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From 2001 research was carried out into the impact of digital tools such as the laptop computer on various forms of music and sound art, questioning whether a computer could replace conventional instruments, and how effective it could be as an improvising device. The book Haunted Weather (with accompanying 2-CD compilation released by Staubgold 52, 2004) is an outcome of these investigations, but it also has become a survey of experimental music and contemporary sonic art practice. Wider questions concerning the significance of sound, noise and silence in space, perception and memory are also considered, as a continual yet often ignored presence in human society.
The book was constructed from lectures and essays written during the three years of research. Chapters on subjects such as the origins and development of generative music, or the relationship of digital sound sampling to earlier forms of sonic montage, were published prior to the book’s completion, either in magazines such as The Wire, exhibition catalogues, and books such as Undercurrents: The Hidden Wiring of Modern Music. These subjects were developed as ongoing research and then refined for the purposes of the book. Experience, both as a digital musician using new technology, and as an improvising musician from 1970 onwards, was also drawn upon.
Since the publication of Haunted Weather, Toop has given many international public readings incorporating texts from the book with live mixing of relevant music. Sections have been published in subsequent books, such as Audio Culture: Readings In Modern Music, edited by Christoph Cox and Daniel Warner, and the findings of the book, along with its research material, led to Toop’s practice based AHRC research fellowship project, Sound Body, which in turn has resulted in further outcomes.


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A network of parks in the East Thames corridor becomes the art space of the future.
Arts Council England and RIBA London's open competition, 'Arts' Space of the Future', invited proposals that questioned what kind of arts' space will be relevant to future generations. How can spaces better reflect the nature of the arts being produced within them? Do art spaces need to be transformed into something quite new?
DKA's prize-winning proposal addressed several pressing issues simultaneously: providing arts spaces in the East Thames gateway, an area currently undergoing large-scale development; creating carbon neutral venues; providing broader access, both physical and intellectual, to arts spaces; seeing these spaces as being as much to do with production and participation as consumption.
The project took the form of a network of parks in the East Thames Gateway chosen for their tendril-like extension into the surrounding context. Sufficient energy crop, in this case willow coppice, would be planted within the parks to fuel a new arts venue carbon-neutrally. Each year a third of the crop would be cut as crop circles which would become the site of temporary events. Consequently, the whole landscape would become a plastic, changing arts space.
The main venue would act as the power station, burning the willow coppice to supply energy to run the temporary events spaces. Also in the building would be all of the types of space artists choose to work in which are not white cubes: A house, a church, a rotunda, a tower and several gardens. The project was entitled Heterotopia, after Michel Foucault's seminal essay 'Of Other Spaces', in which he described the set of spaces in the world that are, "effectively realized utopia, in which all the real arrangements, all the other real arrangements that can be found within society, are at one and the same time represented, challenged, and overturned: a sort of place that lies outside all places and yet is actually localizable".

industry_corpus2: Film & Entertainment


text: This is the only recording that Turtleslime have at present. This recording was done in September of 1995 at Zen Recording Studios in St Peters in Sydney. This demo is full of samples from crazy movies and shows. The artwork on our demo was done by Jeph Woodhouse a friend of the band. The recording itself took 5 hours to do but was well worth it. There is a link on the mainpage to hear some of our music and if your interested in receiving any of our music contact us via email and we'll get in contact with you. In September Turtleslime are doing a split 7' through The Spiral Objective label in South Australia and plans of a CD release towards the end of the year look hopeful.


text: This is a quick notice but I hope someone is up for a game. I have not made reservation. I am flexible on time AND sport. I would try squash also.

