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The Theory of Everything (2014 film)
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The Theory of Everything
UK release poster[1]
Directed by
James Marsh[1]
Produced by
Tim Bevan
Eric Fellner
Lisa Bruce
Anthony McCarten
Screenplay by
Anthony McCarten
Based on
Travelling to Infinity: My Life with Stephen
by Jane Hawking
Starring
Eddie Redmayne[2][1]
Felicity Jones[2][1]
Charlie Cox[1]
Emily Watson[1]
Simon McBurney[1]
David Thewlis[1]
Music by
Jóhann Jóhannsson
Cinematography
Benoît Delhomme
Edited by
Jinx Godfrey
Production
company
Working Title Films[2]
Distributed by
Universal Pictures
Release date
7 September 2014 (2014-09-07) (TIFF)
1 January 2015 (2015-01-01) (United Kingdom)
Running time
123 minutes[1][3]
Country
United Kingdom
Language
English
Budget
US$15 million[4]
Box office
US$123.7 million[4]
The Theory of Everything is a 2014 British biographical romantic drama film[5] which is set at Cambridge University and details the life of the theoretical physicist Stephen Hawking. It was directed by James Marsh,[1] and adapted by Anthony McCarten from the memoir Travelling to Infinity: My Life with Stephen by Jane Hawking, which deals with her relationship with her ex-husband, theoretical physicist Stephen Hawking, his diagnosis of amyotrophic lateral sclerosis (ALS, also known as Lou Gehrig's disease or motor neurone disease), and his success in physics.[6]
The film stars Eddie Redmayne[2][1] and Felicity Jones,[2][1] with Charlie Cox, Emily Watson, Simon McBurney, Christian McKay, Harry Lloyd, and David Thewlis featured in supporting roles.[1] The film had its world premiere at the 2014 Toronto International Film Festival[2] on 7 September 2014. It had its UK premiere on 1 January 2015.[1]
The film received positive reviews, with praise for the musical score, cinematography, and the performance of Felicity Jones and especially Eddie Redmayne, which earned him nominations for a variety of accolades in award shows and film festivals; including winning the Academy Award for Best Actor. The film also received Academy Award nominations for Best Picture, Best Actress for Jones, Best Adapted Screenplay, and Best Original Score for Jóhannsson. The film received ten British Academy Film Awards (BAFTA) nominations; and won Outstanding British Film, Best Leading Actor for Redmayne, and Best Adapted Screenplay for McCarten. It received four Golden Globe Award nominations, winning the Golden Globe Award for Best Actor – Motion Picture Drama for Redmayne, and Best Original Score for Jóhannsson. It also received three Screen Actors Guild Awards nominations; winning one for the Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role for Redmayne.
Contents
[hide]
1 Plot
2 Cast
3 Production
3.1 Development
3.2 Filming
3.3 Music
3.4 Post-production
4 Historical accuracy
5 Release
6 Reception
6.1 Box office
6.2 Critical response
6.3 Accolades
7 References
8 External links
Plot[edit]
At the University of Cambridge, astrophysics student Stephen Hawking begins a romantic relationship with literature student Jane Wilde. Although Stephen excels at mathematics and physics, his friends and professors are concerned over his lack of a thesis topic. After Stephen and his professor Dennis Sciama attend a lecture on black holes, Stephen speculates that black holes may have been part of the creation of the universe, and decides to write his thesis on time.
While pursuing his research, Stephen's muscles begin to fail, eventually causing him to fall and hit his head. He learns he has motor neurone disease; he will be unable to talk, swallow, breathe, or move most of his body; and has approximately two years to live. Stephen asks what will happen to his brain. The doctor tells Stephen that the disease will not affect it or his thoughts, but that eventually, no one will know what they are. As Stephen becomes reclusive, focusing on his work, Jane confesses she loves him. She tells Stephen's father she intends to stay with Stephen even as his condition worsens. They marry and have a son.
Stephen presents his thesis to the examination board, arguing that a black hole created the universe in a Big Bang, that it will emit heat, and that it will end in a Big Crunch. While celebrating with Jane and his friends, Stephen realises he cannot walk, and begins using a wheelchair.
After having a second child, a daughter, Stephen develops a theory about the visibility of black holes, and becomes a world-renowned physicist. Jane, focusing on the children and on Stephen's health and increasing fame, is unable to work on her own thesis and becomes frustrated. Stephen tells her he will understand if she needs help. She joins the church choir, where she meets widower Jonathan and they become close friends. She employs him as a piano teacher for her son and Jonathan befriends the entire family, helping Stephen with his illness, supporting Jane, and playing with the children.
When Jane gives birth to another son, Stephen's mother asks Jane if the baby is Jonathan's, which she denies. Jane sees that Jonathan overheard the conversation, and is appalled, but when they are alone, they admit their feelings for one another. Jonathan stays away from the family, but Stephen visits him, saying that Jane needs him.
