BBE 882i Sonic Maximizer 2 channels of BBE for stereo or separate dual mono mixes +4dBu balanced line with 1/4" tip-ring-sleeve and XLR inputs and outputs Hardwire Bypass Switching +23dBu headroom Bypass switch for comparison of processed to unprocessed signal 2 channels of BBE for stereo or separate dual mono mixes Hardwire Bypass Switching, +4dBu balanced line with 1/4" tip-ring-sleeve and XLR inputs and outputs, +23dBu headroom Bypass switch for comparison of processed to unprocessed signal Product Description BBE DUAL MONO SONIC MAXIMIZER From the Manufacturer 882i features dual-mono operation with balanced XLR inputs and outputs. It is designed for applications requiring low noise, high headroom and +4dBu input levels. Applications: Professional recording studios Professional recording studios Pro and semi-pro sound reinforcement Pro and semi-pro sound reinforcement Multitrack studios Multitrack studios Cassette copies Cassette copies Nightclub sound systems Nightclub sound systems Broadcast transmission Features:+4dBu balanced line (1/4" tip-ring-sleeve and XLR inputs and outputs) +23dBu headroom Active balanced outputs Hardwire bypass Bypass switch for comparison of processed to unprocessed signal Specifications:Frequency Response, Process Mode: Program controlled Bypass Mode: 10Hz to 50kHz, +/- 0.5dBu, 0dBu input Signal to Noise Ratio: 115dB Process IN THD, Process mode: less than 0.025% 20-20kHz Bypass mode: less than 0.002% 20-20kHz Maximum Output: +23dBu (may vary due to control settings) Input Impedance: 14.7K Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Output Impedance: 600 Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Sensitivity: -45dBu for maximum process Maximum Process: +12dBu boost at 5kHz, 0dBu input Lo Contour: +12dBu adjustment at 50Hz, 0dBu input BBE High Definition Sound is the core sound enhancement technology licensed by BBE Sound and featured in the BBE Sonic Maximizer range of professional audio signal processors. Other technologies licensed by BBE Sound into the consumer electronics market either incorporate this core technology or are optimized for best results when used with BBE High Definition Sound.  Because the BBE Sonic Maximizer range of professional audio processors is so popular among music and sound professionals we first highlight the benefits of BBE High Definition Sound in terms of useage by musicians and sound professionals: Natural Musical Realism - music has great "live presence". Unlike some "exciter" devices which add fatiguing artificial harmonics to the signal, BBE adds nothing artificial to the signal but instead restructures it to faithfully allow all the detail and nuance to be heard. Full Frequency Operation - Highs frequencies are clearer, naturally brilliant and more finely detailed. Lows are tight, well defined and harmonically rich. All from a single processor with easy two-knob adjustment of the BBE process. Speech intelligibility - Sound contractors know that vocal intelligibility is paramount to a successful PA installation and client satisfaction. No other audio processor brings natural clarity and crisp definition to the spoken word like BBE does. That's why BBE Sonic Maximizer processors can be found installed in PA systems ranging from the massive network in New York's JFK airport to the thousands of houses of worship around the world. Electric and acoustic guitars - have sparkle, clarity and definition. BBE sound processing brings out the harmonic complexity and bite significantly increases cutting power. Each note of a chord becomes more distinct. Brings guitars out of the "mud". Keyboards and synthesizers - take on new realism. Percussive and plucked sounds are clear and sharp, chords are rich and full-textured, each note in the chord retains its integrity. Electric & acoustic basses - take on that rich, earthy "CD" sound. Five string players love what it does to the "B" string. Extremely tight, punchy bottom end with all the presence, clarity and bite of the top end. Vocals - cut through the amplified instrument so you can be heard better. Lyrics of the sound are no longer "buried in the mix". Improves effect processing - expands the spatial dimension of stereo reverb and chorus. Whether in an individual instrument rack or across a full mix, BBE makes a dramatic improvement in the quality of effects and neutralizes their tendency to muffle instrument and vocal characteristics. Recording studios, home and professional - use BBE on individual tracks, mixdown, and of course in mastering, BBE brings out the full spectrum of sound. Mixes with BBE are fresh and sparkly. BBE gives you enough sparkle to restore instrument clarity or increase vocal intelligibility without appreciably adding level. Broadcast clarity - broadcast facilities all over the the world depend on BBE for the best possible transmission quality. From huge operations such as Japan's NHK to local music stations such as Los Angeles' 94.7 The Wave, BBE has become a necessity for modern quality broadcast quality. Transients and Harmonics: The Color Codes of Sound To understand how BBE sound processing technology works, consider the characteristics of a loudspeaker and what we expect from one. Among a loudspeaker's most important requirements is the ability to reproduce transients - the brief high-energy bursts at the beginning of sounds. The transients then evolve into harmonics. It is the particular amplitudes and phase relationships of these transients and harmonics which add the unique color and character to each sound.  Varying either the amplitude or the phase of the transients and harmonics within signal causes distortion of the sound's characteristics. By drastically altering the transient response of a sound, it's possible to make a cymbal crash seem like a car crash. Similarly, altering amplitude or phase relationships of the harmonics in a clarinet's tone can make it sound more like a flute, or a French horn like an oboe. Amplitude and Phase A loudspeaker's transient response is typically expressed in terms of amplitude response (how quickly it reacts to an incoming signal), with little or no regard to phase response (whether high and low frequencies are reproduced at the proper time). The ability to accurately represent a sound's phase and amplitude define the quality of a loudspeaker's transient and steady - state, or sustained, response.  If a loudspeaker's amplitude response curve were linear, then the relationship between the high and low frequencies would be correct. And if a loudspeaker's phase response curve were linear, then the low and high frequencies would reach the listener's ears in their correct time order. This would result in faithful reproduction of the sound. However, this isn't normally the case. Why is Live Sound so Pleasing? When we listen to live music, all of the highs and lows reach our ears in the same relationship to each other as when they were created by the instruments. If this same live music were to be recorded and played back through a loudspeaker system, the loudspeaker would introduce frequency-dependent phase shifting. The inductance of the speaker's voice coil creates a stronger impedance as the signal's frequency increases, resulting in a time delay. Consequently, frequency components with large negative phase shifts (high frequencies) arrive at the listener's ear later than signals undergoing small phase shifts (low frequencies). The resultant signal is distorted in the time domain to the listener's ear. Audio material containing sharp transients (e.g., percussive and plucked sounds such as drums, guitar, piano and harpsichord, etc.) suffers the most from this phenomenon, making it seem unfocused, or mushy.  In order to address these problems inherent in basic loudspeaker design, BBE Sound, Inc. has developed a circuit that has two primary functions. The first adjusts the phase relationships of the low, mid and high frequencies. Since a loudspeaker's natural tendency is to add progressively longer delay times to higher frequencies, the BBE sound processing system adds progressively longer delay times to lower frequencies. This creates a kind of "mirror" curve to the time delay curve created by the speaker, neutralizing its phase distortion.  The second major element in the BBE system is the augmentation of the higher and lower frequencies. Loudspeakers tend to be less efficient in their extreme treble and bass ranges. Most sound-reproducing systems include a circuit for boosting high and low frequencies, showing an accepted awareness of the loudspeaker's efficiency problem. The BBE system, however, provides a dynamic, program-driven augmentation which combines with the phase compensation feature to restore the brilliance and clarity of the original live sound. The result is, as one professional journal phrased it, "The most hearable advance in audio technology since high fidelity itself!" Broadcast transmission Features: +4dBu balanced line (1/4" tip-ring-sleeve and XLR inputs and outputs) +4dBu balanced line (1/4" tip-ring-sleeve and XLR inputs and outputs) +23dBu headroom +23dBu headroom Active balanced outputs Active balanced outputs Hardwire bypass Hardwire bypass Bypass switch for comparison of processed to unprocessed signal Specifications:Frequency Response, Process Mode: Program controlled Bypass Mode: 10Hz to 50kHz, +/- 0.5dBu, 0dBu input Signal to Noise Ratio: 115dB Process IN THD, Process mode: less than 0.025% 20-20kHz Bypass mode: less than 0.002% 20-20kHz Maximum Output: +23dBu (may vary due to control settings) Input Impedance: 14.7K Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Output Impedance: 600 Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Sensitivity: -45dBu for maximum process Maximum Process: +12dBu boost at 5kHz, 0dBu input Lo Contour: +12dBu adjustment at 50Hz, 0dBu input BBE High Definition Sound is the core sound enhancement technology licensed by BBE Sound and featured in the BBE Sonic Maximizer range of professional audio signal processors. Other technologies licensed by BBE Sound into the consumer electronics market either incorporate this core technology or are optimized for best results when used with BBE High Definition Sound.  Because the BBE Sonic Maximizer range of professional audio processors is so popular among music and sound professionals we first highlight the benefits of BBE High Definition Sound in terms of useage by musicians and sound professionals: Natural Musical Realism - music has great "live presence". Unlike some "exciter" devices which add fatiguing artificial harmonics to the signal, BBE adds nothing artificial to the signal but instead restructures it to faithfully allow all the detail and nuance to be heard. Full Frequency Operation - Highs frequencies are clearer, naturally brilliant and more finely detailed. Lows are tight, well defined and harmonically rich. All from a single processor with easy two-knob adjustment of the BBE process. Speech intelligibility - Sound contractors know that vocal intelligibility is paramount to a successful PA installation and client satisfaction. No other audio processor brings natural clarity and crisp definition to the spoken word like BBE does. That's why BBE Sonic Maximizer processors can be found installed in PA systems ranging from the massive network in New York's JFK airport to the thousands of houses of worship around the world. Electric and acoustic guitars - have sparkle, clarity and definition. BBE sound processing brings out the harmonic complexity and bite significantly increases cutting power. Each note of a chord becomes more distinct. Brings guitars out of the "mud". Keyboards and synthesizers - take on new realism. Percussive and plucked sounds are clear and sharp, chords are rich and full-textured, each note in the chord retains its integrity. Electric & acoustic basses - take on that rich, earthy "CD" sound. Five string players love what it does to the "B" string. Extremely tight, punchy bottom end with all the presence, clarity and bite of the top end. Vocals - cut through the amplified instrument so you can be heard better. Lyrics of the sound are no longer "buried in the mix". Improves effect processing - expands the spatial dimension of stereo reverb and chorus. Whether in an individual instrument rack or across a full mix, BBE makes a dramatic improvement in the quality of effects and neutralizes their tendency to muffle instrument and vocal characteristics. Recording studios, home and professional - use BBE on individual tracks, mixdown, and of course in mastering, BBE brings out the full spectrum of sound. Mixes with BBE are fresh and sparkly. BBE gives you enough sparkle to restore instrument clarity or increase vocal intelligibility without appreciably adding level. Broadcast clarity - broadcast facilities all over the the world depend on BBE for the best possible transmission quality. From huge operations such as Japan's NHK to local music stations such as Los Angeles' 94.7 The Wave, BBE has become a necessity for modern quality broadcast quality. Transients and Harmonics: The Color Codes of Sound To understand how BBE sound processing technology works, consider the characteristics of a loudspeaker and what we expect from one. Among a loudspeaker's most important requirements is the ability to reproduce transients - the brief high-energy bursts at the beginning of sounds. The transients then evolve into harmonics. It is the particular amplitudes and phase relationships of these transients and harmonics which add the unique color and character to each sound.  