text:
the person or Company who accepts a quotation of the Company for the sale of the Goods or whose order for the goods is accepted by the Company.
in relation to either party, any circumstance beyond the reasonable control of that party (including, without limitation, any strike, lock-out or other industrial action).
the goods (including any instalment of the goods) which the Company is to supply in accordance with these Conditions.
patents, registered and unregistered designs, copyright, and all other intellectual property protection wherever in the world enforceable.
the standard terms and conditions of sale set out in this document.
(1) Any quotation given by the Company shall, unless withdrawn by the Company, be valid for a period not exceeding twenty-eight days from its date. No order made by the Customer shall be deemed accepted until the Company's written Order Acknowledgement has been made.
(2) No variation to these Conditions shall be binding unless agreed in writing between the authorised representatives of the Customer and the Company.
(3) These conditions shall apply to all contracts for the sale of Goods by the Company to the Customer to the exclusion of all other terms or conditions which the Customer may purport to apply under any purchase order confirmation of order or similar document.
(1) The price of the goods shall be the Company's price as set out in its Order Acknowledgement.
All Prices are subject to the addition of value added tax at the appropriate rate which the Customer shall be additionally liable to pay to the Company.
(1) The Company reserves the right to deliver the Goods in part loads.
(3) Delivery notes bearing the signature of the Customer, its employee, officer, agent or representative, shall be conclusive evidence of receipt of Goods described thereon, unless claims for investigation are made in writing to the Company as from the delivery date, as set out below in clause 4(4).
(4) Any claim by the customer which is based on any defect in the quality or condition of the Goods (including, without limitation, that the Goods have been damaged in transit) or their failure to correspond with the specification shall (whether or not delivery is refused by the Customer) be notified to the Company within 30 days from the date of delivery. If delivery is not refused, and the Customer does not notify the Company accordingly, the Customer shall not be entitled to reject the Goods and the Company shall have no liability for such defect or failure, and the Customer shall be bound to pay the price as if the Goods had been delivered in accordance with the Contract.
(5) Any claim by the Customer which is based on defect in quantity of the Goods shall be notified to the Company within 30 days from the date of delivery. If the Customer does not notify the Company accordingly, the Company shall have no liability for such failure and the Customer shall be bound to pay the price as if the Goods has been delivered in accordance with the Contract and the Customer shall not be entitled to reject the Goods so delivered and shall accept the Goods delivered and shall accept the Goods delivered as part performance of the Contract.
(1) Packing will be in accordance with the Company's Standard packing, unless specified in writing.
(i) If the Customer fails to make any payment for the Goods to the Company when due, or becomes insolvent, or bankrupt or goes into liquidation, or makes any arrangements with its creditors, or has a Receiver appointed over any of it property or undertaking then the right to deal with the Goods under clause 6 (1) shall automatically cease, and the Company shall be thereupon entitled to enter upon the premises of the customer or any third party and re-claim the Goods.
(2) The Customer shall be wholly responsible for the Goods when they are delivered and shall ensure they are stored in an appropriate manner and in an appropriately controlled environment. The Customer can obtain guidelines as to storage from the Company on request.
(1) The Customer shall pay strictly net thirty days from the date of the invoice unless otherwise agreed in writing. Time of payment of the price of the Goods shall be of the essence.
(2) The Customer shall pay all accounts in full and not exercise any rights of set off or counter-claim against invoices submitted.
(3) Payment is to be made in the currency stated by the Company in its invoice.
(4) If the Goods are delivered in instalments to the Customer the Company shall be entitled to render an invoice to the Customer in respect of the Goods delivered.
(i) Cancel the contract or suspend any further deliveries to the Customer.
(ii) Charge the Customer interest (both before and after any judgement) on the amount unpaid at the rate of 8% per annum above Barclays Bank plc. base rate from time to time until payment in full is made.
(1) An order accepted by the Company may only be cancelled on the Customer giving two weeks written notice to the Company and such cancellation shall only be accepted by the Company if the Customer indemnifies the Company against any loss or liability that the Company shall suffer or incur (which shall include any loss of profit to the Company by its fulfilment of its part of the contract) by reason of the cancellation.
(1) The Company warrants the Goods supplied for a period of 12 months from the date of manufacture. Any Goods used after the warranty period are used at the customers risk.
(2) Subject to compliance with all the obligations under clause 4 hereof, which shall be a condition precedent to the Company's liability, the Company will repair or replace (at its option) any components of the Company's manufacture which are found to be defective due to faulty materials or workmanship. This warranty does not extend to parts, materials or equipment not manufactured by the Company, in respect of which the Customer shall only be entitled to the benefit of any such warranty or guarantee as is given by the manufacturer to the Company.
(3) In clause 9 (2) "defective" means not in accordance with contractual specification. The Company will accept that Goods are defective only after it has been given the opportunity to verify that the allegedly defective Goods do not meet the contractual specification.
(4) The warranties stated in this Agreement will not apply to the extent that a claim arises due to the Customer's failure to store Goods in accordance with proper commercial practice and the guidelines of the Company.
(5) The warranties and conditions stated in this Agreement are in lieu of all other warranties, conditions or other terms, whether express or implied warranties or conditions as to satisfactory quality, fitness for a particular purpose or as to the proper use of reasonable skill and care.
(1) Nothing in this Agreement shall limit the Company's liability to the Customer for personal injury or death caused by its negligence or fraudulent misrepresentation.
(2) The Company's liability to the Customer, in contract, tort or otherwise for loss or damage to the Customer's tangible property, caused either by defects in the Good resulting from the Customer's negligence or by the negligence of its employees shall be limited to a maximum amount paid for the Goods in question per event or series of connected events.
(4) Subject to clauses 10 (1) to 10 (3) above, the Company's total liability in contract, tort (including without limitation, negligence) or otherwise whether arising out of, in connection with or in relation to the Goods or the supply or non-supply of the Goods or otherwise under this Agreement shall be limited to the price paid or payable for the Goods for any one event or series of connected events in aggregate.
(1) If either party is affected by Force Majeure it shall promptly notify the other party of the nature and extent of the circumstances in question.
(2) Notwithstanding any other provision of the Contract, neither party shall be deemed to be in breach of the Contract, or otherwise be liable to the other, for any delay in performance or the non-performance of any of its obligations under the Contract, to the extent that the delay or non-performance is due to any Force Majeure of which it has notified the other party and the time for performance is so prevented provided that is such delay or failure persists far more than 28 days the Contract shall terminate forthwith.
(1) The Contract shall be personal to the Customer and no rights arising hereunder shall be assignable by the Customer without the express written consent of the Company.
(1) English law shall apply to the Contract and the parties agree to submit to the non-exclusive jurisdiction of the English courts.


text:
There are three ways to find the image you're looking for. Search the archive for images matching any combination of categories, or browse the categories to explore the images available. Or, if you know the ID number of the image you want, go directly to it.
xhtml© 2004 Fuchs Archives Ltd.

industry_corpus2: Computing & Telecommunications


text:
Chart presents the statistic for top 6 casinos that have maximum % of Wager Gaming 's games in the lobby (or in general).
Top Games Lobbies Slots Rating displays the list of Wager Gaming games that have maximum SlotRank. SlotRank calculates based on game position on the lobby.
Video Slot 'Trail Blazer' from the software provider Wager Gaming is a 3*3 game with 1 betways.
Video Slot 'Coral Cash' from the software provider Wager Gaming is a 5*3 game with 9 betways. Main game features are: FreeSpins, Jackpot, Scatter symbols, Feature: Substitution Symbols.
Video Slot 'Dragon Master' from the software provider Wager Gaming is a 5*3 game with 25 betways. Slot has RTP=95.42% and MED level variance. Main game features are: Wild, FreeSpins, Multiplier, Scatter symbols, Feature: Substitution Symbols.
Video Slot '20000 Leagues' from the software provider Wager Gaming is a 5*3 game with 25 betways. Slot has RTP=94.5% and MED? level variance. Main game features are: FreeSpins, Feature: Substitution Symbols.

