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Oh, Kay!
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For the 1928 film, see Oh, Kay! (film).
Oh, Kay!
1955 Studio Cast Recording
Music
George Gershwin
Lyrics
Ira Gershwin
Book
Guy Bolton
P. G. Wodehouse
Basis
play La Presidente
Productions
1926 Broadway
1927 West End
1928 Broadway revival
1928 Film
1960 Off-Broadway revival
1990 Broadway revival
Oh, Kay! is a musical with music by George Gershwin, lyrics by Ira Gershwin, and a book by Guy Bolton and P. G. Wodehouse. It is based on the play La Presidente by Maurice Hanniquin and Pierre Veber. The plot revolves around the adventures of the Duke of Durham and his sister, Lady Kay, English bootleggers in Prohibition Era America. Kay finds herself falling in love with a man who seems unavailable. Oh Kay! was named for Kay Swift, and the leading male character, Jimmy, is named after her husband, Jimmy Warburg. The show is remembered for its enduring song, "Someone to Watch Over Me".
The musical opened on Broadway in 1926, starring Gertrude Lawrence and Victor Moore, and ran for 256 performances. The musical then opened in London's West End in 1927, starring Lawrence and John Kirby, where it ran for 213 performances.[1]
Contents
[hide]
1 Background
2 Synopsis
2.1 Act I
2.2 Act II
3 Productions and recordings
4 Roles and original Broadway cast
5 Songs
6 Notes
7 References
8 External links
Background[edit]
Producers Alex A. Aarons and Vinton Freedly imagined Oh, Kay! as a Princess Theatre-style show, with a contemporary setting, simple sets, and a farcical story. Gertrude Lawrence, who had been featured in the André Charlot revues of 1924 and 1925, was chosen as the star before the songs or story had been written. In accordance with the typical creative process for early American musicals, George and Ira Gershwin wrote the score to Oh, Kay! before the librettists, Bolton and Wodehouse, began work on the book. When the book was completed, eight songs from the Gershwins' score were cut because they could not be easily inserted into the libretto.[2] The show's Philadelphia previews ran more than three hours, and so the producers cut the prologue (where the leading lady was introduced), thus losing the first 4 songs, and also the Act II "Finaletto", which became obsolete in the reshuffling. This highlighted the farcical elements of the plot at the expense of the romantic ones, since the title character does not appear until 40 minutes into the show.[3]
The story aptly captured the spirit of the Roaring Twenties, featuring settings and characters familiar to theatre audiences: a decadent Long Island mansion and notorious (but comic) bootleggers. During rehearsals, George Gershwin purchased a rag doll in a Philadelphia toy store. The ballad, "Someone to Watch Over Me", was staged with Lawrence alone on stage, clutching the doll and singing to it. It was the hit song of the show and became a Gershwin standard.[4]
Synopsis[edit]
Act I[edit]
It is 1926, the Jazz Age and the era of Prohibition. Jimmy Winter is very popular among the young ladies, and they are cleaning the living room of his Long Island, New York, estate, declaring that "The Woman's Touch" is exactly what his home needs. Jimmy has been away but is coming home that evening. In his absence, some English bootleggers, the Duke of Durham, his sister, Lady Kay, and their thick-headed American assistants, "Shorty" McGee and Larry Potter, have stashed their illegal booze in Jimmy's house. When they hear that Jimmy is returning, the Duke cancels that night's rum run and plans to remove their hundreds of cases of liquor from the cellar. Dolly and Phyllis Ruxton, two of the young ladies, happen to be identical twins. They join Larry in an extemporaneous song and dance ("Don't Ask").
Revenue Officer Jansen arrives, convinced that a crime is in progress, but departs when Jimmy returns home. Jimmy is accompanied by his serious and overbearing second wife, Constance, to whom he has just been married. His first marriage followed a drunken college prank, and the couple has now been separated for many years. He applied for an annulment so he could marry Constance. Shorty passes himself off as the new butler, having sent away the butler and maid that Jimmy had ordered. As butler, Shorty can make sure the rum in the basement is safe.