Varying either the amplitude or the phase of the transients and harmonics within signal causes distortion of the sound's characteristics. By drastically altering the transient response of a sound, it's possible to make a cymbal crash seem like a car crash. Similarly, altering amplitude or phase relationships of the harmonics in a clarinet's tone can make it sound more like a flute, or a French horn like an oboe. Amplitude and Phase A loudspeaker's transient response is typically expressed in terms of amplitude response (how quickly it reacts to an incoming signal), with little or no regard to phase response (whether high and low frequencies are reproduced at the proper time). The ability to accurately represent a sound's phase and amplitude define the quality of a loudspeaker's transient and steady - state, or sustained, response.  If a loudspeaker's amplitude response curve were linear, then the relationship between the high and low frequencies would be correct. And if a loudspeaker's phase response curve were linear, then the low and high frequencies would reach the listener's ears in their correct time order. This would result in faithful reproduction of the sound. However, this isn't normally the case. Why is Live Sound so Pleasing? When we listen to live music, all of the highs and lows reach our ears in the same relationship to each other as when they were created by the instruments. If this same live music were to be recorded and played back through a loudspeaker system, the loudspeaker would introduce frequency-dependent phase shifting. The inductance of the speaker's voice coil creates a stronger impedance as the signal's frequency increases, resulting in a time delay. Consequently, frequency components with large negative phase shifts (high frequencies) arrive at the listener's ear later than signals undergoing small phase shifts (low frequencies). The resultant signal is distorted in the time domain to the listener's ear. Audio material containing sharp transients (e.g., percussive and plucked sounds such as drums, guitar, piano and harpsichord, etc.) suffers the most from this phenomenon, making it seem unfocused, or mushy.  In order to address these problems inherent in basic loudspeaker design, BBE Sound, Inc. has developed a circuit that has two primary functions. The first adjusts the phase relationships of the low, mid and high frequencies. Since a loudspeaker's natural tendency is to add progressively longer delay times to higher frequencies, the BBE sound processing system adds progressively longer delay times to lower frequencies. This creates a kind of "mirror" curve to the time delay curve created by the speaker, neutralizing its phase distortion.  The second major element in the BBE system is the augmentation of the higher and lower frequencies. Loudspeakers tend to be less efficient in their extreme treble and bass ranges. Most sound-reproducing systems include a circuit for boosting high and low frequencies, showing an accepted awareness of the loudspeaker's efficiency problem. The BBE system, however, provides a dynamic, program-driven augmentation which combines with the phase compensation feature to restore the brilliance and clarity of the original live sound. The result is, as one professional journal phrased it, "The most hearable advance in audio technology since high fidelity itself!" Bypass switch for comparison of processed to unprocessed signal Specifications: Frequency Response, Frequency Response, Process Mode: Program controlled Process Mode: Program controlled Bypass Mode: 10Hz to 50kHz, +/- 0.5dBu, 0dBu input Bypass Mode: 10Hz to 50kHz, +/- 0.5dBu, 0dBu input Signal to Noise Ratio: 115dB Process IN Signal to Noise Ratio: 115dB Process IN THD, Process mode: less than 0.025% 20-20kHz Bypass mode: less than 0.002% 20-20kHz THD, Process mode: less than 0.025% 20-20kHz Bypass mode: less than 0.002% 20-20kHz Maximum Output: +23dBu (may vary due to control settings) Maximum Output: +23dBu (may vary due to control settings) Input Impedance: 14.7K Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Input Impedance: 14.7K Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Output Impedance: 600 Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Output Impedance: 600 Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal. Sensitivity: -45dBu for maximum process Sensitivity: -45dBu for maximum process Maximum Process: +12dBu boost at 5kHz, 0dBu input Maximum Process: +12dBu boost at 5kHz, 0dBu input Lo Contour: +12dBu adjustment at 50Hz, 0dBu input BBE High Definition Sound is the core sound enhancement technology licensed by BBE Sound and featured in the BBE Sonic Maximizer range of professional audio signal processors. Other technologies licensed by BBE Sound into the consumer electronics market either incorporate this core technology or are optimized for best results when used with BBE High Definition Sound.  Because the BBE Sonic Maximizer range of professional audio processors is so popular among music and sound professionals we first highlight the benefits of BBE High Definition Sound in terms of useage by musicians and sound professionals: Natural Musical Realism - music has great "live presence". Unlike some "exciter" devices which add fatiguing artificial harmonics to the signal, BBE adds nothing artificial to the signal but instead restructures it to faithfully allow all the detail and nuance to be heard. Full Frequency Operation - Highs frequencies are clearer, naturally brilliant and more finely detailed. Lows are tight, well defined and harmonically rich. All from a single processor with easy two-knob adjustment of the BBE process. Speech intelligibility - Sound contractors know that vocal intelligibility is paramount to a successful PA installation and client satisfaction. No other audio processor brings natural clarity and crisp definition to the spoken word like BBE does. That's why BBE Sonic Maximizer processors can be found installed in PA systems ranging from the massive network in New York's JFK airport to the thousands of houses of worship around the world. Electric and acoustic guitars - have sparkle, clarity and definition. BBE sound processing brings out the harmonic complexity and bite significantly increases cutting power. Each note of a chord becomes more distinct. Brings guitars out of the "mud". Keyboards and synthesizers - take on new realism. Percussive and plucked sounds are clear and sharp, chords are rich and full-textured, each note in the chord retains its integrity. Electric & acoustic basses - take on that rich, earthy "CD" sound. Five string players love what it does to the "B" string. Extremely tight, punchy bottom end with all the presence, clarity and bite of the top end. Vocals - cut through the amplified instrument so you can be heard better. Lyrics of the sound are no longer "buried in the mix". Improves effect processing - expands the spatial dimension of stereo reverb and chorus. Whether in an individual instrument rack or across a full mix, BBE makes a dramatic improvement in the quality of effects and neutralizes their tendency to muffle instrument and vocal characteristics. Recording studios, home and professional - use BBE on individual tracks, mixdown, and of course in mastering, BBE brings out the full spectrum of sound. Mixes with BBE are fresh and sparkly. BBE gives you enough sparkle to restore instrument clarity or increase vocal intelligibility without appreciably adding level. Broadcast clarity - broadcast facilities all over the the world depend on BBE for the best possible transmission quality. From huge operations such as Japan's NHK to local music stations such as Los Angeles' 94.7 The Wave, BBE has become a necessity for modern quality broadcast quality. Transients and Harmonics: The Color Codes of Sound To understand how BBE sound processing technology works, consider the characteristics of a loudspeaker and what we expect from one. Among a loudspeaker's most important requirements is the ability to reproduce transients - the brief high-energy bursts at the beginning of sounds. The transients then evolve into harmonics. It is the particular amplitudes and phase relationships of these transients and harmonics which add the unique color and character to each sound.  Varying either the amplitude or the phase of the transients and harmonics within signal causes distortion of the sound's characteristics. By drastically altering the transient response of a sound, it's possible to make a cymbal crash seem like a car crash. Similarly, altering amplitude or phase relationships of the harmonics in a clarinet's tone can make it sound more like a flute, or a French horn like an oboe. Amplitude and Phase A loudspeaker's transient response is typically expressed in terms of amplitude response (how quickly it reacts to an incoming signal), with little or no regard to phase response (whether high and low frequencies are reproduced at the proper time). The ability to accurately represent a sound's phase and amplitude define the quality of a loudspeaker's transient and steady - state, or sustained, response.  If a loudspeaker's amplitude response curve were linear, then the relationship between the high and low frequencies would be correct. And if a loudspeaker's phase response curve were linear, then the low and high frequencies would reach the listener's ears in their correct time order. This would result in faithful reproduction of the sound. However, this isn't normally the case. Why is Live Sound so Pleasing? When we listen to live music, all of the highs and lows reach our ears in the same relationship to each other as when they were created by the instruments. If this same live music were to be recorded and played back through a loudspeaker system, the loudspeaker would introduce frequency-dependent phase shifting. The inductance of the speaker's voice coil creates a stronger impedance as the signal's frequency increases, resulting in a time delay. Consequently, frequency components with large negative phase shifts (high frequencies) arrive at the listener's ear later than signals undergoing small phase shifts (low frequencies). The resultant signal is distorted in the time domain to the listener's ear. Audio material containing sharp transients (e.g., percussive and plucked sounds such as drums, guitar, piano and harpsichord, etc.) suffers the most from this phenomenon, making it seem unfocused, or mushy.  In order to address these problems inherent in basic loudspeaker design, BBE Sound, Inc. has developed a circuit that has two primary functions. The first adjusts the phase relationships of the low, mid and high frequencies. Since a loudspeaker's natural tendency is to add progressively longer delay times to higher frequencies, the BBE sound processing system adds progressively longer delay times to lower frequencies. This creates a kind of "mirror" curve to the time delay curve created by the speaker, neutralizing its phase distortion.  