industry_corpus2: Gaming


text:
José Saramago’s The Cave  (Caverna) is a realistic portrayal of life in the contemporary world of advanced capitalist post-modernity that bears alarmingly close resemblance to the life of the chained prisoners in Plato’s allegory, to which the title alludes. The allusion is not only figurative ; it is literal as well. Underground excavations of a modern high-rise housing and commercial complex actually uncover a number of human corpses chained to a stone bench and facing a wall – a clear representation of Plato’s cave allegory. But the figurative allusion connects the contemporary world of capitalism to the world of the Platonic allegory more directly. The prisoners’ false understanding of the false world in which they were held captive is echoed in the false self-understanding of the inhuman world of globalised capitalism. This same self-misunderstanding of capitalism and of its integrated agents is metaphorically captured in the capitalist destiny of the newly excavated corpses. Governed wholly by the mercantilist laws of value, the capitalist world remains oblivious that it is a mere reflection of the cave and sees no irony in the commercial appropriation of the excavated Platonic cave as a lucrative tourist-site venture.
Saramago’s snapshot of life in contemporary capitalist modernity highlights the artificiality of life in spatially constricted and constraining high-rise apartment dwelling, of the vicarious emptiness of electronic simulations of hi-tech amusement parks, of the toxicity of the chemicalised world of inorganic production and consumption and of the increasingly cruel and exclusionary effects of the laws of the capitalist market. The severance of life from its natural, organic habitat of sentiment and sensibility is not new. Such a course was set by capitalist modernity with absolute determination from its earliest beginnings. Now the process is nearly complete. Assimilated into the logic of advanced capitalism, life now loses all vestiges of human feeling. It is as inauthentic and inert as the lifeless inorganic gadgetry that engulfs it. Such is the horrifying but realistic portrait of life in the Center, a high-rise residential and commercial complex in the heart of a city. The choice of the generic term ‘Center’ as the name of the place in which the cave is discovered and in which part of the action of Saramago’s novel takes place is hardly an arbitrary one ; it captures the commonality of forces characteristic of all high-rise complexes in all urban centres irrespective of their location on the globe. For the same reason, global homogeneity, the city in which the Center is located remains nameless.
The protagonist of the novel is not of the Center ; he is from a rural area the Center has not yet directly invaded. He, Cipriano Algor, is a widower who lives with his daughter and son-in-law in the village homestead and carries on the family tradition of pottery making as a means of livelihood. He is assisted by his daughter, Marta – also a potter – in making crockery for the Center. This commercial connection takes Cipriano to the Center regularly. He delivers his crockery and in the process drives his son-in-law, Marçal Gacho, to and from the Center. Marçal is employed as security guard by the Center under conditions that require that he remain on the premises ten successive days, when Cipriano picks him up to drive him back home to Marta for forty hours of freedom.
This is the background of the narrative, which begins as Cipriano drives Marçal, in the early hours of dawn, to the Center – a drive that Saramago seizes upon to paint a grim panorama of the unnatural, grey space through which they pass. The picture is horrifying only because its landscape is an accurate rendering of the assaulted state of contemporary topography. They drive through a so-called Agricultural Belt where “the only landscape the eyes can see on either side of the road, covering many thousands of apparently uninterrupted hectares are vast, rectangular, flat-roofed structures made of neutral-colored plastic which time and dust have gradually turned grey or brown. Beneath them where the eyes of passersby cannot reach, plants are growing” (p. 2). Crawling along in the dense, heavy traffic, they eventually reach the Industrial Belt of “factory buildings of every size, shape, and type, but also fuel tanks, both spherical and cylindrical, electricity substations, networks of pipes, air ducts, suspension bridges, tubes of every thickness, some red, some black, chimneys belching out pillars of toxic fumes into the atmosphere, long-armed cranes, chemical laboratories, oil refineries, fetid, bitter, sickly odors, the strident noise of drilling, the buzz of mechanical saws, the brutal thud of steam hammers and very occasionally, a zone of silence, where no one knows exactly what is being produced” (p. 3). Having passed through the Industrial Belt they reach the shantytown of “chaotic conglomerations of shacks made by their ill-housed inhabitants out of whatever mostly flimsy materials might help to keep out the elements, especially the rain and the cold … [and where] … in the name of the classical axiom which says that necessity knows no law, a truck laden with food is held up and emptied of its contents before you can say knife” (p. 4). Once in the city proper and after navigating the countless winding streets that would make any head spin, they reach the avenue where the Center is located and where Cipriano delivers his cargo and Marçal reports in for guard duty.
The plot begins to unfold at this juncture. Upon arrival at the delivery station and after hours of waiting his turn to unload his cargo, in a long line of truckers with the identical goal, Cipriano Algor is told that the Center will henceforth accept only a half-order of crockery since sales of such earthenware have dropped dramatically. Consumers now prefer plastics, which are cheaper and have the added feature of resisting breakage. He is instructed to take away all unsold crockery in the course of the following two weeks.
It is a devastating blow to Cipriano, since pottery – specifically crockery – is not only his livelihood but an essential part of his identity. He has been a potter all his life, as were his father and grandfather before him, and has drawn satisfaction from the recognition granted him as member of a noble and worthy profession. But times have changed. Indeed, shortly after this first blow, the Center cancels his crockery contract altogether. He feels humiliated and degraded by the indignity of dismissal by an unapologetic, unfeeling world as if he were less than one of the disposable pieces of plastic now replacing him. He feels the injustice of the unilateral ways of this world. From the beginning of his commercial association with the Center the rules of doing business were determined solely by the Center : Algor Pottery is prohibited from selling its crockery outside the Center, while the Center reserves the right to alter the contract at a moment’s notice or cancel it altogether without the slightest compensation.
This is the ethic of power of the contemporary world of globalised capital. Saramago’s fictional account of the injustice is conveyed in a literary form perfectly suited to the content. He juxtaposes characters of opposing values, which are worlds apart in their sense of right and wrong. He brings them face to face – as did the realist novelists of disillusionment of the nineteenth century – to accentuate and amplify the character of each side. The vulnerability and sensitivity of Cipriano is highlighted against the inhumanity of the agent of the Center’s compulsive mercantilism and unsparing bureaucracy. Under the pen of a less talented writer, such black and white opposition would have the jarring effect of exaggeration and simplification. But in Saramago’s masterful writing such opposition paves the way for the self-affirmative power of human dignity and of ethical freedom. Indeed, The Cave is a twenty-first-century Bildungsroman that portrays the infinite power of the human spirit to break through the false chains of enslavement. It is a portrayal of the undying force of freedom not merely to resist imprisonment but to create a truly human course. The novel’s main characters achieve self-understanding and together, as a community, leave oppression and exploitation behind to build a meaningful life elsewhere. Saramago’s characters take the road to freedom, but not before they experience the full extent of the darkness and the void of the world they now inhabit – the very world that they attempt to service creatively and one that, ironically, has no use for any real creativity.
Marta, Cipriano’s daughter, responds resourcefully to the Center’s disinterest in crockery. She proposes shifting away from production of crockery to a new production of figurines as a means of resuscitating Algor Pottery. Over two-thirds of the novel focuses on the new activity of creating figurines. But this narrative is no mere description of a technical process. To be sure, it does portray an activity as much dependent on knowledge of natural matter – its behaviour under varying and specific conditions – as on the will to create form. But more than that, it is a narrative that matches the depth of insight of the most rigorous philosophical treatise on form and matter, on their dialectical relation, on creative synthesis and human freedom. But the poetic language of gentle simplicity is of immeasurable beauty. The following passage is a concise re-statement of Aristotelian metaphysics of form and matter in a poetic language that would delight and charm even Aristotle. It combines the elements of matter – earth, water, fire and – with a Hegelian touch – modernises air and aether in the creativity of the rational idea that the character’s goal brings to fruition : creation of figurines of human likeness in the figures of jester, clown, mandarin, Eskimo, nurse and bearded Assyrian. I shall recite the passage in its entirety.
“It is said that a long time ago a god decided to make man out of the clay from the earth that he had previously created, and then, in order that the man should have breath and life, he blew into his nostrils. The whisper put around by certain stubborn, negative spirits, when they do not dare to say so out loud, is that after this supreme act of creation, the god never again practiced the arts of pottery, a roundabout way of denouncing him, for quite simply having downed tools. Given its evident importance, this is too serious a matter to be treated in simplistic terms, it requires thought, complete impartiality and a great deal of objectivity. It is a historical fact that from that day onward, the work of modeling clay ceased to be the exclusive attribute of the creator and passed to the incipient skills of his creatures, who, needless to say, are not equipped with sufficient life-giving puff. As a result, fire was given responsibility for all the subsidiary operations that can, through color, sheen or even sound, endow whatever emerges from the kilns with a reasonable semblance of life. However, this would be to judge by appearances. Fire can do a great deal, as no one can deny, but it cannot do everything, it has serious limitations and even some great defects, for example, a form of insatiable bulimia which causes it to reduce to ashes everything it finds in its path. Returning, however, to the matter at hand, to the pottery and its workings, we all know that if you put wet clay in the kiln it will have exploded in less time than it takes to say so. Fire lays down one irrevocable condition if we want it to do what we expect of it, the clay must be as dry as possible when it is placed in the kiln. And this is where we humbly return to that business about breathing into nostrils, and here we have to recognise how unjust and imprudent we were to take up as our own the heretical idea that the said god coldly turned his back on his own work. Yes, it is true, that no one ever saw him again, but he left us what was perhaps the best part of himself, the breath, the puff of air, the breeze, the soft wind, the zephyr, the very things that are now gently entering the nostrils of the six clay dolls that Cipriano Algor and his daughter have, with great care, just placed on one of the drying shelves” (pp. 155-56). It is clear from this pivotal passage that the activity of pottery making is a metaphor for the creativity of the human spirit and its organic connection with nature. It stands in stark opposition to the false, inorganic base and unreal processes of a virtual hi-tech world.
A basic principle of a work of art – literary or otherwise – is coherence as unity of form and content. If Rembrandt had chosen an even slightly lighter palette for The Night Watch, or if Murillo had placed his young Beggar’s head at an angle the slightest bit higher or lower, either work could well have retreated into the heap of historical curiosities instead of shining forth timelessly as a magnificent work of art. If Shakespeare had added one more word to Macbeth’s meditation on the meaning of life and of time or had deleted a single phrase from it, or if Pablo Neruda had added one more verse on material poverty to La Pobreza before introducing the theme of the wealth and dignity of the human spirit, neither would be the literary masterpiece it is. The principle of coherence bars the arbitrary, the unintended and the purely accidental from entering a work of art. This principle is not outdated, as postmodernism claims. Coherence is not wholly tied to proportion, symmetry and harmony characteristic of classical art. The dynamic character of form can readily appeal to disproportion and dissonance when its content requires it, as in the work of Samuel Beckett or that of Schoenberg. Meaning is integral to a work of art even when that meaning is the meaning of meaninglessness. Saramago has permitted nothing of the arbitrary to enter The Cave. The choice to produce dolls of human likeness is not arbitrary – as opposed to, say, a variety of dogs or birds or such animals – nor is the choice of types of dolls : Eskimo, bearded Assyrian, nurse, mandarin, jester and clown.
Cipriano and Marta make their selection on the basis of relative facility of production, but Saramago’s reasons go far deeper. Each one – bearded Assyrian, mandarin, Eskimo, clown, jester, nurse – resonates with the novel’s themes of transcendence of the falsehood of illusion, of organic unity, of spiritual and natural continuity. The bearded Assyrian represents a culture of literary creativity recorded on clay tablets in a unity of the spiritual and the natural ; the mandarin, a culture of poetry, literature and a philosophy whose basic tenet is the singularity of vital breath uniting all forms of life ; the Eskimo, a culture of unity between spirit and nature ; the clown, a transcendence of social conventions and taboos by mockingly showing their absurdity ; the jester, the defiant and transparent human wit whose freedom and frankness strikes down any illusion ; the nurse, the universal culture of nurturing and caring. These authentic and grounded figures of humanity stand in stark opposition to the modern banker, the marketing consultant, the Internet service provider. Indeed, the chosen figures – the nurse, the Eskimo, the clown, the jester, the bearded Assyrian, the mandarin – are hardly selected at random. Nor is anything arbitrary about Saramago’s constant rotation of the order in which the figurines appear in each successive reference. Rearranging is an effective device for counteracting the hierarchy of ordering – even ‘neutral’ alphabetical ordering freezes into hierarchy – and affirming the dignity of equality.
The writing style of The Cave is perfectly suited to its content. It is a paratactical, horizontal style of minimal punctuation. Saramago dispenses with a number of traditional stylistic conventions, including quotation marks for direct speech of characters, line change for change of speaker, the semi-colon for parallel phrases, the colon for ordering, the dash for subordinate phrases. The period is used sparingly but the comma extensively. It is a style that resonates with the themes of unity of spirit and nature, of organic community, of free flow of vital energy. The comma between the speech of one character and the next provides the airy space through which energy flows from one speaker to the other, eliminating the divisive distance created by the finality of the static period. The very shape and figure of the comma evokes the image of a flowing stream, or gentle breeze, which connects rather than divides. The shift in dialogue between distinct speakers is indicated only by a capitalised first word of the new speaker, securing his or her identity while eliminating any possible jarring effect of confusion. Saramago’s writing style re-creates the purity of ancient tablet writing – both stone and clay – free of punctuation and flowing in continuous horizontal line after line.
This stylistic aspect of Saramago’s distinct paratactical writing facilitates the flow of thought from one character to the other, from one subjectivity to the other. It affords a momentary pause in the interior world of feelings, yearnings, wishes, so intimate to the character and yet so universal. When Saramago takes the reader into the inner world of Cipriano or of Marta, he is taking her into a human world of sensitivity, of vulnerability, of unassuming nobility. He also takes her into the inner world of Found, the stray dog – a world of feelings of dependence and of quiet but loving acknowledgement of the acceptance that Cipriano and Marta spontaneously have granted him. Found happened to take refuge in the Algor outdoor kennel on a cold and rainy night and has quickly become a beloved and loving member of the family. He is portrayed as a distinct personality with feelings and independent judgements, whose relationship to Cipriano and Marta echoes Saramago’s philosophical themes of the singularity of life’s vital force and of the goodness of organic togetherness.
The authentic qualities and human sensibilities of the two principal characters, Cipriano and Marta, are portrayed in one of the most truly human relationships between father and daughter in the literary repertoire. Saramago bases the relationship on the principles of respectful caring and nurturing. Father and daughter have the virtues of sensitivity to the other’s feelings and of self-restraint from intruding into the other’s emotional world when it is felt unwanted. This is no traditional relation of paternal authority and filial piety. Marta and Cipriano are, above all, friends. They honour and respect each other. Their deep mutual affection has no need for ostentatious expression of sentiment. They know and feel the place they occupy in each other’s heart.
