outdoors - whether it’s hiking, cycling, kayaking or snowboarding - and lets his competitive nature thrive with his footy and cricket. He also loves nothing more than going to the MCG on game day to watch his beloved Essendon Bombers win! Away from his work as a Physio and many sporting commitments, Ben plays a variety of musical instruments including piano and bass guitar in a progressive rock band ‘aronora’ (check them out @ http://www.aronora.com!).
Lis graduated with a Bachelor of Physiotherapy from Latrobe University in 2004. She rotated through a variety of Physio specialities within the hospital sector until obtaining a Grade 2 position within Eastern Health in a variety of roles with interest and special training in Neurological rehabilitation and Geriatrics.
In 2007 she was the sole physiotherapist in a Medical Mission team to Kyrgyzstan and worked with an interpreter to treat villagers with musculoskeletal problems.
A short career change saw her in the role of Youth Director at an International Church in Geneva on the border of France and Switzerland. This is where she met her English husband to be and married in 2009 in England. They migrated to Australia in 2010 and have had 3 beautiful children.
Outside of work she loves to snowboard, run, travel and attempt a variety of adrenaline sports. Prior to graduating she was a professional Oboe player. As a junior, she was the State Champion for the 800m track and field event. She went on to compete at several National competitions in the 400m, 400m hurdles and medaled each time in her main event -the 800m event. The amazing physiotherapists that helped her along her athletic journey are the reason she chose to become a physiotherapist herself.
Josh completed his Physiotherapy degree at La Trobe University, and joined the Back in Motion team at Wantirna South soon after.
Josh’s love of sports, science and working with people are what brought him into the physiotherapy profession, and as such he loves the opportunity he has every day to help people get back to doing what they love to do!
Musculoskeletal conditions and the diagnosis and management of these are of particular interest to Josh. Whether they are sporting injuries, niggles or pains, he employs a number of techniques including massage, manual therapy, exercise and Clinical Exercise to help his clients become pain-free and less susceptible to re-injury.
When he’s not at the clinic, Josh loves keeping physically active, regularly going to the gym or for a run, which has given him a definite appreciation of the beneficial effects of exercise. He follows the footy closely as a battle-hardened Richmond supporter, and enjoys spending his time relaxing with family (including his dogs) and friends, having a kick of the footy, or playing the guitar.
Tom studied Physiotherapy in Albury at Charles Sturt University, and comes to the practice with a background in exercise and sport science after completing this degree at RMIT in Melbourne beforehand.
Tom grew up in North East Victoria in a small town called Myrtleford where he developed an interest in rehabilitation through playing numerous sports and the injuries that occurred as a result.
Through this interest Tom will be looking to specialise in musculoskeletal sports injuries going forward as he can certainly empathise with many of the patients and injuries he is likely to see. Fortunately he hasn’t sustained many long-term injuries and he credits his increasing knowledge of the body and how we move as the reason for this!
Tom is an avid sports fan and will watch pretty much any sport he can, however his passion for AFL takes the cake! Outside of work you may be able to catch him playing local footy in the Eastern Suburbs over winter, hacking up a Golf Course or cheering on the mighty Tiges at the MCG!
Working collaboratively with you, James uses an evidence-based approach to create your tailored program. James prefers to take a holistic approach to your diagnosis and treatment, focussing not just on the specific condition but also considering the broader aspects of your wellbeing, including social and psychological factors.
Having played club football from a young age and having experienced his fair share of injuries, James developed a keen interest in physiotherapy. This ultimately led to James attending La Trobe University where he graduated with a Bachelor of Health Sciences and a Master of Physiotherapy Practice.
James has been involved with Premier Division VAFA football clubs for the past 5 years. He is passionate about working with athletes of all levels to deliver results and return to sport. Using a range of manual and soft tissue techniques, combined with exercises, James works with you to help you achieve your personal goals.
Outside of the clinic James is a big sports fan. He strongly believes in promoting an active and healthy lifestyle and enjoys playing golf, squash and going to the gym. James is a keen hiker and has trekked in a number of destinations including PNG, New Zealand, the Alps and the Rockies. Down time is often spent reading or listening to music.
Carly has been with Back In Motion for over 5 years and stepped into the Practice Manager role in December of 2016. Carly has a love for customer service and in particular business administration, working in the industry for over 10 years.
Her passion away from work is her family, friends and her bulldog Obi…and she is always up for a laugh. There are unconfirmed reports you can hear Carly's distinctive laugh across at Knox City…!
Sarah is currently in her final year of Physiotherapy at Monash University with an interest in Neurological Rehabilitation.
In her spare time Sarah enjoys playing Futsal, Thrift Shopping and groovin' out to Smooth FM!


text:
The abbreviation of the journal title "Comparative urban research" is "Comp. Urban Res.". It is the recommended abbreviation to be used for abstracting, indexing and referencing purposes and meets all criteria of the ISO 4 standard for abbreviating names of scientific journals.
urban Urban No abbreviation listed in TWA.