The second major element in the BBE system is the augmentation of the higher and lower frequencies. Loudspeakers tend to be less efficient in their extreme treble and bass ranges. Most sound-reproducing systems include a circuit for boosting high and low frequencies, showing an accepted awareness of the loudspeaker's efficiency problem. The BBE system, however, provides a dynamic, program-driven augmentation which combines with the phase compensation feature to restore the brilliance and clarity of the original live sound. The result is, as one professional journal phrased it, "The most hearable advance in audio technology since high fidelity itself!" Lo Contour: +12dBu adjustment at 50Hz, 0dBu input BBE High Definition Sound is the core sound enhancement technology licensed by BBE Sound and featured in the BBE Sonic Maximizer range of professional audio signal processors. Other technologies licensed by BBE Sound into the consumer electronics market either incorporate this core technology or are optimized for best results when used with BBE High Definition Sound. Because the BBE Sonic Maximizer range of professional audio processors is so popular among music and sound professionals we first highlight the benefits of BBE High Definition Sound in terms of useage by musicians and sound professionals: Natural Musical Realism - music has great "live presence". Unlike some "exciter" devices which add fatiguing artificial harmonics to the signal, BBE adds nothing artificial to the signal but instead restructures it to faithfully allow all the detail and nuance to be heard. Natural Musical Realism - music has great "live presence". Unlike some "exciter" devices which add fatiguing artificial harmonics to the signal, BBE adds nothing artificial to the signal but instead restructures it to faithfully allow all the detail and nuance to be heard. Full Frequency Operation - Highs frequencies are clearer, naturally brilliant and more finely detailed. Lows are tight, well defined and harmonically rich. All from a single processor with easy two-knob adjustment of the BBE process. Full Frequency Operation - Highs frequencies are clearer, naturally brilliant and more finely detailed. Lows are tight, well defined and harmonically rich. All from a single processor with easy two-knob adjustment of the BBE process. Speech intelligibility - Sound contractors know that vocal intelligibility is paramount to a successful PA installation and client satisfaction. No other audio processor brings natural clarity and crisp definition to the spoken word like BBE does. That's why BBE Sonic Maximizer processors can be found installed in PA systems ranging from the massive network in New York's JFK airport to the thousands of houses of worship around the world. Speech intelligibility - Sound contractors know that vocal intelligibility is paramount to a successful PA installation and client satisfaction. No other audio processor brings natural clarity and crisp definition to the spoken word like BBE does. That's why BBE Sonic Maximizer processors can be found installed in PA systems ranging from the massive network in New York's JFK airport to the thousands of houses of worship around the world. Electric and acoustic guitars - have sparkle, clarity and definition. BBE sound processing brings out the harmonic complexity and bite significantly increases cutting power. Each note of a chord becomes more distinct. Brings guitars out of the "mud". Electric and acoustic guitars - have sparkle, clarity and definition. BBE sound processing brings out the harmonic complexity and bite significantly increases cutting power. Each note of a chord becomes more distinct. Brings guitars out of the "mud". Keyboards and synthesizers - take on new realism. Percussive and plucked sounds are clear and sharp, chords are rich and full-textured, each note in the chord retains its integrity. Keyboards and synthesizers - take on new realism. Percussive and plucked sounds are clear and sharp, chords are rich and full-textured, each note in the chord retains its integrity. Electric & acoustic basses - take on that rich, earthy "CD" sound. Five string players love what it does to the "B" string. Extremely tight, punchy bottom end with all the presence, clarity and bite of the top end. Electric & acoustic basses - take on that rich, earthy "CD" sound. Five string players love what it does to the "B" string. Extremely tight, punchy bottom end with all the presence, clarity and bite of the top end. Vocals - cut through the amplified instrument so you can be heard better. Lyrics of the sound are no longer "buried in the mix". Vocals - cut through the amplified instrument so you can be heard better. Lyrics of the sound are no longer "buried in the mix". Improves effect processing - expands the spatial dimension of stereo reverb and chorus. Whether in an individual instrument rack or across a full mix, BBE makes a dramatic improvement in the quality of effects and neutralizes their tendency to muffle instrument and vocal characteristics. Improves effect processing - expands the spatial dimension of stereo reverb and chorus. Whether in an individual instrument rack or across a full mix, BBE makes a dramatic improvement in the quality of effects and neutralizes their tendency to muffle instrument and vocal characteristics. Recording studios, home and professional - use BBE on individual tracks, mixdown, and of course in mastering, BBE brings out the full spectrum of sound. Mixes with BBE are fresh and sparkly. BBE gives you enough sparkle to restore instrument clarity or increase vocal intelligibility without appreciably adding level. Recording studios, home and professional - use BBE on individual tracks, mixdown, and of course in mastering, BBE brings out the full spectrum of sound. Mixes with BBE are fresh and sparkly. BBE gives you enough sparkle to restore instrument clarity or increase vocal intelligibility without appreciably adding level. Broadcast clarity - broadcast facilities all over the the world depend on BBE for the best possible transmission quality. From huge operations such as Japan's NHK to local music stations such as Los Angeles' 94.7 The Wave, BBE has become a necessity for modern quality broadcast quality. Transients and Harmonics: The Color Codes of Sound To understand how BBE sound processing technology works, consider the characteristics of a loudspeaker and what we expect from one. Among a loudspeaker's most important requirements is the ability to reproduce transients - the brief high-energy bursts at the beginning of sounds. The transients then evolve into harmonics. It is the particular amplitudes and phase relationships of these transients and harmonics which add the unique color and character to each sound.  Varying either the amplitude or the phase of the transients and harmonics within signal causes distortion of the sound's characteristics. By drastically altering the transient response of a sound, it's possible to make a cymbal crash seem like a car crash. Similarly, altering amplitude or phase relationships of the harmonics in a clarinet's tone can make it sound more like a flute, or a French horn like an oboe. Amplitude and Phase A loudspeaker's transient response is typically expressed in terms of amplitude response (how quickly it reacts to an incoming signal), with little or no regard to phase response (whether high and low frequencies are reproduced at the proper time). The ability to accurately represent a sound's phase and amplitude define the quality of a loudspeaker's transient and steady - state, or sustained, response.  If a loudspeaker's amplitude response curve were linear, then the relationship between the high and low frequencies would be correct. And if a loudspeaker's phase response curve were linear, then the low and high frequencies would reach the listener's ears in their correct time order. This would result in faithful reproduction of the sound. However, this isn't normally the case. Why is Live Sound so Pleasing? When we listen to live music, all of the highs and lows reach our ears in the same relationship to each other as when they were created by the instruments. If this same live music were to be recorded and played back through a loudspeaker system, the loudspeaker would introduce frequency-dependent phase shifting. The inductance of the speaker's voice coil creates a stronger impedance as the signal's frequency increases, resulting in a time delay. Consequently, frequency components with large negative phase shifts (high frequencies) arrive at the listener's ear later than signals undergoing small phase shifts (low frequencies). The resultant signal is distorted in the time domain to the listener's ear. Audio material containing sharp transients (e.g., percussive and plucked sounds such as drums, guitar, piano and harpsichord, etc.) suffers the most from this phenomenon, making it seem unfocused, or mushy.  In order to address these problems inherent in basic loudspeaker design, BBE Sound, Inc. has developed a circuit that has two primary functions. The first adjusts the phase relationships of the low, mid and high frequencies. Since a loudspeaker's natural tendency is to add progressively longer delay times to higher frequencies, the BBE sound processing system adds progressively longer delay times to lower frequencies. This creates a kind of "mirror" curve to the time delay curve created by the speaker, neutralizing its phase distortion.  The second major element in the BBE system is the augmentation of the higher and lower frequencies. Loudspeakers tend to be less efficient in their extreme treble and bass ranges. Most sound-reproducing systems include a circuit for boosting high and low frequencies, showing an accepted awareness of the loudspeaker's efficiency problem. The BBE system, however, provides a dynamic, program-driven augmentation which combines with the phase compensation feature to restore the brilliance and clarity of the original live sound. The result is, as one professional journal phrased it, "The most hearable advance in audio technology since high fidelity itself!" Broadcast clarity - broadcast facilities all over the the world depend on BBE for the best possible transmission quality. From huge operations such as Japan's NHK to local music stations such as Los Angeles' 94.7 The Wave, BBE has become a necessity for modern quality broadcast quality. Transients and Harmonics: The Color Codes of Sound To understand how BBE sound processing technology works, consider the characteristics of a loudspeaker and what we expect from one. Among a loudspeaker's most important requirements is the ability to reproduce transients - the brief high-energy bursts at the beginning of sounds. The transients then evolve into harmonics. It is the particular amplitudes and phase relationships of these transients and harmonics which add the unique color and character to each sound. Varying either the amplitude or the phase of the transients and harmonics within signal causes distortion of the sound's characteristics. By drastically altering the transient response of a sound, it's possible to make a cymbal crash seem like a car crash. Similarly, altering amplitude or phase relationships of the harmonics in a clarinet's tone can make it sound more like a flute, or a French horn like an oboe. Amplitude and Phase A loudspeaker's transient response is typically expressed in terms of amplitude response (how quickly it reacts to an incoming signal), with little or no regard to phase response (whether high and low frequencies are reproduced at the proper time). The ability to accurately represent a sound's phase and amplitude define the quality of a loudspeaker's transient and steady - state, or sustained, response. If a loudspeaker's amplitude response curve were linear, then the relationship between the high and low frequencies would be correct. And if a loudspeaker's phase response curve were linear, then the low and high frequencies would reach the listener's ears in their correct time order. This would result in faithful reproduction of the sound. However, this isn't normally the case. Why is Live Sound so Pleasing? When we listen to live music, all of the highs and lows reach our ears in the same relationship to each other as when they were created by the instruments. If this same live music were to be recorded and played back through a loudspeaker system, the loudspeaker would introduce frequency-dependent phase shifting. The inductance of the speaker's voice coil creates a stronger impedance as the signal's frequency increases, resulting in a time delay. Consequently, frequency components with large negative phase shifts (high frequencies) arrive at the listener's ear later than signals undergoing small phase shifts (low frequencies). The resultant signal is distorted in the time domain to the listener's ear. Audio material containing sharp transients (e.g., percussive and plucked sounds such as drums, guitar, piano and harpsichord, etc.) suffers the most from this phenomenon, making it seem unfocused, or mushy. In order to address these problems inherent in basic loudspeaker design, BBE Sound, Inc. has developed a circuit that has two primary functions. The first adjusts the phase relationships of the low, mid and high frequencies. Since a loudspeaker's natural tendency is to add progressively longer delay times to higher frequencies, the BBE sound processing system adds progressively longer delay times to lower frequencies. This creates a kind of "mirror" curve to the time delay curve created by the speaker, neutralizing its phase distortion. The second major element in the BBE system is the augmentation of the higher and lower frequencies. Loudspeakers tend to be less efficient in their extreme treble and bass ranges. Most sound-reproducing systems include a circuit for boosting high and low frequencies, showing an accepted awareness of the loudspeaker's efficiency problem. The BBE system, however, provides a dynamic, program-driven augmentation which combines with the phase compensation feature to restore the brilliance and clarity of the original live sound. The result is, as one professional journal phrased it, "The most hearable advance in audio technology since high fidelity itself!" Musical Instruments Studio Recording Equipment Signal Processors Exciters & Enhancers