While Jane and Jonathan take the children camping, Stephen is invited to attend an opera performance in Bordeaux, and contracts pneumonia. While in the hospital, the doctors tell Jane that Stephen needs a tracheotomy, which will leave him unable to speak. She agrees to the surgery.
Stephen learns to use a spelling board, and uses it to communicate with Elaine, his new nurse. He receives a computer with a built-in voice synthesiser, and uses it to write a book, A Brief History of Time, which becomes an international best-seller.
Stephen tells Jane that he has been invited to America to accept an award, and will be taking Elaine with him. Jane faces the realisation that her and Stephen's marriage has not been working, telling him she "did her best". Jane and Stephen agree to divorce. Stephen goes to the lecture with Elaine, the two having fallen in love, and Jane and Jonathan reunite. At the lecture, Stephen sees a student drop a pen; he imagines getting up to return it, almost crying at the reminder of how his disease has affected him. He goes on to give an inspiring speech, saying, "There should be no boundaries to human endeavour. We are all different. However bad life may seem, there is always something you can do, and succeed at. While there's life, there is hope".
Stephen invites Jane to meet Queen Elizabeth II with him to receive his Order of the Companions of Honour; they share a happy day together with their children, with Stephen saying "Look what we made".
An extended closing series comprises select moments from the film; shown in reverse, back to the moment Stephen first saw Jane. A final title sequence brings the lives of the lead characters up to date. Jane and Jonathan are happily married, and she has completed her PhD. She and Stephen remain close friends. Stephen declines a knighthood from the Queen and continues his research, with no plans to retire.
Cast[edit]
Eddie Redmayne[2] as Stephen Hawking[7]
Felicity Jones[2] as Jane Hawking[7]
Charlie Cox as Jonathan Jones[7]
David Thewlis as Dennis Sciama[7]
Simon McBurney as Frank Hawking, Stephen's father[7]
Emily Watson as Beryl Wilde, Jane's mother[7]
Maxine Peake as Elaine Mason, Stephen's second wife[7]
Harry Lloyd as Brian, Hawking’s room-mate[8]
Guy Oliver-Watts as George Wilde, Jane's father
Abigail Cruttenden as Isobel Hawking, Stephen's mother
Charlotte Hope as Phillipa Hawking, Stephen's sister[7]
Lucy Chappell as Mary Hawking, Stephen's sister
Christian McKay as Roger Penrose[7]
Enzo Cilenti as Kip Thorne[7]
Georg Nikoloff as Isaak Markovich Khalatnikov
Alice Orr-Ewing as Diana King, sister of Basil King, Stephen's friend
Stephen Hawking provides his own, Equaliser-computerised voice
Frank Leboeuf as Swiss doctor[7]
Michael Marcus as Ellis, Hawking's friend
Production[edit]
Development[edit]
"That's really the essence of the story, it's a very unusual love story in a very strange environment, a very strange sort of landscape, and that is I think the abiding theme of the film. It is how these two characters, these two real people transcend all the complications and curveballs that life throws at them."
—James Marsh, speaking of the film's nature[9]
The title "The Theory of Everything" had been used before, inter alia, the title of a fictitious book mentioned in Andy Hamilton's 1995-2012 BBC radio series, "Old Harry's Game", a 2006 TV film, and a 2008 episode of "CSI: Crime Scene Investigation". Screenwriter Anthony McCarten had been interested in Hawking since reading his seminal book A Brief History of Time in 1988. In 2004, McCarten read Jane Hawking's memoir Travelling to Infinity: My Life with Stephen, and subsequently began writing a screenplay adaptation of the book, with no guarantees in place. He met numerous times with Jane at her home to discuss the project. After multiple drafts, he was introduced in 2009 to producer Lisa Bruce via their mutual ICM agent, Craig Bernstein.[10]
Bruce spent three years with McCarten, further convincing Jane Hawking to agree to a film adaptation of her book, with Bruce stating, "It was a lot of conversation, many glasses of sherry, and many pots of tea".[11] On 18 April 2013, James Marsh was confirmed to direct the film, with the shooting being based in Cambridge, and at other locations in the United Kingdom,[citation needed] with Eddie Redmayne courted to fill the male lead of the piece.[12] On 23 June 2013, it was revealed that Felicity Jones was confirmed to play the film's female lead role opposite Redmayne.[13][14] On 8 October 2013, it was confirmed that Emily Watson and David Thewlis had joined the cast, Christina Applegate, Kate del Castillo, Catherine Tate, and Amanda Peet were considered for the part,[15] and that Working Title's Tim Bevan, Eric Fellner, Lisa Bruce, and Anthony McCarten would be producing the piece.[16]
Filmmaker Marsh had studied archival images to give the film its authenticity, stating, "When we had photographs and documentary footage of Stephen that related to our story, we tried to reproduce them as best we could".[17] Redmayne met with Hawking himself, commenting, "Even now, when he's unable to move, you can still see such effervescence in his eyes". And described portraying Hawking on-screen as a "hefty" challenge, adding that, "The real problem with making a film is of course you don't shoot chronologically. So it was about having to really try and chart his physical deterioration [so] you can jump into it day-to-day, whilst at the same time keeping this spark and wit and humour that he has".[17]