text:
A superb, spacious 2 bedroom condo is now available to rent at The Waterford Rama 4, superbly located just off Sukhumvit Road and within easy reach of BTS Phra Khanong. This popular low rise development offers residents easy access to W District Mall, Tesco Lotus, Big C Center, Major Cineplex, 42 T-Off Golf Driving Range and several international schools including Wells and St Andrews International Schools .
Situated on a mid floor of The Waterford Rama 4 this spacious condo has 2 double bedrooms, 1 bathroom and 75 sq.m of living space with a balcony over looking the gardens. The unit is fully furnished, with tiled floors throughout, open-plan livingroom – kitchen, with gallery style kitchen units, built in electric hob & extractor fan and fridge-freezer.
The Waterford Rama 4 is a condominium project, located in Phra Khanong just the off Rama 4 / Sukhumvit Road junction and within easy reach of of Phra Khanong BTS station. Developed by Waterford Group in 200, The Waterford Rama 4 is low rise project which comprises of 7 buildings each with 8 floors with 738 units.


text: I went to the link and read about your grandfather. What a soldier, and what interesting and not a little frightening experiences he had! I am fortunate to still have my dad, at 95, who was a top turret gunner and flew 25 missions out of Italy. Don't give up -- I found the niece of the pilot of Dad's crew on this site!


text: Book binding is an essential part of book making process. We offer you a wide range of book binding types. Some of the exeptional binding we do are such as flexicover, wire-o, staples with loops.

industry_corpus2: Literature & Emotions


text: New location by the Market Cross in the Market Place! Dates for 2013: 26th January, 23rd February, 23rd March, 27th April, 25th May,22nd June,27th July, 24th August, 28th September,26th October,23rd November,21st December Times: 9 am-2pm Overview and other information: Now in its 15th year this was the 1st farmers market established in the county of Somerset! Good selection of produce and a very interesting town to explore!

industry_corpus2: Agriculture & Fisheries


text:
set inputUrl to (||'s |NSURL|)'s fileURLWithPath:"/path/to/old/script.scpt"
set outputUrl to (||'s |NSURL|)'s fileURLWithPath:"/path/to/new/script.scpt"
I found a solution. While the store script command does seem to be broken, the open for access...write... approach works. My problem was that I was specifying the file reference as an hfs path. Changing the file reference to a posix path or posix file solved the problem.
To save the script object to a file, save it as a list item.
set theScript's foo to ||'s NSString's stringWithString:"bar"
To retrieve the saved script object, read the file as a list, and get the list item that is the script object. Be sure to use any needed frameworks.
return theScript's foo as text --> "BAR"
While the store script command does seem to be broken, the open for access...write... approach works.
return "bar" --current application's NSString's stringWithString:"bar"
But then you hit a more fundamental problem in that you want to save a script containing an ASObjC pointer — and that officially can't be done. It would be a waste of time anyway, because it's unlikely the object pointed to would be would still be there when the pointer was eventually retrieved from the saved script.
This in turn casts doubt on your File Read/Write solution. (And giving a file containing a representation of a list the extension ".scpt" isn't recommended.) When I try it, an error occurs on the attempt to read the file as list.
And giving a file containing a representation of a list the extension ".scpt" isn't recommended.
My bad. I didn't mean to include a ".scpt" extension.
But then you hit a more fundamental problem in that you want to save a script containing an ASObjC pointer — and that officially can't be done.
return theScript's foo --> "BAR" --> Success!!
However, when I tried to retrieve the script object by reading the list back from the file from a different script, the retrieval failed with error -1761, which is Open Scripting Architecture error "There is a component mismatch—parameters are from two different components."
Any thoughts as to why the retrieval succeeds when performed within the original script but fails in a different script?
Part of the normal process of saving a script involves flattening, or serializing, the contents, which basically takes a nested structure and its context and converts it into a string of bytes. The process is reversed when reading. (See AEFlattenDesc()).
I'm guessing this flattening isn't happening with your example. It doesn't matter when you read it back into the same script, but it obviously does if you read it elsewhere. And the ASObjC connection is the likely cause.
But I'm curious about why you were trying it in the first place.
And the ASObjC connection is the likely cause.