Jimmy receives a telegram from his lawyer saying that the annulment has not been completed, so Jimmy and Constance are illegally married. Constance furiously leaves for the nearest inn. Jimmy tells Shorty about a beautiful girl who saved him from drowning last summer. He is interrupted when the young ladies who cleaned his house return to welcome him home. He declares that each is a "Dear Little Girl". They leave, and Jimmy prepares for bed as a storm rages outside. Lady Kay, clad in oilskin and clutching a revolver, enters pursued by revenue officers. She turns out to be the girl who rescued Jimmy the previous summer. Jimmy hides her in his bedroom when Officer Jansen arrives at the house to question Jimmy. Jansen leaves but then returns and sees Kay and Jimmy together. Kay says she is Jimmy's wife, and since the just-married suitcases are still scattered around the living room, the revenue officer believes her and leaves. Kay cannot go out in the terrible storm, so she will have to stay the night in Jimmy's room ("Maybe").
The Duke and Larry arrive at Jimmy's house the next morning searching frantically for Kay. The pretty girls also drop in, and Larry leads a minstrel-style song and dance ("Clap Yo' Hands") to cheer up the Duke. Kay hides in Jimmy's bedroom until all the guests leave. The revenue officer returns, and Jimmy and Kay pretend to be newlyweds ("Do, Do, Do"). The Duke, Constance and Constance's father, Judge Appleton, all show up, and Kay hides in the bedroom again. Now that Jimmy's annulment is final, the Judge plans to preside over an official marriage ceremony that afternoon. Constance hears noises from the bedroom and opens the door. Kay, now dressed as an English maid, introduces herself as Jane, wife of Shorty the butler. Kay realizes she is in love with Jimmy and resolves to prevent his marriage to Constance.
Act II[edit]
Wedding photographs of the "Bride and Groom" are being taken, and Kay, still disguised as a maid, tries to convince Jimmy that she would be a better wife than fussy Constance. She tells her rag doll that she needs "Someone to Watch Over Me". Larry is supposed to be ferrying the booze out of the cellar, but he ends up demonstrating the dancing ability of his "Fidgety Feet" instead. The revenue officer shows up briefly and is confused when Kay is introduced as Shorty's wife, not Jimmy's wife. The Judge and Constance demand lunch, and Shorty and Kay must serve them. The meal becomes increasingly chaotic, and the Judge and Constance are severely offended and leave. Jimmy declares that spending time with the young ladies who frequent his house is "Heaven on Earth".
The revenue officer returns and is shocked to hear that Jimmy is getting married that afternoon, since he saw him with his wife the previous night. Kay is trying on one of Constance's gowns, and, since she does not look like a maid anymore, she and Shorty convince the revenue officer that she is Jimmy's wife. She just looks like Jane the maid; Dolly and Phyllis demonstrate that two people can look alike.
Kay and Shorty plot to stop the wedding. When Jimmy sees Kay in Constance's dress, she is so beautiful that he kisses her. The wedding begins, and as the Judge reads the service, he is interrupted by Shorty, disguised as a revenue agent, who is executing Kay's plan. He says that Jimmy is under arrest for hiding alcohol in his house. The real revenue officer arrives, arrests the Duke and Kay, and charges Jimmy with harboring a criminal. He reveals that he found Kay in Jimmy's pajamas the night before masquerading as Jimmy's wife. The bootleggers and Jimmy are placed under arrest and locked in the cellar as the booze is trucked away. They soon discover, however, that the basement has been left unlocked, and they can leave.
That night, Jimmy gives a party for his friends and the bootleggers. His friends all praise Kay, declaring "Oh, Kay, You're OK with Me". The revenue officer arrives and confesses that he is really the Blackbird, a famous pirate, and he has just stolen all their liquor! But it turns out that the truck drivers were working for Shorty and Larry. Blackbird swears that he will have his revenge. Since he thinks Kay does not have a United States visa, he wants her deported. However, Jimmy arrives with their new marriage license, proving that Kay is a U.S. citizen.
Productions and recordings[edit]
Oh, Kay! premiered on November 8, 1926, at the Imperial Theatre on Broadway and ran for 256 performances. In London, it played at His Majesty's Theatre, opening on September 21, 1927, and ran for 213 performances.