Redmayne spent six months researching Hawking's life, watching every piece of interview footage he could find of him.[18] He studied Hawking's accent and speech patterns under dialect coach Julia Wilson-Dickson to prepare for the role.[19] Marsh stated that what Redmayne had to do was not easy. "He had to take on enormous amounts of difficult preparation, as well as embracing the difficult physicality of the role. It's not just doing a disability. It's actually charting the course of an illness that erodes the body, and the mind has to project out from that erosion", he said. He added that Hawking gave him his blessing, and also revealed that, "[Hawking's] response was very positive, so much so that he offered to lend his voice, the real voice that he uses. The voice you hear in the latter part of the story is in fact Stephen's actual electronic voice as he uses it", he said.[9] It was revealed to the Toronto International Film Festival (TIFF) audience that as the lights came up at a recent screening, a nurse had wiped a tear from Hawking's cheek.[18]
Jane Hawking, speaking on BBC Radio 4's Woman's Hour, talked of meeting Jones several times while the latter prepared for the role.[20] When Hawking saw the finished film, she was amazed to see that Jones had incorporated her mannerisms and speech patterns into her performance.[20]
Filming[edit]
Part of the filming in Cambridge took place at St John's College
By 8 October 2013, principal photography had begun, with the shooting being done at Cambridge University, and at other locations in Cambridgeshire and across the United Kingdom.[21] Prior to the start of principal photography, Working Title had begun shooting on the lawn in front of the New Court building from 23 September 2013 to 27 September 2013; they filmed the Cambridge May Ball scene, set in 1963.[22] On 24 September 2013, scenes were filmed at St John's College, The Backs in Queen's Road, and Queen's Green.[23] The New Court lawn and Kitchen Bridge were included features in the filming location of the piece. The May Ball scene was the last of the outside shoots, with filming in a lecture theatre the following day, and the remaining filming completed in the studio over the final five weeks of production.[24]
The pyrotechnic specialists Titanium Fireworks, who developed the displays for the London 2012 Olympic Games, provided three identical firework displays for the Trinity College, Cambridge May Ball scene.[24][25]
Music[edit]
Composer Jóhann Jóhannsson scored The Theory of Everything. His score in the film has been described as including "[Jóhannsson's] signature blend of acoustic instruments and electronics". Jóhannsson commented that "it always involves the layers of live recordings, whether it's orchestra or a band or solo instrument, with electronics and more 'soundscapey' elements which can come from various sources".[26] The soundtrack was recorded at Abbey Road Studios.[27]
Post-production[edit]
During editing, filmmakers tried to remake Hawking's synthesised voice, but it did not turn out as they wanted. Hawking enjoyed the film enough that he granted them permission to use his own synthesised voice, which is heard in the final film.[28]
Historical accuracy[edit]
The film takes various dramatic liberties with the history it portrays. Writing for the film blog of UK daily newspaper The Guardian, Michelle Dean noted: "The Theory of Everything's marketing materials will tell you it is based on Jane Hawking's memoir of her marriage, a book published in the UK as Music to Move the Stars, and then re-issued as Travelling to Infinity. But the screenwriters rearranged the facts to suit certain dramatic conventions. And while that always happens in these based-on-a-true-story films, the scale of the departure in The Theory of Everything is unusually wide. The film becomes almost dishonest – in a way that feels unfair to both parties, and oddly, particularly Jane Hawking herself".[29] In Slate, L.V. Anderson wrote that "the Stephen played by Eddie Redmayne is far gentler and more sensitive" than suggested in Travelling to Infinity.[30] The Slate article further noted that the character Brian, Hawking's closest friend at Cambridge in the film, is not based on a real individual, but rather a composite of several of his real-life friends.[30]
The film alters some of the details surrounding the beginning of Stephen and Jane's relationship, including how they met, as well as the fact that Jane knew about Stephen's disease before they started dating.[29] Slate also comments that the film underplays Hawking's stubbornness and refusal to accept outside assistance for his disorder.[30]
For The Guardian, Dean concluded by saying:
"The movie presents the demise of their relationship as a beautiful, tear-soaked, mutually respectful conversation. Of course that didn't actually happen either. Jane's book describes a protracted breakup that comes to a head in a screaming fight on vacation. She also described devastation when Hawking announced by letter he was leaving her for his second wife, Elaine Mason. He ended up married to Mason for 10 years before that fell apart, and then he and Jane mended fences. Which, as it happens, the movie fudges too. It tries to present the rapprochement as coming when Hawking was made a Companion of Honour in 1989, but that actually happened before the couple separated".[29]
Physicist Adrian Melott, a former student of Dennis Sciama, Hawking's doctoral supervisor portrayed in the film, strongly criticised the portrayal of Sciama in the film.[31]
Release[edit]
On 8 October 2013, Universal Pictures International had acquired the rights to distribute the film internationally.[16]
On 10 April 2014, Focus Features acquired the distribution rights to The Theory of Everything in the United States, with the plan of a 2014 limited theatrical release.[32] publisher after, Entertainment One Films picked up the Canadian distribution rights.[33] The first trailer of the film was released on 7 August 2014.[34][35]
The Theory of Everything premiered at the Toronto International Film Festival (TIFF)[2] on 7 September 2014,[36] where it opened in the official sidebar section, Special Presentations.[37][38]