Aquila Super Nylgut AQ-103 Concert Ukulele Strings - High G - 1 Set of 4 Aquila's latest advance in synthetic gut ukulele strings Natural pearl color, super-smooth playing surface Less stretchy than previous strings, greater tuning stability Perfect intonation, long-wearing qualities To learn more, please see our Product Description below Nylgut ukulele strings offer a modern alternative to traditional gut strings and are the industry standard. The new Super Nylgut strings are our latest upgrade and offer improved playability and greater tuning stability than ever before. Musical Instruments Instrument Accessories Folk & World Instrument Accessories Ukulele Accessories


Gibraltar SC-CFL/4 Cymbal Felts Tall 4/Pack Large 1-1/2 thick cymbal felts (4pk). Gibraltar SC-CFL/4 Cymbal Felts Tall 4/Pack Musical Instruments Instrument Accessories Drum & Percussion Accessories Electronic Drum Accessories


MIDI Solutions Quadra Thru 1-in 4-out MIDI Thru Box All MIDI messages appearing at the input are sent to all four Thru outputs The Quadra Thru is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products Please see list at Midi Solutions for products that will NOT provide enough power to run Midi Solutions products The one-in 4-out MIDI thru box from MIDI Solutions sends all messages from the input to all 4 outputs. Active circuitry cleans up any skewing of MIDI data bits occurring at the input, ensuring reliable operation in setups that require daisy-chaining or long cable runs. The MIDI Solutions Quadra Thru is MIDI-powered and requires no batteries or power supply. A MIDI indicator LED lights up when powered, and flashes as MIDI data passes through.. Partial list products that have been reported NOT to provide power to the MIDI Solutions products: Alesis DM10, ControlPad, Micron, Q and QX series keyboards, SamplePad, SR18, Trigger|iO, USB-MIDI Cable, Vortex, Arturia BeatStep, Minibrute SE, Boss FC-50, GT-5, GT-8, GT-10, GT-100, GT-Pro, RC-50, RC-300, Dave Smith Instruments Mono Evolver Keyboard, Mopho x4, Prophet '08, Tempest, Tetra, Edirol UM-1 and UM-2 USB MIDI Interfaces, UA-25, Elektron Machinedrum MK1, Monomachine MK1, Focusrite Saffire, Scarlett, M-Audio Axiom Pro 61, Midisport 1x1, 2x2, 4x4 USB MIDI Interfaces, Oxygen 25, ProKeys Sono 88, Radium, Native Instruments Komplete Audio 6, Maschine MK2, Traktor Audio 10, Studiologic MP-113, MP-117, Numa Nano, Numa Nero, TMK 88, Yamaha 01X, AW2400, EZ-TP, GT1, GT2, i-MX1, KX8, KX61, MOX8, MOXF8, MX49, MX61, NP-30, NP-31, P Series keyboards, PSR275, Tyros5-76, WX7 Musical Instruments Studio Recording Equipment Computer Recording MIDI Interfaces


Maestro by Gibson Acoustic Guitar Pack 41-Inch - Natural Natural Finish, Extra strings Cord and Strap, DVD 41 inches Acoustic Natural The Maestro by Gibson 41" full-size guitar packs offer outstanding playability. Built by Gibson Innovations, a division of world-famous Gibson Guitars, the Maestro full size guitar delivers a big, clear sound at an extremely moderate price. Ideal for beginners, but built to satisfy experience players. Musical Instruments Guitars Acoustic Guitars Beginner Kits


The FretWire Spalted Style DIY Electric Guitar Kit, DIY Build Your Own Guitar, Guitar Setup Kit, DIY guitar Kit for Beginners and Professionals (Singlecut Maple) SPALTED MAPLE - This Singlecut Spalted Maple Bolt On Style custom DIY electric guitar kit features a Maple body and neck. Highly resistant to wood rot and less likely to warp compared to other types of wood used in guitar building. It also provides excellent low frequencies as well as pronounced lower-mid tones. PRE-DRILLED BODY - This Guitar development kit comes pre-drilled for all the necessary components to be assembled. No power tools required to drill holes or cavities for the electronic components. SNUG-FIT NECK JOINT - The neck and body joint is precisely cut and custom fitted to ensure a snug fit when putting it all together. COMPLETE KIT - This electric guitar kit includes all the hardware and electronic components to build a complete custom guitar. You still need to provide your own paint and finish to personalize your build. GIFT IDEA - Any musician would love to receive this DIY electric guitar kit that they can customize themselves and enjoy building their own dream electric guitar that you wont see in any store. Classic TL style, ready for you to finish and assemble. This guitar features a spalted maple veneer top. TheFretWire DIY Guitar kits supply you with everything you need to build the guitar you have always wanted. Finish the body and the neck, add the hardware, and start rocking on a guitar you built yourself. This isnt just a collection of parts. Each neck has been custom fitted to the body in the factory, for a nice tight fit. This DIY ST kit makes a great project. This kit includes everything you need: Body: Precut, routed Neck: All frets and inlays already completed Pickups: Prewired for easy installation Other Hardware: Knobs, Tuning keys, even strings. The wood on the neck and the body is raw and unfinished. Depending on the look you are going for, you will need to sand, prep, paint or stain, and lacquer the body. Some patching and drilling of pilot holes will be required. Musical Instruments Guitars Electric Guitars Solid Body


HardLuck Kings Chop Shop Series Southern Belle CSBELMB Solid-Body Electric Guitar - Matte Black Scale Length 25.5" Alder body with a maple bolt on neck. Rosewood fret board with custom 'X' acrylic inlays. Equipped with two HLK Alnico 5 single coil pick ups. Professionally set up with immaculately dressed & polished frets providing excellent playability. Product Description The HardLuck Kings (HLK) Chop Shop series Southern Belle has a solid Alder body with a maple bolt on neck. The Scale is 25.5" (648mm), the width at the nut is1.650" (42mm), body thickness is1.650" (42mm), with an 11" neck radius. The Belle has a satin matte black finish on the body, neck and headstock. It sports 21 medium-jumbo frets, all immaculately dressed and polished on a rosewood fret board with custom 'X' acrylic inlays. The chrome hardware, 3 ply pick guard and chrome metal dome knobs really pop against the matte black finish. It's complete with die cast tuners, a fixed bridge, two way adjustable truss rod, and a bone nut. The electronic controls consist of 1 volume / 1 tone & a 3-position blade. The Belle is equipped with two HLK Alnico 5 single coil pick ups. The strings are D'Addario 9 gauge XL Nickel Round Wound. All HLK guitars are professionally set up prior to shipping. This is a professional quality instrument at an absolutely incredible price! From the Manufacturer Get the sound you want with HLK high output Alnico pickups Rosewood fretboard with custom "X" acrylic inlays Chop Shop Series: Southern Belle - Matte Black The body, neck, and headstock of the Southern Belle feature a sharp hot rod matte black finish. A black-white-black 3-ply pickguard protects the solid body. The Southern Belle is complete with chrome hardware including chrome die-cast tuners and chrome metal dome knobs for a stylish but reliable hardware set. The Southern Belle simply put is a professional quality instrument at an incredible price. There is a reason that pro players around the globe choose the Chop Shop series Southern Belle as one of their primary instruments on tour. Complete with a sharp matte black finish, all chrome hardware. View larger Solid Alder Body and Maple Neck The Southern Belle features a solid alder body, with a maple bolt-on neck, a rosewood fretboard with custom acrylic inlays. Its C shaped neck allows for easy fretting and smooth playing thanks to an 11-inch fretboard radius and 21 medium-jumbo frets, all immaculately dressed and polished for excellent playability and tone. The Belle also comes complete with a high quality bone nut. The Scale is 25.5" (648mm), the width at the nut is 1.650" (42mm), and the body thickness is 1.650" (42mm). Two-Way Truss Rod The two-way adjustable truss rod allows for fast and easy setup, to customize the guitar to your playing style. Two HLK Pickups Two HLK high output Alnico 5 single coil pickups provide an excellent sound no matter what style of music you're playing. Control your pickup tone with electronic controls consisting of one Volume and one Tone knob with a 3-way pickup switch. Strung with D'Addario XL Nickel Strings The Southern Belle comes strung with D'Addario 9-gauge XL Nickel Round Wound strings, and is professionally set up to get you playing right away. About HardLuck Kings HardLuck Kings is a Southern California based company specializing in fine instruments and apparel. Musical Instruments Guitars Electric Guitars Solid Body


Dopro 20pcs Guitar AMP Amplifier Push on fit Knobs Black w/Silver Cap for Marshall Amplifier Material: knob is made of ABS (plastic); cap is made of Aluminum Total Height: about 15.6mm Outer diameter at the top: about 15.8mm; Outer diameter at the base: about 19.8mm Push on fit, no brass insert or set screw Fits Marshall Amplifiers with 6.3mm Shaft Pots, they are not used for D shaft Pots These are after-market knobs, but not original knobs! Musical Instruments Instrument Accessories Guitar & Bass Accessories Electric Guitar Parts Knobs


NUOSIYA Guitar Cable, 10ft Guitar Cord Instrument Cable for Electric Guitar Bass Guitar,Keyboard Mixer Amplifier Speaker Equalizer 1/4 Inch TS Electric Guitar Cable : The excellent flexibility and durability, high performance and fully compatible with devices equipped with standard 6.35mm (1/4") ports. And it is easy to set up and use, with no external power and driver required. The strict quality control system was implemented in each link from materials entering, production to finished products leaving plant, which ensures a secure connection in any instrument, allows for many years of trouble free usage. Excellent Sound Quality: Professional instrument cable has good performance on anti-interference, high conductivity, good processing performance, welding and corrosion resistance, high speed signal transfer rate, high fidelity. Protect the audio signal against loss and provide super-clear, noise-free sound to you, help you immerse deeply in wonderful musical world. Generally used in electrical and electronic applications such as audio equipment, vacuum electronic devices, and cables. High Fidelity & Low Noise  Professional guitar cable is often used for unbalanced signal transmission and mono audio signal transmission. The audio cable1/4 inch internal use of oxygen-free copper (OFC) conductors has high conductivity and can enhance the stability of signal transmission. There are also pvc, cotton yarn, aluminum foil, multi-layer noise shielding, resist external interference, reduce buzzing, and provide original sound quality. Professional Design: Double shielded noise rejection design, precision-machined 24K gold-plated connectors, standard 6.35mm straight to right angle jack or straight to straight jack for your choice which provides reliable performance and reducing signal loss. Combines double foil and braid shielding to protect against EMI electromagnetic noise. It comes with a reusable velcro to keep it organized and tight when not in use. Widely Used: The guitar lead instrument audio cable is ideal for connecting professional audio and DJ equipment. Such as mixer, power amplifier, microphone, effector, decoder, equalizer, electoronic organ, electric guitar, electric bass and other electronic equipments. Filling your home, concert hall, theater,auditorium and garage with powerful sound and allowing you to enjoy louder and more clear music on high-end audio output devices. Great choice for music lover. Musical Instruments Live Sound & Stage Stage & Studio Cables Instrument Cables


Bone Saddle  Fits Many Martin Guitars  11 mm Height - Wave Compensation Fits Many Martin Guitars Length: 74 mm Thickness: 2.5 mm Height: 11 mm Radius: 16 inches Musical Instruments Instrument Accessories Guitar & Bass Accessories Acoustic & Classical Guitar Parts Saddles


Martin Resonator Strings (M980) Gauges: .016 - .056 Experience in instrument making, string winding, and comprehensive sound testing make Martin M980 Nickel Wound Bluegrass Resonator Guitar Strings the best choice for your resonator guitar. All raw materials are of premium quality to assure brilliance, clarity, and longevity. Martin uses a nickel/steel alloy for tonal qualities which are best suited to accent the strong resonating tendencies. In addition, Martin Bluegrass resonator guitar strings are highly resistant to corrosion. Musical Instruments Instrument Accessories Guitar & Bass Accessories Strings Acoustic Guitar Strings