industry_corpus2: Sports


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basic principles of these requirements, the October 11, 2018 memorandum supersedes this guidance.
On May 12, 2016, OSHA published a final rule that, among other things, amended 29 C.F.R. 1904.35 to add two new provisions: section 1904.35(b)(1)(i) makes explicit the longstanding requirement for employers to have a reasonable procedure for employees to report work-related injuries and illnesses, and (b)(1)(iv) incorporates explicitly into Part 1904 the existing prohibition on retaliating against employees for reporting work-related injuries or illnesses under section 11(c) of the OSH Act, 29 U.S.C. § 660(c). This memorandum explains these provisions in more detail.
To establish a violation of section 1904.35(b)(1)(i), OSHA must show that the employer either lacked a procedure for reporting work-related injuries or illnesses, or that the employer had a procedure that was unreasonable. The employer must establish a reasonable procedure for employees to report work-related injuries and illnesses. As OSHA explained in the preamble to the final rule, this requirement was implicit in the previous version of the rule, which required employers to establish a "way" for employees to report work-related injuries and illnesses. An employerâ€™s reporting procedure is reasonable if it is not unduly burdensome and would not deter a reasonable employee from reporting.
For example, it would be reasonable to require employees to report a work-related injury or illness as soon as practicable after realizing they have the kind of injury or illness they are required to report to the employer, such as the same or next business day when possible. However, it would not be reasonable to discipline employees for failing to report before they realize they have a work-related injury they are required to report or for failing to report "immediately" when they are incapacitated because of the injury or illness. A rigid prompt-reporting requirement that results in employee discipline for late reporting even when the employee could not reasonably have reported the injury or illness earlier would violate section 1904.35(b)(1)(iv).
It would also be reasonable to require employees to report to a supervisor through reasonable means, such as by phone, email, or in person. However, it would not be reasonable to require ill or injured employees to report in person if they are unable to do so. Likewise, it would not be reasonable to require employees to take unnecessarily cumbersome steps or an excessive number of steps to report.
While employers have an interest in maintaining accurate records and ensuring that employees are reporting work-related injuries and illnesses in a reasonably prompt manner, these interests must be balanced with the importance of accurate injury reporting and therefore employersâ€™ reporting policies must be designed so as not to discourage employees from reporting. For a reporting procedure to be reasonable, and not unduly burdensome, it must allow for reporting of work-related injuries and illnesses within a reasonable timeframe after the employee has realized that he or she has suffered a recordable work-related injury or illness and in a reasonable manner.
Regardless of whether an adverse action is taken pursuant to a disciplinary policy, post-accident drug testing policy, or employee incentive program, OSHAâ€™s ultimate burden is to prove that the employer took the adverse action because the employee reported a work-related injury or illness, not for a legitimate business reason. Determining in a particular case whether a violation occurred and whether there is enough evidence to substantiate the violation will be a fact-specific inquiry. The discussion below explains in more detail the kinds of facts that will be important in evaluating whether a violation has occurred in the contexts of disciplining employees who report, providing or withholding a benefit based on whether an employee reports, and drug testing employees who report work-related injuries or illnesses.
Section 1904.35(b)(1)(iv) does not prohibit employers from disciplining employees who violate legitimate safety rules or reasonable reporting procedures.3 Rather, it prohibits disciplining employees simply because they report a work-related injury or illness. In some cases, OSHA will have direct evidence that an employer disciplined an employee simply for reporting a work-related injury or illness, such as a policy under which the employer automatically disciplines all employees who report work-related injuries or illnesses without regard to whether the reporting employee violated a work rule, or statements by the employer indicating that it disciplined the employee simply for reporting. Direct evidence of retaliation is sufficient to establish a violation.
To establish a violation of section 1904.35(b)(1)(iv) in a case where an employer claims it disciplined an employee who reported a work-related injury or illness for a legitimate business reason such as violating a workplace safety rule, or a rule on the time, place or manner for reporting an injury or illness, OSHA will need to show that the real reason for the discipline was the reported injury or illness and not the rule violation. As is typically true in a discrimination case, circumstantial evidence can satisfy this burden, as direct evidence of the employer's real reason for the adverse action may not exist.
In these circumstances, when OSHA is evaluating whether the employer violated section 1904.35(b)(1)(iv), the central inquiry is whether the employer treated other employees who violated the same rule in the same wayâ€”i.e., took the same adverse actionâ€”regardless of whether those employees reported a work-related injury or illness, or whether the employer only or primarily used the rule against employees who reported a work-related injury or illness. Evidence that the employer consistently applied the rule when employees violated it regardless of whether the employees also reported a work-related injury or illness is evidence that the real reason for the discipline was the work rule violation, not the injury or illness report. On the other hand, evidence that the employer disproportionately disciplined employees for violating the rule when they reported work-related injuries or illnesses (and tended to ignore violations absent an injury or illness) indicates that the real reason for the discipline was the reported injury or illness, not the work rule violation. The same analysis would apply if reporting employees are subject to more severe adverse action than non-reporting employees who also violated a work rule in the same manner or to the same degree. OSHA will also evaluate any other evidence relevant to the employerâ€™s reason for the discipline. If OSHA determines that the real reason for the discipline was the reported injury or illness, OSHA may issue a citation under section 1904.35(b)(1)(iv).
Section 1904.35(b)(1)(iv) does not prohibit employers from drug testing employees who report work-related injuries or illnesses so long as they have an objectively reasonable basis for testing, and the rule does not apply to drug testing employees for reasons other than injury-reporting. Moreover, OSHA will not issue citations under section 1904.35(b)(1)(iv) for drug testing conducted under a state workersâ€™ compensation law or other state or federal law. Drug testing under state or federal law does not violate section 1904.35(b)(1)(iv). See sections 4(b)(1) and 4(b)(4) of the OSH Act, 29 U.S.C. Â§Â§ 653(b)(1) & (4). Section 1904.35(b)(1)(iv) only prohibits drug testing employees for reporting work-related injuries or illnesses without an objectively reasonable basis for doing so. And, as in all cases under section 1904.35(b)(1)(iv), OSHA will need to establish the three elements of retaliation to prove a violation: a protected report of an injury or illness; adverse action; and causation.
When evaluating whether an employer had a reasonable basis for drug testing an employee who reported a work-related injury or illness, the central inquiry will be whether the employer had a reasonable basis for believing that drug use by the reporting employee could have contributed to the injury or illness. If so, it would be objectively reasonable to subject the employee to a drug test. When OSHA evaluates the reasonableness of drug testing a particular employee who has reported a work-related injury or illness, it will consider factors including whether the employer had a reasonable basis for concluding that drug use could have contributed to the injury or illness (and therefore the result of the drug test could provide insight into why the injury or illness occurred), whether other employees involved in the incident that caused the injury or illness were also tested or whether the employer only tested the employee who reported the injury or illness, and whether the employer has a heightened interest in determining if drug use could have contributed to the injury or illness due the hazardousness of the work being performed when the injury or illness occurred. OSHA will only consider whether the drug test is capable of measuring impairment at the time the injury or illness occurred where such a test is available. Therefore, at this time, OSHA will consider this factor for tests that measure alcohol use, but not for tests that measure the use of any other drugs. The general principle here is that drug testing may not be used by the employer as a form of discipline against employees who report an injury or illness, but may be used as a tool to evaluate the root causes of workplace injuries and illness in appropriate circumstances.
Consider the example of a crane accident that injures several employees working nearby but not the operator. The employer does not know the causes of the accident, but there is a reasonable possibility that it could have been caused by operator error or by mistakes made by other employees responsible for ensuring that the crane was in safe working condition. In this scenario, it would be reasonable to require all employees whose conduct could have contributed to the accident to take a drug test, whether or not they reported an injury or illness. Testing would be appropriate in these circumstances because there is a reasonable possibility that the results of drug testing could provide the employer insight on the root causes of the incident. However, if the employer only tested the injured employees but did not test the operator and other employees whose conduct could have contributed to the incident, such disproportionate testing of reporting employees would likely violate section 1904.35(b)(1)(iv).
Furthermore, drug testing an employee whose injury could not possibly have been caused by drug use would likely violate section 1904.35(b)(1)(iv). For example, drug testing an employee for reporting a repetitive strain injury would likely not be objectively reasonable because drug use could not have contributed to the injury. And, section 1904.35(b)(1)(iv) prohibits employers from administering a drug test in an unnecessarily punitive manner regardless of whether the employer had a reasonable basis for requiring the test.
Section 1904.35(b)(1)(iv) does not prohibit safety incentive programs. Rather, it prohibits taking adverse action against employees simply because they report work-related injuries or illness. Withholding a benefitâ€”such as a cash prize drawing or other substantial awardâ€”simply because of a reported injury or illness would likely violate section 1904.35(b)(1)(iv) regardless of whether such an adverse action is taken pursuant to an incentive program.6 Penalizing an employee simply because the employee reported a work-related injury or illness without regard to the circumstances surrounding the injury or illness is not objectively reasonable and therefore not a legitimate business reason for taking adverse action against the employee.
Consider the example of an employer promise to raffle off a $500 gift card at the end of each month in which no employee sustains an injury that requires the employee to miss work. If the employer cancels the raffle in a particular month simply because an employee reported a lost-time injury without regard to the circumstances of the injury, such a cancellation would likely violate section 1904.35(b)(1)(iv) because it would constitute adverse action against an employee simply for reporting a work-related injury.
However, conditioning a benefit on compliance with legitimate safety rules or participation in safety-related activities would not violate section 1904.35(b)(1)(iv). For example, raffling off a $500 gift card each month in which employees universally complied with legitimate workplace safety rulesâ€”such as using required hard hats and fall protection and following lockout-tagout proceduresâ€”would not violate the rule. Likewise, rewarding employees for participating in safety training or identifying unsafe working conditions would not violate the rule. On the contrary, OSHA encourages employers to find creative ways to incentivize safe work practices and accident-prevention measures that do not disproportionately penalize workers who report work-related injuries or illnesses. If OSHA determines that an employer withheld a benefit from an employee simply because the employee reported a work-related injury or illness without regard to the circumstances surrounding the injury or illness, OSHA may issue a citation under section 1904.35(b)(1)(iv).
1 See OSHA Memorandum re: Employer Safety Incentive and Disincentive Policies and Practices (Mar. 12, 2012) (explaining that disciplining an employee, denying benefits under an incentive program, and drug testing under some circumstances could each violate section 11(c) if done because of a reported work-related injury or illness).
2 For an explanation of the reasonable cause standard, please see OSHA Memorandum re: Clarification of the Investigative Standard for Whistleblower Investigations (Apr. 20, 2015).
3 Discipline is considered an adverse action if it would discourage a reasonable employee from reporting a work-related injury or illness. Examples of discipline that rises to the level of adverse action include both immediately tangible actions like termination, demotion, or suspension, and also actions like giving an employee "points" that could result in future consequences. Moreover, any employer action that would discourage a reasonable employee from reporting a work-related injury or illness would constitute adverse action under section 1904.35 and section 11(c) whether or not it constitutes discipline or affects a term or condition of employment. See Burlington Northern & Santa Fe Railway Co. v. White, 548 U.S. 53, 68 (2006). The OSHA Whistleblower Investigations Manual, CPL 02-03-007 (Jan. 28, 2016), lists additional examples of adverse action.
4 NOTE: As described in Section I of this memorandum, OSHA may also issue a citation under section 1904.35(b)(1)(i) if an employerâ€™s rules regarding when, where or how to report work-related injuries or illnesses unduly burden employeesâ€™ right to report.
5 The discussion of drug testing in this memorandum applies equally to testing for alcohol use unless specifically noted otherwise.
6 Whether withholding a particular benefit constitutes adverse action depends on whether the failure to receive the benefit "could well dissuade" a reasonable employee from reporting a work-related injury or illness. See Burlington Northern, 548 U.S. at 68.

industry_corpus2: Law & Justice


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At each step from grain to fuel, ethanol provides value to everyone.
Agriculture and energy are inextricably linked. At a fundamental level, agriculture is simply a conversion of energy from the sun into energy useful to humans as food and fuel. However, the linkages go far beyond this basic physics problem. American farmers today must navigate an unbelievably complex global economy where politics half a world away are often second only to rain as the driving force behind farm profitability. This situation illustrates why ethanol is so important for farmers managing increasingly hostile commodity markets where the prices of non-farm commodities — such as the price of crude oil — are more influential than supply and demand.
It is my privilege to take over writing duties for this column from my friend and colleague, Chris Cogburn. I serve as strategic business director for National Sorghum Producers, where I lead legislative and regulatory analysis at the federal and state levels. I am blessed to call West Texas home, and my parents still operate our family farm west of Lubbock. A focal point of Chris' writing has been policy, and given my role in this area, policy and the need for grassroots engagement are subjects on which I plan to spend a considerable amount of time, as well.
Regardless of policy, ethanol presents a value proposition to all involved. Ethanol gives farmers access to more markets and greater global market liquidity. In a world where 74% of the variance in the price of corn is driven by the price of crude oil, having direct access to energy-producing end-users enables farmers to capture volatility in energy markets through improved basis and futures opportunities. Ethanol allows refiners to produce a lower-cost, lower-octane gasoline and then blend up to a finished 87 octane consumer product. Most importantly, through these improved blending economics, ethanol saves consumers as much as a $1.00 per gallon at the pump. Even at the depths of $30-$40 per barrel of crude oil, ethanol provided the most cost-effective octane source on the planet. That’s what I call value.
However, farmers must not forget the impact of transportation fuel policy on the ethanol industry. Value or no value, structural challenges to greater ethanol usage exist. The most often discussed challenge is known as the Blend Wall. Owing to regulatory barriers, vehicle warranty issues, convenience store operator apprehension and miscommunication by all involved, the U.S. supply chain has significant difficulty absorbing ethanol at levels greater than 10% of the total fuel supply. With grain supply and ethanol production efficiency growing as well as increasing instability in key petroleum-producing regions, scaling this Blend Wall is more important now than ever.
The Renewable Fuel Standard was designed through a partnership of the ethanol, oil and agriculture industries aimed at enabling ethanol usage of greater than 10% of the total fuel supply. EPA has recently discussed changes that would reduce the law’s effectiveness, so NSP jumped at the chance to host Administrator Scott Pruitt at the Schindler family farm in South Dakota. The meeting featured little agreement, but the discussion was professional, frank and even friendly.
MAKING THE CASE: Scott Pruitt (left) visits with farmers at the Schindler family farm in South Dakota. The National Sorghum Producers hosted the meeting in an effort to deliver a clear message of the importance of ethanol to sorghum producers.
Our message was clear then as it is now: Ethanol is important to the future of U.S. agriculture and growing the market for the fuel is essential. Ethanol presents a value proposition, so we must expand its reach. The RFS helps drive this growth just as Congress designed it to do. It is the law, and it must be preserved and strengthened.
Duff is strategic business director for National Sorghum Producers. He can be reached by email at john@sorghugrowers.com or find him on Twitter @_johnduff_.