Saramago adds a tale of sentimentality to Cipriano’s life in a way that rounds out this central character, highlighting his sensibility and all-too-human vulnerability. A widower in his mid-sixties, he habitually visits the grave of his beloved late wife. On one of these visits he meets a younger widow, Isaura Estudiosa, at the cemetery when she, too, is visiting her late spouse’s grave. Being of the same village, they have a passing acquaintance with one another and indeed, their respective visits to the cemetery have, on occasion, coincided. But this time, after a brief conversation about Isaura’s Algor Pottery water jug whose handle had broken off and Cipriano’s promise to provide a new jug, Cipriano begins to feel a strong attraction to Isaura, which he is hardly prepared to acknowledge even to himself. Such feelings may be natural and appropriate for a younger man but, in his mind, not for someone of his sixty-four years. His struggle with age-appropriate feelings leads to his misinterpreting Marta’s motivation for keeping from him news of an important development in her life. As they discuss various aspects of the production of the figurines – a matter totally unrelated to Isaura or to Cipriano’s feelings for her – Marta inadvertently confesses that she, Marta, is pregnant and that she has known of the pregnancy for three days but, for the time being, decided against announcing the news to her father. He thinks she wanted to spare him the embarrassment of a soon-to-be grandfather who dares have amorous feelings at this late stage in his life, whereas she merely wanted to avoid adding to his worries in the present circumstances of economic insecurity.
In a passage that is arguably the most poignant of the entire novel, Saramago probes the meaning of the universal subjective relation of the self to the object of its labour – that identity relation in which the self invests itself in the process and finality of labour. It is the passage of the disposal of the crockery now rejected by the Center : the countless plates, cups, saucers, mugs, teapots, casseroles, serving platters. It is one in which Saramago’s poetic genius shines to its fullest as much by what is said as by what is not said. Saramago has no need to spell out to the reader that the crockery represents – for Cipriano – hours and hours of toil and effort, of fatigue, of painful limbs and joints, of the occasional momentary relief and ultimately of satisfaction with the finished product. Saramago has no need to tell the reader that Cipriano could never bring himself to break them into pieces and toss them out as garbage. The reader knows that breaking them would be like breaking his own limbs or a part of his soul. A description of where and how Cipriano selects to stow them suffices.
In the countryside at the foot of a cliff by the river there is a cave that Cipriano has known since his childhood. He parks his van loaded with crockery at the top of the cliff and carries armful after armful of plates and platters, of cups and saucers, of teapots and casseroles, down the cliff tirelessly, round after round. He places them on the cave floor in neat piles side by side, like upon like, with such care that not a single plate or cup is broken nor “a single teapot … deprived of its spout. The regular lines of the piled-up pottery fill one chosen corner of the hollow, they encircle the trunks of the trees, snake about among the low vegetation as if it had been written in some great book that they should remain like that until the end of time and until the unlikely resurrection of their remains” (p. 139). And when he has so stowed them, he places twigs, branches and leaves in the entrance to camouflage the opening and so to shelter and protect his creations lying inside. How different the atmosphere of the interior of this cave, Cipriano’s cave, from that of the Center’s newly discovered cave with its human corpses chained to a bench.
The plot has the two potters, Cipriano and Marta, proceeding with boundless energy and enthusiasm to prepare a business report for the Center’s consideration. They hold on to the hope for a bright future of figurine production. In three days’ time, Cipriano would be returning to the Center to drive Marçal back home and he could submit the proposal at that time. They work intensely and tirelessly discussing, reading, selecting, sketching, experimenting, modelling and remodelling, moulding and remoulding, painting and repainting. This is a wholly new area of activity for the Algors, requiring extensive research and much experimentation to develop new ways and techniques for creating new shapes and forms with familiar and unfamiliar material. Moments of exasperation when the clay does not comply with expectation are interspersed with moments of elation when perfection and beauty emerge from the creative impulse.
They spontaneously settle into a harmonious division of labour, with Marta sketching, designing and painting and Cipriano kneading, shaping and forming the clay and bringing the dolls to a sculpted life. An organic community is at work, consisting not only of Marta and Cipriano and their ancestors similarly engaged in the activity of making pottery, but of the natural clay itself as it responds to the gentle prodding of Cipriano’s expert hands and purposeful will. Form and matter are perfectly attuned to one another as they engage in the partnership of achieving a common goal. As Cipriano kneads and moulds the clay, the clay softens and swells ; as he imparts the form of distinct figurine to each respective piece of clay, the clay – with the heat of the kiln – becomes a beautiful and distinct work of art. Even Found shares the happy excitement of the creative activity.
There are as many brilliant flashes of wit and poetic beauty in Saramago’s account of figurine production as there are sparkles of light in a fast-flowing river on a sunny afternoon. At times in the voice of the protagonist, at times in the auctorial voice – clearly the voice of José Saramago the person, not just the author – universal themes of life are brought under new light. He speculates with astounding clarity and immeasurable depth on such age-old questions as the origin and meaning of life, the sense of time, the creative force of language, the sense or non-sense of conventional wisdom. With incomparable poetic gusto, Saramago reassesses expressions of common language showing them to be sorely wanting in good, common sense. “Authoritarian, paralyzing, circular, occasionally elliptical stock phrases, also jocularly referred to as nuggets of wisdom, are a malignant plague, one of the very worst ever to ravage the earth. We say to the confused, Know thyself, as if knowing yourself was not the fifth and most difficult of human arithmetic operations, we say to the apathetic, Where there’s a will, there’s a way, as if the brute realities of the world did not amuse themselves each day by turning that phrase on its head, we say to the indecisive, Begin at the beginning, as if beginning were the clearly visible point of a loosely wound thread and all we had to do was to keep pulling until we reach the other end, and as if between the former and the latter, we had held in our hands a smooth, continuous thread with no knots to untie, no snarls to untangle, a complete impossibility in the life of a skein, or indeed, if we may be permitted one more stock phrase, in the skein of life” (p. 56).
Cipriano’s and Marta’s efforts to produce the figurines initially bear fruit. The head of the Center’s buying department orders twelve hundred figurines – two hundred of each of the six different dolls presented in the business proposal:jk nurse, jester, clown, bearded Assyrian, mandarin and Eskimo. When three hundred figurines have been completed, Cipriano prepares their delivery, wrapping each doll carefully one by one. He is pleased with the excellence of their quality. He and Marta have inspected each one individually to assure that not even the slightest imperfection remains in any one of them.
But a cruel reception awaits Cipriano at the Center. He is informed – contrary to the original understanding – that the three hundred figurines will serve as samples in a marketing survey designed to assess the market prospects for such a product and the result will determine whether the remaining nine hundred dolls are to be produced or whether production is to cease completely. The result will indicate whether Algor Pottery is to continue servicing the Center or whether all commercial ties are to be severed definitively. The Center’s agent has not the slightest inkling that these unilateral mid-way changes to the original agreement are profoundly unjust. To him, they are the ethic of business, pure and simple. He is not at all aware he is dealing a crushing blow to Cipriano by taking away the guarantee of what was formerly called one’s ‘word of honour’ to respect agreements. To Cipriano – who has long ceased to have any confidence in the Center – the new development is a presentiment of negative survey results. And so it comes to pass. Commerce between Algor Pottery and the Center are brought to an end.
Saramago could not have drawn a sharper contrast between the activity of creation of figurines and the sterility of surveying devices of the market. He could have drawn no better opposition between the authenticity, warmth and serenity of Cipriano’s and Marta’s world and the falseness, callousness and cruelty of the Center. This poetic contrast between the two worlds reveals the frightful truth about the contemporary, unreal, virtual civilization, its aversion to organic creativity and its penchant for humiliation and destruction.
Dispirited and aware of his reduced options for the future, Cipriano agrees to leave the homestead and live in an apartment in the Center with his daughter and son-in-law. Marçal has received his promotion to resident security guard and is now entitled to occupy – along with his family – a very small thirty-fourth-floor apartment. And it is here, at the Center, that asphyxiation and vertigo enter Cipriano’s life. The only alternative to the stifling air and cramped space of his stamp-sized bedroom – first mistaken for the closet – is to enter the dizzying space of commercial, social and hi-tech entertainment of the infinite universe of the Center.
If the sights and sounds of the landscape between the village and the Center are horrific in their realism, the Center’s interior sights and sounds are eerie in the reality of their ‘unrealism’. The accuracy of depiction of the ugliness and devastation of contemporary topography is alarming, as is the unnaturalness and falseness of contemporary hi-tech virtual life. Saramago’s account of the ghastly landscape through which Cipriano drives to arrive at the Center – the Green Belt of plastic-covered, grey constructs, hiding geometrically arranged and genetically modified plants ; the Industrial Belt of black soot and deafening metallic clanging ; the shantytown of human impoverishment ; the city of ever-increasing congestion – is no more than a documentary of the contemporary urban world, as is his account of the virtual space of the Center where reality is replaced by the electronic virtuality of contemporary civilization. Saramago paints the Center’s interior of “new arcades, shops, escalators, meeting points, cafés, and restaurants, many other equally interesting and varied installations, for example, a carousel of horses, a carousel of space rockets, a center for toddlers, a center for the Third Age, a tunnel of love, a suspension bridge, a ghost train, an astrologer’s tent, a betting shop. A rifle range, a golf course, a luxury hospital, another slightly less luxurious hospital, a bowling alley, a billiard hall, a battery of table football games, a giant map, a secret door, another door with a notice on it saying experience natural sensations, rain, wind, and snow on demand, a wall of china, a taj mahal, an egyptian pyramid, a temple of karnak, a real aqueduct, a mafra monastery, a clerics’ tower, a fjord, a summer sky with fluffy clouds, a lake, a real palm tree, the skeleton of a tyrannosaurus, another one apparently alive, himalayas complete with everest, an amazon river complete with Indians, a stone raft, a Corcovado Christ, a Trojan horse, an electric chair, a firing squad, an angel playing a trumpet, a communications satellite, a comet, a galaxy, a large dwarf, a small giant, a list of prodigies so long that not even eighty years of leisure time would be enough to take them all in, even if you had been born in the Center and had never left it for the outside world” (pp. 269-70). Saramago has no need to resort to the device of exaggeration characteristic of satire or of parody to express the ironic tragedy of contemporary capitalist culture. He need only describe this culture, as in the above passage of factual realism. The unreality of this civilization, its virtual decadence speaks for itself, though, ironically, in a self-styled language of progress.
The climax of the novel is a self-transformative moment of epiphany for the main characters, and in this sense the novel sustains a direct connection with the Bildungsroman of the eighteenth century. Shortly after moving to the Center, Cipriano becomes curious about clanging noises emanating from the underground area. He sets out to trace the noise to its source and this takes him to a secret underground excavation site where he comes face to face with excavated human corpses chained to a bench facing a wall. Cipriano does not know that the scene evokes the allegory of Plato’s cave but he intuitively and spontaneously understands the meaning of the scene. He foresees, in the chained corpses, the significance and destiny of this false contemporary civilization. He flees not only the immediate scene of decomposing chained prisoners but life in the Center altogether. Such a moment of epiphany is also experienced by Marçal and Marta, who also take flight from the Center, cutting all ties to it – only days after Cipriano’s hasty departure. They meet in the family homestead and together with the neighbouring widow, Isaura, to whom Cipriano has expressed his love, decide to leave home and the village and to build a new life far away from the prison of the Center and all the insanity that it represents. The moment of epiphany is a moment of awareness of the universal human capacity to escape imprisonment and to achieve freedom, the essential characteristic of the Bildungsroman. The novel ends as Cipriano, Marta, Marçal, Isaura and Found board the van after closing the family house and the kiln, and drive away.
The Cave is a contemporary Bildungsroman of emerging self-consciousness of freedom in the course of experiences of the changing constellation of current historical forces. Self-consciousness is achieved by the protagonist, a man of many human qualities. He comes to understand the meaning of life and the dignity of freedom of action and engagement as a result of his resistance to the powerful and dehumanizing forces with which he is forced to do commerce. These are the forces that the scene of the cave puts into clear focus. At no time did he actually have illusions about the Center. He saw and deplored its power-wielding mode of operation and understood its crippling effect on people’s lives. His strong aversion to the lifestyle it represents has not changed. He combines wisdom and good judgement with sentiment and compassion. He is able to assess the destructive social and environmental effects of capitalist reality and he comes to understand the innate power of reason to resist assimilation to it and to seek a new, truly human course. He understands the self-affirmative essence of freedom to defy integration into a false world. His self-understanding had, from the start, little illusion to overcome. The distance between the pre-cave Cipriano and the Cipriano of true insight and self-understanding is not great. It is otherwise with Marçal, Cipriano’s son-in-law.
Marçal is a secondary character. He is first introduced as a young man from a village adjacent to Cipriano’s who is married to Marta and employed as security guard by the Center. His goal is to live in the Center. He dreams of being promoted to resident security guard and of living permanently in an apartment of the Center’s high-rise building complex with access to all the amenities of modern living and the convenience of working on the same premises. Indeed, Marçal’s wish for career promotion to resident security guard is tied to his dream of residing in the Center.
To the agents of capitalism who are constantly seeking out new profitable ventures, the cave is a windfall. Tourists would be prepared to pay a handsome fee to view the rare scene. Indeed, advertisements for viewing the site have already been posted at the novel’s closing. Marçal relates to Cipriano, Marta and Isaura that when he left the Center just days earlier, he noticed “a poster, one of the really big ones”, fixed to the exterior of the building promoting public viewing of the cave in big, bold letters : “COMING SOON, PUBLIC OPENING OF PLATO’S CAVE, AN EXCLUSIVE ATTRACTION, UNIQUE IN THE WORLD, BUY YOUR TICKET NOW” (p. 307). And so ends the novel ; and so continues the irony of capitalist self-misunderstanding.
Saramago’s prose is as much a philosophical, political and ecological treatise as it is a work of literary art. Humanity, for Saramago, is not destined for imprisonment, however natural, real or seductive imprisonment is made to appear. The strongest shackles are no match for the ingenuity of the human sprit to break away and achieve its essential freedom and dignity. Infinite creativity is its singular attribute. But hope for such humanity is placed not in the integrated centre of the contemporary world of exclusionary capitalism and of digital and virtual culture. It is placed at the periphery. With this claim Saramago joins a long list of eminent critics who put their hope for humanity’s freedom in the marginalised and excluded, in the exploited and victimised. Hope is placed in these human beings not only because they are marginalised and excluded nor only because they feel and know the indignity of injustice and the falsehood of illusion, but also and especially because they have not broken the essential unity of spirit and nature. Theirs is the power to transcend the false and to create the real and the true.
 Translated from the Portuguese by Margaret Jull Costa, Harcourt Books, London, 2000. Page references are from this publication.