Akai Professional EIE Pro 24-bit Electromusic Interface Expander Record and playback 24-bit, 2-channel audio via USB Four XLR-1/4" combo jacks with phantom power and gain control Two classic, high-quality VU level meters with switchable sources Plug-and-play operation, no driver installation required Three additional USB ports for connecting other devices through to a computer Four nickel-plated 1/4" outputs for two separate monitoring systems Professional Audio/MIDI Interface with USB 2.0 Hub. The EIE Pro is a tabletop USB 2.0 audio interface perfectly tailored for your project and portable studio setups. This four-in, four-out (4x4) device features low latency ASIO drivers and enables you to record up to 24-bit resolution and sample rates of 44.1 kHz/48 kHz/88.2 kHz/96 kHz into virtually any DAW, recording or performance software on Mac and PC-based systems. The EIE Pro also houses three convenient USB inputs, in addition to its main USB 2.0 port, enabling you to connect controllers, hard drives or any other peripheral when native ports on a computer may be limited. The compact recording interface contains high-quality components including nickel-plated input jacks, analog-style VU meters and a rugged aluminum casing for a powerful, professional, portable audio solution.   Each channel of the EIE Pro has a XLR--inches combo jack, dedicated sturdy, gain-pots and Mic/Line/Guitar switches. The EIE Pro features four discrete-design preamplifiers with 48V phantom power for use with virtually any microphone. Individual -inches Nickel-plated jacks found on the back of EIE Pro provide you with channel inserts for processing audio signals externally. You can monitor sessions on multiple sets of studio monitors using the four -inches balanced outputs, which are also Nickel-plated. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style. For remote tracking and alternative playback, the EIE Pro has a 1/4-inches TRS headphone output. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets captured and played back faithfully.   The EIE Pro sends and receives four audio channels on a single USB cable for simple, universal interface to a computer. The three additional USB ports allow the EIE Pro to function as a hub as well, bridging other MIDI controllers and hard-drives to the computer. The EIE Pro features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments. Musical Instruments Studio Recording Equipment Computer Recording Audio Interfaces


Movo GM100 Clip-on Lavalier Microphone for Compatible with GoPro HERO3, HERO3+ and HERO4 Black, White and Silver Editions - Includes Mic Adapter for Go Pro CRISP AUDIO: Get clearer audio recording your next adventure. The omnidirectional pickup pattern provides a better alternative to your built in HERO microphone PLUG AND PLAY: Compatible with GoPro mic adapter allows you to connect the lavalier mic directly to your Hero3 up to Hero4 and doesn't require batteries to work 1-YEAR WARRANTY: Weve got your back. Our products are designed to ease your technical woes, not add to them. Our friendly US-Based support is here to help CLEAR SOUND: Record superb quality audio without wind and other unnecessary noise with the mic windscreen, perfect for field interviews, travel, motovlogging and more CONVENIENT: Designed for optimum portability and comfort, the components are extremely compact and fits inside many standard camera cases, a great addition to your vlogging travel kit For the GoPro HERO3, HERO3+ & HERO4 Omni Pickup Pattern Includes Windscreen and Wind Muff No battery required 1 Year Warranty GoPros are awesome, but lets face it: their built-in audio isnt great. Enter the GM100 - a tiny, durable mic with a big sound that will significantly improve your audio, no matter where your adventures take you. This compact, 1.6-ounce microphone is easy to pack and easy to use. Just plug it in. Thats it. Youre good to go. Travelers, motovloggers, hikers, and adventurists of all kinds love it. Whether youre riding your motorcycle down Mulholland Drive or hiking in Yosemite, the GM100 has you covered. Heres why its so great: you get crisp, high-quality audio, together with a portable, convenient and quick setup that takes up virtually no space in your bag. Its omnidirectional pickup pattern allows you to get some audio from your surroundings while still cleanly picking up your voice. Get out and capture your adventure: the sites - and the sounds, too. Windscreen & Tie-clip are included. The components are extremely compact and fit inside many standard camera cases. The GM100 includes 1-year manufacturer warranty. Specifications Transducer: Electret condenser Polar Pattern: Omnidirectional Frequency Response: 35 Hz to 18 kHz Sensitivity: -30 dB +/- 3 dB (0 dB = 1 V/Pa @ 1 kHz) Impedance: 1 k Ohm +/-30% @ 1 kHz Signal/Noise Ratio: 74dB SPL Cable Length: 1.2m (47") Connectors: 3.5mm Male with female 3.5mm to GoPro USB adapter


Rovner Alto Sax Ligature 1RL,Gold Dark, warm and resonant Assists in producing a full, centered tone Although technologically superior, its sound is similar to the sound produced by the age-old string ligature Includes a Rover cap For Alto saxophone with rubber mouthpiece The Rover Dark assists in producing a full, centered tone. One can compare the results of this ligature with the age-old technology of the string ligature. Enjoyed especially by classical performers for its warm sound, The Rover Dark is our most favored and top selling ligature. Rover ligatures hold the reed to the mouthpiece with no pressure points. Because there are no pressure points or rigid constraints on the reed, the reed seats evenly to the facing of the mouthpiece reducing stuffiness and improving tonal clarity. Available Dark model ligatures 1e - BB German string/ EB Clarinet, nickel fittings 1M - metal alto/small tenor sax, nickel fittings 1MB - metal alto/tenor slim, Gold fittings 1MD - metal doff sop sax, nickel fittings 1ms - metal Selmer sop sax, nickel fittings 1mVS - metal small sop sax, Gold fittings 1R - BB Clarinet, nickel fittings 1RL - hard rubber alto sax, Gold fittings 1RR - hard rubber Runyon alto sax, Gold fittings 1RVs - hard rubber sop sax, Gold fittings 1Rxs - hard rubber x-sum splint sop sax, Gold fittings 2M - metal MED alto/tenor sax, nickel fittings 2R - hard rubber tenor sax, Gold fittings 2RBL - hard rubber slim baritone sax, Gold fittings 2RS - Alto clarinet, nickel fittings 3ML - metal large tenor/small Bari sax, Gold fittings 3ml-ny - metal tenor "NY" Sax, Gold fittings 3MVL - metal Otto link baritone sax, Gold fittings 3R - hard rubber baritone sax, Gold fittings 3Rl - bass clarinet, nickel fittings 4R - hard rubber bass sax, Gold fittings 4Rl - Bib Contrabass clarinet, nickel fittings 4RS - EB contra/alto clarinet, nickel fittings. Musical Instruments Instrument Accessories Wind & Woodwind Accessories Ligatures Saxophone Alto Sax


Dunlop Gator Grip Standard Guitar Picks 1.50 mm 1 Dozen Gator picks are made to grip, with a non-slip surface that's comfortable and easy to control Choose 58mm, 71mm, 96mm, 1 Gator picks are made to grip, with a non-slip surface that's comfortable and easy to control. Choose .58mm, .71mm, .96mm, 1.14mm, 1.5mm, or 2.0mm. Dunlop's nonslip surface keeps guitar pick firmly in place, even during your most aggressive, thrashing, frenzied solos and power chords. Set of one dozen. Musical Instruments Instrument Accessories Guitar & Bass Accessories Picks & Pick Holders Picks


15 Lens Disco Party Lights,Dj Stage Light Indoor Support DMX 512 Sound Activated 125 Patterns Projector for Xmas Decorations Karaoke Pub KTV Dance Wedding Upgraded Stage Light:Our Disco Party lights is in 15 Lens design,the lighting area up to 600 Square feet,It can project 125 kinds of combination dynamic high-definition patterns (stars, beam light network, breakpoint effect, broken pen effect)and five kinds of LED light beams (red Green, blue, white and purple),It can creat speical strobe effect for 5 led beams, bringing you an impressive Stage show experience. Adjust the Rotation Speed of the light and Flash: Unlike other stage lights, our Dj Party light can adjust the rotation speed of the light(Speed up, Slow down, Stop Motor) and Flash Speed(Flash+,Flash-),Be free to adjust the speed of light and flash according to your requirements,creating a wonderful and comfortable lighting environment for you. Multi-Function Control: optional control modes, such as dmx 512, remote control, Sound actived, auto and master/slave mode for selection. Using the remote control, you can easily control the led stage lights without complicated dmx controller program Flexible installation kit: With adjustable brackets and screws, dj disco lights can be installed on T-truss, ceilings, stage bars, or just place the party lights on the ground. Built-in cooling fan, good cooling effect, long life and quality assurance. Wide Application & Lifetime Warranty: Ysh Disco Strobe light is Widely used for disco, ballrooms, hotels, skating rink, public square, family gatherings, bar, KTV, party, concert and festival like Christmas, Halloween,Weeding,Banquet etc."YSH provide lifetime warranty, If you have any questions, please feel free to contact us. Musical Instruments Live Sound & Stage Lighting Equipment & Accessories Stage Lights


Pro X / TOV T-DJChair Portable DJ/Guitar/Drum/Keyboard Padded Throne/Chair Musical Instruments Electronic Music, DJ & Karaoke DJ Equipment Accessories


AK TRADING 48 Pack- Acoustic Panels Studio Soundproofing Foam Wedges 2" X 12" X 12" AK TRADING 48 Pack- Acoustic Panels Studio Soundproofing Foam Wedges 2" X 12" X 12" Musical Instruments Studio Recording Equipment Studio Environment Acoustical Treatments


Music Stand, Kasonic 2 in 1 Dual-Use Folding Sheet Music Stand & Desktop Book Stand, Portable and Lightweight with LED Light/Music Sheet Clip Holder/Carrying Bag Suitable FLEXIBLE AND ADJUSTABLE - Collapsible design with height adjustment from 18 inches to 41 inches and 90 degrees fully adjustable angle tilting bookplate make this stand perfect for sitting or standing, and the vented tray, tall, wide, and deep enough to hold any kind of music sheet or books. METAL TRIPOD SUPPORT LEGS - there is no need to worry about the loading capacity of this conduct music stand with the sturdy metal tripod support legs, which have non-slip rubber caps at the bottom that secure at any height, even with a heavy load of music sheet. LIGHTWEIGHT AND PORTABLE - this music stand is ultra-lightweight style and the removable bookplate and collapsible tripod base for superior portability and easy storage. UNIQUE DESIGN 2 IN 1 DUAL USE - Simply rotate the nut to pull out. Can be used as either floor music stand with tripod stand or desktop sheet music books stand. Gives you two styles on the purpose. EXTRA ACCESSORIES: A complete set of equipment come with the stand, which includes 1 x LED Clip on Light, 1 x music sheet clip holder Great, 1 x carrying bag suitable for school, orchestras, choirs, church band and more! Musical Instruments Instrument Accessories General Accessories Sheet Music Stands