industry_corpus2: Agriculture & Fisheries


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Taking time to invest into family relationships has all the time been really special to us. Since there is such a variety of ages in our household and now a lot of miles separating us, we have learned that it’s a must to be a bit more creative to try this since you can’t always make recollections nose to nose. Click on your title and review your account info next to Household Purchases. Tap Be a part of Apple Music. In case you have a family member under thirteen, the household supervisor must create a Google Account for them. Tap Begin Utilizing Apple Music. Tap the trial offer, in the event you’re joining Apple Music for the primary time or previously had a trial membership.
Children below 13 can have their own Apple IDs As a guardian or legal guardian, the organizer creates the child’s Apple ID and provides the child to the household group. 3. Log out of Apple Music, iCloud, and iTunes. Spotify has 75 million users, solely 20 million of whom pay for the corporate’s advert-free premium service.
You or any member can entry this at any time by going to iTunes’s bought display screen. Be aware that only subscribers in eligible nations get access to YouTube Pink, which has a vast repository of music videos, without paying a further value.
For those who’re utilizing iOS 10.2 or earlier, go to Settings iCloud Household. When you set up Family Sharing, you turn into the family organizer. Notice: Children 13 and older can create an account with parental supervision, and be invited as members of the family.
With buy sharing, you may give your relations fast entry to every others’ music, movies, TV shows, books, and apps. Johannes von Trapp spoke to Louise Hidalgo for Witness on BBC World Service Radio Listen on air and online from Monday 2 March. It’s at all times doable that as Apple Music matures, new options for iCloud Family Sharing are introduced. Share an iCloud storage plan with your loved ones.
Simply observe the steps shown on your display screen, or observe the simple steps listed on this guide and you must have your Google Play Music Family plan set up very quickly. You’ll be able to share a playlist of any music in your iCloud Music Library by tapping the Share button when viewing a playlist, then sending the link to your family member.
The one pre-requisite is that your account should have Play Music All Access enabled. An Apple Music membership for everybody in your loved ones. Replace July 2017: Added new steps for establishing an Apple Music Household Plan. In case you are already a subscriber of Google Play Music, listed below are the easy steps it is advisable to observe to improve to the family plan, after which you can invite up to 5 further family members.
Cut-charge household pricing or no, Apple’s guess that consumers will happily pay now could be a protracted shot, says Lefsetz: “What they’re trying to do is get folks to move back into the past.” And while a retro aesthetic can often come into vogue, actual retrograde movement doesn’t are inclined to happen much in know-how.
You can now join the Google Play Music household plan announced earlier this fall $15 connects as much as six accounts to Google Play Music. In the meantime, make sure to visit CNET’s music obtain and streaming directory , which provides particulars on these and different companies. Each the iCloud Music Library and iTunes Match are linked to an Apple ID, so your loved ones members cannot get access to your content material.
If you be part of a family, you is likely to be asked to substantiate your account data and to decide-in to any options or companies your family arrange. Household Sharing makes it easy for as much as six folks in your loved ones to share iTunes, iBooks, and App Store purchases, an Apple Music family membership, and an iCloud storage plan, with out sharing accounts.
Earlier to Household Sharing, families had to use one Apple ID for all their purchases—a pain on a number of levels. The provide is fairly lucrative to the top consumer; turn into a Google Play Music All Access subscriber and pay $14.ninety nine/month to get access to unlimited music for your self and as much as 5 additional family members.
With the household music plan, as much as 6 folks in a subscriber’s household group can get access to unlimited streaming music. 1. Make sure Apple Music, iCloud, and iTunes on the family member’s device are all using the identical account. Invite members of your family by tapping on the Invite” button and following a few steps to affirm your motion.

industry_corpus2: Computing & Telecommunications


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Kelly Inouye-Perez: What Are College Coaches Looking For?
Fear And Failure: Protect Your Excellence With the 33% Rule.
Crystl Bustos: Does Your Daughter Have It?

industry_corpus2: Subject Education


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Throughout an interview at Tech Crunch Sessions: Blockchain 2018, Ethereum Founder, Vitalik Buterin hoped “centralized exchanges melt away in hell as considerably as possible” as he strongly advocated for the use of decentralized cryptocurrency exchanges.
Buterin’s comments brought about quite a stir inside of the crypto community invoking a response from Binance Founder, Changpeng ‘CZ’ Zhao on Twitter.
Zhou additional remarked that “Decentralization” is not safer by default” and this was plainly evidenced by the recent hack of decentralized exchange Bancor with the a lot less of $12m well worth of Ether as nicely as EtherDelta also falling target to a phishing assault late previous year.
On the very same day, CZ shared his response, Buterin selected not to reply publicly instead opting to answer to a cheeky Tweet from a new French cryptocurrency exchange Blockchain.io that asked regardless of whether their “decentralized settlement feature” would send them to purgatory.
“It’s considerably greater than a entirely centralized exchange, but it doesn’t clear up the other problem, as centralized exchanges have a good deal of handle over the market and can pick out which currencies grow to be the most well-known etc etc.
IDEX, arguably 1 of the most well-known semi-centralized crypto exchanges as they provide attributes from the two centralized and decentralized exchanges is at this time ranked #91 in phrases of whole investing quantity for all crypto exchangesin a 24 hour time body.
Aside from IDEX, there are only a handful of decentralized exchanges rating inside of the best 100 general investing quantity for crypto exchanges with the greater part of the chart staying dominated by centralized exchanges.
There is plainly a extended way to go till decentralized exchanges start to get higher traction and adoption nevertheless, at the finish of the day, it does appear the two Buterin and CZ agree that decentralized exchanges will be the ideal selection going forward.
In the in close proximity to potential, it’s achievable that we may see centralized exchanges change much more and much more to giving hybrid options identical to what IDEX features and what Blockchain.io proposes to do.
The gradual change will likely be vital for the broader local community to witness higher ranges of decentralization in crypto exchanges resulting in a lot less actors who may wield “stupid king-like powers”.
About the Author: Michael Draper is a retired policeman turned cryptocurrency advocate, trader, and author on a numerous array of subject areas from psychology, to small small business and impressive blockchain technological know-how.
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industry_corpus2: Finance & Economics


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STAMFORD -- A group of nearly 50 Westover residents has petitioned against a proposed single-family development near Mianus River Park, saying they have environmental concerns about the project.
The new home would occupy a roughly one-acre lot abutting the Mianus River off Highline Trail. Neighbors say the proposed construction threatens to worsen erosion on the riverbank, causing runoff to public drinking supplies downstream. In addition, residents said they are concerned about the home's septic system, which would be within 100 feet of the river, an area regulated by the city Environmental Protection Board.
Part of the issue stems from the fact that the home would be located on a steep incline, necessitating the removal of trees and the installation of a retaining wall on the property, the neighbors said.
"It's awful close to the river and that river is drinking water supply for the town of Greenwich," Highline Trail homeowner Budd Tunick said. "And we're afraid that the runoff, the possibility of cutting down anywhere from 40 to 120 trees on a very steep slope, is going to compromise the soil there."
Hoping to halt the project, 47 neighbors filed a petition for a public hearing with the EPB. The board granted the request, with a hearing scheduled for Thursday evening.
Environmental Analyst Pamela Fausty, a staff member for the EPB, said although the home would not sit within the 100-foot "buffer" zone, parts of the development do encroach on regulated areas, including portions of the septic system and retaining wall, which are about 60 feet from the river. The land is owned by the Judith R. George Trust.
The project's surveyor, Rocco V. D'Andrea Inc., referred questions to the firm's lawyer, Joseph Capalbo, who did not return a call by press time Wednesday.
Diane Lauricella, an environmental consultant who is working with neighbors, said the land should be protected because of its close proximity to Mianus River Park, which lies both across the river and to the south; and to the Treetops Estate, a 105-acre parcel owned by the state Department of Environmental Protection and maintained by the Stamford Land Conservation Trust and Greenwich Land Trust.
The property also contains a hiking trail along the riverbank that connects parts of Mianus River Park, she said.
"This is part of a wildlife corridor up the east side of the Mianus River," Lauricella said. "This has already been deemed a very special natural resource area. It is contiguous with Mianus River Park."
"It really has a lot to do with the quality of life, the need to not harm the drinking water supply and preserving the open space ecosystem," Lauricella added.
Lauricella said nearby homeowners hope to convince the site's owner to donate the land as open space rather than develop the property, a move that would entitle the owner to a tax benefit.
Marina Shrady, who lives next to the lot where the home is proposed, said she was assured when she bought the property the land would never be developed. She said she has walked her dog along the river for more than 10 years, and has already noticed problems with erosion in the area, which she fears will worsen if construction is allowed to move forward.
"Every time I take walks down there, there is another tree down because of the banks being eroded," Shrady said. "I just feel that it will weaken the whole system here."