industry_corpus2: Literature & Emotions


text:
Champion Tractors (Tracteur Champion in French) was a brand of tractor built from 1952 by the French company of Moteur Ceres, an engine manufacturer.
The company originally built engines, some of which which were used in French re-engineering of various versions of tractors imported into France post World War II.
In 1952 it was decided to build a French tractor to meet post-war demand for food production using less labour.
By 1960 demand had dropped and the bigger manufactures were gaining market share and the company ceased tractor building after manufacturing about 5,000 machines in the previous 7 years.
The parent company continued till 1992 building engines and the Generators.

industry_corpus2: Agriculture & Fisheries


text:
This listing features a solid sterling silver disc handstamped with the birth stats of your little bundle of joy. Charm is finished on your choice of sterling silver cable or bead chain. Optional wire wrapped Swarovski birthstone can be added at checkout.
This necklace is solid sterling silver and is 100% nickel and lead free.
This will be gift wrapped in a jewelry box ready to gift to the new mom!

industry_corpus2: Others


text:
Just a quick reminder that Jackie from Unit 5 Tithebarn Workshops has the opening evening for her latest exhibition tonight at the Wheat Paddock Barn Gallery in Freshford.
Good luck to Jackie and Liz tonight and for the coming week from the Workshops team!
This entry was tagged art exhibitions in wiltshire, art of experimentation, Jacqueline Byrne, tithebarn workshops, Wheat Paddock Barn Gallery. Bookmark the permalink.


text:
Each province and territory in Canada has its own Ministry of Education or Department of Education that governs schools within its region. Some Ministries/Departments are responsible for publicly funded schools only, while others also cover private schools and child care centres.
Those who need to develop an anaphylaxis policy are encouraged to verify existing information before getting started.
Existing policies can be compared with those of other boards or provinces for ideas and best practices. Many policies are available on school board and provincial websites.

industry_corpus2: Subject Education


text:
Moya Cannon is a poet whose works include Oar, The Parchment Boat and Carrying the Songs.
Her work has appeared in a number of international anthologies and she has edited themed issues for Poetry Ireland Review (1995) and held writer-in-residence posts for Kerry County Council and Trent University Ontario.
She was born in County Donegal, and is currently living in Galway.


text: Maine Heritage Weavers Amazing Colonial Rose Bedspread By In 2 | Iffageekfalls.com maine heritage weavers blankets. maine heritage weavers sale. maine heritage weavers wholesale.