It is my understanding that store script has been broken for years in ASObjC. Apple hasn't deprecated store script in plain vanilla Applescript, so they must consider it to be of some value. So I'm wondering why they haven't fixed this. I assume bug reports have been filed, so does that mean that (A) they don't consider it a high priority, (B) it is unfixable because of the way ASObjC is implemented, or (C) some other reason?
I'm working on a project which, if it were available, would be nicely solved with a script object capable of retaining state between invocations and supplied with handlers incorporating the power of ASObjC code. Unfortunately, because of the aforementioned problem with script objects in ASObjC, I have instead taken the approach of using two scripts. One is a plain vanilla Applescript script object that is instantiated for the current task at hand and that retains state between invocations. Its plain vanilla handlers serve only as front ends for the ASObjcC handlers in the second script. The second script is a script file acting essentially as a singleton and consisting only of the ASObjC handlers that the plain vanilla script object calls. I realize that there are other ways to retain state, but a script object that could both retain state and be coded with ASObjC handlers would be a very nice tool in the toolbox.
It is my understanding that store script has been broken for years in ASObjC.
I don't think it's ever worked there.
I'm not sure you can assume this -- scripters are notoriously poor at logging bugs.
so does that mean that (A) they don't consider it a high priority, (B) it is unfixable because of the way ASObjC is implemented, or (C) some other reason?
I wouldn't like to guess -- assuming bugs have been filed -- but I certainly wouldn't be surprised if it's A or B.
The problems, as far as I can see, are just that store script doesn't work within the "scope" of a use framework … command and that you can't save scripts containing stored ASObjC values. store script is perfectly capable of storing scripts containing ASObjC code.
-- Script object instantiated at run time (no label after 'script').
-- Inherits ASObjC code from the compiled script object below it.
-- Script object compiled into main script, below the 'store script' instruction to preserve the readability of the OSAX keywords.
-- The scope of 'use framework "Foundation"' is confined to this script object.
-- Script object instantiated at run time, below the 'store script' instruction to preserve the readability of the OSAX keywords.
… scripters are notoriously poor at logging bugs.
Scripters generally find it more immediately useful to work round bugs than to complain about them and then sit around waiting for them to be fixed (and for clients to adopt the fixed systems).
The only bug I've ever reported was the annoying Script Editor toolbar button problem. That was on 21st October 2014, back in the days of Yosemite and Script Editor 2.7. I had to go through the palava of signing up as a developer, reading through the spiel on how to file a bug report, and then describing the bug in several different ways in the report form. The response from Apple was b****r all for nearly a year, despite my updating the report twice during that time to note the bug's persistence through a Yosemite update and into El Capitan. Eventually Shane filed a report on it too and almost immediately (7th October 2015) I received an e-mail from Apple Developer Relations saying that Engineering had determined my bug report was a duplicate of another issue and would be closed (presumably meaning the report would be closed, not Engineering). It's now 12th November 2017, Script Editor's up to version 2.10 in High Sierra, and the bug still hasn't been fixed. If other scripters receive similar responses, it's not surprising they don't bother.
My choice of the word "poor" was itself poor -- I meant in the sense of something they don't generally do.
Not all bugs get fixed, obviously. But they do get logged, and importantly, the numbers are seen by managers who make the ultimate decisions. I remember Jon Pugh (of Jon's Additions fame) remarking that the single most valuable thing a scripter could do in terms of promoting it at Apple was to post bug reports.
Or as another engineer pointed out: some logged bugs don't get fixed, but no unlogged ones do.
Fantastic, Nigel, they work! Thanks for the solutions. The key is to confine the use framework "Foundation" statement to a script object embedded within the script object to be saved.
I submitted the store script/use framework "Foundation" bug today. I also had previously submitted an Applescript memory management bug in ASObjC that cropped up in the early days of ARC in OS X 10.8 Mountain Lion (http://www.macscripter.net/viewtopic.php?pid=166877). When OS X 10.9 Mavericks came out less than a year later, the problem was resolved. I don't know if the bug report had anything to do with it, but it was great to see that the problem had been fixed.
(load script fileRef)'s displayUppercase("foobar") --> displays "FOOBAR"
This gets back to Nigel's original example, although there doesn't appear to be a requirement for the script object to be coded below the store script command.