industry_corpus2: Real Estate & Construction


text:
At 7 pm on a Monday evening, the 20-foot ceilings in World Beat Cultural Center provide a feeling of spaciousness even though nearly all of the 100 or so chairs arranged in rows in front of the stage are full, as are the couches and benches scattered throughout the 12,000-square foot renovated water tower in Balboa Park.
In the moments before the show begins, the crowd fills the space with the sounds of conversation and greetings, while the stage sits empty save for seven chairs, seven microphones, and seven music stands. Soon after 7:00, the houselights dim, the crowd hushes, and six actors file in silently and take their places in the chairs on stage. A woman in a striped dress stands in front of the seventh chair, which is slightly set off from others, takes up the microphone and introduces herself as Gina M. Jackson, founder of Cultural Noire Performing Arts Company and artist-in-residence at the Jacobs Center for Neighborhood Innovation.
Jackson explains that tonight’s staged reading of Flyin’ West, by Pearl Cleage, is part of the One Play One Day event, an annual series started by New York non-profit Project1Voice in 2009. On the third Monday in June, theaters across the country and the globe present staged readings of the same play by a black playwright. This is the fourth year that Jackson’s company has participated in the event.
After the introduction, a short film about Nicodemus, Kansas begins to play on an overhead screen. The actors on stage turn around in their seats to watch it. When it ends, three of the actors stand, place their scripts on their music stands, and take turns reading from the play’s introduction, which gives an overview of the Homestead Act and the Great Exodus of the post-Civil War Reconstruction era wherein thousands of “exodusters” migrated from the South to Kansas.
For the two hours or so following the introduction, the actors read through the script. The play centers around the relationships of four black frontier women and the all-black Kansas town where they own land.
Beside me, my friend Camille takes notes in a pink notebook. Camille is particularly fond of the World Beat Center. She was here yesterday for an African dance class that turned out to be free (it didn’t used to be), but she says she hadn’t known about tonight’s reading until I invited her to come with me.
Residents Free Tuesday in Balboa Park is an obvious choice when it comes to seeking out no-cost art. It turns out that on this third Tuesday in the month of June, the San Diego Art Museum is among the five museums offering free entrance to residents. I opt instead to check out an exhibit at the Japanese Friendship Garden. The exhibit is titled 50Artists50Fish, and it’s in the Inamori Pavilion, which is deep in the garden and accessible to the general public only by taking the path down the hill, so I give myself plenty of time to enjoy both the garden and the art.
Today, the entrance to the Japanese Friendship Garden is divided into two lines, one for residents and one for non-residents. I show my I.D. to a man in a red shirt and pass the line of paying visitors. The moment I cross beneath the Japanese torii gate, the scent of jasmine meets me, and I prepare to Zen out on the garden’s asymmetry and balance. But Free Tuesday in the high season and Zen are mutually exclusive. At 1:00 pm on a summer day, the narrow path is crowded the whole way down the hill. It’s a crush of slow walkers, picture takers, and energetic children with their voices at full-volume. And when I get to the bottom, I discover that not only is the Inamori Pavilion closed for an event, and even if it weren’t, this particular exhibit will always be closed during Free Tuesday. So much for that. Fortunately, Mottainai: Waste Not is on display in the Exhibit Hall near the garden’s entrance. So that’s where I head next. At first glance, the art by Cat Chiu Phillips looks like large macramé hangings, randomly sprinkled with film reels, cassette tapes, floppy discs, and other found items. A closer look reveals that the hangings have been created with the film and the tape.
Sarah Stieber stands in the alley with a cup of coffee in her hands. She guides me into the small parking lot at the back of Art on 30th, an art center in North Park. The south-facing wall of the building features a 16-foot mural Stieber created in 2017. The day after painting it, she suspended colorful ribbons from the mural and got together with friends for a photo shoot in front of it. The photos would become reference materials for paintings in her Rainbow Ribbon Magic series.
She emphasizes that when she’s in her studio, she’s at work, just like anyone else who works from an office. In fact, her work is not just a job, but a business. Her overhead includes studio rental, paint, canvases, and a range of other expenses related to events and marketing. She won’t say how much she spends on this particular studio, but here they run from $300-$1000 per month. Paint is not a huge expense at about $200 for a few months’ worth, and she spends $25-$90 per canvas, depending on size. And then of course, there’s the hours spent painting.
If it takes 84 hours to paint a $3200 painting, that comes to about $38 an hour. But that hourly rate goes down considerably when you factor in other parts of the creative process, including coming up with the ideas, and in Stieber’s case, arranging for the photo shoots that will serve as reference for the paintings.
For the past two months, she estimates an average of eight hours of painting (she’s painted 10 new pieces since January 2018) and four hours of public relations, marketing, and sponsor relations, seven days a week, as she prepares to take over the 1200-square-foot Mee Shim Fine Art Gallery in Little Italy for the summer. Even during a normal week, when she’s not getting ready for a big event, she paints six hours a day, and does administrative tasks for two.
Although I do not have $3200 to purchase the original painting I really want (Akasha, featuring a coolchick superhero who spews rainbows from her hands), before I leave, I buy a print of the woman with superpower hands, which is entitled Females are Strong As Hell for $108, and a copy of Stieber’s art book, Magic is Something You Make for $35.
Note: I am on the hunt for free art experiences, not free art.
Car trouble has me stuck in my own neighborhood. A quick Google search for “art in Eastlake” yields only “dental arts,” martial arts, and a couple of kids art classes. “Art galleries in Eastlake, Chula Vista,” leads me to a Yelp list of the Best 10 Art Galleries in Chula Vista. Four are in the Gaslamp, two are in Barrio Logan, one is downtown, another in Coronado. Only two are Chula Vista, and one of them is a framing company, not an art gallery. The other one is a vintage clothing store that offers boudoir photography, and it’s on 3rd Avenue, 20 minutes away by car. Not walkable. But I add it to my list of potential free art sites for when I have my car back, and then spend the rest of the day envisioning myself starting a mural project to zazz up Eastlake’s billion miles of terracotta and stucco. My husband laughs at me.
The Athenaeum Music and Arts Library on Wall Street in La Jolla hosts free walking tours of the Murals of La Jolla on the last Wednesday of every month. Today is third Friday, so I’m on my own. I park on Ivanhoe, and on my walk over to the Athenaeum, I catch a glimpse of Kelsey Brookes’ One Pointed Attention, which overlooks the parking lot at Pacific Western bank. The 21’x 41’ pastel-colored psychedelic mural went up in 2014 and is a popular photo backdrop for visitors with camera phones and Instagram accounts. I head southwest on Wall Street, past Sushi Nekosan and Coffee Cup, cross Herschel, and make my way to the Athenaeum, where I pick up a map of the 15 murals on view.
Before I head out on my self-guided tour, I spend a few minutes chatting with Angela Lynch, the membership manager/library assistant who sits at an ornate wooden desk facing the library entrance. She explains that they cap the free monthly tours at 40, and attendance is rarely under 20. Because I’m mildly demophobic, I’m glad I’ve arrived on the third Friday and not the last Wednesday.
But, of course, I’m missing out on more than being jostled by 39 other people. I’m also missing out on behind-the-scenes information provided by Lynda Forsha, the project curator and tour-guide.
Each 90-minute tour features more than half of the 15 murals, and the route changes occasionally to accommodate new ones.
Lynch says Marcos Ramirez ERRE’s Is All That it Proves is one of her favorites, so I circle that one on my map. She also explains that John Baldessari’s Brain/Cloud (with Seascape and Palm Tree) is best viewed from George’s at the Cove. Because I’m hungry, that’s where I head next.
Over beer, burrata, and overpriced mediocre fish tacos, I contemplate the 40-foot by 36-foot mural featuring a white brain-shaped cloud hovering over a skinny-trunk king palm on a blue-on-blue expanse of ocean and sky. In the cove down below, snorkelers and sea lions play in the water.
For another 45 minutes or so, I continue mural hopping, enjoying my own company as well as the challenge of getting around without Siri. Reading the map is part of the fun.
One of the things I love about the art gallery on the 9th floor of the Central Library on Park Boulevard downtown is that it’s usually empty or close to empty when I go. This afternoon is the same. Just as I arrive, a woman leaves, and besides the woman at the desk who logs my entrance as a tally mark in a notebook, I have the whole 3010-square-foot gallery to myself. Outside on the terrace, the wind sings through the building’s steel mesh dome, adding an eerie melody to the gentle ventilation hum and the sound of my footsteps on the glossy wood floor.
The current exhibition, which opened on May 26 and runs through September 16 features eight local artists exploring space art, as in outer space. It’s titled, A Method for Reaching Extreme Altitudes, and rather than starting with the first piece and following the art in a clockwise direction, I ask the woman at the desk if she’s had a chance to browse the art and if so, which is her favorite.
Her name is Janice Weston, and she has been a library aide here for about a year. She points me to The Moon is a Harsh Mistress, a multimedia installation piece by La Mesa artist, Jones Von Jonestein.
An old desktop computer sits on a wooden desk that’s set against a wall covered in documents describing UFO sightings, photographs of lights in the sky, and handwritten post-it notes that say things like, “Ghost rockets over planetary disk. Aerial psychic bombardment!” and “Too many lies! Lies! Lies!!!” Some of the documents and photos are linked by lengths of orange string. The desk is strewn with more papers, coffee cups, books, post-its, markers, an ET toy, and a skein of orange string. To the right of the desk stands a telescope facing an open window and a full moon.
Other works include archival prints of handcut collage by Andrew McGranahan, imagined beings in mixed media by Cheryl Sorg, and “space junk” sculptures by Melissa Walter.
Laura Kyle, gallery assistant for this library and other local branches, tells me by email that Adam Belt’s Down the Rabit Hole (CMS Detector), which “uses mirrors to create an infinite reflection, drawing viewers in to consider alternate dimensions,” is an audience favorite.
Kyle also explains that the Central Gallery’s goal is to support mid-career and older professional artists in achieving wider recognition, while the free exhibitions at branch libraries feature the work of part-time and hobby artists. Twelve of the 36 public library branches hold regular free art exhibitions.
Weston tells me she sees between four and ten visitors during the hour of her desk duty here at the Central Gallery, depending on the day of the week. Overall, Kyle explains, each exhibit sees an average of 8500 visitors, and attendance fluctuates depending on what’s happening downtown and at the Convention Center. Baseball games and Comic-Con both increase traffic in the gallery.
I reserve a seat without feeling the need for any further research.
The Old Globe’s Hattox Hall isn’t easy to find, even after the woman at the box office window gives me directions. Fortunately, a woman posted outside the door recognizes me as lost, and asks if by any chance I’m looking for a play. She takes my ticket and ushers me up a carpeted staircase and into a 2000-square foot multipurpose room set with seven rows of 14 cushy conference-room chairs with an aisle up the middle. The wall behind the small stage and the adjacent wall of windows are covered with golden velvet floor-to-ceiling curtains. Approximately 75 percent of the chairs are filled with an audience of ranging from age six to 80. I’m here to see the play Elizabeth Hobbs Keckley: From Slavery to Modiste. The Internet told me the Globe was offering two performances free to the public. All I know is that it’s about a woman who bought her own freedom after 30-plus years of slavery and went on to become a dressmaker in the Lincoln White House.
The small stage is set simply with a piano, a row of chairs, and a dress form. Around 12:45, a man comes out and sits at the piano, followed by eight actors in period costumes. They take their seats in the chairs. Andréa Agosto, the actress playing Elizabeth Hobbes Keckley, remains standing and begins telling her story. For most of the play, she narrates and the actors stand one or two at a time to act out brief moments with, around, or on her. At times, they remain frozen on stage while she speaks, and at other times they sit and sometimes discreetly change their clothes while others perform.
The lights in the room remain on. It’s a casual and accessible theater experience. Directed by Delicia Turner-Soddenberg, the former artistic director at MOXIE Theatre, the play was written by a retired San Diego psychiatrist, Claudia Thompson, a participant of the Globe’s Community Voices projet, a series of free workshops for adults ages 21 and up from underserved communities. Participants write plays and then get to see them performed by professional actors.
At the end of the reading, after the applause for the actors dies down, a Globe staffer stands up in front of the audience and gestures to the back of the room, where Thompson stands with her daughter. The applause rises again, and half the audience gets in line to congratulate the playwright.