It was revived at the Century Theatre in 1928. It was revived Off-Broadway in 1960, and a 1990 revival played at the Richard Rodgers Theatre and the Lunt-Fontanne Theatre with an all-black cast. In 1997 a Discovering Lost Musicals concert version played at the Barbican Centre in London, using the original script (with Louise Gold in the title role). There have been other British productions, including a 1984 production at Chichester, directed by Ian Judge and starring Jane Carr as Kay and Michael Siberry as Jimmy. Jane How, Edward Hibbert and Gareth Valentine were also featured.[citation needed]
Oh, Kay! was made into a silent film of the same name in 1928[5] but never into a sound motion picture. A recording of the musical made in 1995, with Dawn Upshaw, restored the songs The Moon Is On the Sea, When Our Ship Comes Sailing In and Ain't It Romantic, cut from the original production, and returned Someone to Watch Over Me to its original spot, early in Act I.[3]
Roles and original Broadway cast[edit]
Kay – Gertrude Lawrence
"Shorty" McGee – Victor Moore
Jimmy Winter – Oscar Shaw
Constance Appleton – Sascha Beaumont
Mae – Constance Carpenter
Molly Morse – Betty Compton
Larry Potter – Harland Dixon
Dolly Ruxton – Madeleine Fairbanks
Phil Ruxton – Marion Fairbanks
Judge Appleton – Frank Gardiner
Peggy – Janette Gilmore
Revenue Officer Jansen – Harry T. Shannon
The Duke – Gerald Oliver Smith
Daisy – Paulette Winston
Songs[edit]
Act I
The Woman's Touch – Molly Morse, Mae and Ensemble
Don't Ask – Larry Potter, Phyllis Ruxton and Dolly Ruxton
Dear Little Girl – Jimmy Winter and Girls
Maybe – Jimmy and Kay
Clap Yo' Hands – Larry, Molly, Daisy, Mae, Peggy and Ensemble
Do, Do, Do – Jimmy and Kay
Act II
Bride and Groom – Constance Appleton, Jimmy, Judge Appleton and Guests
Someone To Watch Over Me – Kay
Fidgety Feet – Larry, Phyllis and Ensemble
Heaven on Earth – Jimmy, Molly, Mae and Ensemble
Oh, Kay! – Kay and Boys
Notes[edit]
Jump up ^ The Play Pictorial, v. 51, October 1927, No. 309
Jump up ^ Bloom & Vlastnick, pp. 232–33
^ Jump up to: a b Krasker, Tommy. Sleeve notes to Oh, Kay!, Roxbury Recordings, 1995
Jump up ^ Bloom & Vlastnick, p. 233
Jump up ^ Gänzl, p. 62
References[edit]
Bloom, Ken and Vlastnik, Frank. Broadway Musicals: The 101 Greatest Shows of all Time. Black Dog & Leventhal Publishers, New York, 2004. ISBN 1-57912-390-2
Gänzl, Kurt. Gänzl's Book of the Broadway Musical: 75 Favorite Shows, from H.M.S. Pinafore to Sunset Boulevard. Schirmer Books, New York, 1995. ISBN 0-02-870832-6
External links[edit]
Oh, Kay! at the Internet Broadway Database
Review of the 1997 revival
Oh, Kay! on IMDb
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Music of Red Dead Redemption
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The music for the 2010 action-adventure western video game Red Dead Redemption, developed by Rockstar San Diego and published by Rockstar Games, was composed by musicians Bill Elm and Woody Jackson. Recorded at Jackson's studio in Los Angeles, the soundtracks were produced by David Holmes. The music was intended to imitate soundtracks of 1960s Western films, such as Ennio Morricone's work on the Dollars Trilogy. In collaboration with each other, Elm and Jackson produced over fourteen hours of music across fifteen months. The composers used unconventional instruments to create unique sounds, and worked with artists such as Tommy Morgan during production. Four supplementary vocal recordings were also produced for the game.
The soundtrack album for Red Dead Redemption was released on iTunes in May 2010. Additional compositions, composed for the game's downloadable content Red Dead Redemption: Undead Nightmare, were released on a second soundtrack in November 2010. Critical reception to the soundtracks was positive, as reviewers felt that the music connected appropriately with the gameplay and genre. The game's music was nominated for numerous awards. Several tracks became popular and begot cover versions and live performances.
Contents
[hide]
1 Background and recording
2 Albums
2.1 Red Dead Redemption Original Soundtrack
2.2 Red Dead Redemption: Undead Nightmare Original Soundtrack
3 Legacy
4 References
5 External links
Background and recording[edit]
Woody Jackson composed the score for Red Dead Redemption, in collaboration with Bill Elm.