The film had a limited release in the United States on 7 November 2014,[39] expanded in successive weeks to Taiwan, Austria, and Germany,[40] ahead of a United Kingdom release on 1 January 2015, before being released throughout Europe.[41]
Reception[edit]
Box office[edit]
The Theory of Everything earned US$122,873,310 worldwide, with its biggest markets coming from North America (US$35.9 million), and the United Kingdom (US$31.9 million).[4] The film had a North American limited release on 7 November 2014; it was released in five theatres, and earned US$207,000 on its opening weekend, for an average of US$41,400 per theatre. The film was then widely released on 26 November across 802 theatres, earning US$5 million, and debuting at No. 7 at the Box Office. During its five-day Thanksgiving week, the film earned US$6.4 million.[42]
Critical response[edit]
Film review aggregator Rotten Tomatoes reports an approval rating of 79% based on 236 reviews, with an average rating of 7.3/10. The site's critical consensus reads, "Part biopic, part love story, The Theory of Everything rises on James Marsh's polished direction and the strength of its two leads."[43] Metacritic assigned the film a weighted average score of 72 out of 100, based on 47 critics, indicating "generally favorable reviews".[44]
Catherine Shoard of The Guardian wrote, "Redmayne towers: this is an astonishing, genuinely visceral performance which bears comparison with Daniel Day-Lewis in My Left Foot".[45] Lou Lumenick, in his review for The New York Post, called the film "tremendously moving and inspirational".[46] Justin Chang of Variety remarked, "A stirring and bittersweet love story, inflected with tasteful good humor...." He continued by praising the "superb performances" from Redmayne and Jones, as well commenting very positively about Jóhannsson's score, "whose arpeggio-like repetitions and progressions at times evoke the compositions of Philip Glass", whilst praising John Paul Kelly's production design, and Steven Noble's costumes.[47] Leslie Felperin of The Hollywood Reporter remarked, "A solid, duly moving account of their complicated relationship, spanning roughly 25 years, and made with impeccable professional polish", praising Delhomme's cinematography as having "lush, intricately lit compositions", and adding "a splendor that keeps the film consistently watchable", and Jóhannsson's score as "dainty precision with a ineffable scientific quality about it".[48] The Daily Telegraph's Tim Robey granted the film a positive review, stating that, "In its potted appraisal of Hawking's cosmology, The Theory of Everything bends over backwards to speak to the layman, and relies on plenty of second-hand inspiration. But it borrows from the right sources, this theory. And that's something", while praising Redmayne's performance, McCarten's script, and Delhomme's cinematography.[49] Deadline.com's Pete Hammond marked McCarten's script and Marsh's direction for praise, and of the film's Toronto reception, wrote: "To say the response here was rapturous would not be understating the enthusiasm I heard — not just from pundits, but also Academy voters with whom I spoke. One told me he came in with high expectations for a quality movie, and this one exceeded them".[50]
The film was not without its detractors. Some criticised Marsh's focus on Hawking's romantic life. Alonso Duralde of The Wrap stated that "Hawking's innovations and refusal to subscribe to outdated modes of thinking merely underscore the utter conventionality of his film biography".[51] Eric Kohn of Indiewire added that "James Marsh's biopic salutes the famous physicist's commitment, but falls short of exploring his brilliant ideas".[52] Dennis Overbye of the New York Times noted that "the movie doesn't deserve any prizes for its drive-by muddling of Dr. Hawking's scientific work, leaving viewers in the dark about exactly why he is so famous. Instead of showing how he undermined traditional notions of space and time, it panders to religious sensibilities about what his work does or does not say about the existence of God, which in fact is very little".[53] Writing for The Guardian's film blog, Michelle Dean argues that the film does a disservice to Jane Wilde Hawking, by "rearrang[ing] the facts to suit certain dramatic conventions... The Theory of Everything is hell-bent on preserving the cliche".[54]
The film's producers, writer, director Marsh, and actors Redmayne and Jones were widely favoured for award season success.[37][50][55][56]
Accolades[edit]
Main article: List of accolades received by The Theory of Everything
The Theory of Everything received several awards and nominations following its release. At the 87th Academy Awards, it was nominated in the categories of Best Picture, Best Actor for Eddie Redmayne, Best Actress for Jones, Best Adapted Screenplay for McCarten, and Best Original Score for Jóhann Jóhannsson; with Eddie Redmayne winning the film's sole Academy Award for his performance. The film was nominated for ten British Academy Film Awards,[57] (winning for Best Adapted Screenplay, Best British Film, and Best Actor), five Critics' Choice Movie Awards,[58] and three Screen Actors Guild Awards.[59] At the 72nd Golden Globe Awards, Redmayne won Best Actor – Motion Picture Drama, and Jóhannsson won Best Original Score. The film, and Jones were also nominated. Production designer John Paul Kelly earned a nomination for Excellence in Production Design for a Period Film from the Art Directors Guild,[60] while the producers were nominated for Best Theatrical Motion Picture by the Producers Guild of America.[61]
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Jump up ^ "Nominees nnnounced for the 21st Annual Screen Actors Guild Awards". SAGawards.org. SAG-AFTRA. 10 December 2014. Retrieved 10 December 2014.