text:
“My origins are not supernatural, nor have they been enhanced by radioactive spiders. I am simply a Native American artist and writer whose creative mantra in best summed up with a word from my tribe’s own language as: “taʔčaʔx̣ʷéʔtəŋ”, which means “get into trouble”.
A member of the Port Gamble S’Klallam Tribe, I was raised and spent a majority of my life on our reservation known locally as Little Boston, which is located near Kingston, Washington. Although I am enrolled there, I am also both of Suquamish and Duwamish tribal ancestry.


text: We just wanted to get $200 worth of “free” stuff to use for 2 weeks in Hawaii. The deal? Snorkel gear, beach chairs, beach umbrella and boogie boards. Free, if we were willing to subject ourselves to 90 minutes of a sales-pitch at a Timeshare Resort. So we decided to take the bait.


text:
Today we released Orbeon Forms 2018.2.2 PE. This update to Orbeon Forms 2018.2.1 PE contains bug-fixes and is recommended for all Orbeon Forms 2018.2 PE and Orbeon Forms 2018.2.1 PE users.
Orbeon Forms 2018.2 features new Date and Time form controls.
The reason the controls are new is that we wanted to modernize the date picker on one hand, and add new features such as the ability to exclude certain dates from the date picker on the other hand. This would have been very hard to do with the older controls which had a lot of history behind them. So we created a brand new Date control, and we used the opportunity to improve the Time control as well. The new controls are implemented as XBL components, which means they are more modular and easier to maintain.
Here is the new date picker with the January 5, 6, 12 and 13 dates unavailable (grayed out) using The "Dates to Exclude" constraint.
In addition, the controls have an option to take their "natural" (usually more narrow) width or, which is new, to fill a grid cell entirely to facilitate alignment.
You control whether a field takes its "natural" width or the full cell width from the "Control Settings" dialog, or globally for the form in the "Form Settings" dialog.
Here is another example showing different control widths, adjusting automatically to grid cell widths.
For backward compatibility, only forms created with Orbeon Forms 2018.2 default to having full width Date and Time controls, while forms created before that version default to the "natural" width. This can be changed in the control or form settings, or globally via a configuration property.
The legacy Date and Time controls remain available for the time being for backward compatibility scenarios, but new forms created with Form Builder, as well as existing forms loaded and republished from Form Builder, will automatically use the new controls.
We hope you will like these enhancements of Orbeon Forms 2018.2!
Orbeon Forms 2018.2 introduce a new form control in the toolbox called Hidden Field.
Holding intermediary calculations: If the control has a "Calculated Value" and/or "Initial Value" formula, it can be referred to by variable name (like $my-intermediary-result) from other formulas.
Handling out-of-band validations: If the control has a label, alert and validations, a failing validation will show in the Error Summary. In addition, this also impacts the Wizard View's lax and strict validation modes, preventing forward navigation until the error is fixed by the user.
It has always been possible, with Form Builder, to hide any field by setting its visibility using the false() formula, or, with Orbeon Forms 2018.2, by selecting the option "No".
But hiding a field this way can have unintended consequences. In particular, the control becomes in effect non-existent in the user interface when it comes to value change events which are useful in actions, and valid/invalid events which are used for validation. So even if the value of a non-visible control is invalid, the form is considered valid.
As a workaround, you can place a CSS class to hide a Calculated Value control to the user. The drawback of this is that the value of the control is still visible in the browser using "View Source" or development tools so this workaround cannot be used for sensitive data which the user should never see.
The new Hidden Field control, on the other hand, works like a regular control such as a Text Field in all respects, including events, validation, and alerts. Except, of course, that it doesn't show to the user at runtime. In particular, its value is guaranteed to stay on the server.
At design-time, in Form Builder, the control shows as a box with an icon so that the form author knows that a hidden control is in use. You can move that control and modify its properties like with any other form control.
See also the documentation for details. We hope you will like this feature of Orbeon Forms 2018.2.
Today, following the release of Orbeon Forms 2018.2.1 PE, we also released Orbeon Forms 2018.2.1 CE which addresses some regressions and important issues. This update to Orbeon Forms 2018.2 CE is recommended for all Orbeon Forms 2018.2 CE users.
Today we released Orbeon Forms 2018.2.1 PE. This update to Orbeon Forms 2018.2 PE contains bug-fixes and is recommended for all Orbeon Forms 2018.2 PE users.
We regularly observe usage patterns reported by Orbeon Forms users. One pattern that comes frequently is support for what is traditionally called a master-detail view.
For example, you first enter a list of initial information (the master), as shown in the following screenshot.
Later in the form, for example in a subsequent wizard page, you complete the information (the detail) for each item of the list.
Doing this until Orbeon Forms 2018.2 required writing very complex custom XForms code in the form, which usually required talking to the Orbeon support team. This is explained by the number of cases to handle: adding, removing, moving, iterations in the master grid, and also synchronizing values from the master grid to the detail view. Further, such custom code is hard to maintain and could break with new Orbeon Forms releases.
So with Orbeon Forms 2018.2, we are introducing a new synchronization component which does all of this declaratively and reliably. The component is maintained by Orbeon in new Orbeon Forms releases so you have peace of mind when upgrading.
We plan to add a user interface for this feature soon. In the meanwhile, it is easy to set this up by opening the Edit Source dialog and configuring the synchronization.
For more, see the documentation. We hope you will like this new Orbeon Forms 2018.2 feature!