text: Kingdom City is a village in Callaway County, Missouri, United States. It is part of the Jefferson City Metropolitan Statistical Area. The population was 128 at the 2010 census. The village lies at the intersection of Interstate 70 (concurrent with U.S. Route 40) and U.S. Route 54.


text:
With an in-house creative design team, we’re well equipped to handle your graphic design and digital print projects. The design process is pretty simple to us. We meet (in person, phone, email). We listen. We take a brief (the most important bit). We research. We create. We present. We recommend. We print.
Leaflet design, brochure design, flyers, posters, oversized folders, newsletters, marketing material, fundraising material, point of sale, exhibition stands, promotional giveaways, signage (internal and external), wall art, car graphics – these all form part of our daily work schedule.
We also provide a free print buying service, offering our clients extremely competitive print prices using quality, reliable and trusted printers to deliver a fantastic job. From start to finish, the Sowerby team deliver on all things design and print related. Got a project in mind?


text:
CAC1958 is regulated by 18 influences and regulates 0 modules.
Warning: CAC1958 Does not regulate any modules!
CAC1958 is enriched for 3 functions in 3 categories.

industry_corpus2: Finance & Economics


text:
Welcome to the Kootenay Boundary B restaurant dining guide! Here you'll find the best Kootenay Boundary B restaurants, as well as the newest and most recently reviewed Kootenay Boundary B-area restaurants.
Dine out using the Kootenay Boundary B restaurant reservations list or order in from Kootenay Boundary B food delivery restaurants.
Do you blog about dining in Kootenay Boundary B? Share your experiences with Menuism users!

industry_corpus2: Hospitality & Catering


text:
From old world craftsmanship to new world style . . .
Art and Soul has a mission to transform your home, office, or commercial space into a work of art; a place you love to spend time in with colleagues, friends, and family. Stemming from generations of European craftsmanship, we offer authentic venetian plaster, faux finishing, trompe l’oeil and unique original wall art. All of our Master craftsmen are European trained in the fine art of Venetian Plaster. Our unique Italian finishes create limitless possibilities evoking style and grace. We love what we do, and it shows.
Create a new vision of your space from your soul’s inspiration and let us help you bring that vision to life. Everyone has an inner artisan waiting to be expressed, and we work closely with our clients to uncover those beautiful depths and to manifest your vision.
Please CONTACT US today for a consultation to see how you can love where you live and live in the place you love.

industry_corpus2: Real Estate & Construction


text:
In this exceptional (and sobering) article, Smithsonian Magazine reveals that millions of taxpayer dollars are being used to support and maintain monuments to the Confederacy, monuments that promulgate a false, non-historical view of slavery and the Civil War.
Finally, Confederate monuments aren’t just heirlooms, the artifacts of a bygone era. Instead, American taxpayers are still heavily investing in these tributes today. We have found that, over the past ten years, taxpayers have directed at least $40 million to Confederate monuments — statues, homes, parks, museums, libraries and cemeteries — and to Confederate heritage organizations.
It’s simply mind-boggling that such attitudes are still maintained in the face of damning evidence that the Confederacy’s primary reason for existing was the defense of slavery — that the Confederacy was, indeed, something evil. And yet here we are in 2018, with people still treating Jefferson Davis’ home as a shrine even as the wounds inflicted by the Confederacy’s philosophy continue to fester and eat away at our country.
This country of ours will never start to heal until we confront and deal honestly with the sins in our past.
Sidenote: The picture that accompanies the Smithsonian article — that of a young black student responding to a Confederate flag with a mixture of disbelief and side-eye — is perfect.

industry_corpus2: Politics & Administration


text: Enjoy breathtaking Hood Canal views & 60' +/- of waterfront w/oyster & clam beds from this truly unique property. Recently remodeled light & bright home offers an oversized living room w/fireplace, dining area, eat-in kitchen w/tons of storage, 3 bedrooms & 1.75 baths. Stroll to the water's edge where you'll find an 800sf+ boat house that has been transformed into an amazing space w/glass walled living room to take in the water views & sunsets, full chef's kitchen, loft, .75 bath & 3 decks.


text:
The Milwaukee AG 750 115mm Angle Grinder has a compact powerful 750 Watt motor. Its metal gearbox extends durability, whilst its gear head rotates at 90° intervals for added versatility. This metal gear head has a flat design for excellent visibility of the workpiece and optimised cutting depth.
The AG 750 has a directed air exhaust, protected air inlets and has a spindle lock for safety. It has a safety guard, side handle, flange, flange nut.

industry_corpus2: Manufacturing


text:
At Skip Hire Tameside our smallest skip hire is not only a great in its shape it's as well unparalelled as we have the smallest you will find which is a 4 yard skip.
If you are you developing your estate redecorating it then hire our skip from Skip Hire Tameside and use it for depositing all this stuff. If you need to take care of securing rid of rubbish fast Then try our mini skip hire, its great!
You don't worry about location with this Skip Hire Tameside skip, its size obliges it to be simpler to place.
Don't worry about transport either, our experienced certified drivers at Skip Hire Tameside would be focusing on it. The size and average volume of storage space available aids in making this our low-priced skip for hire from Skip Hire Tameside.
In a 2 yard skip hire from Skip Hire Tameside you can efficiently station 25 bin bags, with each one of them being full to the brim.
To book our 2 yard mini skip, give us a telephone call at Skip Hire Tameside on 0800 772 3859 or an email to [email protected] If your puzzled or wants any inquiry answered, give us a call on the telephone up at Skip Hire Tameside on 0800 772 3859 and we will be more then happy to help.
The mini skip hire from Skip Hire Tameside is perfect for collecting all that rubbish in the ongoing process are spring cleaning.
If you need to place the skip hire on the side of the road, make sure you get a approval from your local government and this is something Skip Hire Tameside can help you with. If you like to be there when our drivers from Skip Hire Tameside arrive, just let us know and we will be more then happy to facilitate it.
Don't worry about the duration of period of time, for which you need it for, Skip Hire Tameside have a variety of time plans.
Our 2 yard skip from Skip Hire Tameside is a huge sum for any one of your small projects in UK. If you are possibly looking to rent one of our very handy our Mini skips then contact us today on Skip Hire Tameside or state us a streak at [email protected] so we can launch the waste disposal procedure now.


text:
I was searching for a Property and found this listing (MLS® #RX-10502016). Please send me more information regarding 5340 Nw 2nd Av #430, Boca Raton, FL, 33487. Thank you!
I'd like to request a showing of 5340 Nw 2nd Av #430, Boca Raton, FL, 33487 (MLS® #RX-10502016). Thank you!


text:
Inspire Fitness FTX Functional Trainer – Nice product and looks to be quality made.
What are the Pros and Cons of the Inspire Fitness FTX Functional Trainer?
The all new inspire FTX functional trainer is taking the word “simple” to a whole new level. The FTX is full of versatility, but is one of the industry’s smallest footprints in a full functional trainer. Constructed of heavy-duty steel and finished with a matte black powder coat, it’s beautiful and durable. It comes standard with two, 165 lb. Weight stacks and thirty swivel pulley positions to allow for complete freedom in any direction and unrestricted exercises. You’ll be able to get creative … You want to know more about this product?
If you compare this Inspire Fitness with any similar products, you’ll find it is much better. You had like to see some products?
I have found most affordable price of Inspire Fitness FTX Functional Trainer from Amazon store. It offers fast and free shipping. Best home gym equipment for sale will be limited stock of certain product and discount only for limited time, so do order now to get the best deals. Before you buy, check to see if a product is available online at store, read and compare experiences customers have had with home gym equipment below.
All the latest best home gym equipment reviews consumer reports are written by real customers on websites. You should read more consumer reviews and answered questions about Inspire Fitness FTX Functional Trainer below.

industry_corpus2: Sports


text:
China JIS G3322 Prime Quality Prepainted Galvalume Steel Coil, Find details about China Steel Coil, Prepainted Steel Coil from JIS G3322 Prime Quality Prepainted Galvalume Steel Coil - Qingdao Hengcheng Steel Co., Ltd.
Shop from professional Pre-galvanized Steel Pipe manufacturers and suppliers for quality pre painted zinc steel coil, galvanized steel coil made in China here. The best service and fast delivery are offered.
Shandong Qishun New Materials Co., Ltd. PPGI, Steel Coil, Galvanzied Steel Sheet manufacturer / supplier in China, offering High Quality Pre-Painted Galvanzied Steel Sheet / PPGI, Colorful EVA Plastic Raw Material EVA, Virgin PPS Raw Material/PPS Plastic Raw Material and so on.
Zhejiang Beiyu Metal Co., Ltd. PPGI Steel Coil, Color Coated Steel Coil, PPGI Steel in Coil manufacturer / supplier in China, offering Higher Quality Pre-Painted Galvanized Steel Coil, Dx54D Gl Galvalume Steel Coil for Special Deep Drawing, Zinc Plated Gi Sheet Galvanized Steel in Roll and so on.
Steel Coil, Steel, Rofing Tiles manufacturer / supplier in China, offering High Quality Rolled Prepainted Galvanized Steel Coil/Sheet, PPGI for Roofing Sheet, Spv355 Pressure Vessel Hot Rolled Steel Plate, Factory Price Stainless Steel Flange SS304 and so on.
High Quality Prime PPGI Prepainted Galvanized Steel Coil in China, Find details about China PPGI, Pre-Painted Steel Coil from High Quality Prime PPGI Prepainted Galvanized Steel Coil in China - TANGSHAN GRAND FAITH STEEL CO., LTD.
If you are about to import Pre-painted Steel, you can compare the Pre-painted Steel factories and manufacturers with reasonable price listed above. More related options such as steel coil, ppgi, galvanized steel could be your choices too.
Steel Coil, Color Coated Steel Coil Sheet, Color Coated Steel Roofing Sheet manufacturer / supplier in China, offering Prepainted Galvanized Steel Roofing Sheet Coil with High Quality, Print PPGI PPGL Steel Coils Manufacturer Supplier, Prepainted Galvanized Steel Coil Cold Rolled Steel and so on.
Painted Steel Coil, Painted Steel Coil Suppliers Directory - Find variety Painted Steel Coil Suppliers, Manufacturers, Companies from around the World at aluminium coil ,steel coil ,galvanized steel coil, Steel Sheets ... high quality pre-painted galvanized steel coil in china. 24 gauge zinc coated painted galvanized metal coils.
Prepainted Steel Coil, Steel Coil, Galvanized Prepainted Steel Coil manufacturer / supplier in China, offering Prepainted Galvanized Steel Coil Sheet, PU Foam Sandwich Roof Panel, Steel Tile Cold Roll Forming Machine From China and so on.
Pre-Paint Prepainted (a.k.a. coil coated) steel is substrate that is painted on both sides simultaneously as a flat metal strip in a continuous, automated and extremely efficient process at high speeds.
China Steel Coil supplier, Prepainted Galvanized Steel, Gi Manufacturers/ Suppliers - Anhui Shengxi New Material Technology Co., Ltd.
Pre-Painted Galvanized Steel Coil, Prepainted Galvalume Steel Coil, PPGI manufacturer / supplier in China, offering High Quality Red Color Coated Galvalume Steel Coil, 304 Stainless Steel Coil or Sheet, JIS G3141 SPCC Prime Cold Rolled Steel Coil and so on.