Red Dead Redemption is one of the first games by Rockstar to use an original score. Music supervisor Ivan Pavlovich has cited the large scale of the game as one of the largest difficulties when producing the score. He said that, in order to achieve an effective gaming experience, the game could not solely feature licensed music, like previous Rockstar games. "We figured we'd need to write an original score," Pavlovich said. To work on the score, Rockstar engaged Bill Elm and Woody Jackson, member and former member of Friends of Dean Martinez, respectively. In collaboration with each other, the duo composed over fourteen hours of music, which scores the game's missions, across fifteen months. The original score and subsequent album were both recorded and mixed at Jackson's personal recording studio in Los Angeles, and mastered at Capitol Studios.[1] Following the recording, Irish producer and composer David Holmes listened to the original score, and subsequently spent three weeks compiling fifteen instrumental tracks that could be used as standalone songs for the game's official soundtrack. Holmes attempted to make the soundtrack representative of the variety of sounds and moods in the game. Four vocal performances were also recorded for use in the soundtrack.[2][a]
"(Theme From) Red Dead Redemption"
"(Theme From) Red Dead Redemption", the game's main theme, was composed by Bill Elm and Woody Jackson. The duo collaborated to produce original music for the game.
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Recorded at 130 beats per minute in A minor, most of songs featured are constructed from motifs in the game's dynamic soundtrack. A mix of modern instruments and those featured in traditional Western films, such as the jaw harp, were used. Creative uses of instruments were used to bring unique sounds, such as playing a trumpet onto the surface of a timpani drum. Rockstar also consulted musicians who played traditional Western instruments; harmonica player Tommy Morgan, who had been featured on several films over his 60-year career, provided traditional harmonica segments for the game.[3] Beyond trumpets, nylon guitars and accordions, the composers incorporated other instruments, such as flutes and ocarinas. When researching music for inspiration, Jackson found that there was no "Western sound" in 1911; he felt that the soundtracks of 1960s Western films, such as Ennio Morricone's work on the Dollars Trilogy, was more representative of Western music. In appropriating the score to the game's setting, Elm commented that the process was initially "daunting", taking a long time to discover how the music was to work in an interactive way.[4]
Albums[edit]
Red Dead Redemption Original Soundtrack[edit]
Red Dead Redemption Original Soundtrack
Soundtrack album by Bill Elm and Woody Jackson
Released
May 18, 2010
Genre
Soundtrack
Length
75:18
Label
Rockstar Games
Red Dead Redemption Original Soundtrack comprises songs from the game, composed and produced by Bill Elm and Woody Jackson. The soundtrack spans twenty tracks, covering a duration of 75 minutes, and features four additional vocal songs.[a] Rockstar Games first published the album digitally via iTunes on 18 May 2010,[5] and physically on 23 August 2010.[6] A limited vinyl record of the soundtrack was also released on 18 November 2010, as a collaboration between Rockstar and Wax Poetics.[7]
In the context of the game, Red Dead Redemption Original Soundtrack was well received. Simon Parkin of Eurogamer named it "standout", praising the use of multiple instruments.[8] GamePro's Will Herring echoed these opinions, comparing the soundtrack to Ennio Morricone's Dollars Trilogy.[9] Justin Calvert of GameSpot called the soundtrack "superb",[10] and IGN's Erik Brudvig named it "exceptional" and "wonderful".[11] Game Music Online praised the soundtrack as an individual piece, stating that it has the ability to accompany "any Hollywood film".[12] Gideon Dabi of Original Sound Version felt divided about the soundtrack; though heaping praise, he wrote that it was "a little too slow on the draw".[13]
All music composed by Bill Elm and Woody Jackson, except where noted.
[show]Track listing
No.