text:
and running my fingers down my soul's spine.
I feel the week has been dragging. Yesterday, I’ve been thinking what should I be grateful for? Winter is showing it’s ugly face; cold and moody people surrounds me and most are annoyed with the 30-degree weather (actually it's dropping to 20 tonight).
Magalie Delaleu Foster is a self-taught artist, marching to the beat of her own drum. About ten years ago she decided to use black-eyed peas on canvas instead of cooking them for dinner, her creation then spread from canvas to greeting cards. She is fascinated with colors, characters and stories, coming from a Haitian background goes without saying. A brief interview gives you a chance to know more.
It’s in my blood; it’s in the blood that flows through my veins. It feels like I’ve been doing this forever.
What artist has influenced you?
My Uncle Daniel, that man can paint. He is not afraid to pull you into his artwork. Also Haitian art to me is beautiful, the colors, the people, the culture.
What other interest you have besides painting?
How have you handled the business of being an artist?
What advice do you give to an artist just starting out?
To check out more of Maggie’s work, visit her website.
1. Stephen aka "Bougie", he is an awesome writer/poet/friend/supporter, check out his blog (http://bougieblackboy.blogspot.com). He is what you call "good quality" inside and out. His book "Bougie Black Boy" is an adventure ride he delivers in a collection of essays masterfully written with thought-provoking subject matters.
Fill in the blanks to each of these statements - it’s as simple as that! These don’t have to be one-word responses. Use as few or as many words as you need to fill each blank, in order to tell your story.
1. I HAVE NEVER WANTED TO SEEK material things; but I’ve always thought I might like to have enough to feed the many children in Haiti who are starving and dieing each day. I wish somehow my writing can help them.
2. WHEN I WAS 8 years old, I BELIEVED God gave me a wonderful purpose in life and it had nothing to do with playing with Ken and Barbie dolls, lol. I’m still writing, that’s the main purpose.
3. IF I WAS MY OWN BEST FRIEND, WHAT I WOULD ENJOY THE MOST ABOUT SPENDING TIME WITH ME would be the play of words I find in writing poetry and the different dishes I try out in the kitchen; while what I’d find the most irritating would be the constant rejections from agents about my manuscripts. Forty so far and 20 more to go, YEAH!
4. IF THE STORY OF MY LIFE UP TO THIS POINT WAS BEING PUBLISHED TOMORROW, IT WOULD BE TITLED: Island Sundressing and it would be dedicated to my daughter, sister, brother and bloggers. Delaleu's memoire about love, life and hope.
5. WHEN MY TIME ON EARTH IS OVER, AND THE PEOPLE WHO LOVED ME ARE REMEMBERING ME, IT WOULD PLEASE ME IF THEY SAID she was passionate, dedicated, generous and funny. She loved life and loved to be loved by others.
I'm curious to read other bloggers response to these questions, I have no idea how to tag so if you're willing to show me i'll be glad to hit your page.
Happy Friday everyone. This is my latest art work, acrylic on canvas. It was fun to do since I use a small sponge for the background. I need more practice, I'm not looking to be perfect only better at it. For those artists out there, what killer tips do you have for emerging artists when it comes to acrylic or oil. Well, what I've been doing is draw my work first on a canvas then paint, do you think that's a good idea? Do I need to sketch first or just paint? Your responses will be much appreciated. Have a great weekend.
This poem is based on my childhood years in Haiti, I grew up there for 6 years without my mother. It was me, my sister and my brother. I remember the French musics my Tante and uncle used to play while we ate our Sunday dinner. We had a maid for everything: one maid cooked, one cleaned and took care of the garden and cars, one washed the clothes and took us to school. I recall one maid that used to tell us some wild stories at night. She always waited until the grown-ups were asleep to tell us small kids what to fear at night and one of her tales was about a human who would turn himself into a big white bird and he would fly over many homes looking for scared children to eat. With that story, she made us pray every night. You can almost hear the bird or "chouete" flying over the roof, he couldn't easily smell our fears cause' we hid under our beds with our prayers.
5. Lunch was salmon with vegetables, yummmmmmmy!
7. Trains are a joy ride, I have a 40 minute commute in the morning, that's where gratitude comes in,I take advantage of it. I write, I read and read again.
Question one: Why do you write poetry (or literature) at all?
I've been writing since I was eight years old. I was always the one hiding under the bed with pen and paper while my sister played with dolls. I haven't stop ever since but I no longer hide under the bed :) Poetry keeps me at peace with myself. Helps me see the world a little better, a little softer and keeps me grounded. I'm very passionate about my writing, espcially poetry, it's impossible not to write.
Question two: What is your favourite poem? You know, the one you'd have loved to have written, the one by whose standard you base all other works of art. If your life depended on answering this question, what poem would you suggest to the person holding the knife to your throat?
Question three: According to you, what is the state of poetry today? Is poetry flourishing or dying?
Poetry is surviving through all of us, whether you're a beginner or an elder. The use of language is definitely what many readers are thirsting for out there and we're the one responsible to show them how our creative minds work.
Question four: What kind of poetry (or literature) do you dislike, and would not consider buying?
I am not crazy about poems that rhymes, in the beginning I used to write them but now I avoid them. I love free verse.
Question five: Between the styles of Come (by Makhosana Xaba) and word speaks (by Kojo Baffoe) which do you prefer? Care to tell us why?
Wow, I read both of their work, they are unmistakeably fascinating. I am in awe with their language structure.
Question six: What was the last poetry book you bought?
Question seven: Where do you go for poetry on the web?
Question eight: Do you talk poetry (or literature) with friends and family? "Hi honey -- Hey, I read this incredible poem today..."
Question nine: What one piece of advice would you give to a beginning poet (or writer in general)? One. What would you tell them to do or not to do?
I would suggest to any beginner to keep on writing and reading. The more you read, the more inspired you will feel. The urge, the fire is already there simply ignite it with more writing and reading.
Question ten: What line comes to you after the following two verses (in other words, please write the third verse -- these are spontaneous lines from me and are no part of any poem I'm writing or will be writing).


text:
Represents the body of the email message.
An object that represents the version of the message that is displayed in email clients that support HTML. HTML messages can include formatted text, hyperlinks, images, and more.
An object that represents the version of the message that is displayed in email clients that don't support HTML, or clients where the recipient has disabled HTML rendering.


text:
Young people are matched with fully licensed volunteer mentors, and use a sponsored vehicle to gain supervised driving experience.
L2P is free for eligible young people and is funded by the Traffic Accident Commission (TAC).
The program does not substitute for professional driving lessons, and L2P does not pay for the probationary driving test itself.
To join an L2P program, young people need to be between 16 and 20 years of age, hold a current learner's permit, not have access to a vehicle, a supervising driver, or both.
There are 53 L2P programs across Victoria and there is a wonderful opportunity for Rotarians to help out here either by volunteering or sponsorship. Volunteers need to be over 21 years of age, hold a current full Victorian driver's licence and meet requirements of their local L2P program.
If there is no program in your area, we may be able to advise on how to go about setting one up.


text:
The Beardiful man: I wore a tie - A mutha frakking tie!
I've been trying to raise my game a little when it comes to situations that require me to be a little smarter.
I've never been one for going all out smart but here goes.
The tie I have had for Quite a few years - It is a silk tie from the 1960s it has no makers tags or anything on it but it's one of my favourites.
I always try to stay classic with my sunnies and these match my regular Optical Ray ban Clubmaster glasses so are a perfect match for the summer.
So did I succeed at doing smart casual?