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A state special school for boys and girls aged from 11 to 16. Type of SEN provision: ASD - Autistic Spectrum Disorder; MLD - Moderate Learning Difficulty; SLCN - Speech, Language and Communication; SLD - Severe Learning Difficulty.
Saxon Mount School provides education for pupils with moderate learning difficulties and those with autistic spectrum disorders.


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The Showman of film industry Subhai Ghai hasn't really been in the business of filmmaking since a while. Despite having tremendous blockbusters to his credit like Hero, Karz, Taal among many others, the filmmaker saw some dampeners like Kisna and Yuvraj in his last attempts. However, putting the past behind, the maker comes after a long haul and also introduces his latest find Mishti (real name - Indrani Chakraborty) in the lead role. Does it work? We tell you.
Kaanchi hails from the scenic valley of Koshampa. She is unabashed, brash and blatant. She isn't the one who doesn't take things lying low and doesn't shy away from ruffling feathers if she has to stand for the right. Witnessing the murder of her friend and fiance Binda (Kartik Aryan), she takes up the task of battling against the wrong doers and takes on the might of the politically powerful Shyam Kakda (Mithun Chakraborty).
Kaanchi suffers from the idealistic and preachy approach it takes in the film of a film. The movie starts off at a slow pace and gains some momentum with the unprecedented climax that follows towards the interval but it's the haphazard execution of it towards the second half followed by a disappointing and preachy climax is what ruins the film.
As a script on papers, Kaanchi had potential of turning into an intriguing and engaging story however, it's what makes it to the celluloid which doesn't work.
Subhash Ghai tries tapping onto the election fever by releasing his film on anti-corruption et al. around the time of the elections but the portrayal of the same is so amateur that you lose interest in it.
The lead pair, the debutant actress Mishti and the newbie Kartik, both fail to do justice to their parts. The character of Kaanchi mouths cuss words more than dialogues and after a point her dare-devil character gets too monotonous. The Aishwarya Rai of Taal meets Mahima Chaudhary of Pardes character doesn't work in the film.
Ghai falters even in extracting performances from seasoned actors like Rishi Kapoor and Mithun Chakraborty who end up making caricatures of their roles.
Even in the music department the film lacks the zest. Yesteryear music composer Ismail Darbar comes up with archaic melodies which add no value to the film.
To sum it up, the once upon a time Showman of the film industry Subhash Ghai falters completely in putting together a great show in Kaanchi. Watch it only if you have absolutely nothing else to do.
The once upon a time Showman of the film industry Subhash Ghai falters completely in putting together a great show in Kaanchi. Watch it only if you have absolutely nothing else to do.


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You do not need to pre-register for Gold Coast Schoolies nor do you need to pre-register to obtain an official Safer Schoolies wristband to access the Beach Party on Surfers Paradise beach.
For up to date information on where and how to get your official Safer Schoolies wristband follow SchooliesGC on Facebook.
Getting your Safer Schoolies wristband is easy, you only need a valid 2019 Australian Year 12 school photo ID.
a photo - you will need to bring your drivers license or passport with you as well.
your year level - you will need to ask your school for a letter confirming that you are a Year 12 school leaver in 2019. Make sure you bring both the letter and your school ID with you.
School-leavers MUST have a valid 2019 Year 12 ID to obtain the official Safer Schoolies wristband for entry into the Beach Party.
Entry to the Wristband Centre is restricted to current Year 12 school leavers only with acceptable ID. If you have no ID, you will not be permitted to enter the Wristband Centre.
It is important to remember that your accommodation booking is NOT related to official Schoolies activities coordinated by the government including the Schoolies Hub entertainment on Surfers Paradise beach. Dance party tickets purchased through your accommodation booking or other companies are not related to official Schoolies activities and do not give you access to the Safer Schoolies Beach Party.


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We are dealers of quality safes made by American Security Products, Gardall and others.
Visit our store in Grass Valley to see our selection or discuss a special order to meet your needs.
In addition to sales and service, we also do safe openings where the combination is lost or the lock has malfunctioned.
We carry 2 Hour Rated Fire Safes to protect your valuable documents for your home or office.
If you have a business needing a safe in which your employees can make periodic money drops, a depository safe may be the answer.

industry_corpus2: Manufacturing


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Registration Now Open – Hurry Before Sessions Begin!
FALL 2014 – SPRING 2015 REGISTRATION IS NOW OPEN!
Our Registration Event in August was a great success. New and returning skaters were able to meet the coaches, learn more about our program and sign up for the season. Lessons are available for all skill levels. A “Learn to Skate” package is available and perfect for beginning skaters. Our skating season typically runs from October through April.
NO EXPERIENCE SKATING? NO PROBLEM!
Our Learn-to- Skate program is tailored to skaters like you who have limited to no experience on the ice. The best part of the program is that everything that you need is included so all you need to do is complete the forms and send them in along with your payment. Then you just show up for your first lesson and you’re ready to go!