Title
Length
1. "Born Unto Trouble" 3:12
2. "The Shootist" 4:17
3. "Dead End Alley" 2:06
4. "Horseplay" 3:15
5. "Luz y Sombra" 5:19
6. "El Club De Los Cuerpos" 6:24
7. "Estancia" 2:02
8. "(Theme From) Red Dead Redemption" 5:38
9. "Triggernometry" 5:24
10. "Gunplay" 1:28
11. "Redemption in Dub" 2:10
12. "Muertos Rojos (aka The Gunslinger's Lament)" 5:51
13. "The Outlaw's Return" 6:54
14. "Exodus in America" 4:59
15. "Already Dead" 1:31
16. "Far Away" (José González) 4:40
17. "Compass (Red Dead On Arrival Version)" (Jamie Lidell) 2:59
18. "Deadman's Gun" (Ashtar Command) 4:15
19. "Bury Me Not on the Lone Prairie" (William Elliott Whitmore) 2:24
20. "Old Friends, New Problems" (Vinyl edition only)
Total length: 75:18
Red Dead Redemption: Undead Nightmare Original Soundtrack[edit]
Red Dead Redemption: Undead Nightmare Original Soundtrack
Soundtrack album by Bill Elm and Woody Jackson
Released
November 23, 2010
Genre
Soundtrack
Length
48:57
Label
Rockstar Games
Red Dead Redemption: Undead Nightmare Original Soundtrack, the soundtrack for the downloadable content Red Dead Redemption: Undead Nightmare, features compositions from the game, composed and produced by Bill Elm and Woody Jackson. It also features works from bands Kreeps and Misterio. The soundtrack spans eighteen tracks, covering a duration of 49 minutes. Rockstar Games first published the album digitally via iTunes and Amazon Music on 23 November 2010, simultaneous with the release of Undead Nightmare, and physically on 26 November 2010.[14]
In the context of the game, the soundtrack was generally well received. Harris Iqbal of Game Music Online praised its ability to incorporate horror and western music, stating that the soundtrack is "sometimes gimmicky and narrow in its scope, but there is still a decent amount of variety".[15] Michael McWhertor of Kotaku called the soundtrack "gorgeous".[16]
All music composed by Bill Elm and Woody Jackson, except where noted.
[show]Track listing
No.
Title
Length
1. "Undead Nightmare" 1:07
2. "Zombie Corpseplay" 2:53
3. "Get Back In That Hole, Partner" 2:36
4. "Army of the Undead" 2:23
5. "Chupacabra" 3:19
6. "Zombie Peyote" 1:41
7. "Ojo Muerto" 1:49
8. "Blunderbuss Blues" 1:58
9. "Four Horses of the Apocalypse" 5:03
10. "Blackwater, USA" 5:21
11. "Undead Redemption" 1:42
12. "Missing Souls" 1:32
13. "A Man Ready for Anything" 1:57
14. "Showdown in Escalera" 2:43
15. "Bad Voodoo" (Kreeps) 3:41
16. "Dead Man Walking" (Kreeps) 3:52
17. "Dead Sled" (Kreeps) 2:09
18. "Stinkin' Zombies" (Misterio) 3:11
Total length: 48:57
Legacy[edit]
Red Dead Redemption won the award for Best Original Music from GameSpot,[17] and Best Original Score at the Spike Video Game Awards; the latter also awarded "Far Away" by José González with Best Song in a Game.[18] Gonzalez performed the song on Zane Lowe's show on BBC Radio 1 in June 2010,[19] at the Rockstar offices in New York in July 2010,[20] and at the Spike Video Game Awards in December 2010.[21] The performance at the Spike Video Game Awards was accompanied by a music video for the song, which Rockstar published a few weeks later.[22] Ashtar Command also performed a live version of the song "Deadman's Gun" in August 2010.[23] The popularity of the game has led to numerous cover versions of the music being released by various artists, such as musician Ben "Squid Physics" Morfitt,[24] and artist María Katt.[25]
References[edit]
Notes
^ Jump up to: a b Four vocal performances were recorded for the soundtrack: "Far Away" by José González, "Compass (Red Dead on Arrival Version)" by Jamie Lidell, "Deadman's Gun" by Ashtar Command, and "Bury Me Not on the Lone Prairie" by William Elliott Whitmore.[2]
Footnotes
Jump up ^ Stuart, Keith (May 26, 2010). "Redemption songs: the making of the Red Dead Redemption soundtrack". The Guardian. Guardian Media Group. Archived from the original on September 4, 2014. Retrieved August 17, 2014.
^ Jump up to: a b "Features: Soundtrack". Rockstar Games. Archived from the original on January 13, 2014. Retrieved September 25, 2014.
Jump up ^ R* Q (July 28, 2010). "Behind the Scenes of the Red Dead Redemption Soundtrack". Rockstar Newswire. Rockstar Games. Archived from the original on December 3, 2015. Retrieved December 4, 2015.