text:
Arab artists seeking to stage new and experimental work in the performing arts have, until now, sought financial support primarily from international sources but also from a few local foundations. Most performers and theatre-makers face critical challenges in accessing financial resources, challenges augmented by the fact that they work, in general, in an unstable environment within very modest conditions. The lack of cultural policies in the Arab world has impacted negatively on every component of the cultural scene, with theatre-makers and performers equally influenced.
Institutionalizing, clustering, and recognizing the economic value of cultural activities have never featured highly on state agendas in countries across the Arab region. Because of this lack of government support we have seen an emphasis on individual creativity, and consequently a flowering of emerging independent art scenes based on individual initiatives, mainly led by up-and-coming cultural leaders and suffering from financial deficits, rather than the development of effective and self-sustained institutions.
Alma Salem, MENA Regional Arts Programmes Manager at the British Council, believes also that: "Still it would be wrong to assume that all the dynamism of the creative sector comes from sole traders or micro-businesses. Especially if we include the Gulf region in the equation, and more specifically in the Visual Arts and Music industries where we witness that larger businesses are overwhelmingly concentrated in one part of the value chain – i.e. distribution – while the small and micro-businesses dominate the top end of the supply chain – the creative end.
One major element to develop this shaky environment is the role that the relatively small investments in developing cultural relations between the Global North and South play in the growth of small creative businesses, which is encouraged and supported by international agendas and funds aiming to support development of the Creative Economy in our region. "
In Syria, for example, The Swedish International Development Cooperation Agency partnered with the Damascus Opera House to fund five theatre performances by young people in 2009. The General Authority of the Damascus Opera House in turn offered direct financial support to certain productions.
A few of the more daring contemporary theatre productions have also received support from these and other donors, such as the Arab Fund for Arts Culture who supported recently the production of Pinter’s the Home coming directed by Oussama Ghanam in 2013, Al Mawred Al Thaqafy (Culture Resource), and the Hivos Fund based in the Netherlands. Dario Fo’s A Lone Woman, directed by Amal Omran in 2010, debuted at the Opera but was later banned from participating in the 15th edition of the Damascus Theater Festival due to its bold nature. These productions, which have widened the horizons of discourse in the theatre, have revealed that the ceiling of censorship needs to be repaired and the empty space below it filled before it can be lifted.
Mey Sefan is a choreographer, dancer and cultural organizer. Since her return to Damascus, she has been working with the High Institute of Dance in Damascus. She formed Tanween for Theatrical Dance in Damascus, she is the founder and director of the Damascus Contemporary Dance Platform DCDP.
During her work in Syria between 2003-2011, Sefan faced three challenges in dealing with financial needs: fundraising for her own performances, for the workshops of DCDP, and for the dance students’ workshops. Although the three types of project have different approaches, the routes to raising funds are the same: asking foreign cultural councils, cultural departments at the embassies, and donors.
In Egypt, independent artists are faced with many challenges that are not confined to funding alone. They lead very precarious lives marked by financial instability and social pressure. Artists deal with uncertainty about the future due to their unstable economic situation and their fight for social recognition; in terms of funding, they are obliged to carve out their own paths in order to follow their passions and lead their lives as artists.
Amina Abodoma, a member of Teatro Eskendria which is a very promising art center and social hub, believes "there is a big problem in public funding, principally because although it exists, it lacks transparency about how funding schemes are managed, in terms of announcing calls, declaring finance, diffusing deadlines and specifying the allocated genres and formats for each project. Secondly, it was not until very recently that independent artists could benefit from these so-called funding schemes, as independent artists were always known for their leftist inclinations in opposition to the prevailing political system of the government during the reign of Mubarak. Therefore, independent artists were deprived of these benefits, which were instead given to right wing artists treading government lines."
However, it is worth mentioning that Egypt’s foreign cultural relations office, has played a large role in supporting the independent scene from 2007, providing the only source of funds for some artists (especially musicians) who received travel grants to perform abroad. Public funding in Egypt is channeled through only one source: the Ministry of Culture and all the state-governed establishments affiliated with it. Other sources of funding include the foreign cultural centers as well as independent cultural organizations; the most vibrant and effective of these is the Al Mawred Al Thaqafy (The Culture Resource), which takes over a large part of the role that should be played by the ministry and leading on very regionally role at the same time.
The majority of funds available to Egyptian artists comes from these organizations rather than from the state and this is almost the same scenario at most of the Arab countries. It is worth mentioning that in recent years artists and cultural practitioners have started to show a new entrepreneurship in their thinking, attempting to square their talents with financial imperatives in order to supporting themselves, at least in part.
The prevalent situation of socio-economic chaos in Arab counties is very blurry and nobody can predict at this stage what may come out of it. However, if something positive is to be mentioned, it is the fact that over the last 2 years the independent arts scene has flourished and the alternative media has played a significant role in giving visibility to the artists involved, who have been well-received by masses of audience members looking for change in every aspect.
2013 2 2: Egypt, Lebanon YATF production grants are between 2000 and 5000 Euros each year, It give an average of 3grants per call,and it has 3 calls a year.
He participated at many workshops and works as a cultural trainer with many organisations. He published and directed his text "Mrs. Ghada threshold’s pain" in Beirut, and he was a member of selection committee of "Arab Contemporary Dramaturgy" to select 9 Arab texts to be published in French, organized by IEVP 2012. Abdullah was awarded first place in the 19th Mohammad Teymour Competition for Theatrical Creativity for the text ‘Damascus-Aleppo’ which was also shortlisted as a finalist in the BBC competition for best translated work in 2008, He is a founding member of ’Ettijahat Independent Culture".