Jump up ^ "'Birdman', 'Foxcatcher' among Art Directors Guild nominees". Deadline.com. Deadline.com. 5 January 2015. Retrieved 5 January 2015.
Jump up ^ "'American Sniper,' 'Birdman' & 'Boyhood' among PGA awards nominees". Deadline.com. Deadline.com. 5 January 2015. Retrieved 5 January 2015.
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Somewhere (song)
From Wikipedia, the free encyclopedia
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This article is about the song from West Side Story. For the Shanice song, see Somewhere (Shanice song). For other uses, see Somewhere (disambiguation).
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (October 2014) (Learn how and when to remove this template message)
"Somewhere", sometimes referred to as "Somewhere (There's a Place for Us)" or simply "There's a Place for Us", is a song from the 1957 Broadway musical West Side Story that was made into a film in 1961. The music is composed by Leonard Bernstein with lyrics by Stephen Sondheim, and takes a phrase from the slow movement of Beethoven's 'Emperor' Piano Concerto, which forms the start of the melody,[1] and also a longer phrase from the main theme of Pyotr Tchaikovsky's Swan Lake.
Contents
[hide]
1 The song in the stage musical
2 The song in the 1961 film
3 P. J. Proby version
4 The Supremes' version
5 Barbra Streisand version
6 Phil Collins version
6.1 Charts
7 Pet Shop Boys version
7.1 Track listings
7.2 Charts
8 Other notable cover versions
9 References
10 External links
The song in the stage musical[edit]
In the stage musical, the song appears in the second act of the show during the Somewhere Ballet. It is performed by an off-stage soprano singer and is later reprised by the entire company. In the original Broadway production, "Somewhere" was sung by Reri Grist who played the role of Consuelo.
At the end of the show, when Tony is shot, Maria sings the first few lines of the song as he dies in her arms.
In late 1957, this recording was released on the album West Side Story (Original Broadway Cast).
The song in the 1961 film[edit]
In the 1961 film, the song occurs at a pivotal point, after the rumble in which Tony (Richard Beymer) has stabbed Maria's brother, Bernardo (George Chakiris). Having nowhere else to go, Tony runs to Maria (Natalie Wood), who has just been told of her brother's death and who killed him. When Tony comes to her room through the balcony window, Maria, in shock, pounds against his chest.
Realizing in spite of her anger that she still loves Tony, Maria begs him to hold her. After Maria cries out, "It's not us...it's everything around us." Tony replies, "Then I'll take you away, where nothing can get to us." He then begins singing "Somewhere" to her. His comforting voice draws her in and it becomes a duet of hope that their love will survive "somehow, someday, somewhere."
As in the stage show, Maria sings the first few lines of the song as Tony dies in her arms. In 2004, this version finished at #20 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
"Somewhere" is the only track that is out of sequence on the original soundtrack album as it is the last track on Side 2. This is rectified on the CD as "Somewhere" is correctly placed in sequence to the film between "The Rumble" and "Cool."
P. J. Proby version[edit]
In 1964, P. J. Proby released his version of "Somewhere", which reached number 6 on the British singles chart and 7 on the Australian singles chart. The song also charted well in various European countries.
Chart positions
Peak
position
UK Singles Chart 6
Australian Singles Chart 7
The Supremes' version[edit]
In 1965, the Supremes recorded the song for their album, There's a Place for Us, though it went unreleased until 2004. They also used it for their debut appearance at the Copacabana nightclub in New York City and it eventually became a fixture of their nightclub acts. They also sang the song on The Ed Sullivan Show and The Hollywood Palace. In contrast to the original melody, a special dramatic monologue was incorporated, which was frequently changed in conjunction with changes in the group as well as the country's turmoil in the late 1960s.
In the aftermath of the shooting of Martin Luther King, Jr., the monologue was changed to reflect King's famous "I Have a Dream" speech. When the Supremes appeared on The Tonight Show Starring Johnny Carson the day after King had been murdered, lead singer Diana Ross was so overcome with emotion that she practically stumbled through the speech, but got an extraordinary ovation from the studio audience. It would once again be nationally televised several months later that year when the group paired up with the Temptations for an NBC television special, TCB. The monologue for that special went as follows:
"Yes, there's a place for each of us, Where love is like a passion, burning like a fire, Let our efforts be as determined as that of Dr. Martin Luther King, Who had a dream that all God's children, Black men, white men, Jews, Gentiles, Protestants, and Catholics, Could join hands and sing that spiritual of all: "Free at last! Free at last! Thank God almighty, we are free at last!"