Fifth String Banjo Capo Product Type :Instrument Parts And Accessories Package Dimensions :18.034 Cm L X6.858 Cm W X0.508 Cm H Country Of Origin :United States Package Weight :1.0Lbs This was the product that got it all started for us back in 1974, and to this day it's STILL the only fifth string capo worth putting on a banjo. It operates on a lever principle, not a spring, so it provides sufficient pressure to fret the string without muting the tone. It slides on a slim, dovetailed bar which mounts flush to the neck, making it sturdy and unobtrusive. Originally, our fifth string capo bar was eight inches long, and attached to the banjo neck with three mounting screws. A few years ago we remodeled the bar, a change which I'd long considered. I personally never capo the fifth string any higher than the tenth fret (this would go along with the regular capo being at the fifth fret). So for my own banjo, I made a custom bar which was much shorter (5.75").This shorter bar is now our standard size. Besides taking up less space on the neck (for you fellow thumb-wrappers), it offers the additional advantage of using only TWO mounting screws instead of three. Short bar plain brass. Musical Instruments Instrument Accessories Guitar & Bass Accessories Capos


Uiuilz Practice Drum Pad and Sticks,12 Inch Double Sided Drum Practice Pads with Storage Bag Snare Drum Pad and Drumsticks -Silent Practice Drum Pad Set (12 Inch, Blue) PREMIUM DOUBLE SIDED DRUM PAD -Double-Sided Practice drum pad is Surface adopts high density and elastic rubber, anti-slip, environmental and odorless for practical use.The back is constructed with a softer rubber that provides less rebound surface.Super durable for kids use too. BEST PRACTICE DRUM SET - This package include drum pad, you can also receive an Oxford bag and a pair of 5A drum sticks.A great drum practice tools for beginners and professionals.Carry around your drum practice pad kits. PRACTICE ANYTIME, ANYWHERE - UIUILZ Drum Practice Pad provides the best practice substitute to acoustic drums, so you can practice rudiments, paradiddles or just drum along to that song on the radio  without disturbing anyone. Portable and quiet, it works on any surface including carpet, table, lap or inside a standard snare basket. DESIGN AND QUALITY - Practice pads for drumming are proudly designed, engineered, and manufactured to the most stringent quality controls in the industry.High-density compressed wood board provides a stable base for practice UIUILZ PRODUCTS PROMISE - Your lifetime warranty is included with this purchase. By Our Awesome Customer Support, you can rest assured to buy our products. Specifications Color: Blue/Black/Gray Pad Material: Rubber+Wood Drumstick Material: Maple Wood Pad Dimensions: 12 Inch Net Weight: 1400g / 3 pounds UIuilz 12" 2 sided drum pad is the perfect practice pad for any drummer. This drum pad is the drum pad of choice for the most discerning drum Specifications Color: Blue/Black/Gray Pad Material: Rubber+Wood Drumstick Material: Maple Wood Pad Dimensions: 12 Inch Net Weight: 1400g / 3 pounds UIuilz 12" 2 sided drum pad is the perfect practice pad for any drummer. This drum pad is the drum pad of choice for the most discerning drum Musical Instruments Instrument Accessories Drum & Percussion Accessories Practice Pads & Devices


JBL PRX715 15-Inch Two-Way Full Range Main System/Floor Monitor JBL 15" 2 WAY POWERED DJ Speaker JBL 15" 2 WAY POWERED DJ Speaker JBL 15" 2 WAY POWERED DJ Speaker Product Description JBL 15" 2 WAY POWERED DJ Speaker From the Manufacturer PRX715 Specifications 136 dB peak SPL 136 dB peak SPL 15" Differential Drive low-frequency driver for low-distortion and higher SPL 15" Differential Drive low-frequency driver for low-distortion and higher SPL 1.5" diameter next generation JBL neodymium compression driver 1.5" diameter next generation JBL neodymium compression driver JBL designed waveguide for accurate coverage JBL designed waveguide for accurate coverage Efficient Class-D amplifier technology Efficient Class-D amplifier technology Optimized EQ for monitor or front-of-house applications Optimized EQ for monitor or front-of-house applications DSP input section, crossover, dynamic limiting, component optimization, selectable system EQ DSP input section, crossover, dynamic limiting, component optimization, selectable system EQ Line level and direct microphone input capability Line level and direct microphone input capability Professional XLR-1/4" combination inputs, RCA inputs, and XLR loop-through Professional XLR-1/4" combination inputs, RCA inputs, and XLR loop-through Multi-angle enclosure for main PA or floor monitor applications Multi-angle enclosure for main PA or floor monitor applications Integrated 36 mm pole mount socket with angle down tilt Integrated 36 mm pole mount socket with angle down tilt Injection molded handle with backing cup for easy transport Injection molded handle with backing cup for easy transport Integrated M10 suspension points for easy setup Integrated M10 suspension points for easy setup Lightweight poplar plywood cabinets made structurally sound with tongue and groove joints and protected by JBL's tour proven DuraFlexfinish. Lightweight poplar plywood cabinets made structurally sound with tongue and groove joints and protected by JBL's tour proven DuraFlexfinish. Cloth backed, dent-resistant 16 gauge steel grilles Cloth backed, dent-resistant 16 gauge steel grilles Power Rating : 1500 W Frequency Range (-10 dB) : Main: 42.9 Hz - 19.5 kHzMonitor: 43.6 Hz - 19.3 kHz Frequency Response (3 dB) : Main: 58.1 Hz - 17.2 kHzMonitor: 60.7 Hz - 16.7 kHz Coverage Pattern : 90 x 50 nominal Directivity Index (DI) : 10.2 dB Directivity Factor (Q) : 10.4 Crossover Frequency : 1.7 kHz Maximum SPL : Normal: 136 dBBoost: 136 dB Signal indicators : Limit: Yellow LED indicates peak output has been reached and dsp limiter is actingSignal: Green LED indicates signal presentPower/Standby : Blue indicates system has power and ready to pass audio, Red indicates system has power but is in a power saving mode and will not pass audio. Dynamic Control (Input) : dbx Type IV limiter circuit Input Impedance : 20K Ohms (balanced), 10K Ohms (unbalanced) LF Driver : 1 x JBL 275G (15 in) woofer HF Driver : 1 x JBL 2408H-2 37.5 mm (1.5 in) annular polymer diaphragm, neodymium compression driver Enclosure : Asymmetrical, 18 mm, plywood Suspension / Mounting : Dual 36 mm pole socket, 12 x M10 Suspension Points Transport : 1 x injection molded handles with backing cup Finish : Obsidian DuraFlex finish Grille : Powder coated, Obsidian, 16 gauge perforated steel with acoustical transparent black cloth backing. Input Connectors : 2 x Balanced XLR / 1/4 inch input, 2 x unbalanced RCA input Output Connectors : 1 male XLR balanced output Dimensions (H x W x D) : 714.43 mm x 445.13 mm x 358.71 mm(28.13 in x 17.52 in x 14.12 in) Net Weight : 21.6 kg (47.5 lb.) Applications : The 2-way 15" offers the perfect balance between size and performance. The PRX715 truly is an exception; it's small, light weight, versatile and powerful. The performance and asymmetrical design make this a perfect choice for musicians, entertainers and DJ's when portability is key, or when hung by the suspension points, an exceptional light-duty installation speaker. All PRX700 Series speakers were designed to excel in sound reinforcement where challenging audio environments and loud volumes are the norm. For applications requiring full bandwidth sound reproduction, the PRX715 delivers the optimum balance. For live music, recorded music playback and speech the user has the option of tailoring the EQ. A microphone can be directly connected to the speaker input for quick PA applications. Coupled with a PRX700 sub-woofer the system becomes an efficient, full-range sound system. The 2-way 15" offers the perfect balance between size and performance. The PRX715 truly is an exception; it's small, light weight, versatile and powerful. The performance and asymmetrical design make this a perfect choice for musicians, entertainers and DJ's when portability is key, or when hung by the suspension points, an exceptional light-duty installation speaker. All PRX700 Series speakers were designed to excel in sound reinforcement where challenging audio environments and loud volumes are the norm. For applications requiring full bandwidth sound reproduction, the PRX715 delivers the optimum balance. For live music, recorded music playback and speech the user has the option of tailoring the EQ. A microphone can be directly connected to the speaker input for quick PA applications. Coupled with a PRX700 sub-woofer the system becomes an efficient, full-range sound system. The PRX715 is comprised of 15" 275G Differential Drive woofer, a 2408H-2 37.5 mm (1.5 in) annular polymer diaphragm, neodymium compression driver mounted to a 90 by 50 horn, all driven by 1500 watt Class-D power amplifier. Sophisticated DSP is at the core of a fully featured input section, providing user selectable system EQ, protection, input sensitivity selection, cross-over functionality, dynamic limiting and discrete component optimization. The PRX715 is comprised of 15" 275G Differential Drive woofer, a 2408H-2 37.5 mm (1.5 in) annular polymer diaphragm, neodymium compression driver mounted to a 90 by 50 horn, all driven by 1500 watt Class-D power amplifier. Sophisticated DSP is at the core of a fully featured input section, providing user selectable system EQ, protection, input sensitivity selection, cross-over functionality, dynamic limiting and discrete component optimization. All PRX700 cabinets are built from a combination of 25mm (on the top and bottom for added rigidity) and 18mm, strong, light-weight poplar plywood made structurally sound with tongue and groove joints. All PRX700 Series cabinets are protected by JBL's tour proven DuraFlex finish. Grilles are made from dent-resistant 16 gauge steel and handles are made from light-weight glass-filled nylon for added strength and durability. All M10 suspension points are constructed from 14 gauge steel and have been tested with a yield-strength of 1000 lbs. each. All PRX700 cabinets are built from a combination of 25mm (on the top and bottom for added rigidity) and 18mm, strong, light-weight poplar plywood made structurally sound with tongue and groove joints. All PRX700 Series cabinets are protected by JBL's tour proven DuraFlex finish. Grilles are made from dent-resistant 16 gauge steel and handles are made from light-weight glass-filled nylon for added strength and durability. All M10 suspension points are constructed from 14 gauge steel and have been tested with a yield-strength of 1000 lbs. each. The amplifier input panel offers XLR or  inch jack compatibility and a sensitivity switch provides extra flexibility, making it possible to connect literally any sound source without using a mixer. Signal present and overload lights indicate the system status and assist in setting the optimum level via the level control knob. The amplifier input panel offers XLR or  inch jack compatibility and a sensitivity switch provides extra flexibility, making it possible to connect literally any sound source without using a mixer. Signal present and overload lights indicate the system status and assist in setting the optimum level via the level control knob. Tour Tested Technology JBL PRX 710 10' Two-way Multi Purpose Self-Powered Sound Reinforcement The PRX710 is the next step in the highly successful PRX Series and introduces the first use of JBL's patented Differential Drive Technology with ferrite drivers. Differential Drive technology incorporates lower mass in the ferrite magnet for reduced weight while maximizing power amp efficiency for greater heat dissipation and increased power handling. Powering the PRX710 is a 1500 Watt high performance, exceptionally low distortion biamplification system engineered to deliver clean power with maximum headroom. JBL PRX712 12" Two-Way Full Range Main System/Floor Monitor The PRX712 is the next step in the highly successful PRX Series and introduces the first use of JBL's patented Differential Drive Technology with ferrite drivers. Differential Drive technology incorporates lower mass in the ferrite magnet for reduced weight while maximizing power amp efficiency for greater heat dissipation and increased power handling. Powering the PRX712 is a 1500 Watt high performance, exceptionally low distortion biamplification system engineered to deliver clean power with maximum headroom. JBL PRX725 Dual 15" Two-Way Full Range Main System The PRX725 is the next step in the highly successful PRX Series and introduces the first use of JBL's patented Differential Drive Technology with ferrite drivers. Differential Drive technology incorporates lower mass in the ferrite magnet for reduced weight while maximizing power amp efficiency for greater heat dissipation and increased power handling. Powering the PRX725 is a 1500 Watt high performance, exceptionally low distortion biamplification system engineered to deliver clean power with maximum headroom. JBL PRX735 Three-Way Full Range Main System The PRX735 is the next step in the highly successful PRX Series and introduces the first use of JBL's patented Differential Drive Technology with ferrite drivers. Differential Drive technology incorporates lower mass in the ferrite magnet for reduced weight while maximizing power amp efficiency for greater heat dissipation and increased power handling. Powering the PRX735 is a 1500 Watt high performance, exceptionally low distortion tri-amplification system engineered to deliver clean power with maximum headroom. JBL PRX715XLF 15" Self-Powered Extended Low Frequency Subwoofer System The PRX715XLF is the next step in the highly successful PRX Series and introduces the first use of JBL's patented Differential Drive Technology with ferrite drivers. Differential Drive technology incorporates lower mass in the ferrite magnet for reduced weight while maximizing power amp efficiency for greater heat dissipation and increased power handling. Powering the PRX715XLF is a 1500 Watt high performance, exceptionally low distortion amplification system engineered to deliver clean power with maximum headroom. JBL PRX718XLF 18" Self-Powered Extended Low Frequency Subwoofer System The PRX718XLF is the next step in the highly successful PRX Series and introduces the first use of JBL's patented Differential Drive Technology with ferrite drivers. Differential Drive technology incorporates lower mass in the ferrite magnet for reduced weight while maximizing power amp efficiency for greater heat dissipation and increased power handling. Powering the PRX718XLF is a 1500 Watt high performance, exceptionally low distortion biamplification system engineered to deliver clean power with maximum headroom. Musical Instruments Live Sound & Stage Monitors, Speakers & Subwoofers Speakers