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Maybelline® Master Precise Curvitude Liquid Eyeliner tightly follows the curve of the eye contour, filling in between lashes for a visibly fuller lash line.
I was really excited to receive this liner. I have tried a few liquid liners, but this is the best by far. The shape of the pen makes application easy, and it goes on smoothly. Well worth purchasing.

industry_corpus2: Others


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Kami adalah spesialis Shrinking Packing Machine Dari Plastic Film produsen & pemasok / pabrik dari Cina. Grosir Shrinking Packing Machine Dari Plastic Film dengan kualitas tinggi dengan harga murah / murah, salah satu dari Shrinking Packing Machine Dari Plastic Film merek terkemuka dari Cina, ShenZhen Hengxing Machinery Factory.
Wholesale Shrinking Packing Machine Dari Plastic Film from China, Need to find cheap Shrinking Packing Machine Dari Plastic Film as low price but leading manufacturers. Just find high-quality brands on Shrinking Packing Machine Dari Plastic Film produce factory, You can also feedback about what you want, start saving and explore our Shrinking Packing Machine Dari Plastic Film, We'll reply you in fastest.


text: A wonderful purple shirt for your little mermaid in training. With puffy sleeves to boot! End of the tail has rhinestones to add a little sparkle to your little one's outfit.


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I have Hashimoto's, but normal TSH, T3, T4. I read on another website that taking thyroid medication can slow the destruction of the thyroid. I didn't think my doctor would give me medication with normal labs, but she did. She has prescribed Armour 15 mg., twice a day.
I do have symptoms, but I am also anemic, low Vit. D, low ferritin, so overlapping problems/symptoms. I also have heart palpitations and shortness of breath (I think from the anemia).
My question is will taking Armour 15 mg., twice daily push me into hyperthyroidism since I am in normal range for TSH, T3, T4? I asked the doctor this and she said no, not at that small a dosage. What do you guys think?
You are at 52% of normal with regards to your Ft3 and 49% of normal with regards to your Ft4 levels. This is balanced and does indicate the need for T3 supplementation. It is low optimal in range and given you still have symptoms a boost in T4 or a smal T4 T3 combination should be safe and not throw you into hyperT la la land.
You should be safe to try the small Armour dose, but if it gives you heart issues ask for an increase of 12.5-25 mcgs of T4 instead.
You got it herekittykitty. You are balanced which indicates that your adrenals are most likely in good shape. Your Ft levels being just at 50% in range puts them at the low end of the optimal 50-80% range of normal. A small boost in supplementation of T4 12.5-25 mcgs should push you closer to the optimal range and wipe out your symptoms.
I am wishing you the best of luck. It looks like you are getting close to your optimal mark as far as thyroid hormone levels are concerned.

industry_corpus2: Health & Medicine


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Overseeing the dollars, or the pennies? Don't worry! This Classic French style twin platform bed assures immense restful sleep that too on an irresistible price. The strong and sturdy base provides superior stability and support to its architecture. Moreover, it has been intently adorned with sliding wicker drawers that looks charming and alluring to the eyes. It has elongated headboard that has artistic top and a flat base to provide firm grip on the uneven flooring. Its distressed furnishing will surely add vintage charm to your personal area.
Dimension(H x W x D): 17" x 43" x 78"


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Prime Minister Bill English says he will voice New Zealand's disapproval of the United States' decision to leave the Paris Climate Agreement in a meeting with US Secretary of State Rex Tillerson on Tuesday.
In an interview with The AM Show on Tuesday morning, Mr English said he will make clear New Zealand's "disagreement with their point of view" on climate change - but said it wouldn't be at the demise of the two countries' relationship.
The remarks come as hundreds of protesters prepare to demonstrate outside Parliament in opposition to the US' attitude to climate change.
Environmental organisation 350 Aotearoa says around 500 people are expected to show up to protest when Mr Tillerson arrives there at about 12:30pm.
Mr English says he accepts Mr Trump's decision as it's "just part of their domestic politics" - and he says there's plenty of other things to talk about with Mr Tillerson when they meet.
"There's other areas where we have tension and disagreement with the US but fundamentally, they underpin the economic and security stability of the Asia-Pacific - and that's important to New Zealand," Mr English told Duncan Garner.
One of the things that will be discussed, alongside talks on trade, terrorism and Antarctica, is whether New Zealand will send two more troops to Afghanistan.
"There's a formal request that's been made - we're considering that, and I don't think there'll be anything more than that required today," he said.
"I think the terror attacks in London show New Zealand has a role around the world in doing our part … if Afghanistan becomes some kind of place where terrorism can thrive then we want to play a role in stabilising Afghanistan."
Mr English has warned Kiwis travelling to London that there is a severe terror warning in place in the city, and says New Zealanders should consult the travel advisory before heading there if worried about potential threats.
Meanwhile Mr English has spoken about his decision to knight the man he once deputised for - but has kept tight-lipped on whether Sir John Key could have received a higher honour.
It was revealed on Monday that Mr Key had received a knighthood for services to the state - but Mr English refused to comment on whether he had offered the ex-Prime Minister an Order of New Zealand, our nation's highest honour.
"This is the appropriate honour at the time, and that's why he's now Sir John Key," he said. "I'm not going to go into the details of it all - but as you can see, John's very happy.
"It's a process where there's a committee involved, hundreds of people considered - Sir John Key was one of them. There's many others and there's a lot of diversity in the list that came out, and I'm very proud of all they've done for New Zealand."

industry_corpus2: Politics & Administration


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Comprehensive review of your past and present healthcare needs.
We will take your pulse and look at your tongue. These are techniques that give us insight into the past and present health of the individual and help with our diagnosing and treatment plan.
We may palpate your abdomen or any areas of pain or tension.
If you are coming in for an abdominal massage we will evaluate pelvic and hip, as well as uterine, alignment.
After talking about the plan, you will be guided on how to best get ready. For acupuncture, if you are wearing easy to move clothing, usually there is no need to remove anything.
For acupuncture, we will insert thin needles into a number of points on the body. Usually people fall asleep! We then leave you to rest for 15-25 minutes.
During cupping, ATMAT, and other body work, we will be in the room during the entire treatment time.
After your treatment is over we will discuss your treatment plan, talk about self-care, go over any questions, what to expect for follow up with us and schedule your next appointment.
Before your next appointment we will send you an email detailing things we talked about during the treatment that pertain to your treatment plan and any recommendations. You'll also get any pertinent self-care hand outs or further recommendations and explanations of your Chinese Medical pattern.


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In order to participate in this event you must be a current member of the UKLA Class Association. Overseas sailors need to be current members of their respective national laser class associations.
This event is the first of three qualifier events for the Laser Standard and Laser Radial Fleets.

industry_corpus2: Aerospace


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Juvenile arthritis affects children of all ages and ethnic backgrounds. About 294,000 American children under age 18 have arthritis or other rheumatic conditions.
Juvenile arthritis is usually an autoimmune disorder. As a rule, the immune system helps fight off harmful bacteria and viruses. But in an autoimmune disorder, the immune system attacks some of the body’s healthy cells and tissues. Scientists don’t know why this happens or what causes the disorder. Some think it’s a two-step process in children: something in a child’s genes (passed from parents to children) makes the child more likely to get arthritis, and something like a virus then sets off the arthritis.
What Are the Symptoms and Signs of Juvenile Arthritis?
Swelling in lymph nodes in the neck and other parts of the body.
Most children with arthritis have times when the symptoms get better or go away (remission) and other times when they get worse (flare).
Arthritis in children can cause eye inflammation and growth problems. It also can cause bones and joints to grow unevenly.
How Do Doctors Find Out if Your Child Has Juvenile Arthritis?
A team approach is the best way to treat juvenile arthritis. It is best if a doctor trained to treat these types of diseases in children (a pediatric rheumatologist) manages your child’s care. However, many children’s doctors and “adult” rheumatologists also treat children with arthritis.
Doctors who treat arthritis in children will try to make sure your child can remain physically active. They also try to make sure your child can stay involved in social activities and have an overall good quality of life. Doctors can prescribe treatments to reduce swelling, maintain joint movement, and relieve pain. They also try to prevent, identify, and treat problems that result from the arthritis. Most children with arthritis need a blend of treatments – some treatments include drugs, and others do not.
How Can You Help Your Child Live Well With Juvenile Arthritis?
Get the best care possible.
Learn as much as you can about your child’s disease and its treatment.
Treat your child as normally as possible.
Encourage exercise and physical therapy for your child.
Work closely with your child’s school.
Work with therapists or social workers.
Do Children With Juvenile Arthritis Have to Limit Activities?
Pain sometimes limits what children with juvenile arthritis can do. However, exercise is key to reducing the symptoms of arthritis and maintaining function and range of motion of the joints. Ask your health care provider for exercise guidelines. Most children with arthritis can take part in physical activities and certain sports when their symptoms are under control. Swimming is a good activity because it uses many joints and muscles without putting weight on the joints.
During a disease flare, your child’s doctor may advise your child to limit certain activities. It will depend on the joints involved. Once the flare is over, your child can return to his or her normal activities.
What Are Researchers Trying to Learn About Juvenile Arthritis?
Scientists are looking for the possible causes of juvenile arthritis. They are studying genetic and environmental factors that they think are involved. They are also trying to improve current treatments and find new medicines that will work better with fewer side effects.
The role of an inflammatory chemical called interleukin-15 (IL-15).
If you need more information about available resources in your language or another language, please visit our website or contact the NIAMS Information Clearinghouse at NIAMSinfo@mail.nih.gov.
The information in this publication was summarized in easy-to-read format from information in a more detailed NIAMS booklet. To order the Juvenile Arthritis Q&A full-text version, please contact NIAMS using the contact information above. To view the complete text or to order online, visit http://www.niams.nih.gov.
This publication is not copyrighted. Readers are encouraged to duplicate and distribute as many copies as needed.