Barbra Streisand version[edit]
In 1985, Barbra Streisand released a version of "Somewhere" as a single off the Grammy Award-winning The Broadway Album, charting at number 43 in the US (on the Billboard Hot 100) and number 88 in the UK.[2] The song itself won the Grammy Award for Best Instrumental Arrangement Accompanying Vocal(s). In 2011, a duet was produced using scenes from Streisand's version while Jackie Evancho performed live with David Foster at the Ringling Museum of Art. On her 2014 Partners album, she released a new recording of the song, this time as a duet with Josh Groban.
Phil Collins version[edit]
"Somewhere"
Single by Phil Collins
from the album The Songs of West Side Story
Released
1996
Format
CD, 12"
Genre
Rock
Length
4:02
Label
Atlantic, Virgin, WEA
Songwriter(s)
Leonard Bernstein, Stephen Sondheim
Producer(s)
Phil Collins
Phil Collins singles chronology
"We Wait and We Wonder"
(1994) "Somewhere"
(1996) "Dance into the Light"
(1996)
"We Wait and We Wonder"
(1994) "Somewhere"
(1996) "Dance into the Light"
(1996)
British drummer Phil Collins later covered the song in 1996 for the West Side Story cover album The Songs of West Side Story.
Charts[edit]
Chart (1996)
Peak
position
Canadian Singles Chart 68
US Billboard Hot Adult Contemporary Tracks 7
Pet Shop Boys version[edit]
"Somewhere"
Single by Pet Shop Boys
from the album Bilingual Special Edition
A-side
"A Red Letter Day" (US)
B-side
"The View from Your Balcony", "Disco Potential"
Released
23 June 1997
Format
CD single, 12", cassette single
Recorded
1995
Genre
Hi-NRG[3]
Length
4:42
10:56 (extended version)
Label
Parlophone / Atlantic
Songwriter(s)
Leonard Bernstein, Stephen Sondheim
Producer(s)
Pet Shop Boys
Pet Shop Boys singles chronology
"A Red Letter Day"
(1997) "Somewhere"
(1997) "I Don't Know What You Want But I Can't Give It Any More"
(1999)
"A Red Letter Day"
(1997) "Somewhere"
(1997) "I Don't Know What You Want But I Can't Give It Any More"
(1999)
"Somewhere" was released as a single by the British music group Pet Shop Boys on 23 June 1997 to promote their "Somewhere" residency at the Savoy Theatre in London, which was named after the song, and to promote a repackage of Bilingual.
The single was another top 10 hit for the group, peaking at number 9. The single also peaked at number 25 on the Billboard Bubbling Under Hot 100 Singles, roughly equivalent to 125 on the main United States Billboard Hot 100 chart. It also peaked at number 19 on the US Hot Dance Club Play chart. In the US, the song was released as a double A-side with "A Red Letter Day".
The Pet Shop Boys' version also uses elements of another West Side Story song, "I Feel Pretty", and the album version uses elements of "One Hand, One Heart" spoken by Chris Lowe.
Track listings[edit]
UK CD single 1 Parlophone CDRS 6470
"Somewhere"
"The View from Your Balcony"
"To Step Aside" (Ralphi's Old School Dub)
"Somewhere" (Forthright Vocal Mix)
UK CD single 2 Parlophone CDR 6470
"Somewhere" (Orchestral version)
"Disco Potential"
"Somewhere" (Trouser Enthusiasts Mix)
"Somewhere" (Forthright Dub)
UK cassette single TCR 6470
"Somewhere"
"Somewhere" (Orchestral version)
"The View from Your Balcony"
Charts[edit]
Chart (1997)
Peak
position
Australian Singles Chart[4] 56
German Singles Chart 70
Swedish Singles Chart 21
UK Singles Chart 9
US Billboard Bubbling Under Hot 100 Singles 25
US Billboard Hot Dance Club Play 19
Other notable cover versions[edit]
Esther Ofarim covered this song on her 1965 album "Is it Really Me?" and in the 2006 re-release "In New York With Bobby Scott & His Orchestra"[5]
Len Barry covered this song in 1966 and peaked at #26 on the Billboard Hot 100.
Ben Platt performed this song at the 60th Annual Grammy Awards as a tribute to Leonard Bernstein.
References[edit]
Jump up ^ Ross, Alex. The Rest is Noise: Listening to the Twentieth Century. Fourth Estate. ISBN 978-1-84115-475-6.
Jump up ^ Barbra Streisand Archives: Records/The Broadway Album.