Walker & Williams Black & Red Western Style Padded Guitar Strap with Chrome and Brass Studs For Acoustic, Electric, And Bass Guitars Black & Red Top Grain Leather Guitar Strap with Chrome and Brass Top Grain Black Leather with Red Leather Insert Chrome and Brass Accents Ultra Comfortable Padded Glovesoft Back Adjustable From 47"-52" Walker & Williams is a long time US crafter of high end leather luggage and designer handbags that has recently been producing these outstanding guitar straps.   Simple, classy and really comfortable. These are 100% handmade straps crafted with exceptional skill and care, using only the finest premium materials. Musical Instruments Instrument Accessories Guitar & Bass Accessories Straps & Strap Locks Straps


ZHERMAO 12 Pack Hexagon Acoustic Panels Beveled Edge Sound Proof Foam Panels, 14"X13"X 0.4" High Density Sound Proofing Padding for Wall, Acoustic Treatment for Studio, Home and Office (Grey Black) EASY TO INSTALL: Our soundproof panels are easy to cut and install. The installation of our acoustic panels is simple! No special tools are needed! Just simply attach the acoustic panels with adhesive tapes, and install it to the smooth surface. Please note: heavy duty 3M adhesive tapes, spray adhesive, and nails are not included in package, and needed to be purchased separately. SOLID COLOR&MIXED COLOR: Our special solid and mixed color acoustic panels are the best choice to decorate your room, door, wall, office and studio. The professional sound dampening panels are also great for spot treating sound in your recording studios, control rooms, offices home studios, home theaters, and home offices. HEXAGON SHAPED&BEVELED EDGE DESIGN: Are you looking for stylish sound foam panels? Choose us! It is the honey comb design that makes our sound proof foam panels great for room decoration and acoustic treatment! By using chamfer design, the acoustic panels bring better protection to your family and friends such as anti-collision, anti-scratch and non-slip. Good looking soundproofing panels play an important role in room decoration in your favorite space! IMPROVE SOUND QUALITY: Made from 215kg/m3 high density polyester felt fabric, our soundproof wall panels do well in reducing noise, eliminating sound impurities and improving speech intelligibility. We insist on using high quality soundproofing panels to ensure it's flame retardant, odorless, non-toxic, corrosion resistant, and fade resistant. Furthermore, the acoustic foam panels achieve a grade of noise reduction coefficient: 0.92 and absorption coefficient: 0.8! AFTER SELL WARRANTY: We offers 24-hour stand-by professional customer service, if you have any questions about the studio foam panels, feel free to contact us! If you are not satisfied with our acoustic absorption panels, please email us first, we would provide you with professional solutions. Your 100% satisfaction is guaranteed, we are ready for your every question about hexagon sound panels. Musical Instruments Studio Recording Equipment Studio Environment Acoustical Treatments


2-Pack Aquila New Nylgut 10U Tenor Ukulele Strings 26 inch Regular High G with 2 Free Felt Picks Pack of 2 Aquila New Nylgut Strings for Tenor Ukulele With FREE felt picks (2 pieces) Standard A-E-C-G Tuning (High G on 4th String) Truly Remarkable Stability of Intonation Under Moisture Changes Promoptness of Attack, Excellent Performance


D'Addario EJ26-3D 3-Pack Custom Light Acoustic Guitar Strings Quality from technology"computer-controlled windings, laser micrometer inspection, and closed-loop tension control system"add up to great sound and feel! D'Addario phosphor bronze acoustic guitar strings will give you the brilliant sound and durable longevity you want Gauges: 11-15-22w-32w-42w-52w D'Addario EJ26 phosphor bronze acoustic guitar strings are durable, long lasting, and retain their brilliance longer than other bronze and brass alloys D'Addario is the world's largest manufacturer of strings for musical instruments Many top guitarists won't play any other brand Regardless of your playing style, D'Addario has a set of strings that's right for your acoustic guitar Quality from technology"computer-controlled windings, laser micrometer inspection, and closed-loop tension control system"add up to great sound and feel! D'Addario phosphor bronze acoustic guitar strings will give you the brilliant sound and durable longevity you want. Gauges: 11-15-22w-32w-42w-52w D'Addario EJ26 phosphor bronze acoustic guitar strings are durable, long lasting, and retain their brilliance longer than other bronze and brass alloys. D'Addario is the world's largest manufacturer of strings for musical instruments. Many top guitarists won't play any other brand. Regardless of your playing style, D'Addario has a set of strings that's right for your acoustic guitar. Musical Instruments Instrument Accessories Guitar & Bass Accessories Strings Acoustic Guitar Strings


upstartech Upgraded Fog Machine with Lights 18 LED, Protable 500W Smoke Machine with 13 Color Lights Effect and Remote Control, Outdoor Smoke Machine Fog Automotive for Parties Halloween Wedding DJ UPGRADED FOG MACHINE WITH 18 LED LIGHT -- Upstartech smoke machine packs a punch, not only does it produce a decent amount of smokebut also the color changing led lights which the colors change smoothly and stay bright really that your smoke show to a new level. 13 COLORS WITH RGB LIGHT EFFECT -- There are total 13 adjustable colors and 4 special effects including FADE/STROBE/FLASH/SMOOTH for you to choose from. The fog machine is also possessed of RGB LED light effect to heighten atmosphere. HIGH POWERED,NON-TOXIC & UNSCENTED -- FCC, CE certified for safe use. The power of fog machine is 500W, duration of fog time is about 40 seconds, the output power reaches to 2000 CFM (c.f./min) between 2 and 3 meters distance. You can use UPSTARTECH smoke machine with confidence because it does not produce any toxic gas. This fog machine ONLY works under 110-130V.  WITH 2 INDEPENDENT WIRELESS REMOTES CONTROL --  turn on / turn off the smoke machine remotes for easy use;  LED light control remotes, which is convenient for you to freely switch colors. It has a mode of automatic continuous atomization after each cooling period, NO NEED to press the button to remote control the machine during the party.  PREMIUM FOG MACHINE HEAT UP WITHIN 3-4 MINUTES & EASY TO SETUP AND USE. -- Made of high quality metal materials, not easy to corrode, light enough but tough enough for better heat dissipation and durable enough for longer service life. Equipped with handle to make it easy to carry, you can install it at a height or put it on the ground according to the requirements. Musical Instruments Live Sound & Stage Special Effects Fog Machines


Microphone Stand Boom Mic Stand-Kangziliang Mike Stand Gooseneck Microphone Stand Tripod Adjustable Height 3'- 6' with Mic Clips and 3/8" - 5/8" Adapter Microphone Stand for Singing,Most Mics UNIVERSAL MICROPHONE TRIPOD STANDThe sturdy tripod base keeps the mic stand upright and balanced, stable and non-slip. The high-quality thick steel pipe bracket is made of metal structure, which is strong and durable. HEIGHT ADJUSTABLE:This tripod stand can be extended and adjusted height to about 6 feet. Suitable for people with height of 6.5 feet.A very practical microphone stand. 360ADJUSTMENT OF GOOSENECK HOSEThe metal gooseneck hose length is 40.6cm/16inch. The gooseneck arm is adjustable and pivotable, and the height can be adjusted freely,suitable for adults or children.The gooseneck arm makes this microphone stand very flexible and easy-to-use. 2 Mic Clips & 2 Cable ClipsThe mic stand comes with 2 different styles of USA standard microphone clip holders(5/8-Inch mic adaptor and threading).Came with 1x3/8" to 5/8"screw.Suitable for most microphones on the market. With 2 clip-on cable holders to prevent wire confusion. WIDELY APPLICABLE & PORTABLEThe microphone floor stand tripod is not only suitable for meeting rooms, speeches,karaoke singing and guitar band performance,but also live broadcasts, online lessons, etc. It is very convenient to use and doesn't take up desktop space.The tripod can be folded for storage,comes with a shoulder bag, it's easy to carry, you can take it to any performance site at any time. WORRY-FREE SHOPPINGThe microphone tripod stand comes with an installation manual. You can install and use it quickly. We offer a 30 days money-back guarantee, Worry-Free purchase. If you have any questions, please contact our customer service. We have been committed to providing high-quality products and customers with satisfactory services. Thank you very much for your support. Musical Instruments Microphones & Accessories Accessories Stands