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Shadow y u delete your earlier post?
y do u say y like with a y?
Hey when I said Jack the giant slayer, it was what clever bot said in reply to what gambit said.
He's a gift from god.

industry_corpus2: Gaming


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Hello!Today I pass Oracle Financial Services exam with 951/1000 points.I have the same question like this material. I haven't notice any new question. The sims are EIGRP, ACL and VTP.Thanks Good luck to all!
Thanks i have passed my Oracle Financial Services exam.Dump 99% valid.


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The bull trout (Salvelinus confluentus) is an Endangered Species Act (ESA)-listed species with a historical range that encompasses many waters across the Northwest. Though once abundant, bull trout have declined in many locations and are at risk from a changing climate, non-native species, and habitat degradation. Informed conservation planning relies on sound and precise information about the distribution of bull trout in thousands of streams, but gathering this information is a daunting and expensive task. To overcome this problem, we coupled 1) predictions from the range-wide, spatially precise Climate Shield model on the location of natal habitats of bull trout with 2) a sampling template for every 8-digit hydrologic unit in the historical range of bull trout, based on the probability of detecting bull trout presence using environmental DNA (eDNA) sampling (McKelvey et al. 2016). The template consists of a master set of geospatially referenced sampling locations at 1-km intervals within each cold-water habitat. We also identified sampling locations at this same interval based on the USFWS designation of critical spawning and rearing habitat. Based on field tests of eDNA detection probabilities conducted by the National Genomics Center for Wildlife and Fish Conservation, this sampling approach will reliably determine the presence of populations of bull trout, as well as provide insights on non-spawning habitats used by adult and subadult fish.
The completed bull trout eDNA survey results Online Map allows users to view the survey results in an interactive map. The map provides the ability to zoom in and look at an area of interest, as well as to create queries or select an area to download points as a shapefile. Please note that there are some issues with IE and it's recommended to use a different browser.
Provides ArcGIS 1.0 FGDC CSDGM Metadata.
Using this environmental DNA (eDNA) sampling approach will reliably determine the presence of populations of bull trout, as well as provide insights on non-spawning habitats used by adult and subadult fish.

industry_corpus2: Water Resources & Marine


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If anybody has a restaurant they love, especially in postcode area E, please do tell!
Ice cream: Gotta be Marine Ices in Chalk Farm. Not local, but fantastic. And our local (N4) pizzeria delivers their ice cream with our take out.

industry_corpus2: Hospitality & Catering


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FIRE-FIGHTING is a operation market for us, JGL remote work light is compact and battery operated,can be take conveniently and bright to the firefighter . Helping to rescue ,guide and put out a fire in the dark .Easy take light to doctors for First-aid. Give the evacuation personnel lighting. Emergency operations must be on time. JGL has a range of portable lighting available for emergency and Auto users. Battery built in will be very convenient to use at every time and everywhere. Lightweight, powerful and compact, treasure your time.
OUTDOOR is a big market , JGL has long -standing experience in supplying outdoor light,including rechargeable and non- rechargeable , suitable for camping , hiking , fishing ,boat,and car ect. JGL light have the led, halogen ,HID to meet your every requirement .JGL light up you way.
Maintenance is one of our main market ,Including Railway Maintenance, Auto Maintenance,Equipment Maintenance, Electronic Maintenance .Our products are with CE ROHS certificate. Helping to maintain high operational productivity and safety in tough weather conditions and during dark hours in the main mission for JGL portable work light.
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JGL is one of the leading manufacturers and suppliers of portable lighting, most of them are applied to hunting,marine,police,army,emergency,and so on. With our own staff of engineers and our exclusive manufacturing facilities, JGL has been at the forefront of innovative and revolutionary lighting products.JGL offers the most comprehensive range of lighting products for a wide variety of designs, Including Handheld Spotlight , Scope Mounted Lamp, Portable spotlight, Remote LED Work Light, and So on. With more than 10 years of manufacturing expertise,warranty police and reputation, we've created the most dependable products line on the market today.
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The Logan Kinei Podcast started as conversations between cousins, Shaun Logan and James Logan. Recently converging in their paths of self-exploration, they decided to start recording these conversations with the intention of helping others gain clarity in their own lives. The Logan Kinei Podcast is about their respective personal journeys to gain a grater understanding of life, and open their minds to seeing the world differently. Shaun and James will be discussing awareness, self realization, and the illusory separate self within the context of non-duality. Topics such as nature, energy, happiness, and enlightenment will be common, as well. All of these topics will be explored within the broad contexts of science, religion, and their esoteric teachings. They will also discuss the practical implications of these abstract ideas -- exploring lifestyle choices regarding the environment/nature, fitness, food, health and wellness. As a small business, James and Shaun will also be sharing the journey of navigating a transitional phase of Logan Kinei, with a shift from physical therapy, fitness, and movement towards more of the spiritual, mindfulness, and self awareness focus. In the future, they plan to have guests join the podcast as well. The intention of the Logan Kinei Podcast is to help people think about their lives a little differently and spark a call for intentional change in individuals, so we can improve human to human and human to nature relationships. With this, we can change the world. (You will also likely hear Avett, from time to time, Shaun's dog) Any questions or comments, send them an email at inquiries@logankinei.com.
Scientific Evidence: Is it really that important?
In this mini episode, Shaun and James explain the direction of the podcast following the introductory episodes. They also explain the direction of Logan Kinei overall, where you can get involved and work with them. Give the episode a listen and start building something really special together!
Shaun Logan: "Head Full of Doubt/Road Full of Promise"


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Don’t reinvent the steering wheel each time you begin something new. Instead, use templates–standardized documents with text message and formatting as starting place for new work. Once you save another version of the design template, just add, remove, or change any info to the unique document, and you will have new work completed in a small fraction of that time period.
Templates work everywhere you go: in term processors, spreadsheets, task management apps, study programs, and email. Here’s how to use layouts in your chosen apps–and how to automatically create documents from a template–so you can make your common duties done faster.
Templates remember to build, and it’s really easy to question if they’re worthwhile the investment. The brief answer: absolutely. Enhancing a template requires much less time than formatting something from scuff. It is the difference between copying and pasting some words, or retyping it.


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The name Brett is of Norman origin, and means ‘of Brittany’. The family arrived in Ireland shortly after the Anglo-Norman invasion and dispersed through the country in feudal times. There is no evidence for the story that Richard Britto, the third knight involved with the slaying of Thomas Becket, fled to Dublin and started the family dynasty. The Bretts arrived in Sligo about 1610 with their relatives the Taaffes. Dr. Mary O’Dowd  notes that the Taaffes became the largest of the new landlords in Co. Sligo by 1633-5, and that they brought with them fellow Palesmen from County Louth, namely the Brett, Dowdall and Nugent families. The enclosed history of the Taaffe family gives details on this family. There is a rather speculative genealogy also available.
“Sir William Taaffe, also, brought many of his less fortunate cousins who became the founders of the many families of the name which, formerly, were to be found throughout the county. Of these, the most famous was Christopher Taaffe of Balbriggan, Co. Dublin, who became the ancestor of the Taaffes of Ballyneglough and Rathnary (now Kingsfort). Sir William’s first wife was Elizabeth, daughter of Sir William Brett, of Tullough in Fingall, and through this alliance the Bretts first came to reside in County Sligo.
Sligo derives its name from the river Sligeach (“Slig.” a shell), and was formed into a county, A.D. 1565, in the reign of Queen Elizabeth, by the lord deputy Sir Henry Sydney. The High Sheriff held the highest position in the County, and Jasper Brett was High Sheriff in 1627 , 1628 and 1635. According to Mary O’Dowd, this reflected a change in power from the native Gaelic lords to the new Old English arrivals.
Similarly, the Bretts generally supported the side of James II in the battles with William and Mary.
It is surprising that some of the Bretts continued in the county after these tumultuous years. This probably happened because Theobald Taaffe, first Earl of Carlingford was a favorite in the Court of Charles II, and Charles made him Earl of Carlingford and re-granted him his Irish lands, and the Bretts and others seem to have managed these lands until they were sold in the 1750s.
There is a record of a survey of Sligo Town by a Mr. Brett in 1662 and 1663, for the following is recorded in Wood-Martin, Vol. 1: On entering and examining the town it is found to be divided by the river into two parts, one on the right or northern bank, and the other and larger part, on the left bank, each portion containing good streets. It is well to bear in mind that the nomenclature of the streets is comparatively modern. When Henry Vaughan and Mr. Brett, in 1662 and 1663, made a ” survey ” of the town of Sligo, in virtue of a commission under the Great Seal, the streets had no distinctive names: the district of the town lying to the north of the river being called the Fort-hill Quarter, and that lying to the south, the Castle Quarter, and sometimes the New Fort Quarter.
During the same period, John Brett of Sligo is recorded by O’Hart as an M.P. in the Irish Parliament of Charles II., and an Assessor for the province of Connaught. O’Hart further states that five Bretts fought for James II., and one was Deputy Lieutenant of Co. Carlow.
Oddly enough, there are no Bretts mentioned in the rather extensive list of home-owners paying the Hearth Money tax in 1665.
During the times of James II John Brett was appointed to collect taxes on behalf of James II., as recounted in Wood-Martin, Vol. 2:”At a somewhat later date James issued a Commission for applotting £20,000 per month on personal estate and the benefit of trade and traffic; to collect this tax he appointed the following persons of local influence in the County of Sligo to assess for three months : The High Sheriff, pro tem.; Col. Oliver O’Gara; Henry Crofton; David Bond; Charles O’Hara ; John Crofton ; James French ; John Brett ; the Sovereign of Sligo, pro tem.
There are three Bretts of Co. Sligo mentioned in Deeds of the time, as recounted by Wood-Martin. These are John Brett in 1679 and 1680 as a witness on lands leased from Lord Carlingford by William Harloe, Francis Brett as witness on a lease of Bricklow Castle from the Earl of Carlingford to Francis Taaffe in 1687, and To. Brett as a witness on a lease to Margaret Costello in 1680.
4. The Hearth Money Roll for Co. Sligo, 1665. Analecta Hibernica, Vol. 24, 1968, pp. 17-89.
5. William Gregory Wood-Martin, History of Sligo County and Town; 3 vol. 1889, Dublin, reprinted about 1990.