Jump up ^ Dean, Will (19 June 2013). "Music review: Pet Shop Boys bring cornucopia of hits to London's O2 Arena". The Independent. Retrieved 31 March 2015.
Jump up ^ Ryan, Gavin (2011). Australia's Music Charts 1988-2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
Jump up ^ www.esther-ofarim.de
External links[edit]
Lyrics of this song at MetroLyrics
[show]
v
t
e
Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film)
West Side Story Suite (1995 ballet)
Variations
Deaf Side Story (c. 2002 musical)
Swango (2002 musical)
West Bank Story (2005 parody film)
Boogie Town (2012 film)
Songs
Act 1
"Something's Coming"
"Maria"
"Tonight"
"America"
"Cool"
"One Hand, One Heart"
"Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty"
"Somewhere"
"A Boy Like That"
Albums
West Side Story (1957 original cast)
West Side Story (1959 Previn)
West Side Story (1961 soundtrack)
West Side Story (1961 Tjader)
Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet)
West Side Story (1962 Peterson Trio)
Kenton's West Side Story (1962 Kenton)
Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi)
West Side Story (1974 Earl Hines)
Related
"The First Time"
"Upper West Side Story"
Wild Side Story
China Girl
"Roses"
Play It Again
Josh
Superjail!
[show]
v
t
e
We Five
Beverly Bivens
Michael Stewart
Jerry Burgan
Pete Fullerton
Bob Jones
Debbie Burgan'
Studio albums
You Were on My Mind
Make Someone Happy
The Return of We Five
Catch the Wind
Take Each Day as It Comes
Singles
"You Were on My Mind"
"Let's Get Together"
"My Favorite Things"
"Walk On By"
"Catch the Wind"
B-Sides
"Cast Your Fate to the Wind"
"Somewhere Beyond the Sea"
"Somewhere"
"The First Time"
"Here Comes the Sun"
"Oh Lonesome Me"
Cover Songs
"Can't Help Falling in Love"
"The Inch Worm"
"Our Day Will Come"
"Softly As I Leave You"
"Soon It's Gonna Rain"
"Tonight"
[show]
v
t
e
Phil Collins songs
Discography
Face Value
"In the Air Tonight"
"I Missed Again"
"If Leaving Me Is Easy"
Hello, I Must Be Going!
"Thru These Walls"
"You Can't Hurry Love"
"I Don't Care Anymore"
"Don't Let Him Steal Your Heart Away"
"Why Can't It Wait 'Til Morning"
"I Cannot Believe It's True"
"Like China"
No Jacket Required
"Sussudio"
"One More Night"
"Don't Lose My Number"
"Take Me Home"
Buster
"A Groovy Kind of Love"
"Two Hearts"
...But Seriously
"Another Day in Paradise"
"I Wish It Would Rain Down"
"Something Happened on the Way to Heaven"
"That's Just the Way It Is"
"Do You Remember?"
"Hang in Long Enough"
Serious Hits... Live!
"Do You Remember?" (live)
"Who Said I Would" (live)
Both Sides
"Both Sides of the Story"
"Everyday"
"We Wait and We Wonder"
Dance into the Light
"Dance into the Light"
"It's in Your Eyes"
"No Matter Who"
"Wear My Hat"
"The Same Moon"
...Hits
"True Colors"
Tarzan
"You'll Be in My Heart"
"Strangers Like Me"
"Son of Man"
"Two Worlds"
Testify
"Can't Stop Loving You"
"Come with Me"
"Wake Up Call"/"The Least You Can Do"
Brother Bear
"Look Through My Eyes"
"No Way Out"
Going Back
"(Love Is Like a) Heatwave"
"Going Back"
Featured singles
"Do They Know It's Christmas?"
"Easy Lover"
"Hero"
"In the Air Tonite"
"Home"
Other singles
"Against All Odds (Take a Look at Me Now)"
"Separate Lives"
"Somewhere"
Other songs
"The Man with the Horn"
"You Ought to Know..."
Book
Category
[show]
v
t
e
Pet Shop Boys
Chris Lowe
Neil Tennant
Studio albums
Please
Actually
Introspective
Behaviour
Very
Bilingual
Nightlife
Release
Fundamental
Yes
Elysium
Electric
Super
Compilation albums
Discography: The Complete Singles Collection
Alternative
Essential
PopArt: The Hits
Story: 25 Years of Hits
Party
Ultimate
Format
Remix albums
Disco
Disco 2
Disco 3
Disco 4
Live albums
Concrete
Pandemonium
Extended plays
Christmas
Soundtracks and scores
It Couldn't Happen Here
Closer to Heaven
Battleship Potemkin
The Most Incredible Thing
Other songs
"King's Cross"
"The Loving Kind"
"The Night I Fell in Love"
"I'm Not Scared"
"In Private"
"Nothing Has Been Proved"
"So Sorry, I Said"
"Don't Drop Bombs"
"Euroboy"
Film, stage and television
It Couldn't Happen Here
Closer to Heaven
Pet Shop Boys: A Life In Pop
The Most Incredible Thing
Notable tours and concerts
MCMLXXXIX
Performance
Discovery
Somewhere
Nightlife
Release
Fundamental
Pandemonium
Progress (as special guests)
Electric
Super
Related articles
Discography
Songs
x2
Reputation
Results
Electronic
Back to Mine: Pet Shop Boys
West End Girls
Book
[show]
v
t
e
Pet Shop Boys singles
Please (1984–86)
"West End Girls"
"Opportunities (Let's Make Lots of Money)"
"Love Comes Quickly"
"Suburbia"
Disco (1986)
"Paninaro"
Actually (1987–88)
"It's a Sin"
"What Have I Done to Deserve This?"