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Eight volunteers came out on a nice day yesterday to work on the new Bramley Mountain Trails. We put in about 40 hours of work collectively, cleaning the entire Porcupine Caves Trail of leaves, loose rocks, limbs and any remaining woody plants that were in the path. We did some sidehilling, built stairs and placed steps in potentially wet areas, too. We also installed the roof on the trailhead kiosk. Our work is nearing completion and we’ll have a weekend work trip soon. As always, we welcome your help.
Special thanks to Kathy Mario, Don Harris, John Exter, Jeff Ditchek, Elda Stifani, Bob Moses, and Rick Roberts for coming out to lend a hand!
We’re getting excited about the upcoming official opening of the trails. Please look for more information regularly and join us for the ceremony and inaugural hike!


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industry_corpus2: Aerospace


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With services like Amazon Prime Now creeping into the ecommerce arena, it’s more important than ever for online businesses to have easy, affordable shipping options. At the same time, we’re seeing a new trend take hold that puts shipping in the hands of consumers. Thanks to the Internet, crowdsourcing has grown quickly in popularity, and enterprising entrepreneurs are thinking of new ways to leverage the power of the masses.
A new service may lead the way for a future in which shipping is handled by travelers rather than shipping companies. Billed as “the Uber for shipping and delivery,” Roadie lets users send items through other users. Instead of personal carpooling, Roadie provides carpooling for packages.
Founder and CEO Marc Gorlin came up with the idea when he needed to get some bathroom tile from Birmingham to his place in Perdido Key, Florida. He knew someone was likely en route from Birmingham to Florida at that very moment, but there was no way to find that person and pay him or her to drive the tiles down for him.
Roadie is the app resulting from that experience, and it is Gorlin’s way of putting people in contact with one another so that they can help each other out.
With interest from top investors like TomorrowVentures and the investment arm of UPS, Roadie is expected to cause major disruption in the shipping industry. Using an iOS or Android device, customers create a listing, called a Gig, that details what needs to be shipped, as well as its origin and destination addresses.
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The shipping industry as a whole is becoming much more consumer-centric. People want the ability to control when and how their packages are delivered, so tech disruptors – like Roadie – are stepping in to fulfill that need. This is only the first crop of innovators and we can expect to see more companies get involved as the sharing economy continues to grow. We may even see small businesses use these apps and services to compete with big corporations.
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industry_corpus2: Transportation