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‘No Input’ is the epic first cut from Lucky You, the new album from Medard Fischer (Arc Lab, Down Review). The album sees release on the 25th of May.
On Lucky You, Medard Fischer’s creative process was influenced by his father’s struggle with cancer and tragic passing. While coming to terms with his loss, Fischer was intrigued by recent studies suggesting that more than two-thirds of cancerous mutations may be caused by random replication errors, and was inspired to explore how the implications of chance shape lives in both ordinary and profound ways. Taking its cues from generative music and sound collage, stochastic processes are central throughout Lucky You; they define timbres, melodies and entire song structures. Elements pop in and out like sparks, driven by random number generators, multi-tiered probability gates and feedback loops cycling through old electronics. Yet, despite its conceptual underpinning, Lucky You has immediate emotional resonance, befitting the circumstances that inspired it. Pieces shift from playful to contemplative and from hopeful to haunting – tracing contours of moments lived in the shadow of chance, by turns beautiful and tragic.


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Sandra Blow studied at St. Martin’s School of Art from 1941-1946, and the Royal Academy from 1946-1947. After travelling in Italy and Spain and France, she returned to England in 1957 and spent a year in Cornwall with Roger Hilton, Patricia Heron and other artists associated with St. Ives. In 1958 she was awarded the International Guggenheim award and was also represented at the Vienna Biennale. She became a Royal Academician in 1978.
Blow considered herself an ‘academic abstract painter’, primarily concerned with balance and proportion. Issues, she described as ‘important since art began’. Her often large, non-figurative work, has been described as ‘gestural and impulsive in form’, and often includes collage and non-traditional materials. Here she uses bold upward sweeps of colour to create drama and dynamism.


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Smartphones in Saudi Arabia price catalog ksa-price.com. Specs, best price, where to buy Smartphones in KSA.
Offers for smartphones in Riyadh, Jeddah, Khobar (KSA).


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Abbot - Andrew John Talley passed peacefully into the arms of the Lord on January 19, 2019, at his home. He spent his final days in his little house on the pond, in the company of family and his beloved and well-nourished canine companion, Willie, just as he wanted.
Andy ("Gordon" or "Butch," depending on where you met him) was born in Bryn Mawr, PA, and attended Conestoga High School, York Junior College, and West Virginia University. He had a number of careers before realizing his dream of retiring to Maine, including working for Gulf Oil, selling real estate, and finally managing the office of a construction/roofing company in Philadelphia.
He was a loving father and brother, a doting grandfather, a generous and loyal friend, and his laughter and cooking will be missed by all who were fortunate enough to enjoy them. He is survived by his sons, David and Dan; his daughter-in-law, Rita; his grandchildren, Ben, Shannon, and Maddie; his sister Rose; and his brother Mikie.
A memorial service will be held 11am Saturday, January 26, 2019, at the Abbot Evangelical Free Church.. Arrangements are in the care of the Lary Funeral Home. Condolences may be expressed at www.laryfuneralhome.com.


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As a player, coach and referee Barabara has more than 30 years involvement with North Harbour Basketball Association, Auckland. Barbara’s interest in basketball began at Te Awamutu College in the mid 1960’s with her coach and teacher, Mr Dee. Playing at school level, she played representative basketball for Waikato Schools and the National School’s team.
A Trustee of Sport North Harbour.


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The truth is that the inflows into China are becoming restricted by government restrictions. If your paper falls apart, you’ve left it in the water too lengthy. So beneath, as well as snippets of 19th century religious themed newspaper articles I’ve also integrated a short section on George Burgess and his religious leaning along with a hyperlink to my genealogy site where I’ve transcribed his religious written thoughts in complete. The PCSPC’s strategic location inside the Subic Bay Freeport Zone offers efficient importation of fuel goods for storage and onward distribution along the network of nicely-maintained toll roads to Clark, Manila, Central and Northern Luzon. This sturdy, water-resistant topographic map goes with me every single time I hike around Flagstaff. Compressed paper logs burn hot which is valuable if we’ve been out or away extended adequate for the fire to die down, plus they make extremely effective fire-starters. If the mansion was luxuriously furnished, be ready to accept some alterations that will not be to your liking however, if it was empty or in undesirable condition, you can anticipate the adjust to be for the better, although it may possibly not at very first appear that way. I really suggest you get the book I advised when I wrote this report, and which you can at present uncover in the really very first Advert block to the appropriate below the header picture to this hub. Thanks for the guidance, additional references and the info supplied about study i have learnt alot thank you so significantly after once more.

industry_corpus2: Media & Journalism


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ServiceScape is a global marketplace for freelancers and the clients looking to hire them for an outsourced creative project. With freelancers in editing, writing, graphic design, and translation services, ServiceScape offers companies and individuals access to a freelance labor force through an easy online interface and secure payment system. Headquartered in Andover, Massachusetts, ServiceScape is a bootstrapped company that has been promoting and hosting exceptional talent for over 17 years.
We believe that the quality of our freelancers sets us apart from the competition, in addition to the express delivery options for editing services that we offer. With ServiceScape, you can find a freelancer and get proofreading/comprehensive editing service completed within hours of the time you upload the document. This is a huge plus for many of our clients who have quick projects like emails, reports, or essays that are due quickly.
We make it easy to hire freelance creatives with a searchable profile directory and an extensive rating system maintained for quality assurance. We also have a blog full of highly informative and useful content about writing, grammar, editing, graphic design, and translation—and plan to expand that blog exponentially over the next few years.
We are based in Andover, Massachusetts in the USA.
The company was launched on June 15, 2000.
We feel that our longstanding reputation as an online marketplace for freelancers is our biggest win. We’ve been in the business since 2000 and look forward to another 17 plus years of growth.
Our customers range from college students and academic researchers to small business owners and entrepreneurs seeking top-rated freelancers to help them grow their business. Since adding writers to our freelance directory, we have also attracted a lot of job seekers looking for resume and cover letter writing services.
Check out our new video on book writing advice!
Keep making your customers happy. It’s what we do best and hope to continue doing for our long-term business strategy.
While ServiceScape’s website operates with fewer than 5 employees, our directory of freelancers continues to grow as more creatives are brought on board.
Our future plans are to expand the blog and to redo the graphic design profiles so that they are more image oriented. Translating the interface is also a big project we plan to work on down the road (Korean, Chinese Simplified, Chinese Traditional).
We’re pretty impressed with the new iPad and Apple Watch 3.
A gadget to make winter go away?
It’s been hanging out long enough for 2018!
We can also be found on social media. Here are the links to our different social media channels.


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The C2C Story App (which stands for Creation to Christ) is a mobile app designed as a Gospel bridge. That is to say it’s a way to move from a secular conversation to a spiritual one. Created by GEM eDOT, the app uses a series of powerful images to help you, as the storyteller, stay on track and maintain focus while giving the listener a visual display of the work of god that you are describing.
The C2C Story App comes in two image packs and seven languages. For more info, go to c2cstory.com.