Jump up ^ Jeriaska (November 4, 2011). "Myths, Mavericks, And Music Of Red Dead Redemption". Gamasutra. UBM TechWeb. Archived from the original on September 25, 2014. Retrieved September 25, 2014.
Jump up ^ R* Q (May 24, 2010). "Red Dead Redemption Original Soundtrack Now Available on iTunes". Rockstar Newswire. Rockstar Games. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ R* Q (August 23, 2010). "Red Dead Redemption Original Soundtrack CD Now Available at the Rockstar Warehouse". Rockstar Newswire. Rockstar Games. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ R* Q (November 18, 2010). "Collectors' Item Red Vinyl LP of the Red Dead Redemption Original Soundtrack Now Available at the Rockstar Warehouse". Rockstar Newswire. Rockstar Games. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ Parkin, Simon (May 17, 2010). "Red Dead Redemption Review". Eurogamer. Gamer Network. p. 3. Archived from the original on October 25, 2015. Retrieved October 1, 2014.
Jump up ^ Herring, Will (May 7, 2010). "Red Dead Redemption review from GamePro". GamePro. International Data Group. Archived from the original on May 22, 2010. Retrieved May 17, 2010.
Jump up ^ Calvert, Justin (May 18, 2010). "Red Dead Redemption Review". GameSpot. Archived from the original on October 25, 2015. Retrieved June 19, 2012.
Jump up ^ Brudvig, Erik (May 17, 2010). "Red Dead Redemption Review". IGN. Ziff Davis. Archived from the original on October 25, 2015. Retrieved May 17, 2010.
Jump up ^ Sound Tracker. "Red Dead Redemption Original Soundtrack". Game Music Online. Archived from the original on October 25, 2015. Retrieved October 1, 2014.
Jump up ^ Dabi, Gideon (May 24, 2010). "Red Dead Redemption OST: Good, Bad, or Ugly? (Review)". Original Sound Version. Archived from the original on October 25, 2015. Retrieved October 1, 2014.
Jump up ^ R* Q (November 17, 2010). "The Undead Nightmare Soundtrack Is Coming Next Week". Rockstar Newswire. Rockstar Games. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ Iqbal, Harris (November 23, 2010). "Red Dead Redemption -Undead Nightmare- Original Soundtrack". Game Music Online. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ McWhertor, Michael (October 19, 2010). "Review: Red Dead Redemption: Undead Nightmare". Kotaku. Gawker Media. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ "Best Original Music – The Best Games of 2010". GameSpot. Archived from the original on December 20, 2010. Retrieved April 9, 2013.
Jump up ^ VGA (October 27, 2011). "Video Game Awards 2010 Winners". Spike. Archived from the original on October 25, 2015. Retrieved April 3, 2013.
Jump up ^ R* Q (June 8, 2010). "Jose Gonzalez 'Far Away' from the Red Dead Redemption Original Soundtrack Featured on the Zane Lowe Show on BBC Radio 1". Rockstar Newswire. Rockstar Games. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ R* Q (July 22, 2010). "Live Performance of "Far Away" by Jose Gonzalez from the Red Dead Redemption Soundtrack". Rockstar Newswire. Rockstar Games. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ R* Q (December 11, 2010). "Update: Red Dead Redemption Wins Game of the Year and Jose Gonzalez Performs "Far Away" Live at the 2010 Spike Video Game Awards". Rockstar Newswire. Rockstar Games. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ R* A (December 22, 2010). ""Far Away" Music Video (Red Dead Redemption Soundtrack)". Rockstar Newswire. Rockstar Games. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ R* Q (August 16, 2010). "Live Performance of "Deadman's Gun" by Ashtar Command from the Red Dead Redemption Soundtrack". Rockstar Newswire. Rockstar Games. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ R* Y (January 8, 2014). "Fan Videos: Street and Sky Stunt Montages, Niko's Yoga Session and A Very GTA Christmas". Rockstar Newswire. Rockstar Games. Archived from the original on October 25, 2015. Retrieved October 25, 2015.
Jump up ^ Zapruder Pictures (July 25, 2015). ""Far Away" – María Katt para Red Dead Redemption: Seth's Gold". Facebook. Archived from the original on December 3, 2015. Retrieved December 4, 2015.
External links[edit]
Red Dead Redemption official website
Official website music page
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