Songwriting Without Boundaries: Lyric Writing Exercises for Finding Your Voice Infuse your lyrics with sensory detail! Writing great song lyrics requires practice and discipline. Songwriting Without Boundaries will help you commit to routine practice through fun writing exercises. This unique collection of more than150 sense-bound prompts helps you develop the skills you need to: tap into your senses and inject your writing with vivid details tap into your senses and inject your writing with vivid details effectively use metaphor and comparative language effectively use metaphor and comparative language add rhythm to your writing and manage phrasing add rhythm to your writing and manage phrasing Songwriters, as well as writers of other genres, will benefit from this collection of sensory writing challenges. Divided into four sections, Songwriting Without Boundaries features four different fourteen-day challenges with timed writing exercises, along with examples from other songwriters, poets, and prose writers. About the Author Pat Pattison is a professor at Berklee College of Music, where he teaches lyric writing and poetry. His books include Writing Better Lyrics , The Essential Guide to Lyric Form and Structure , and The Essential Guide to Rhyming . In addition, Pat has developed three online lyric writing courses for Berklees online school, and has written articles for a variety of industry publications. His internationally successful students include multiple Grammy winners John Mayer and Gillian Welch. He lives in Boston, Massachusetts. Musical Instruments Instrument Accessories General Accessories


Stagg DJB12REM Remo Gig Bag for Djembe -12" Designed for 12" Remo Djembe Shoulder Strap External Pocket The dimensions are 24" tall (when closed) x 15" wide (at the top) x 9" wide (at the bottom). NOTE: Djembe drums do not follow dimension standards like drum sets. Therefore, djembe drums have a lot of variances Stagg 12" Remo Djembe Bag Musical Instruments Instrument Accessories Drum & Percussion Accessories Bags, Cases & Covers Drum Set Bags, Cases & Covers


Fender 65 Deluxe Reverb/Super-Sonic 22 Combo Amplfier Cover, Black Black polyester cover Designed to fit '65, '68 and Tone Master Deluxe Reverb and Super-Sonic 22 Combo amplifiers Height: 17.5" (44.45 cm) Width: 24.5" (62.23 cm) Depth: 9.5" (24.13 cm) Protect your investment with a fitted Fender amplifier cover. Covers are available in different colors and sizes to fit most Fender amplifiers and extension cabinets. Black nylon cover designed to fit '65 Deluxe Reverb Reissue amplifiers manufactured 1993-Present. Also fits Super-Sonic 22 Combo (2010-Present). May not fit vintage '65 amplifier. Please see measurements below. Musical Instruments Instrument Accessories Guitar & Bass Accessories Amplifier Accessories Bags, Cases & Covers


Shure PGA31-TQG Headworn Microphone Wireless Wireframe headset fits securely for active speakers and vocal performers Permanently charged electret condenser cartridge delivers detailed, crisp vocals Unidirectional cardioid polar pattern rejects unwanted noise for improved sound quality and higher gain-before-feedback Flexible gooseneck design and discrete adjustment capabilities optimize microphone positioning for further source isolation TA4F (TQG) connector seamlessly integrates with Shure wireless body packs Shure PGA31 Performance Condenser Microphone View larger Frequency Response View larger Shure PGA31 Performance Condenser Microphone with Windscreen View larger Shure PGA31 Performance Headset Condenser Microphone Specifications Accessories The PGA31 is an affordable wireless cardioid condenser headset microphone that delivers reliable sound quality for speech and live vocal performance applications. Designed for long-wearing comfort, the PGA31 offers a secure fit for hands-free operation in any situation. Its unidirectional cardioid polar pattern provides excellent off-axis rejection for higher gain-before-feedback when using a stage monitor. Wireless Packages: Available in bundled BLX, GLX-D, and PGX Digital wireless systems, the PGA31 features TA4F 4-pin connectors that make it a viable replacement for any Shure wireless headset system. Features: Wireframe headset fits securely for active speakers and vocal performers Wireframe headset fits securely for active speakers and vocal performers Permanently charged electret condenser cartridge delivers detailed, crisp vocals Permanently charged electret condenser cartridge delivers detailed, crisp vocals Unidirectional cardioid polar pattern rejects unwanted noise for improved sound quality and higher gain-before-feedback Unidirectional cardioid polar pattern rejects unwanted noise for improved sound quality and higher gain-before-feedback Flexible gooseneck design and discrete adjustment capabilities optimize microphone positioning for further source isolation Flexible gooseneck design and discrete adjustment capabilities optimize microphone positioning for further source isolation TA4F (TQG) connector seamlessly integrates with Shure wireless bodypacks TA4F (TQG) connector seamlessly integrates with Shure wireless bodypacks Included windscreen tames plosives for clean and intelligible sound reproduction Included windscreen tames plosives for clean and intelligible sound reproduction Tailored frequency response for great sound on vocals Tailored frequency response for great sound on vocals Legendary Shure precision engineering for durability and performance. Legendary Shure precision engineering for durability and performance. Musical Instruments Microphones & Accessories Microphones Wireless Microphones & Systems Wireless Headset Microphones


Neewer Universal 45MM Microphone Shock Mount for 43MM-46MM Diameter Condenser Mic (Black) NOTE: The shock mount only fits microphone diameter ranging from 43mm ~46mm. PLEASE VERIFY your microphone size BEFORE ORDERING! Shock Mount ONLY! Microphone & Cable & Mic Boom NOT INCLUDED! This professional suspension shock mount isolates most studio condenser mics from physical vibration, floor and the stand noise. It is a very nice shock mount for most large diaphragm condenser microphones. Made of high-quality metal and high elasticity rope. It can protect the microphone all-around with high elasticity wrap roping design, which makes the microphone more convenient to install and prevents the microphone from falling. Standard 5/8"-27 thread with a 3/8"-5/8"screw adapter, features an angle adjustment with locking knob, so you can mount it on all the standard microphone stands. This shock comes with a Foam insert, which is used to hold and protect the microphone. NOTE: Shock Mount fits for mic of 43-46mm Diameter. PLEASE VERIFY your microphone size BEFORE ORDERING! PLEASE NOTE: Shock Mount ONLY! Microphone & Cable & Mic Boom NOT INCLUDED! This is a very nice shock mount for most large diaphragm condenser microphone. The shock mount can effectively reduce handling noise. Isolate most studio condenser mics from physical vibration, floor, and stand noise. Feature an angle adjustment with locking knob. Felt/foam insert to hold and protect microphone. Fit for microphone diameter: 43mm-46mm. Color: Black. Metal construction. Package Contents: 1x SHOCK MOUNT FOR MICROPHONE STAND Musical Instruments Microphones & Accessories Accessories Mounts


Caballus Wireless Lavalier Microphones for iPhone iPad Android with Charging Case, Professional Wireless Lapel Mic for TikTok YouTube Live Stream Vlog Video Recording Plug and Play, No App Needed - Caballus Wireless Lavalier Microphones come with 1Type-C Receiver, 1 Lightning Receiver, 2 Microphones & 1 Wired Monitoring Earbud, easy plug-and-play. It is a product specially designed for Apple and Android devices and needs no adapters, Bluetooth, or Apps at all. It can be used directly with Youtube, Facebook, Instagram, and Tiktok for interviews, live streams, two-person vlogs, video recordings, film productions, etc. 600 mAh Portable Charging Case - The portable Charging Case can keep your microphones charged and ready at any moment. The fully charged charging case can give your 2 microphones full charge at the same time up to 4 times and generates 6 hours of use time with one charge. Our charging case is rechargeable, easy to store, and lightweight. Artificial Intelligence Noise Cancellation - Minimize ambient noise, keep the vocals carried through clearly even amid outdoor surrounding sound disturbances, and provides you and your followers a better experience in watching videos. 65ft Long Distance Transmission, Real-Time Monitor Earphones - Caballus Wireless Lavalier Microphones carry steady 2.4GHZ wireless transmission with strong penetration and undetectable low latency, easily achieving 20 meters/65ft long-distance wireless audio, ensuring smooth live streaming sound quality and audience interaction. The Wired Monitoring Earbud allows you to check the current sound condition to make timely adjustments to ensure smooth recording. Ready Out-of-the-Box & 1-Year Warranty - With the purchase certificate, you can enjoy a 12-month warranty service from the date of purchase. Please read the manual and fully charge the wireless lavalier microphone before using it for the first time. If you have any questions please feel free to contact us. We will provide you with a satisfactory solution. Musical Instruments Microphones & Accessories Microphones Wireless Microphones & Systems Wireless Lavalier Microphones


Tascam WS-11 Windscreen for DR-Series Handheld Recorders Ws-11 windscreen uses artificial fur to block even the highest wind gusts from the internal mics of Tascam recorders Tascam WS-11 windscreen compatibility: DR-1, GT-R1, DR-2d, DR-05, DR-07, DR-07MKII, DR-22WL, DR-40, DR-100, DR-100MKII. Not compatible with DR-08 The windscreen works in both XY and AB position Ws-11 windscreen uses artificial fur to block even the highest wind gusts from the internal mics of Tascam recorders. The windscreen works in both XY and AB position. Musical Instruments Studio Recording Equipment Portable Recorders


Pocket Guitar Chord Practice Tool, Portable Guitar Neck for Trainer Beginner w/a Rotatable Chords Chart Screen (Battery Included)  Smart Guitar Chords Training Tool: 6 String 6 Fret allowing you to practice more versatile scales and note combinations; design a rotatable screen which could display the most basic, common chords featuring precise finger positions, as we put over 400 kinds of chords inside the IC. Great for guitar beginners/ students to develop muscle memory for chords and is a perfect tool for finger placement exercise.  Genuine Strings: Equipped with genuine steel strings. Steel strings are plated to prevent rust. Practicing chords via the genuine guitar steel strings remains the same feel while playing guitar then. The tension of the strings can be adjusted with the tool included in the package to suit yourself.  No Guitar-Playing Sound: This chords trainer has no guitar sound while playing, as it aims to improve finger's sensitivity without the environmental restrictions. No sound, Allows you to practice anywhere: cars, airplanes, the office, school, dinner table.  Lightweight & Pocket Size: could be put in pocket or bag(includes a black easy carry bag), You can take this chord to practice it wherever you want, it is not as bulky as a guitar. Battery CR2032 is included in package.  Built in Metronome: With a built-in metronome, players can learn the chords with a customized tempo. It's a quiet practice tool without guitar playing sound, so you can't tune or strum it like a real guitar. Musical Instruments Instrument Accessories General Accessories Tuning


Vic Firth Rute 505 Light plastic bristles make this an ideal choice for jazz and combo playing Black vinyl handle offers a secure grip and comfortable feel A moveable band adjusts the effect from crisp to splashy Designed to provide the player with alternative sounds and feels across a variety of musical settings This model is a cross between our Rock Rake and the original Rute. A great choice for light jazz and combo playing. With thirty-one plastic bristles (.094) secured in a vinyl handle. Musical Instruments Instrument Accessories Drum & Percussion Accessories Drumsticks, Mallets & Brushes Drumsticks