"Rent"
"Heart"
Introspective (1988–89)
"Always on My Mind"
"Domino Dancing"
"Left to My Own Devices"
"It's Alright"
Behaviour (1990–91)
"So Hard"
"Being Boring"
"How Can You Expect to Be Taken Seriously?"/"Where the Streets Have No Name (I Can't Take My Eyes off You)"
"Jealousy"
Discography (1991)
"DJ Culture"
"Was It Worth It?"
Very (1993–94)
"Can You Forgive Her?"
"Go West"
"I Wouldn't Normally Do This Kind of Thing"
"Liberation"
"Yesterday, When I Was Mad"
Alternative (1995)
"Paninaro '95"
Bilingual (1996–97)
"Before"
"Se a vida é (That's the Way Life Is)"/"To Step Aside"
"Single-Bilingual"
"A Red Letter Day"
Nightlife (1999–2000)
"I Don't Know What You Want But I Can't Give It Any More"
"New York City Boy"
"You Only Tell Me You Love Me When You're Drunk"
Release (2002–03)
"Home and Dry"
"I Get Along"
"London"
PopArt (2003–04)
"Miracles"
"Flamboyant"
Fundamental (2006)
"I'm with Stupid"
"Minimal"
"Numb"
Disco 4 (2007)
"Integral"
Yes (2009)
"Love Etc."
"Did You See Me Coming?"
"Beautiful People"
Ultimate (2010)
"Together"
Elysium (2012)
"Winner"
"Leaving"
"Memory of the Future"
Electric (2013–14)
"Axis"
"Vocal"
"Love Is a Bourgeois Construct"
"Thursday"
"Fluorescent"
Super (2016)
"The Pop Kids"
"Twenty-something"
"Inner Sanctum"
"Say It to Me"
"Undertow"
Non-album singles
"One More Chance"
"Absolutely Fabulous"
"Hallo Spaceboy"
"Somewhere"
"Break 4 Love"
"She's Madonna"
"Love Life"
[show]
v
t
e
Tom Waits
Studio albums
Closing Time
The Heart of Saturday Night
Small Change
Foreign Affairs
Blue Valentine
Heartattack and Vine
Swordfishtrombones
Rain Dogs
Franks Wild Years
Bone Machine
The Black Rider
Mule Variations
Blood Money
Alice
Real Gone
Bad as Me
Live albums
Nighthawks at the Diner
Big Time
Romeo Bleeding: Live from Austin
Glitter and Doom Live
Soundtracks
One from the Heart
Night on Earth
Compilations
Bounced Checks
Anthology of Tom Waits
Asylum Years
The Early Years, Volume One
The Early Years, Volume Two
Beautiful Maladies
Used Songs 1973–1980
Orphans: Brawlers, Bawlers & Bastards
Notable songs
"Ol' '55"
"Tom Traubert's Blues"
"The Piano Has Been Drinking (Not Me) (An Evening with Pete King)"
"Somewhere"
"Christmas Card from a Hooker in Minneapolis"
"Romeo Is Bleeding"
"Kentucky Avenue"
"Heartattack and Vine"
"Jersey Girl"
"Jockey Full of Bourbon"
"Downtown Train"
"Way Down in the Hole"
"Young at Heart"
"Bad as Me"
"Back in the Crowd"
Tours
Real Gone Tour
The Orphans Tour
Glitter and Doom Tour
Related articles
Discography
Kathleen Brennan
Greg Cohen
Bones Howe
Rickie Lee Jones
Marc Ribot
Larry Taylor
Chuck E. Weiss
Step Right Up: The Songs of Tom Waits
New Coat of Paint
Tom Waits for No One
Portal:Rock music
Commons:Tom Waits
Retrieved from "https://en.wikipedia.org/w/index.php?title=Somewhere_(song)&oldid=836905306"
Categories:
1956 songs
1964 singles
1985 singles
1996 singles
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Songs written by Stephen Sondheim
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The Supremes songs
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Aretha Franklin songs
Bobby Darin songs
Celtic Woman songs
Sissel Kyrkjebø songs
Devo songs
Johnny Mathis songs
Crazy Elephant songs
Glen Campbell songs
Marianne Faithfull songs
Rick Astley songs
We Five songs
Andy Williams songs
Songs from West Side Story
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