text:
Is coffee good for you? Will sausages kill you? Should you avoid sugar, fat, salt or all three? Booked your smear test yet? Checked your balls? Considering bariatric surgery?
• Do you know the difference between radiation and radioactivity? • Do you know that we are all surrounded by and exposed to natural radioactivity?
The Harcombe Diet for Men - No More Mr Fat Guy!

industry_corpus2: Health & Medicine


text:
Picture galleries on your phone done right. It's time to shake things up. Get on our beta list.
Spread the word about Pixley!
Free downloads for people who refer 10 friends.
© 2014 Pixley App. All right reserved.


text:
Product: Deluxe Spiderman Costume Adult was added to cart.
Become your favorite superhero for the night with the Deluxe Spider-man Adult Costume. The costume is really imposing with padded muscle chest and arms, a face cover to hide your identity with cool mesh eye inserts to gives you the mysterious superhero look. You will look like a hero for the evening and maybe you will be able to sweep a few girls off their feet.


text:
Black America is under siege. This is not new to those of us who live it every day. As someone who sees it and lives it, I believe that my contribution to the safety and advancement of my people is to write. I hope to inspire others, to let them know that they aren’t alone, and together, we can get through this. It isn’t just about us in the present; it’s about our future and our place in it.
I hope my blog answers questions AND creates new ones. I hope it causes you to research on your own, to dig below the scratches of the surface. For there, and only there, will you expose yourself, the knowledge, and the truth.


text: The Iroquois Confederacy is situated next to the Thirteen Colonies and almost always declares war on them from the beginning. Britain will have to come to the aid of the Thirteen Colonies should they wish to maintain authority over the area. As with all other Native American factions, the Iroquois tends to form large, powerful armies very quickly, so taking them out early is often a good idea.


text:
Description: New Dawn Transport Inc is a business categorized under business consulting services, not elsewhere classified, which is part of the larger category business consulting services, not elsewhere classified. New Dawn Transport Inc is located at the address 111 Cheatham Road in Carbon Hill, Alabama 35549-3335. The President is Dawn Atkins who can be contacted at (205)924-8533.
Location & access map for "New Dawn Transport Inc"


text:
Plague Vendor By Night Available June 7 from Epitaph Records.
Plague Vendor just announced their new album By Night, produced by John Congleton (St Vincent, Sharon Van Etten, Chelsea Wolfe) and recorded at legendary EastWest Studios(Brian Wilson, Ozzy Osbourne, Iggy Pop). The follow up to their 2016 debut full-length BLOODSWEAT and their widely-acclaimed debut EP Free to Eat is set for release on June 7via Epitaph Records. The 10-song set kicks off with the raw, vital track and first single “New Comedown.” Hear the song and watch the Dan Monick-directed video here: https://youtu.be/Rti4NxhEj9w.
Plague Vendor is Blaine (vocals), Michael Perez (bass), Luke Perine (drums and percussion) and Jay Rogers (guitar). A fearless our-way-is-the-hard-way work ethic and famously physical live shows won the Southern California-based band a ferocious fan base and place of pride on the Epitaph Records roster. They are currently on the road taking their live show to venues around the country--supporting All Them Witches now, with select headline shows set for this spring. See tour dates below.

industry_corpus2: Film & Entertainment


text:
What a great meeting we had tonight for the Libertarian Party of Greater Peoria. Jon Stewart… Sanj Mohip and Matthew C Scaro. Three great guys working hard to earn a spot on the Illinois State Ballot for Governor and Lt Governor.
This is our second attempt at a podcast. Our first one seems to have been well recieved… So we had to try it again. And honestly, with guests in the room like the ones mentioned above… How could we not?
Sitting at the table for this audio journey into liberty: Eric, Jacob, Jason, Dana and Donny. Along with our two special guests, Sanj and Matthew. We would have loved Jon to have been on, but he had to take off earlier.
Nothing is off the table in these podcasts. Do not think we are attacking anyone or playing favorites. We are here to make our candidates better and see that they have what it takes to make it to the end! Matt and Sanj take on some serious questions and left us feeling a lot more confident about their chances when push comes to shove.


text:
Dentures are a reliable solution for replacing missing teeth. At Foothill Family Dentistry our patients ask about dentures to determine if they are a good solution for their particular needs. As with any dental solution, there are pros and cons to wearing dentures and whether or not they will work for you depends largely on your lifestyle and the goals that you have for your appearance, including the functionality of your smile.
We can provide patients with temporary dentures while they are undergoing a cosmetic dentistry procedure to replace a missing tooth. Temporaries ensure that patients throughout the Foothill Ranch area have a natural looking smile while waiting for dental implants or a dental bridge to be completed. This is an excellent solution for when a tooth is knocked out during a sports game or in an accident. The temporary denture is secured in place with a metal wire that works like a retainer and can be taken in and out whenever you like. If you are looking for an immediate solution for replacing a missing tooth call (949) 247-2256. Keep in mind that a temporary denture is only meant to be worn for a few months and will need to be replaced.
Check out what others are saying about our denture and partial denture services on Yelp: Dentures and Partial Dentures Foothill Ranch.
The biggest challenge with dentures is that they do not feel like natural teeth. Patients of Foothill Family Dentistry tend to agree that while they are functional, you still have to take care of them as a separate appliance. Other cosmetic dentistry procedures make it easy to forget you ever lost a tooth in the first place. Modern techniques have made dentures more secure and comfortable than they used to be, but they are still a foreign object in your mouth and can become loose when eating or speaking. If you are currently experiencing this problem, call Dr. H. Dang at 949-247-2256 for a consultation.


text:
KissesOfAfrica is the number one african dating site for those looking to meet beautiful african girls online. We provide an advanced site designed for high-quality Asian dating where anyone can meet appealing Asian. or you have a thing about singles from exotic. Now you can meet other 50s singles who want the same things you do., Over 50. Our site for Canada biker online dating connects you with many biker singles across Canada.The Exotic Dating Community is your place to send message, share photos, make friends and find others who are looking for someone just like you.
Adults only, all-inclusive vacation packages and cruises for singles to the Caribbean, Mexico and Hawaii.Read Our Expert Reviews and User Reviews of the most popular exotic dating here, including features lists, star ratings, pricing information, videos, screenshots and.
U.S. News ranks 47 Best Cruises for Singles based on an analysis of reviews and health ratings.Amolatina.com is an International Dating site that brings you exciting introductions and direct communication with Latin members.Meet thousands of beautiful single ladies online seeking men for dating, love, marriage in Alberta.
Whether you are a professional dancer, you have two left feet, or you.Meet Single Russian Exotic Woman Yuliya from Ukraine Kherson at international Russian dating service Step2Love.If you're single, and seeking over 55 dating for...A reality series in which a man and a woman date two different naked suitors on a remote exotic location.
Meet African singles at the largest African dating site with over 2.5 million members.
Exotic Dating - Use this dating site and become dating expert, chat with beautiful people or find the person of your soul. GoodTimeInBed is a combination of a casual dating site and a social network. The tropical abundance of exotic women awaits your discovery.Go ahead and enjoy the Solo Collection advantages for singles vacations.
If reality TV shows featuring runway models hooking up with hot hunks in exotic.
DateHookup is a 100% free online dating site unlike other online dating sites.Colombia is your dating paradise for meeting an exotic Latin women for marriage - Meet the best Colombian brides online.European and American men for its exotic beauty. you on an excellent asian dating site on.
Exotic Dating - Finding love is not simple, but we can help you, just sign up on this dating site online and start chatting and meeting new people.
Comparison of online dating websites This is a partial, non-exhaustive list of online dating websites.
JOIN FOR FREE and view the profiles of the ladies at Latin Life Mates with no obligation. Dating Colombian Women Single Columbian Women Single latin women.
There are several dating sites that you can join and get to meet Arab women.OkCupid is free to join, free to search, and free to message.
International Introductions specializes in offering personal attention and introduction services to fit your particular needs for finding a Colombian bride.


text:
Syra Shehroz has had bit of a tumbling journey as she ventures into the big screen. First her Project Ghaazi in which she plays the role of a scientist was shelved and will hopefully be releasing in December. Then it was announced that she has been replaced by Mawra Hocane in Jawani Phir Nahi Ani 2, and that arose a lot of curiosity. However, Syra herself has answered this question in a conversation with Instep.
Now this gives rise to speculation that the character is merely a filler, but only time will tell.