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Based in the county of Bedfordshire, the smallish town of Leighton Buzzard stands near the county border between Bucks and Beds, on the banks of the Grand Union Canal, it has a populace of about 37,000 and a historic past extending back to the Roman era, when the historic A5 (then known as Watling Street) passed by the town. At present Leighton Buzzard is more or less joined to the adjacent town of Linslade and it's about midway between Luton and Milton Keynes (Buckinghamshire), it is placed near the Chilterns and boasts a vital quarrying industry (sand).
The Story of Leighton Buzzard: It's felt that there were settlements in or around what is now called Leighton Buzzard harping back to prehistoric times, ancient artifacts and coinage found in the area offer proof of this fact. The age old Watling Street (crafted by the Romans), now called the A5, cut through the close by settlements of Dunstable and Hockliffe around about 2,000 in years past, and the Romans will have at least been aware of Leighton Buzzard during those times.
The Romans were eventually followed by the Anglo-Saxons, and it was the Anglo-Saxons who created a market sometime in the tenth century, and antiquities picked up mean that they were dwelling in the neighbourhood quite likely from the 6th Century. The commune as such was not documented until 906 at which time the Danes wrote a peace treaty at Tiddenfoot, the Domesday Book (1086) identified Leighton Manor.
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Leighton Buzzard Places of Interest: All Saints Church initiated in 1277, together with its 190 foot high spire, the well known Leighton Buzzard Light Railway, a narrow guage heritage railway service which goes for around 4 mls from the station in Pages Park, to 2 now disused sand quarries at Double Arches, the line employs refurbished steam engines, Stockgrove Country Park, a park covering 40 acres at nearby Heath and Reach with lake, picnic area and woodland walks.
Also: Pitstone Windmill, Ford End Watermill, Tiddenfoot Waterside Park, Rushmere Park, C2 Gallery, Bluebell Wood, Toddington Manor Gardens, Dunstable Leisure Centre, Woburn Heritage Centre, Whipsnade Zoo, Snakes and Ladders at Bedfordshire, Leighton Linslade Virtual Museum, Ouzel Meadows, Lancot Meadow, Dunstable Downs, Mead Open Farm.
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For a consecutively long consecutive period of time, the Jia family had remained at the center of social attention . The civilians spoke ill about them and cast them aside . It drove the Jia family up the wall .
"Dad, I really want to kill these reporters . They're just like a horde of flies, buzzing around us all day . " Jia Dongkun didn't dare to leave the house now . He stayed at home the entire day, missing the beautiful women outside .
After remaining hidden for a long time, it started to feel unbearable .
"He's right! My dear, quickly think of a solution . If this continues, we'll be crowded to death," Mother Jia complained as she watched her entertainment program while wearing a facial mask .
"It's so irritating . It's been so long, but it's still not dying down . Does this mean that our Jia family can only let it be?"
Father Jia was reading the newspapers while listening to his family's complaints . The fury in his heart gradually built up . Watching his son and his sloppy demeanor, he vented his anger and kicked him . "Useless! You only fool around every day! Look at what you've done to our Jia family!"
Jia Dongkun fell flat on his face after being inexplicably kicked by his father . Looking at his father's ghastly pale face, he hurriedly got up and asked, "Dad, what did I do to make you angry at me?"
Father Jia panted with rage . "You're still asking about what you did? I'm livid, as you can see! If it weren't for you, how could our Jia family end up in this state?"
"Dad, I didn't do anything . . . The most I did was pick up some girls . How would that bother anyone?" Jia Dongkun replied softly .
"Look at yourself! It's infuriating! How can I leave the Jia family in your hands?" With that, he picked up the walking stick beside him and wanted to whack Jia Dongkun with it .
Hearing that, Mother Jia was displeased . She frantically defended her son and yelled, "It still boils down to the fact that you're incapable and unable to protect the Jia family! You're only venting your anger on your son!"
Father Jia pointed at the two of them . "What do you know as a mere housewife? If this idiot hadn't gotten caught offending Yun Bixue and indirectly provoking Young Master Xie, would our Jia family still be in this state?"
"What does that have to do with my son? You were the one who wanted to deal with Young Master Xie right from the start . Why are you blaming your son now? You're just incapable, hmph!"
"You, you . . . " Father Jia almost passed out from exasperation .
Jia Dongkun tactfully rushed over to offer some comfort . After all, this household was still under the ruling of his father . "Dad, why are you worried? We only followed the Shen family's instructions, and they reassured us that nothing would go wrong . Now that our Jia family is in a mess, why hasn't the Shen family lent us a helping hand?"
Mother Jia also couldn't help but feel dissatisfied . "That's right . What are the Shen family treating us as? We were merely their tool . And they truly are calculating—the profits of the mining business come from the Shen family and after what happened, they used us as their shield . Such a well-thought-out plan . " After gaining some riches, she naturally forgot that everything she had now was bestowed upon by the Shen family . Since there were no longer any more benefits, she simply started criticizing the Shen family .
"Sigh, I've tried looking for Old Master Shen regarding this matter . He said we were currently the center of social attention and should bear with it for now . In the meantime, we should take care not to meet as often . "
"You're being naive! Old Master Shen is ditching our Jia family and leaving us in the lurch . "
Father Jia shook his head . "That's impossible . The source of the Shen family's wealth depends on our Jia family . They cannot just let it be . "
Mother Jia cared only about benefits and money, and not about such matters . "Why is it impossible? This incident generated such a huge fuss yet the Shen family still hasn't shown up . Aren't they just letting us shoulder all the blame? Previously, the Shen family was also hit with a horde of issues, and the reporters were all trying to ambush them . Those scandals finally died down after a great deal of difficulty . How could they be willing to invite trouble to themselves again? You must be muddle-headed to still believe in the Shen family . Hmph!"
Father Jia pondered . As he listened to her words, his face also darkened .
"It's so irritating . It's been so long, but it's still not dying down . Does this mean that our Jia family can only let it be?" .
Father Jia was reading the newspapers while listening to his family's complaints . The fury in his heart gradually built up . Watching his son and his sloppy demeanor, he vented his anger and kicked him . "Useless! You only fool around every day! Look at what you've done to our Jia family!" .
Jia Dongkun fell flat on his face after being inexplicably kicked by his father . Looking at his father's ghastly pale face, he hurriedly got up and asked, "Dad, what did I do to make you angry at me?" .
Father Jia panted with rage . "You're still asking about what you did? I'm livid, as you can see! If it weren't for you, how could our Jia family end up in this state?" .
Hearing that, Mother Jia was displeased . She frantically defended her son and yelled, "It still boils down to the fact that you're incapable and unable to protect the Jia family! You're only venting your anger on your son!" .
Father Jia pointed at the two of them . "What do you know as a mere housewife? If this idiot hadn't gotten caught offending Yun Bixue and indirectly provoking Young Master Xie, would our Jia family still be in this state?" .
"What does that have to do with my son? You were the one who wanted to deal with Young Master Xie right from the start . Why are you blaming your son now? You're just incapable, hmph!" .
Jia Dongkun tactfully rushed over to offer some comfort . After all, this household was still under the ruling of his father . "Dad, why are you worried? We only followed the Shen family's instructions, and they reassured us that nothing would go wrong . Now that our Jia family is in a mess, why hasn't the Shen family lent us a helping hand?" .
"Sigh, I've tried looking for Old Master Shen regarding this matter . He said we were currently the center of social attention and should bear with it for now . In the meantime, we should take care not to meet as often . " .
"You're being naive! Old Master Shen is ditching our Jia family and leaving us in the lurch . " .
Father Jia shook his head . "That's impossible . The source of the Shen family's wealth depends on our Jia family . They cannot just let it be . " .
Mother Jia cared only about benefits and money, and not about such matters . "Why is it impossible? This incident generated such a huge fuss yet the Shen family still hasn't shown up . Aren't they just letting us shoulder all the blame? Previously, the Shen family was also hit with a horde of issues, and the reporters were all trying to ambush them . Those scandals finally died down after a great deal of difficulty . How could they be willing to invite trouble to themselves again? You must be muddle-headed to still believe in the Shen family . Hmph!" .