text:
How to Send BTC Payments?
Why Does My Transaction “Pending”?
How Is Airbitz Wallet Secured?
Is Copay Better Than Airbitz?
Should I Prefer Hardware Bitcoin Wallets?
Airbitz wallet is one of the online “hot” storage products that you should check out due to its numerous functions and features for its clients. In this Airbitz bitcoin wallet guide, we show how the wallet handles different aspects of trade, providing you with step-by-step guides on how to set the wallet up, send bitcoins and add funds using Airbitz.
Download the Airbitz application on your phone through Google Play or App Store.
Click “Sign Up” button to start the registration process.
Give a username for your account.
Input your individual PIN code and password.
Click “Request” button and get your BTC address.
Register your Airbitz account in any of the exchange platforms.
Make transactions and obtain BTC directly to your wallet.
With the growth of bitcoin network, many traders have joined the market, bent on making a profit from the fluctuating cryptocurrency. As the trade enlarged its volume, various online wallets were created to better suit the needs of investors. Individuals demanded more security and flexibility at the same time, due to the rapidly changing bitcoin industry. These changes resulted in different services being offered to the market when it came to bitcoin stashing, transfer and storage.
This article reviews one of such wallets, a hot online storage called Airbitz, which uses mobile platforms (Android and iOS) as to accommodate traders that needed a responsive system on the tip of their fingers.
Airbitz is an online “hot” wallet which offers stashing services for bitcoin traders and provides address codes for the said traders to receive BTC. The bitcoin storage service is based online on mobile platforms and can be downloaded by both iPhone and smartphone users. The PC version of web platform is yet to be released at this point of time.
Registration of an account is done for free, while the wallet services, such as sending and receiving, carries small transaction fees, called miner costs. Using decentralized server architecture, Airbitz is famous for keeping hackers away from trader’s bitcoins.
Bluetooth is also available as a transfer option.
As for features, Airbitz wallet provides a distinctive security feature, which is the decentralized architecture of the services, platform and servers. It means that, even if the Airbitz is malfunctioning or its system is down, nothing would happen to your stashed bitcoins.
unencrypted data is never stored in the mobile device.
Edge Wallet has integrated support for ShapeShift digital asset exchange. In addition, SegWit transactions for Bitcoin and Litecoin are available now.
You have two choices when it comes to bitcoin funding of your Airbitz account balance. The first option is to purchase coins through “Buy” option is possible through the vendor Glidera, where bank transfers are accepted buying method.
The other option is to get BTC from any other exchange that is not directly connected with Airbitz, whether it is LocalBitcoins, Coinbase or BitPanda. All you have to do is to provide your BTC address code and then receive the cryptocurrency in your wallet within 24 hours.
In this section, we will show you how to setup your Airbitz wallet easily. The first step is to download the application on your phone and the app is free of charge.
Once you have installed the app, click “Sign Up” button at the center of the page on your phone and provide a username for your account.
Then, enter your own customized PIN code and password. Make sure you write them down on a piece of paper and store the information in safe place, should you happen to forget these codes in the future.
As you verify your codes, the account will be registered and you are now ready to send and receive bitcoins. The account that you have just created should look something like the picture below.
Since the Airbitz wallet is hierarchical deterministic, you need to request address for each of the transactions you wish to make. This is a safety measure to protect your account from cyber threats and leave an as little trace to your account balance as possible. To get the address, tap on the button called “Request” and copy the code at the bottom of the page shown on your phone.
You can also use the QR code as an address presentation and send it to the partner you wish to get bitcoins from.
On the “Receive” tab’s location, tap the option “Menu” which is located at the top left corner of your phone screen.
Choose the options below “Request” button called “Scan QR Code” and proceed to use the picture your partner has sent you earlier. Use the scan tools for QR codes and select the entire code with all four corners covered. Once you have done that, the address will be shown to you and window will step forwards the confirmation page, where you can review the transaction before you send BTC to your desired location.
Unfortunately, you can not add funds to your wallet or attach a card. As mentioned before, you have two main options on how to fund your account with bitcoins that you can send or sell later on when the value is in your favor. The first option is to use built-in purchase method from Airbitz and get bitcoins from Glidera.
Another option is to register an account in any of the large exchange platforms out there in the market and provide your bitcoin address once you have reached the end of the transaction to receive BTC directly to your Airbitz wallet. And if you later have a desire you can to exchange them for another, the desired currency, withdraw to a bank account or a credit card.
There are several reasons that could slow down your bitcoin transactions. The most common one, especially in the recent period, is that network might be overworked, as blockchain orders are handled by a single network. Thus, if you happen to do transactions at the time of a “jam”, your order would be in “pending” status until flow eases up a bit.
Another potential reason could be that bitcoin sender/receiver has a policy of holding the assets to confirm you are not a scammer, bent on taking their funds/BTCs. In both cases, do not worry as they are common in the market.
Airbitz itself does not charge any sort of fees but you will see a small cost attached to your transactions nevertheless. The reason is that bitcoin network always takes a small portion of your trading processes and Airbitz merely collects the said cost for the network.
Fees vary upon the type of transaction, the amount of traffic in the network as well as the size of the order.
The Airbitz offers email and phone contacts concerning with bugs and transaction issues that you might identify in your operations. The site also offers blog posts, explaining various features of the wallet and provides general news for the bitcoin community.
The users’ reaction so far has been positive, with no major issue found in Reddit comments so far. The response time is quick and the issues small and not frequent.
Airbitz is structured as decentralized server architecture, meaning that even if the site is down, your bitcoin balance is still functioning without any problems. The decentralized nature of the wallet also poses a significant obstacle for hackers to get your BTCs as they do not have a common ground to base their attacks on.
Although Airbitz offers distinctive features as a bitcoin wallet, it is always a good idea to benchmark its functions, pros and cons with other, similar wallets, especially in the case of online “hot” storage places, such as Coinbase, Copay, Bread and Mycelium.
Whereas Airbitz mainly acts as bitcoin wallet, Coinbase is a fully fledged exchange and one of the biggest ones in the world at that. The wallet services are much the same as the Airbitz’s when it comes to security and transaction functions but Coinbase also includes fiat currency balance keeping as well.
Airbitz holds an upper hand in the domain of security, as you depend on Coinbase servers for the availability of your coins.
Copay is very similar to Airbitz as both are online bitcoin wallets with similar features and functions. One important distinction is the company server, as Copay is a centralized network where bitcoin transfers depend on the availability and function of its servers.
Airbitz, on the other hand, is completely decentralized, meaning that you do not depend on the company to use services of the wallet.
Although both are Android-based, the main difference between the wallets is that Bread offers rather simple functions such as send and receive bitcoins, while Airbitz also provides QR code transfers, purchase and sale of bitcoins and other functions.
Airbitz is oriented towards more experienced traders who need a better protection for their assets, while Bread, being completely centralized, offers easy access to your coins as well as simple transactions to get your trade done fast.
Mycelium and Airbitz have so many similarities, that many traders would find a hard time in deciding which wallet to use. Both offer buy and sell functions; both are decentralized and offer extra functions that are not available in other online wallet platforms.
The only distinction between the companies is that Mycelium support is based on Tor providing more privacy for its users than Airbitz.
If you are looking for large orders and wish to keep your bitcoins completely safe, hardware wallets have an upper hand in that specific sphere of business. They operate in both online and offline environments, while the only offsetting issue is their price, as they do not come cheap to have while online wallets, like Airbitz, is free to use.
Be sure to check our reviews of various cold storage wallets as well as the best hardware wallets at BitcoinBestBuy and get an idea of just how powerful these devices are.


text:
Gosport Plasterers: Whether you have a small plastering task or a large plastering project to be done on your home in Gosport, you will need a competent and professional plasterer to manage the work in a proper and correct manner. It can take many years to master the art of plastering, so it isn't advisable for you to try to do it yourself.
Even seemingly minor home improvement projects can generate the need for plastering work. It could be plaster repair before tiling, fitting coving or decorative mouldings before decorating, re-plastering a ceiling or plaster skimming a dry lined partition. In truth, it might be any of a host of plastering related jobs.
Ask to see some photos of previously completed work when interviewing prospective Gosport plasterers, anybody that knows their stuff will be glad to do this and have nowt to hide. Getting saddled with a bunch of "cowboys" doing your plastering is a scenario that you want to avoid no matter what. You could run into big complications later on when the quality of the plastering is sloppy, and these aren't always immediately obvious.
When a splash of paint is applied to your freshly plastered walls and ceilings, the imperfections will become blindingly obvious. In bright daylight your defective plastered surfaces will look even worse. By using experienced plasterers in Gosport, you should hopefully avoid issues such as this.
Level and smooth are the main attributes of a plastered surface, since other materials will always be applied to it. An irregular plastered surface may lead to major issues with any area of tiling (bathrooms or kitchens), the fitting of skirting boards, the fitting of kitchen units and the painting of ceilings and walls.
You can always tell the most experienced Gosport plasterers because they consistently get a perfect, polished, right from the trowel. Ceilings and walls that have been plastered by a professional, should never need sanding down. If any amount of vigorous sanding is needed to smooth the plastered areas, they were not competently done in the first place. If you see the orbital sanders coming out you should be very suspicious.
Covering up an artex ceiling, is among a plasterers most typically requested tasks these days. Many properties in Gosport had ceilings which were coated with artex during the 1970's and 1980's, when it was the height of fashion. To get all your artexed ceilings looking sleek and contemporary again, most Gosport plasterers will be more than happy to plaster over them. Those of you who are more retro in taste may want your artex ceilings repaired and brought back to their former glory.
Plasterboarding Gosport (Dry Lining): A few plasterers in Gosport also provide dry lining services (plasterboarding), which will be required in plenty of improvement projects. Dry lining is the name of the process by which plasterboard is mounted on Gypframe metal framing, a brickwork or masonry surface or a timber studding or joist to create a wall surface that doesn't need plastering. Whilst it's possible to decorate or paint the plasterboard finish after a bit of filling, usually most people choose to have the plasterboard skimmed with a fine plaster coat afterwards to give it a harder and smoother finish. As for fittings, when fixing to a brickwork wall "dot and dab" bonding compound is used, when fixing to a metal Gypframe self-tapping (or Jack-Point screws) are used and when fixing plasterboard to wood joists or studding, drywall screws or nails are used.
Gosport plastering specialists can usually help with tyrolean rendering, repairing holes in ceilings and walls, asbestos testing, damaged plaster repairs, blown plaster, skimming over artex, the rendering of brickwork, stud partitions, plastering over artex, lime rendering, artexing preparation, wall crack repairs and other plastering work in Gosport, Hampshire.
Also find: Fareham plasterers, Bridgemary plasterers, Elson plasterers, Fratton plasterers, Alverstoke plasterers, Browndown plasterers, Southsea plasterers, Lee-on-the-Solent plasterers, Anglesey plasterers, Stubbington plasterers, Porchester plasterers, Brockhurst plasterers, Hardway plasterers, Hill Head plasterers, Portsmouth plasterers and more.
Plasterers in other UK towns: Madeley, Bromley, Bentley, Longbenton, Telford, Colchester, Morley, Sunninghill, Gravesend, Leyland, Loughborough, Billericay, Horley, Hythe, Poole, Chester, Haverhill, Clevedon, Thatcham, Kidderminster, Gillingham, Crowborough, Huntingdon, Winchester, Aldridge, Gatley, Basildon.
A swift search on a business directory for "plasterers Gosport Hampshire" delivered these results: Hopkins Property Maintenance PO12 1JX, Sussex Ceilings Ltd PO12 1LB, BHI Building Services PO12 1PS.
A few Gosport roads serviced by Gosport plasterers: St Johns Close, Carisbrooke Road, Cobalt Court, The Seagulls, Sedgewick Close, Durley Road, Stone Lane, Tamworth Place, Strathmore Road, Coventry Court, Dolman Road, Churcher Close, Crescent Road, Brune Lane, St Vincent Road, Bury Crescent, Shalbourne Road, Twyford Drive, Cormorant Walk, St Andrews Road, Court Barn Lane, Tebourba Drive, St Marks Road, Bittern Close, Durham Street, Smeeton Road, Beech Grove.


text:
Conventional martial arts wisdom says that a forearm risking block is used to block and deflect a downward attack. In the Encyclopedia of Taekwon-Do, General Choi says that it can also be used to block a weapon, or even a punch or side piercing kick aimed at the nose or higher.
In reality, blocking a downward attack like this would usually be silly, especially against a weapon. It’s a good way to get your arm broken. General Choi even wrote that this block could be used against a club. Bad idea.
Silly or not, we still have to perform this block in our patterns as if we’re blocking a downward attack. So we might as well make it look good.
The outer forearm is the blocking tool. Or instead of a forearm rising block, you can perform a knife-hand risking block with only a very small modification.
You’ll typically see these rising blocks done in a walking stance, but other stances can be used as well. No matter what stance you’re using, always block with the front arm—unless you’re doing a twin block. For example, if your right foot is in front, you would block with your right arm.
Prepare by crossing the backs of your wrists together, just a little higher than your waist. Your blocking arm sits on top, with the back of the fist facing the floor. The blocking arm reaches across your body with the elbow bent so that the arm can simply move straight up as it rotates to reach the finishing position.
The preparation phase of a forearm rising block.
Make sure to finish full facing toward your target, with the blocking tool on your centreline (directly above your nose). Your hand will finish a little higher than your elbow, and your elbow is bent at a 45-degree angle.
The blocking tool (your outer forearm) should be on your centreline, or in line with your nose. Your elbow is bent about 45 degrees.
When doing the forearm rising block, your inner forearm should finish about 7 cm away from the front of your forehead. Your inner forearm should also be level with the top of your forehead.
Here’s another way to think about that: 7 cm is about the width of your fist. Place the thumb side of your opposite fist against the top of your forehead. Now place your block against the other side of your fist. That’s about where you want your forearm to be.
Your inner forearm should be about 7 cm away from the top of your forehead. That’s about the width of your fist.
When doing the knife-hand rising block, there should be about 7 cm between your thumb and forehead. Remember: because you’re now doing a knife-hand block instead of a forearm block you’ll need to shift your arm slightly to get your knife-hand on the centreline of your body.
For the knife-hand rising block, the blocking arm shifts sideways so your knife-hand is now on your centreline instead of your outer forearm. Your thumb is about 7 cm away from your head.
And there you have it. As always, if you have any questions, or any details to add, feel free to let me know.


text:
The Full Hex NE locknut is commonly used in many general purpose applications. Produced in high volumes, the smaller diameter products are relatively inexpensive. As compared to All-Metal Locknuts, Nylon Insert Locknuts are less damaging to mating threads, but have lower heat limitations and over time the nylon develops memory and prevailing torque erodes.
*locknuts are certified to Gr B proof loads nut may not have Gr B markings.


text:
MUNICIPAL BOARD DELIBERATE ON DEVELOPMENT PROJECTS AND BUDGET ESTIMATES FOR FY 2019/2020.
Kapsabet Municipality Charter grants the board an opportunity to prepare and submit its annual budget estimates to the county treasury for consideration and submission to the county assembly for approval as part of the annual County Appropriation Bill. Today the municipal board held their special meeting to deliberate on budget estimates for FY 2019/2020 in a meeting held at kapsabet municipal grounds.
Board members during the budget estimate deliberations.
From the Urban Development Grant (UDG), a conditional development grant from World Bank, the Municipality has its expenditure menu focussing on the extension of the projects for FY 2018/2019. The key development areas include waste management, storm water drainage, connectivity, fire and disaster management and urban economic infrastructure.
From the board deliberation today, the municipality is planning to carry out various development projects amounting to 160 Million. Among them are: Construction of a fire station, market stalls and ablution blocks, extension of street light and installation of digital signage; purchase of self loading truck and receptacles for solid waste collection, extension of non motorized transport and storm water drainage.
The budget estimates for the above mention projects together with those of other departments will be submitted out for public view before end of this month. There after, the budget will be presented to the County Assembly for approval.


text:
Compare the best business VoIP providers in West Lebanon, NH side by side on VoipReview. Find and compare top-rated providers across price, features, ratings, and user-submitted reviews to find the best deal on a business VoIP service. Start comparing below to see how much you can be saving on your monthly phone bill.
What is West Lebanon, NH Business VoIP?
No matter the industry, every business needs a phone system that is designed to meet their calling needs. Business Voice over Internet Protocol (VoIP) is the system for businesses in West Lebanon, NH. It uses the high-speed Internet connection in your business for making and receiving phone calls. Additionally, this type of service offers all types and sizes of businesses necessary flexibility and features.
To help you find the right business VoIP in West Lebanon, NH for your business, we've compiled information about various providers and collected user reviews. This information can be used to compare numerous different providers in the area. The information includes monthly rates, features, and other highlights. At VoipReview, we have unique comparison tools that allow you to see what providers have to offer across the board. We use this data to simplify your search and present you with the top services available.
Here at VoipReview, we work to provide updated information about service solutions in West Lebanon, NH so that we can present you with a detailed list of top business VoIP providers. However, information does change. To ensure that you get the most accurate quotes and service information for your business, check out the provider's website.
If you're still unsure about which business VoIP to go with, we're here to help. With our knowledge about providers in West Lebanon, NH, we can provide custom recommendations based on your company needs. Just fill out the form above so that we can pick providers that suit your needs. By answering a few simple questions, we can narrow down your search and instantly present the top contenders.
Which Features Are Built Into West Lebanon, NH Business VoIP Service?
Is There Any Difference Between West Lebanon, NH Business VoIP and Landline Phone Service to the User?
If you are considering a VoIP service in West Lebanon, NH, the problems formerly associated with VoIP should no longer concern you. Many of these issues were due to unreliable internet connections, which have improved exponentially since the early days of VoIP. A reputable VoIP service will provide the same, if not superior call quality than a landline.


text:
when my Quaker parrot was born she was under a sibling who had died. When the bird was removed from the nest her feet were black, possibly gagarene and toes were lost. Her feet are deformed, one is even clubbed.
She is able to do anything another bird can do. Lately thought (she is almost 16) she has had her head down at her feet constantly and she plucks feather from her right side breast and leg. Could this be something like arthritis? And can she be given an extremely tiny part of a baby aspirin?
Dr B answered this for someone else that had an Amazon parrot. His answer is below.
"No you should not give over the counter medications to your bird without consulting you avian veterinarian. Aspirin is not safe for use in your Amazon.


text: Beautiful ranch home with 3 beds and 2.5 baths in the sought-after Cliffs Valley Subdivision in Travelers Rest. 30 minutes from downtown Greenville. Open floor plan. Great room with cathedral ceilings, stone fireplace and built in shelving. Formal dining room. Master bedroom with tray ceilings and access to sunroom. Master bath has his and her sinks with large shower and walk-in closet. Large deck overlooks wooded private backyard with access to dog park. Two car garage with ample storage in attic. Surround sound throughout home including garage. With acceptable offer a Cliffs Club membership is included valued at 50k! Includes access to all amenities, 7 golf courses, tennis courts, pool, exercise facilities. Washer, Dryer, and grill convey. See features sheet for more information!


text:
Those Valentinos are nice! Gorgeous outfit as always.
can you pls do a skincare,hair and makeup post, pls pls. you're so gorgeous!


text:
& abroad, from Sole Traders through to Multi-Nationals.
and offer our expertise to help you reach your goal.
chance most of you have come across products we have supplied.
Every year we raise funds for The Royal British Legion through our Poppies4Kits programme, offering clubs, associations etc to wear a woven poppy on their kits, clothing or other items. These have a self adhesive backing allowing them to be applied and then easily removed after the event(s), this year, 2018, was the most successful year and we are happy to announce we raised £30,000 for the Royal British Legion.


text:
If the items you received are incorrect or damaged, you may contact our Customer Service at ufficioclienti@edizioniadv.it or call at (+39)055-5386230 for an exchange or refund. You'll be refunded within 14 days.
Visiting our website you agree that, in relation to any dispute between you and Edizioni A.D.V., the applicable law is the Italian State’s, and the competent court is Florence’s.

industry_corpus2: Media & Journalism